Harrell "Young Rell" Davenport - Young Rell

Bitrate:320K/s
Year:2026
Time:47:08 
Size:108,7 MB 
Label:RellTone Records 
Styles:Blues /R&B
Art:Front 

Tracks Listing:
 1. Tomorrow - 3:50
 2. Fatherless Child - 4:40
 3. Spinning - 3:15
 4. Giving Me the Blues - 3:49
 5. Richland Swing - 3:57
 6. Hurt People, Hurt People - 4:56
 7. I Be Tryin' - 4:40
 8. Masters of War - 3:26
 9. I'll Keep It Hot for You - 3:24
10. I Hear Some Blues Downstairs - 3:55
11. Nite Creepin' - 3:47
12. The World Don't Deserve Your Smile - 3:26

Harrell “Young Rell” Davenport Announces Full‑Length Debut on Little Village A new generation of blues takes the stage Little Village proudly announces the full‑length debut from Harrell “Young Rell” Davenport, the 19‑year‑old Mississippi phenom whose rapid rise has electrified the blues world and reaffirmed that the tradition is not only alive — it’s evolving in real time.Raised in Vicksburg, Mississippi and steeped in the cultural memory of the Delta, Young Rell represents the rarest combination: a deeply rooted traditionalist with the instincts and imagination of a modern songwriter. A standout guitarist of striking maturity, a fat‑toned harmonica player with a signature attack, and a vocalist who sings with unforced authority, Davenport has already emerged as one of the most compelling young voices in contemporary blues.His story is the kind that reminds the community why Little Village exists. Like D.K. Harrell, Sean McDonald, Kyle Rowland, Candice Ivory (and more!) before him, Young Rell arrives at the label at the exact moment when raw talent, lived experience, and artistic purpose converge. Little Village has made a mission of catching young artists on their ascent — and Davenport is unmistakably on his way up, up, and up!!One of Davenport’s greatest strengths is the breadth of his musical vocabulary. His repertoire moves effortlessly from deep Mississippi Delta blues to acoustic country blues, from Chicago electric grit to southern soul. He understands the connective tissue between these styles because he has studied them — not casually, but obsessively. His knowledge of blues history is astonishing: legendary recordings, obscure B‑sides, forgotten innovators, regional variations, and the overlooked artists who shaped the music from the shadows. Young Rell’s songwriting is extremely impressive and his taste in covers is impeccable; he wrote all the songs on this album except two, and they aren’t the usual standards — they’re deep cuts, songs most musicians never touch, like his unique, fascinating and timely take on Bob Dylan’s “Masters of War” and Fenton Robinson’s should be classic “I Hear Some Blues Downstairs!” And he doesn’t just play them; he inhabits them, reshaping each tune with a sense of ownership and emotional clarity far beyond his years.Discovered by many through a viral clip of his first‑ever Chicago performance — 165,000 views and 4,000 shares within days — Young Rell has since built a global following through his musicianship, his humility, and his gift for community‑building. His social media presence is not a marketing strategy; it’s an extension of the same generosity he brings to the bandstand. Fans and musicians alike engage with him on technique, tone, gear, and the deep history of the music he carries forward.As a child, Davenport found refuge in the blues, writing his way through hardship and trauma. By the time he finished high school, he had written more than 150 original songs — personal without being confessional, poetic without affectation, shaped by experience and the emotional intelligence of someone who listens as intently as he plays.This debut album — recorded at Kid Andersen’s Greaseland Studios and produced by Chicago blues harmonica ace Matthew Skoller with co‑production and engineering by Kid Andersen — showcases a young artist already in full command of his voice. Surrounded by a powerhouse Bay Area rhythm section and supported by Larry Batiste’s horn arrangements and background vocals, Davenport delivers a set that honors the lineage while sounding unmistakably like himself.

