East River Blues Band - High Tide

Bitrate:320K/s
Year:2006
Time:56:38 
Size:130,5 MB 
Label:Hellgate music
Styles:Blues/Harmonica Blues 
Art:Front 

Tracks Listing:
 1. Closing Time - 4:11
 2. Lovin' Girl - 5:36
 3. Independent Woman - 4:19
 4. Blue Midnight - 4:36
 5. East River Rats - 5:12
 6. Police Dog Blues - 4:14
 7. Running Home To Brooklyn - 4:02
 8. Subway Blues - 3:20
 9. Hasta La Vista - 3:58
10. Candy Store - 4:57
11. Bleeding - 8:05
12. Fiona's Shuffle - 4:02

High Tide, is not only gritty, gut wrenching, and powerful. It's also real. Very real. Real feel. Real rhythm. Real Pain. It's a collection of original songs that convey, in a very real way, the daily struggle that is New York City. "Closing Time" kicks off the CD with a swinging shuffle about booze and babes. "East River Rats" is a biographical song about growing up in the tenements and how some get out but others don't. Critics are already calling the up tempo jump tune "Running Home to Brooklyn" a classic. It's all about getting back to that pretty little thing after slogging it out on the other side of the East River. But the song that takes it down, breaks it up, and leaves the listener gasping is "Bleeding". A grinding, dirty blues that only ERBB can pull off. The reason is quite simple: The East River Blues Band is tough. Rough and tumble tough. Most of the band grew up in some of the hardest sections of New York City. Not the places in the movies. No, they did their adolescent time in the working class neighborhoods of Astoria Queens, Greenpoint Brooklyn, and the Housing Projects of Long Island City. To escape that harsh reality, they discovered The Blues. Now that grittiness and suffering comes through whenever the band hits the stage. From the softest soft to the growlingest growl to the grooviest groove, ERBB lays it down heavy and righteous. Audiences go crazy when they knock down the standards. Yet when ERBB plays an original tune, not only do they elevate the blues to new heights, the crowd stands up and cheers for more. Fronting the Band is "Howling" Danny Cumberland. He grew up in Greenpoint section of Brooklyn and made his living as a cop. A New York City Correction Officer, who has experienced first hand the complexity of the human condition. This pain and suffering, profoundly affected "Howling" Dan and you can hear it in every note coming from his rich baritone voice. "Howling" Danny's not just a battering ram of intensity, the boy has sex appeal. Just ask the women who swoon at the band's gigs. He's been called 'sultry', 'seductive', and 'sensuous'. He sees the blues as a spiritual cleansing - an emotional release of love, happiness, pride, hurt, anger... and subsequent ecstasy. 'It's kind of like a good session of scratching and biting sex,' explains the gritty frontman. The anchor of the band is Ken Hughes. The working class streets of Astoria helped form the core of this Blues Junky. His guitar playing crosses the wide ocean of history. He can lay down some country plucking and then fire up to Stevie Ray Vaughn. And the boy can sing. His voice is harsh and sweet. His solos innovative and gut wrenching. At one gig, Chicago blues great Hubert Sumlin sat-in and told Ken "man, you were burning me up". He even signed Ken's guitar. Ripping the solos and purring some vocals is virtuoso harmonica man Tom Brumley. He's a penthouse pauper from the bohemian Brooklyn art scene. He plays every warm note on his licking stick with the soul of an artist and the mind of an urban scholar. Bill Acosta couldn't wait to escape the Projects of Long Island City. His bass playing is groove at it's best. He's got feel that is real.

High Tide

Greg Serrato - Like A Tornado

Bitrate:320K/s
Year:2001
Time:55:13 
Size:127,6 MB 
Label:J-Bird Records 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Your Lovin' Arms - 5:00
 2. Foothill Blvd. - 3:45
 3. Like A Tornado - 7:39
 4. Raised On Playing The Blues - 4:24
 5. Locomotive Strat - 1:13
 6. Into The Night - 5:04
 7. I Was Wrong - 4:18
 8. Phil-Billy Stomp - 3:12
 9. Pack My Bags - 5:08
10. All Along The Watchtower - 4:21
11. Backfire - 5:56
12. Mr. Bad - 5:07

When I first heard Greg Serrato on disk, I thought, "Uh-oh, another great guitar slinger who could be a SRV or Hendrix clone". But I was wrong. Greg has the depth and insight to make what he does emotionally powerful and remove it miles from clonedom. He is a real natural. Someone said: "Anyone can practice guitar, learn some licks and make believe that they're an entertainer, but to be great at your instrument - to be able to walk out on any stage and immediately plug into the musicians who are playing, plug into the audience, then find your spot and be yourself - that is a real talent". And that is what Greg has. The Southern CA's most talented blues musicians can play different styles of blues, however Greg's depth as a lead guitarist, singer and composer is revealed in his ability to change styles without ever losing his signature sound. "Child of the blues", his first release with J-bird is a tasteful mix of contemporary blues with a touch of jazz influence. For his second release "Holly Smoke" Serrato presents 11 new original songs and offers a tasty variety of rockin' blues, funky grooves, Texas stroll and it also features some great instrumentals. The instrumental ballad 'Val' is a dense musical meditation that hypnotizes. It pulls and releases with a grand sweep of guitar virtuosity: truly a compelling composition. Serrato uses his good humored signature in songs like "Cadillac blues" or "Kids have the blues too". The Blues Access Magazine wrote " Rockin' Stratmaster Serrato gets the big sound on these 11 cuts, with organ and horn arrangements framing his fine guitar and vocals. The instrumental title cut will cause guitar slingers to holler "Holy Smokes.". The latest and most excellent album is called "Like A Tornado" and is also released on J-Bird Records. Another smokin` CD from Greg Serrato! A fan wrote me once regarding my tribute page to Serrato saying: "This guy is so good that he can't afford to be famous". I liked that one :) ~  Sylvain (Sly) Chartrand

Like A Tornado

The Bailey Bros - How to Write the Wrong (feat. Jimbo Mathus)

Bitrate:320K/s
Year:2010
Time:30:20 
Size:70,0 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. 80 on 55 - 4:32
 2. Shadow Blues - 3:15
 3. Devil and the Deal - 4:47
 4. Meet Me - 2:27
 5. My Baby - 2:06
 6. Lonley Man Blues - 3:29
 7. The Other 8 - 4:19
 8. Three Shells - 2:25
 9. Back to the Delta - 2:57

When put under the microscope of the most discerning blues aficionado, the Bailey Brothers’ debut studio album “How to Write the Wrong” delivers the whole package in every aspect. In nine tracks, Brock and Jason Bailey, accompanied by acclaimed contemporary bluesman Jimbo Mathus on bass, mandolin and backup vocals, takes listeners on a musical tour from the juke joints and dirt roads of the Mississippi Delta, to the shuffle and swing of Chicago blues, the gritty guitar leads known throughout Texas and Louisiana blues, to the rolling hills of North Mississippi. The Bailey Brothers clearly honed their musical skills to learn the nuances of each genre they explored. The first two tracks, “80 on 55” and “Shadow Blues,” mirror the Hill Country sound in the particular tuning of the guitars and the almost tribal rhythms of Brad Carter on drums.The album then makes a down-tempo transition in “Devil and the Deal,” where a steady drumbeat accompanies melodic guitar leads, a noticeable shift from the crunchy distortion of the previous two tracks. And the lyrics, like most memorable blues songs, are simple and catchy: “Devil got my woman / said he won’t give her back / ain’t nothin’ but causin’ problems / you know the devil and my woman won’t cut me no slack.” The Bailey Brothers take listeners to Texas in their next song, “Meet Me,” a fast blues shuffle with smoking guitar leads over a steady bass-guitar groove. Fans of artists like Kenny Wayne Shepherd and Stevie Ray Vaughn will appreciate the tempo and rhythm. Both “Meet Me” and the next track, “My Baby,” show the Bailey Brothers’ affinity for Texas and Chicago blues and of their experiences with failed relationships. The lyrics at the very end of “My Baby” epitomize the essence of the blues: “My baby drank all my whiskey / now my ass is all alone.” My personal favorite instrument as a fan of the blues, the slide guitar, seems to be noticeably absent from the album, although a little bit of electric slide can be heard on “My Baby.” But fans of the slide get their own song at the very end of the album on “Back to the Delta,” sung by Jason Bailey, as he puts a slide to the neck of his dobro. The song progressively increases in dynamics as Mathus plays tremolo chords on his mandolin and howls backup vocals with Brock Bailey. The brothers are Cleveland, Miss., natives, and the lyrics are the perfect complement to the dobro: “Well a hundred miles of travel / you know I don’t mind / when I get myself to the Delta / I’ll be feelin’ mighty fine.” The album is dedicated to Jason and Brock’s deceased brother, Chris Gianini, who died of cancer in 2004. “He was a musician. He knew everything about the sound,” Jason Bailey remembers. “He was a guitar player before any of us was.” - Jackson free Press

How to Write the Wrong (feat. Jimbo Mathus)