Young Rell

Wes The Power Trio - First Born/second Offering

Bitrate:320K/s
Year:1990
Time:57:13 
Size:132,0 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Stressed Out - 3:28
 2. Hardlife - 3:39
 3. Lichella - 4:25
 4. Demon - 4:05
 5. Ain't It a Shame - 4:26
 6. Sweet Lady - 4:05
 7. Runnin' - 6:04
 8. Smokes Too Much - 5:59
 9. Play My Way - 4:24
10. Happy - 4:18
11. Time Waits for No Man - 5:47
12. Can't Say - 6:28

There are some opportunities that one cannot afford to miss - they must be seized. WES, The Power Trio, a band made up of three power musicians fresh from the New Orleans music scene have it all: a mixture of rock, Rhythm & blues, Blues, Reggae and Funk. Three musicians, bassist Ron Wesley, drummer Paul Benko, and the guitarist with the elusive initials V.C., have already opened for and jammed with such famous names as Johnny Winters, James Cotton, David Bromberg, Tab Benoit, and Lonnie Brooks. Having played their own special brand of music for over half of the world, they break out of the traditional jazz mold. In order to provoke audience participation and have that 'Black Feeling' permeate the listeners, they aim directly at the gut of the public through the use of their sweeping rhythm/

First Born/second Offering

The Maynard Brothers Band - Take It From Me

Bitrate:320K/s
Year:2004
Time:39:07 
Size:90,2 MB 
Label:Self-released 
Styles:Blues/Blues Rock/Rock 
Art:Full 

Tracks Listing:
 1. Your Blues Is Killing Me - 4:16
 2. Used To Do Before - 3:46
 3. All The Good Ones Are Taken - 3:50
 4. You Me And Luther - 5:18
 5. It All Broke Loose - 3:30
 6. Leave The Rest For Me - 3:36
 7. Love Don't Wait - 4:42
 8. Take It From Me - 6:57
 9. Without You Loving Me - 3:08

The Maynard Brothers Band based in Johnsonville, NY, is a blues-based, roadhouse-rock group. As their name indicates, the trio consists of the brother tandem of Erv and Jeff Maynard anchored by percussionist Harold Clutch Reiser the brother-from-another-mother. Erv pens most of the music and lyrics and handles all the guitars while brother Jeff The Throat Maynard belts out the vocals and plays bass. Their strengths lie in Jeff's dynamic vocal delivery of some witty, well-crafted lyrics.

Take It From Me

Jumpin' Juba - Bumpity Bump

Bitrate:320K/s
Year:2004
Time:49:19 
Size:114,3 MB 
Label:Bonel'ss Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Funny Farm - 3:59
 2. Back Street Studio - 3:48
 3. Bruce's Boogie - 3:38
 4. Chase the Dream - 4:21
 5. Sufferin' Blues - 3:53
 6. Explaining the Blues - 3:10
 7. Complications - 5:41
 8. Best Buy in Town - 4:01
 9. Four-Footed - 3:43
10. Fixated Woman - 2:12
11. Lost in Logic - 2:34
12. Rear View Mirror - 3:55
13. Back Door Blues - 4:21

Jumpin' Juba mixes regional blues from Chicago, Memphis and New Orleans together with roots-y rock & roll, jazz, calypso, and Latin flavors. It features Steve Hurl (guitars, vocal), whose playing draws from the great acoustic blues finger-pickers, and from the blues-y string benders of the 1950's. Bruce Ward's burly piano work recalls such greats as Prof. Longhair, Otis Spann, and Albert Ammons. The band's two CD releases (Bumpity Bump and Slap Happy) have received regional and overseas airplay, and have garnered many favorable reviews in MA and beyond. 

Bumpity Bump

Grey DeLisle and Les Greene - Grey & Greene

Bitrate:320K/s
Year:2026
Time:29:15 
Size:68,9 MB 
Label:Hummin'Bird Records LLC 
Styles:Blues/R&B/Alt-Country/Americana 
Art: Front 

Tracks Listing:
 1. Homewrecker - 2:39
 2. I'm Gonna Let You Call Me Baby - 3:34
 3. Mister - 3:05
 4. Back of Your Hand - 3:20
 5. The Pieces - 3:58
 6. Shake That Thing - 3:34
 7. Mariposa - 3:23
 8. Go Go Go - 2:55
 9. That's All - 3:34
10. You're the One That I Want - 2:38