Rich Chorné (featuring Tommy Lepson) - My First Car

Bitrate:320K/s
Year:2000
Time:55:24 
Size:127,9 MB 
Label:Chorne Music 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Route 66 - 3:58
 2. Outside Lookin' In - 3:11
 3. My First Car (Bossa) - 3:23
 4. Katerina - 2:45
 5. Kiss - 4:41
 6. I've Known Your Love - 3:38
 7. La Bamba - 3:17
 8. It's Your Thing - 3:34
 9. Walkin' The Dog - 3:36
10. My First Car - 2:15
11. Barefootin' - 4:01
12. I Fought The Law - 2:29
13. Complainin' - 3:26
14. Crazy 'bout You Baby - 3:37
15. Bouncing Betty - 4:14
16. Even the Score - 3:12

Rich has moved to the mountains of Ruidoso, NM after achieving an impressive track record on the East Coast for producing his three CD’s and memorable performances at major festivals and events such as the many Chesapeake Blues Festivals, Baltimore’s Artscape , and others. His songwriting has won awards from the Songwriter’s Association of Washington, he was an endorser Leo Fender’s G&L guitars and was a national clinician for Sony audio and guitar products. A native of El Paso, Texas, Rich Chorné brings to the table those Texas-foot-stomping guitar influences that will drive the average person into dance frenzy.
He has shared the stage with many notable artist such as the late Johnny Johnson (Eric Clapton keyboardist and Chuck Berry’s Johnny Be Good), Zydeco’s Boozoo Chavis, Lou Ann Barton, opened for Kenny Wayne Shepherd and Double Trouble, Shemekia Copeland, and early ZZ Top with the Jay Adams Band and started out playing with El Paso Blues legend Long John Hunter, to name a few.
In Ruidoso, New Mexico he is at home playing local venues and playing with most of the local musicians and planning special events through the Ruidoso Regional Council of the Arts. He has expanded his repertoire to include country favorites and some Spanish compositions. He has developed a solo act which opens up many more songs in his repertoire.

My First Car

Michael Harrison - Easy Money

Bitrate:320K/s
Year:1977
Time:28:23 
Size:65,5 MB 
Label:Self-Released 
Styles:Blues/Mix 
Art:Front 

Tracks Listing:
 1. Accident On the Road - 2:33
 2. Shades of Blue - 2:55
 3. Jazzman - 5:09
 4. Sometimes When I Look Into Your Eyes - 2:51
 5. Blue Weather - 3:07
 6. You Won't See Nothin' - 3:35
 7. Shapes in the Clouds - 2:08
 8. Easy Money - 3:44
 9. I Can't Tell You - 2:16

Michael recorded his first album Easy Money in 1977 and was very keen to get it released – it was almost impossible for an independent artist to do so in those days! The album features some great musicians, unique melodies and arrangements, great sax, keyboards and guitar work. So Easy Money was remastered and released in a limited edition.
He travelled the US playing with some great people along the way… Ron Bland, Ron Jolly, Mike Marlier, Bob Rebholz, Toy Caldwell (Marshall Tucker Band), Tommy Bolin, John Lee Hooker, Mark Nuffler (Butterfield Blues Band), Charlie Musclewhite, Kathy Moffatt, Jim Riedl, Steve Watts and many great bluesmen during his time in California.
He now has many CDs to his credit… Easy Money, Lost In The Blues, Hole in My Soul, Why I Sing the Blues and more. Original songs and lots of great guitar playing... and performances from a lot of great musicians...

Easy Money

Ghalia Volt - One Woman Band

Bitrate:320K/s
Year:2021
Time:37:32 
Size:86,5 MB 
Label:Ruf Records 
Styles:Blues Rock 
Art:Front 

Tracks Listing:
 1. Last Minute Packer - 3:51
 2. 02. Ghalia Volt - Espiritu Papago.mp3 -     
 3. Can't Escape - 4:35
 4. Evil Thoughts - 4:22
 5. Meet Me in My Dreams - 4:14
 6. Reap What You Sow - 3:45
 7. Loving Me Is a Full Time Job - 4:09
 8. It Hurts Me Too - 2:44
 9. It Ain't Bad - 2:26
10. Bad Apple - 4:29
11. Just One More Time - 2:52

The global pandemic has pushed most people out of their comfort zones and in the case of singer/guitarist Ghalia Volt’s One Woman Band, it’s a good thing. The album is a garage-y collection of tunes that rocks like something out of the 1950s. The album title is literal. Volt handles vocals, guitar, and drums, all at the same time (although there are two tracks with bass from Dean Zucchero and Monster Mike Welch helps out with some guitar on “Evil Thoughts”). Volt began her career busking in Belgium, so she’s capable of performing alone, but this is the first time she’s recording as her own rhythm section. The beauty of the album is the freshness that comes from jumping into something new. Volt is a solid drummer, especially when you factor in that she’s belting out the vocals while handling the guitar, but it doesn’t sound the same as someone else playing. There are subtle tempo lags and shifts that inject tracks with excitement.The energy comes from the boldness of Volt’s experiment. Drumming is hard for anyone. Drumming while accompanying yourself vocally and on guitar is next-level difficult. And then when you factor in it’s not her usual way of operating? It’s like watching a circus performer on a tightrope without a net. The tracks where the drums threaten to fall out of sync with the rest of the song are riveting, which sounds like a criticism, but is a strong, sincere compliment. Too many artists are afraid of imperfection and paint over the small blemishes, where Volt recognizes them as the true beauty of the track. No one listens to Robert Johnson for the production. It’s the songwriting, performance, and moment he’s locked into that grabs us.
And to clarify, Volt’s drumming is solid and professional. She just leaves in moments that many other artists would have re-done. In that sense, this sounds like a live album, where there’s no going back. For instance, on “Loving Me is a Full Time Job,” Volt starts with her voice and chorus-twinkling guitar, transitioning the song through a bluesy dirge, before kicking in her own drums, moving the track into a 50s bounce. But the drums hang back a bit, rather than propelling the song. It sounds punk rock and classic blues, all at the same time. Factor in Volt’s voice, which provides a lighter counterpoint, with its hint of a blues howl, and you have a song that works in several different time periods. Volt is a strong songwriter, but her cover of “It Hurts Me Too” is special. Her electric guitar provides the song’s low-end until her slide comes in, mirroring the sadness of her vocals. And that’s all there is: electric guitar and voice making the song sound huge and complete. The beauty of the cover is how Volt locks into the spirit of previous versions, not rocking it, but simplifying the song all the way down to its essence. I’m a huge Elmore James fan and while he didn’t write it, he’s strongly associated with the song. I’m protective of anyone horning in on James’ territory, but this version passes my test. Who knows if Volt would have come to this album under different circumstances? But I’m glad she did. It’s a bold move from an artist committed to getting her music out, even if it means becoming her own band. Eventually, Volt will be able to return to band-oriented recording but I hope she keeps the one-person band in her musical arsenal, at the very least for a few tracks per album.

One Woman Band

Perry Weber & The Devilles - The Riot Act

Bitrate:320K/s
Year:2009
Time:44:12 
Size:102,8 MB 
Label:Stumpy Dog Music 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. Got My Room - 2:57
 2. Riot Act - 4:23
 3. Hot Little Mama - 3:26
 4. Bernie's Bounce - 3:23
 5. Cuttin In - 2:49
 6. Don't Take Advantage - 5:08
 7. My Cake - 3:47
 8. Big Jim - 4:47
 9. The Boy - 4:06
10. Slam Hammer - 2:37
11. Pent Up - 3:43
12. 10 Long Years - 3:04

Musicians:
Perry Weber - Guitar, Harmonica
Tony Menzer - Bass
Benny Rickum - Harmonica
Victor Span - Drums, Percussion
Guests:
Barrelhouse Chuck - Piano, Wurlitzer, Farfisa
Jimmy Voegeli - Hammond Organ
Jim McCarthy - Guitar

Formed in early 2007 and based in Milwaukee, WI. - Perry Weber & The DeVilles are quickly making a name for themselves as one of the most exciting Blues/Roots groups to come on the scene in quite some time! Over the past two decades, Perry Weber has backed up some of the biggest & best names in Blues, including Hubert Sumlin [Howlin Wolf], Willie "Big Eyes" Smith [Muddy Waters], and The Legendary Blues Band... but he is probably best know for his stellar work backing Harmonica legend Jim Liban [Johnny Winter, David Allen Coe]. Aside from being a flame-thrower on the Guitar, Perry is also a dynamic Singer/frontman, and has a knack for clever & original songwriting. The DeVilles feature Ben Rickun on Harmonica & Guitar, Tony Menzer on Bass, and Victor Span on drums. These three also have impressive resumes, having performed/recorded/toured with the who's who of the Blues world, including: James Cotton, Buddy Guy, Clyde Stubblefield [James Brown], Bryan Lee, Johnny Johnson [Chuck Berry], Sam Lay, Kenny Wayne Shepard, Nick Moss, Barrelhouse Chuck, and Pinetop Perkins [Muddy Waters], just to name a few! Musically, the band jumps effortlessly from all styles of the Blues: Deep Chicago, Big Guitars of Texas, West-Coast Swing, Memphis grooves, New Orleans R & B, as well as the occasional Honky-Tonk tune. Their sound has drawn comparisons to Early Fabulous Thunderbirds, The Bel-Airs, and The Paladins. 

The Riot Act

Red Miller and Farm House Blues - Live!