Grey & Greene was produced by rockabilly veteran and multi-instrumentalist James Intveld, with original songs written by Americana/alt-country star Grey DeLisle (three co-written by Intveld), and showcases the vocal talents of DeLisle and Les Greene, who Grey befriended in 2024 when they did a Christmas song together called “I Don’t Want Nothing” that sparked a desire to collaborate further. Some folks know Greene from his incendiary vocals as Little Richard in Baz Luhrmann’s Elvis, or from his captivating performances on American Idol’s Season 16, but his bread and butter is his own Les Greene and the Swayzees. This high-octane outfit bring their own take on soul and R&B-flavored rock n’ roll with performances that regularly leave audiences with jaws dropped, in a daze from Greene’s otherworldly talent.
Pairing that powerhouse with Americana sweetheart DeLisle guarantees something special. The duo trade off vocal duties throughout the record on tracks like “Shake That Thing,” “Go Go Go,” and “Home Wrecker,” the latter a clever reimagining of DeLisle’s 2002 classic. Here, Greene steps into the title role, reimagining the character into a “devil in some tight leather,” in place of the original vixen who was a “devil in a tight sweater.”
The flavors of classic country, blues, rockabilly, Brill Building pop and soul create something for everybody, and one can easily imagine DeLisle & Greene’s set at Stagecoach and Coachella, the Grand Ol’ Opry and South x Southwest, Boots in the Park and your local hipster bar jukebox. We all wanna shake that thang, and DeLisle and Greene give us all the infectious inspiration to do it.
There are tender moments as well. Ballads like “I’m Gonna Let You Call Me Baby,” “Mariposa,” (featuring Deke Dickerson on guitar) and “That’s All” allow the beauty and uniqueness of these voices to shine. Anyone nursing a recent heartbreak might want to skip “That’s All”—or, alternatively, put it on endless repeat. Greene’s gorgeous, desperate pleas are the perfect showcase for those remarkable pipes. 

Grey & Greene

Elliot Dyson - Can't Stop Rockin'

Bitrate:320K/s
Year:2004
Time:38:00 
Size:87,4 MB 
Label:Self-Released 
Styles:New Orleans Blues/R&B 
Art:Front 

Tracks Listing:
 1. Jump, Jive and Wail - 3:37
 2. Rockin' Robin - 3:36
 3. Let's Stay Together - 3:35
 4. Mustang Sally - 6:02
 5. Bad, Bad Leroy Brown - 3:37
 6. Europa - 4:10
 7. Straighten Up and Fly Right - 4:24
 8. Rocking Pneumonia - 1:30
 9. Twisting the Night Away - 3:24
10. Riff for Mom and Dad - 3:58

A multi-talented saxophonist and vocalist, he was a long-time resident musician in the French Quarter of New Orleans. He plays a mean guitar too. You'll love the horn parts in this lively invigorating rendition of pop selections from several decades. Great old school rhythm and blues in the spirit of Sam Cooke and Al Green.

Can't Stop Rockin'

Mark Scott LaMountain And The Blue Thunder Band - Blue Thunder Boogie

Bitrate:320K/s
Year:2005
Time:36:56 
Size:85,4 MB 
Label:Blues Baby Records 
Styles:Blues/R`n`R/Rock 
Art:Front 

Tracks Listing:
 1. Blue Thunder Boogie - 2:47
 2. Snake Charmer - 3:21
 3. Pump Up This Party - 3:13
 4. Inside Out - 3:09
 5. Sweet Round Booty Blues - 3:30
 6. Empty Man - 3:26
 7. Angel - 4:03
 8. Price I Gotta Pay - 5:04
 9. Blues Of Love - 3:25
10. Suburbia - 4:53

Mark Scott LaMountains (Blue Thunder Boogie) is absolutely one of the most exiting blues records to come along in some time. Combining blues, with rock, with swing, with country and soul, it will keep you rock'n 1st note to last.
"Blue Thunder Boogie" is the title track and lead single from the 2005 album by Mark Scott LaMountain And The Blue Thunder Band. The 10-track record blends traditional blues with a high-energy, Stray Cats-style rockabilly feel.
Mark Scott LaMountain Originally from Boston Ma. and Now kicking back in Sacramento California has been playing guitar and singing in pro touring bands since the mid 80's He has played not only across the USA, but also in Jamaica, Firenze Italy and Canada. Having toured relentlessly in the hard rock bands Rude Attitude and Dead River, he finds himself at real musical and songwriting peace with the band of his own name. Where he can write and sing about any topic that comes to mind, with a full 180 swing back to the blues. In this context he has now found the musical nirvana he always searched for and intends to stay deep in his blues style of music forever. But this is not rehashed blues. MSL and this band are redefining the blues for a new millennium.