Bitrate:320K/s
Year:2025
Time:79:41 
Size:184,4 MB 
Label:DMCI 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Devil Bayou (Live) - 5:06
 2. Key to the Highway (Live) [feat. Jake Washburne] - 4:04
 3. Pure Lies (Live) - 3:58
 4. Dark Rider (Live) - 3:35
 5. You Win Again (Live) [feat. Jake Washburne] - 3:55
 6. Born Under a Bad Sign (Live) - 3:24
 7. Born Blue (Live) - 4:43
 8. Little by Little (Live) - 4:26
 9. Borderline (Live) - 4:13
10. Promised Land (Live) [feat. Jake Washburne] - 3:36
11. Further on up the Road (Live) - 3:06
12. With You (Live) - 3:47
13. Ripple (Live) [feat. Jake Washburne] - 4:18
14. Howl (Live) - 4:56
15. I Know You Rider (Live) [feat. Jake Washburne] - 5:50
16. Little Red Rooster (Live) - 4:02
17. State of Mind (Live) - 4:52
18. Truckin' (Live) [feat. Jake Washburne] - 7:43

Red Miller has spent a lifetime mastering the art of blues, blending it with rock and soul to create a sound that moves audiences and leaves a lasting impression. As a seasoned bandleader and accomplished sideman, Red's music is all about making people feel good and connecting through the power of rhythm, melody, and raw emotion.
Red's musical journey began in his teens, singing and playing keyboards in bands around Boston. At 21, he moved to California, where he formed the blues band Tombstone. It was there that Lowell George, the legendary frontman of Little Feat, heard Red's music and encouraged him to develop his songwriting and keyboard skills. This mentorship had a profound impact, pushing Red toward a deeper understanding of the music that would define his career.
After returning to Boston, Red worked at the Berklee College of Music while continuing to perform across New England. He also released two solo albums, further establishing himself as a gifted and versatile artist. Seeking new opportunities, Red moved to Illinois and joined Knights of Crisis, a band that would take him on the road, performing with iconic acts like Little Feat, Blue Oyster Cult, The Guess Who, Rare Earth, and David Allan Coe. A highlight of this period was playing at the renowned Chicago House of Blues.
Red's journey continued in South Carolina, where he joined Rock and Roll Reunion. Over the next decade, Red performed at major festivals such as Fall for Greenville, Spartanburg Spring Fling, and the South Carolina Peach Festival, as well as regular gigs at the prestigious Biltmore Estate. His reputation as a performer and bandleader grew throughout the Carolinas, cementing his place in the regional music scene.
In 2022, Red moved to Virginia to be closer to family, where he quickly formed the Red Miller Blues Band. Then, in late 2024, the Red Miller Blues Band merged with the Farm House Blues Band, bringing together two seasoned groups to create Red Miller and Farm House Blues. The result is an exciting, high-energy ensemble that blends blues, rock, and soul into a dynamic, crowd-pleasing sound.
With a career that spans decades and countless performances, Red Miller continues to share his passion for music with audiences, creating unforgettable live experiences wherever he goes.

Live !

Midtown road - Believe

Bitrate:320K/s
Year:2025
Time:72:07 
Size:166,3 MB 
Label:7915435 Records DK 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Back stabbers lament - 3:39
 2. Punishment - 3:13
 3. Aint sheddin tears - 3:44
 4. Crossroads - 3:59
 5. Cleaning up - 3:03
 6. Debt collectors - 3:52
 7. Iron - 3:26
 8. Midnight shadows - 3:43
 9. Free for all - 3:23
10. Panic boss - 3:24
11. The westside - 3:59
12. Velvet dress - 4:00
13. Broke as a joke - 3:22
14. Cat killer - 3:43
15. Screaming - 3:18
16. Doing right - 3:49
17. Nightmare crash - 3:48
18. Feeling angry - 3:13
19. Bad storm - 3:31
20. Being blamed - 3:48

The new album from Midtown Road. Some of its moves seem a bit mannered and obvious, but if you look at the album as a whole, you'll probably find it very satisfying. Recommended.

Believe

Tucson Simpson - Hot Town

Bitrate:320K/s
Year:2002
Time:40:22 
Size:93,4 MB 
Label:GGP Records 
Styles:Rock/Southern Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. Coldwater - 3:34
 2. Bottle of Pain - 3:59
 3. Beat This Dead Horse Down - 4:15
 4. Cry (Like a Baby) - 4:28
 5. The Money Ain't There - 3:17
 6. Owen's Mill - 3:47
 7. Afraid of the Dark - 5:13
 8. Can't Help You - 3:30
 9. Divided - 2:53
10. Down Into You (The Sammy Song) - 5:21

From time to time, you will come across a excellent produced and engineered cd. Of course it may not be excellently produced in all areas. Well hold on to your seat, Tucson Simpson's CD 'Hot Town', is so finely produced, you will be blown away with this cd as I was.
Tucson Simpson style is a hot powerful mix of the Delta Blues, Commercial Pop and Southern Rock. Any day of the week you can catch this much desired band Headlining on the club circuit in Memphis-Tennesee. This band is so hot and in demand that I'm not surprised if there isn't a WANTED POSTER down at the local post office.
This group of musicians are definitely on their way to the top, Tucson Simpson has the most versatile musicians I have ran across in awhile. Tucson Simpson is a product of the hottest collection of power electric and acoustic guitars, lyrics that grab your heart and soul and hooks that resembles our own life experiences along with those of the musicians, without the talented musicians there would be no Tucson Simpson.
Who is Tucson Simpson??
Graham Perry - has the kind of voice that the vocal range goes on forever and ever. His vocals reach into your heart and pulls you in. Songwriter and lead vocals along with other versatile talents.
Kevin Kilgore - Graham and Kevin are two dynamite songwriters/musicians. Kevin is a superb keyboard player that knows his keys.
Bill Frazier - The drum action is right there and in the pocket, strong and definitely part of the heartbeat of Tucson Simpson.
Steve Hearn - Bass guitar is the other half of the heartbeat for this bunch, I mean he is right there, when it comes to Steve and Bill, they are ONE. Excellent job Steve.
Sam Plumlee - This guitar player was one hot player that jumped in there and pulled it all together. Every lick he played was HOT AND ON FIRE.
After Tucson Simpson lead guitarist Sam Plumlee passed away during the recording of the 'Hot Town' cd, Jeff Miller (Survivor) and Terry Ferguson (Hoehn & Duren) picked up where Sam Plumlee left off, so Jeff and Terry finished some of the most heart-wrenching tracks on Hot town. ~ Muzik Reviewz 05/2003

Hot Town

Paul Gabriel - What's the Chance...

Bitrate:320K/s
Year:2013
Time:55:32 
Size:127,8 MB 
Label:Shining Stone Records 
Styles:Blues 
Art:Full 

Tracks Listing:
 1. Old Time Ball - 3:02
 2. Ride, Ride, Ride - 5:11
 3. What's The Chance - 5:00
 4. 328 Chauncy Street - 3:02
 5. Baby I Wish - 3:45
 6. Devils Daughter - 3:44
 7. All That Time Gone - 3:48
 8. C.M.C. - 4:08
 9. Roomful of Blues - 5:05
10. Magic - 5:53
11. Something You Got - 3:26
12. Fine At'Tire - 4:52
13. Spoda Be - 4:29

Paul Gabriel is a Blues Music Award nominee, Lifetime Achievement Award recipient, Blues Hall of Fame inductee and New England Music Hall Of Fame inductee.
Paul Gabriel is a Blues Music Award nominated guitarist, singer and songwriter. In March 2018 Paul Gabriel was presented with the Lifetime Achievement Award from the Connecticut Blues Society for excellence in guitar playing, singing and songwriting; also for outstanding bandleader and entertainer.
In July 2018 he was inducted into the CT Blues Hall Of Fame as a Master Blues Artist, in 2020 he was inducted into the New England Music Hall Of Fame for his musical contributions to the music business over fifty years.
He has shared the stage with B.B. King, Buddy Guy, Albert Collins, Muddy Waters Band, Mick Taylor, James Cotton, Robert Cray, Jaimoe, Gatemouth Brown, Buckwheat Zydeco, Matt Murphy, Johnny Winter, Delbert McClinton, Duke Robillard, Ronnie Earl, Toy Caldwell, Roomful Of Blues, The Fabulous Thunderbirds, The Band, Lonnie Mack, Sugar Ray and The Bluetones, Mark Naftalin, Arthur Neilson, Shemikia Copeland, Bonnie Bramlett, Susan Tedeschi, Emmy Lou Harris, Larkin Poe, Christine Ohlman, Sue Foley, Debbie Davies, Candye Kane, Tommy Castro, Joe Bonamassa, James Montgomery, Gov'T Mule, Orleans, Tower Of Power, Rick Derringer, Issac Hayes and many, many more.
He has appeared on three Harry Chapin albums, played slide guitar on Rory Block’s Grammy nominated album, ‘Mama’s Blues’ and toured with Michael Bolotin (Bolton). His first major release, ‘Paul Gabriel- What’s The Chance’ was produced by Duke Robillard for Shining Stone Records and was nominated for a Blues Music Award in 2014. It charted for 22 weeks on The Roots Music Report, Living Blues Chart, Blues Debut Chart and Cashbox Charts, reaching #8 nationally and #1 in Connecticut.
While almost always performing with a Blues band under his own name, he has been a member of quite a few groups that always made the difference; most notably Blue In The Face, The Mojomatics and HooDoo Band.