Blue Thunder Boogie

Chicago 9 Rhythm & Blues Band - Sugar Your Own

Bitrate:320K/s
Year:2016
Time:46:28 
Size:107,5 MB 
Label:Pink Pig Recording 
Styles:Blues/Electric Blues/Chicago Blues 
Art:Front 

Tracks Listing:
 1. It Ain't The Meat (It's The Motion) - 2:20
 2. I Smell a Rat - 2:53
 3. Chillin - 4:22
 4. Stop Breaking Down - 4:53
 5. The Sad Bag of Shakey Jake - 3:36
 6. Champagne - 3:39
 7. Unfinished Business - 1:27
 8. Smackwater Jack - 3:33
 9. I Don't Need No Doctor - 2:13
10. Spooky - 4:40
11. Please Don't Go - 4:01
12. Alabama Train - 5:05
13. Goodbye Jane (The Bottles Back) - 3:38

Blues band Chicago 9 are a band whose main influence is the electric blues of 50s and 60s Chicago. They are a no fuss, high energy, 21st century blues experience, led from the front by screaming guitar and harmonica, driven by a thumping backbeat. They play a comprehensive selection of blues tunes, mixed with some good time Rhythm & Blues.

Sugar Your Own

George Terry - Guitar Drive

Bitrate:320K/s
Year:2004
Time:51:16 
Size:118,1 MB 
Label:Terrytunes,Inc. 
Styles:Blues/Rock 
Art:Front 

Tracks Listing:
 1. That Ain't You - 3:57
 2. It's Only Make Believe - 3:45
 3. She's My Harley Davidson - 3:54
 4. Let Me Stay - 4:12
 5. Don't Ask Me - 6:06
 6. Off To See The Moon - 4:15
 7. Long Way Down - 3:40
 8. Only Love Can Save Me Tonight - 4:16
 9. All Possible Dreams - 4:04
10. It's Alright - 3:30
11. Wild Life - 3:30
12. You Blame It All - 3:41
13. Get It Right - 2:21

Blues Rock and Ballads from Eric Clapton's first band guitar pal George Terry.
George Terry is an American blues rock and rock and roll guitarist most known for his live and studio work with Eric Clapton during the 1970s and studio work with a long list of artists. Prior to joining Clapton's band, George was already a well-known South Florida guitarist and session musician and had played with several notable bands including "GAME" who released two albums in 1970 and 1971. George was the featured lead guitarist, bassist, and writer of several tunes on both. Clapton recorded three of Terry's songs, "Mainline Florida", "Lay Down Sally", "Don't Blame Me". Terry was a member of Clapton's studio and touring band until 1979 when it was dissolved.
Here are some of the better known artists George Terry has done recordings with: Maguin, Clark & Hillman (The Birds), Buddy Miles, Mike Bloomfield (The Electric Flag), Aretha Franklin, Joe Cocker, Freddie King, Paul Anka, Dion Demucci (Dion and the Bellmonts), Kenny Rogers, Dolly Parton, The Bellamy Brothers, Michael Jackson, Diana Ross, ABBA, Dionne Warwick, Barbara Streisand,Olivia Newton-John, The Bee Gees, Barry Gibb, Andy Gibb (All his albums), Frankie Vallie (The Movie "Grease" soundtrack), Betty Wright,  Rolling Stones, Bob Dylan, Stephen Stills and Eric Clapton.

Guitar Drive

Dave Kellan Band - Truth of the Matter

Bitrate:320K/s
Year:2003
Time:62:14 
Size:143,0 MB 
Label:SelfReleased 
Styles:Pop Rock/Blues/Jazzy/Mix 
Art:Front 

Tracks Listing:
 1. Truth of the Matter - 5:36
 2. Tranquility - 4:08
 3. Golden Rule - 5:20
 4. Sun Shinin' - 5:13
 5. Rainy Day - 4:47
 6. Them Apples - 3:57
 7. Silky Gravy - 6:44
 8. High Tides - 2:49
 9. Talk About the Weather - 5:19
10. You Are - 4:29
11. I Still Care - 5:06
12. Around You - 4:56
13. Pent Up - 3:44

The album "Truth of the Matter" is A soulful blend of blues and jazz with an appealing pop edge.
Over the last 25 years, Dave Kellan has rocked the country coast-to-coast. With a devoted fan base in his hometown of Midland, MI, Dave is now one of the most hardworking live musicians in the greater New York area. Since 2000, Dave has released 5 independent full-length albums of original material. The first album was with the band, "Gutbucket". The day the first album was released the band was already sharing the Salt River Blues Festival stage with the likes of international blues icons Joe Bonamassa. Gutbucket then was cutting their teeth by doing demos for RCA for the soul singer Robert Bradley. The second album was "Open Up", a self-produced demo of Dave playing guitar, bass and singing all the harmonies himself. In 2003, Dave came out with "Truth of the Matter" which showed an intelligent mix of rock, jazz, folk and blues. Dave won Mid-Michigan Idol from a Citadel/Epic Records contest in 2002 which led to him opening for various national acts such as Uncle Kracker and Bowling for Soup. Dave has won 20+ awards from Review: In 2005, Dave won four Review awards (best solo artist, best blues and rock songwriter, blues band deserving wider recognition) at the Review ceremonies in Saginaw, Michigan; and in 2006 he won best male vocalist, guitarist, songwriter and instrumentalist. Dave's fourth CD, "Rounder than the Sound", features special guests Larry McCray and platinum selling Verve Pipe drummer Donny Brown. The tracks show an array of Dave Kellan's catchy style. In Dec 2011, a long-awaited album was released with the powerful Michigan rock trio Gutbucket. This has proved to be some of Dave Kellan's most prolific guitar work to date and "Gutbucket" was getting rave reviews on a global scale. It is now available on itunes and cd.baby.com
Dave's powerful style has now evolved into a soulful mix of pop, rock, blues and jazz/funk that will soon be taking his larger band on the festival circuit in the U.S. and abroad.
Dave is the lead vocalist/guitarist in HOURGLASS, the James Taylor tribute band and coincidentally lives in Saint James, NY!

Truth of the Matter

John F. Klaver Band - Catch The Morning Sun

Bitrate:320K/s
Year:2017
Time:26:03 
Size:59,7 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. There Will Be A Day - 3:36
 2. Gonna Move - 3:48
 3. Catch The Morning Sun - 3:42
 4. Funny Way Of Showing It - 3:22
 5. Learned A Lot - 3:56
 6. Rollin' Away - 3:33
 7. Shelter - 4:03

Musicians:
John F. Klaver - guitar, vocals;
Nicole Verouden - vocals;
Tenny Tahamata - bass;
Peter Weissink -drums.

No matter the backdrop, sunrises and sunsets always have an alluring charm. The cover of "Catch The Morning Sun" is no exception.There have also been some lineup changes in the John F. Klaver Band. Tenny Tahamata (formerly of Link, Julian Sas) is now on bass. Furthermore, the bandleader has passed the lead vocals to Nicole Verouden, though not entirely, as John F. Klaver still takes over on some tracks. Nevertheless, Nicole Verouden brings a fresh dimension to the album. While John F. Klaver is known for his wide range of blues styles, this album somehow conveys a different dimension, and not just because of the new singer.... Those who are busy catching the morning sun are, in common parlance, the early bird that catches the worm, and for the listener, the album is something like a carpe diem in seven tracks, all written by the protagonist except for the interpretations of "Gonna Move" (Paul Peña) and "Shelter" (D.R. Harris, S. Tedeschi, D. Trucks). The bandleader clearly had many moments brimming with brilliant ideas, as all his compositions capture the listener's attention.The review of "Catch The Morning Sun" must begin with the opener, "There Will Be A Day," because Nicole Verhouden sings, and one is easily captivated by her voice. She initially takes center stage, but on a second listen, the interplay between the acoustic six-string and the slided electric guitar emerges. Furthermore, the solo incorporates Southern influences. The singer's authentic voice is also reflected in the backing vocals. The first three and a half minutes showcase the new brilliance of the John F. Klaver Band.And that's not all; there are six more tracks to go.The master guitarist himself sings the title track, "Catch The Morning Sun." Inviting, powerful riffs accompany us all the way to the end of the song, and, of course, he demonstrates his skill on the six strings of his instrument. His vocals are anything but whiny.The album also proves that for this artist, who also plays with Phil Bee's Freedom, stagnation is clearly a foreign concept. "Funny Way Of Showing It"—again featuring Nicole Verouden on vocals—oscillates between fusion, blues, and funk, culminating in an infectiously seductive chorus. Fantastic! The two cover songs contain a strong original element, and "Gonna Move" deserves special mention in this regard.In "Learned A Lot," a slow blues flows from the speakers, and here Nicole Verouden's voice truly blossoms. Beautiful! John F. Klaver evolves throughout this song from a gentle guitarist to a psychedelic agitator with a hard-hitting bass line. "Learned A Lot" is a highlight, followed by "Rollin' Away," where you can perfectly drift along on the waves of blues rock with a few skillful maneuvers.John F. Klaver 2017: New band, new songs, and with "Catch The Morning Sun," the direction of his success hasn't changed one iota. However, it's about time the x- and y-axes were extended. 