What's the Chance

Twenty Four Seven - Hard Times

Bitrate:320K/s
Year:2002
Time:43:40 
Size:101,5 MB 
Label:Self-Released 
Styles:Modern Electric Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Anyway - 3:27
 2. Gonna Change - 3:24
 3. Pawn Shop - 5:22
 4. Hard Times - 6:18
 5. Voodoo Chillin' - 3:02
 6. 24-7 - 2:48
 7. Crosscut Saw - 4:52
 8. Stubborn You - 5:02
 9. Cadillac Car - 3:30
10. Dreamer - 5:50

Musicians:
Randy Pavlock - guitar & vocals;
Harrison Sayers - bass;
Frank Gonzalez - drums;
Jason Swindol - fiddle on #9.

Founder of the group "Twenty Four Seven" Randy Pavlock is an original singer, songwriter, and national performer who embodies the essence of Texas Blues/Rock. A natural-born guitarist, Randy hails from Navasota, the “Blues Capital of Texas,” and home to blues legend Mance Lipscomb. As the leader of Twenty Four Seven, he has performed extensively across the United States, Canada, and Europe. Through Randy’s early Austin years, he spent many countless nights performing. This is where he had the honor of playing alongside some of Austin’s most renowned musicians. One such notable figure was the late Uncle John Turner of Johnny Winter fame, who later joined Twenty Four Seven. Randy dedicated countless hours performing at iconic venues, including Austin’s famous 6th Street, sharing the stage with artists like Gary Clark Jr., Alan Haynes, members of Double Trouble, and many more.
Randy’s career has seen him open for music legends such as Eddie Money, Jimi Jamison, Buddy Miles, Buckwheat Zydeco, Sonny Landreth, and Rocky Athas of John Mayall fame, among others to name a few. He has also shared festival stages and playbills internationally with artists like Shemekia Copeland, Joe Bonamassa, Canned Heat, Paul Rodgers, Thin Lizzy, and Beth Hart to name a few.
Throughout his career, Randy has released several albums, including projects in 2005, 2008, 2012, and 2020. His close collaboration with the late Buddy Miles culminated in the 2008 album Miles to Go, featuring Buddy’s final recordings. This project was both a personal and professional triumph for Randy, leading to a series of successful performances across the U.S., Canada, and Europe.
In 2012, Randy released Transformation, an album marking a new direction in his sound, blending modern blues with deep personal reflection. The album took on even greater significance following the tragic loss of his co-writer in 2013.
Just before the pandemic in 2020, Randy released Fly On/Live On, a project dedicated to his late co-writer. Though the pandemic delayed its full release, the title track remains a standout moment in Randy’s career.
For those yet to experience the music of Randy Pavlock and Twenty Four Seven, it’s a journey worth taking. 
As Randy himself explains: “I let the music play me. Feeling is not a schedule or a map, but a guide. Music has always been a part of my background. It became natural to me at the age of seven, when I began playing an old guitar my father had lying around. I remember that old thing had only five strings on it and never held a tune,” he laughs. “Playing guitar wasn’t something I chose; it was a God-given talent that was handed down. When I was 15, an unknown illness brought me near death. Sometimes, tragedy forces us to grow up fast. I can say without a doubt that God and music saved my life.”
Randy draws inspiration from his personal experiences and the stories of others: “Music is a form of guidance. My inspiration to write comes from things I’ve seen on my own journey, and from imagining myself in someone else’s shoes. When we’re faced with problems we can’t solve, sometimes the answer is in the message of a song. That’s what inspires us to better our souls on this lifelong journey.”

Hard Times

The Steve Hill Trio - (What ever Happened to) Playing for the Love of Music !?

Bitrate:320K/s
Year:2004
Time:52:23 
Size:121,6 MB 
Label:T.I.C .Records 
Styles:Blues/Electric Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Hey Now, Serena - 5:32
 2. Cut Me Some Slack - 2:22
 3. Let Me Dream - 3:17
 4. Love Me Right - 3:18
 5. New Year for the Blues - 3:08
 6. No More Thrills - 3:37
 7. You Just Might Find - 3:05
 8. The Dog in Me - 3:44
 9. Show Me a Heart - 2:44
10. I Ain't Gonna Jump Through No More Hoops - 3:48
11. Things You Get Used To - 4:13
12. Stir Your Sugar - 3:05
13. Second Hand Information - 4:16
14. Video Game Baby - 2:25
15. Trouble Coming Down (Strife in the News) - 3:44

Steve Hill (aka Steve Territo) has been playing music since he was eight years old. In 1965 he switched from playing the accordion (like many an Italian kid did in those days) to guitar and harmonica. Then in the early 1970's he came to the realization that the only style of music he was interested in performing in a band setting was blues and soul influenced rock and roll. Moving to the Dallas/Fort Worth area of Texas from his hometown of Chicago, Illinois, in 1974, Hill (now also singing), formed and played in a variety of bands. From 1982 untill 1988 he headed The J.B. Strut Band which played around a seven state area as well as throughout Texas and released an album of several blues covers and seven original songs, four written by Hill and three by Hill in combination with other band members. "J.B. Strut," as the band was known locally, also opened shows for Johnny Winter, Omar and the Howlers, the Tailgators, Little Joe Blue, Big Twist and the Mellow Fellows, and others. After disbanding the group late in 1988 due to personnel changes and that old band nemesis, "artistic differences," Hill took a seven year sabbatical from playing live, preferring instead to concentrate on songwriting. By 1995, he once again started playing locally, first in a five piece band, then in The Steve Hill Trio. Today, Hill has been fortunate enough to be able to continue playing the music he wants to play with some of the best blues/rock players in the DFW area including Cadillac Johnson, Aram Doroff, Bobby Counts, Dirk Cordes, Steve Springer, Jas Stephens, Linda Waring, Michael J. Dohoney and others.

(What ever Happened to) Playing for the Love of Music !?

Pete Mayes and the Texas Houserockers - Live! at Double Bayou Dance Hall

Bitrate:320K/s
Year:2003
Time:44:40 
Size:102,9 MB 
Label:GoldRhyme Music Publishing & Recording 
Styles:Blues/Texas Blues/Electric Blues 
Art:Full 

Tracks Listing:
 1. Kansas City - 4:45
 2. Blueberry Hill - 3:30
 3. Introduction - 0:51
 4. I'm Ready - 3:27
 5. Blue Shadows - 4:32
 6. Pony Tail - 4:45
 7. Honkytonk - 5:56
 8. Things That I Uesd To Do - 3:36
 9. Just a Little Bit - 3:13
10. Down Home Blues - 4:19
11. Sweet Home Chicago - 5:40

On Memorial Day of 2003, Pete Mayes and the Texas Houserockers reunited for another holiday gig at the old dance hall. Anchored by founding members Bert Lewis (Pete's cousin) on piano and Shedrick Cormier on saxophone, Pete and the band delivered a set of favorite numbers, songs as familiar to the regular patrons as the worn wood floors and low ceiling. With his pal John Broussard taking over on guitar, and Johnny Prejean and Charles McCall comprising the rhythm section, Pete devoted himself solely to singing and though his voice,like Double Banou Dance Hall, may have aged, it still conveys the sould of a man - blues veteran back in the place where, for him, it all began. Mayes played guitar with greats like Junior Parker and Bill Doggett. He has fronted his own band, the Houserockers, for 40 years. Mayes still owns and maintains the historic Double Bayou Dancehall, which once served as a regular venue for Amos Milburn, Lightnin' Hopkins, Big Joe Turner, Clarence 'Gatemouth' Brown and scores of others. It was there that Mayes, then just 16 years old, first heard T-Bone Walker and was put on the path his life ws to take and it is there that he recorded LIVE! At the Double Bayou Dancehall.

Live! at Double Bayou Dance Hall

Tucson Simpson - Rainshine

Bitrate:320K/s
Year:2010
Time:52:43 
Size:121,8 MB 
Label:GGP Records 
Styles:Southern Rock/Classic Rock/Blues Rock 
Art: Front 

Tracks Listing:

 1. Rainshine - 3:40
 2. Mountain Coming Down - 3:46
 3. Pictures On the Wall - 3:46
 4. Why'd You Do That? - 3:45
 5. Lost On the Sand - 5:10
 6. Lay Low - 4:11
 7. Live for Today - 4:45
 8. Coming Up For Air - 3:59
 9. I Can't Shed My Skin - 4:46
10. Best Friend - 3:23
11. American Shame - 4:15
12. Alabama - 4:27
13. Heart (Song For Leigh) - 2:45

Tucson Simpson is: Steve Hearn, Kevin Kilgore, Steve McCraw, and Graham Perry. Recorded at: Sounds Un-Reel (Memphis), Archer Recording (Memphis), Cotton Row (Memphis), Leeway (Memphis), Straight-Up Sound (Nashville), Creative Workshops (Nashville), House of Hayes (Memphis).  Additional Players: Rick Steff (Piano, B3); Johnny Neel (B3), Lisa Tucker Aguilar (Back Ground Vocals); Drums: Anthony Barrasso. 
Classic blues/rock sound and solid song writing. The vocalist has a deep, whiskey soaked type sound, and the guitars are crisp and melodic. If you are reading this, you no doubt have heard something from the band you like. 

Rainshine