Catch The Morning Sun

WES The Power Trio - Live In Europe

Bitrate:320K/s
Year:1997
Time:52:48 
Size:121,7 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Shootin' Iron -  5:17
 2. Dog Blues -  5:30
 3. Smile in my Sleep -  5:05
 4. Introductions -  0:38
 5. It Should Be Me -  3:42
 6. My Old Lady -  5:22
 7. Love me too much -  3:41
 8. Louisiana Blues -  0:34
 9. Be Time - 12:04
10. Walkin down the Street -  5:59
11. Shake -  4:51

There are some opportunities that one cannot afford to miss - they must be seized. WES, The Power Trio, a band made up of three power musicians fresh from the New Orleans music scene have it all: a mixture of rock, Rhythm & blues, Blues, Reggae and Funk. Three musicians, bassist Ron Wesley, drummer Paul Benko, and the guitarist with the elusive initials V.C., have already opened for and jammed with such famous names as Johnny Winters, James Cotton, David Bromberg, Tab Benoit, and Lonnie Brooks. Having played their own special brand of music for over half of the world, they break out of the traditional jazz mold. In order to provoke audience participation and have that 'Black Feeling' permeate the listeners, they aim directly at the gut of the public through the use of their sweeping rhythms. 

Live In Europe

Sweet Daddy Cool Breeze - 28 Years With The Blues

Bitrate:320K/s
Year:2018
Time:38:39 
Size:88,9 MB 
Label:Self-Released 
Styles:Chicago Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. He Loved The Blues (Live) - 3:08
 2. I Want You To Love Me (Live) - 3:56
 3. Motel King For A Day (Live) - 2:50
 4. Jenny Brown (Live) - 4:42
 5. She's My Baby (Live) - 3:15
 6. Sticking It (Live) - 6:17
 7. Sweet Tooth Mama (Live) - 4:09
 8. Sweet Dreams (Live) - 3:50
 9. Creeper (Live) - 6:26

Sweet Daddy Cool Breezea Chicago-style boogie and blues band was formed by Wally "Sweet Daddy"Greaney in 1990. Through the years Sweet Daddy has developed a loyal European following in Germany, France, Spain, Switzerland, and Austria. Touring overseas for the past twenty years. Back home,the band toured regularly up and down the East Coast and Mid West until 2008. The fall of the economy in 2008 took S.D.C.B. off the road in the states. With two girls in collage a full time job was needed. Fast forward to 2018 and Sweet Daddy looks forward to continuing to work at a successful Blues career which has already spanned over thirty five years. He's recorded with the likes of Matt Guitar Murphy from the Blues Brothers, Jaimoe, drummer for the Allman Brothers, Ken Johnson drummer for James Cotton, Kenny Neal. Wally has also worked with John Kay (Founder & Lead Singer of Steppenwolf ) recording a DVD titled John Kay & Friends Live at The Renaissance Center. He's shared the stage with blues legends Albert Collins, Buddy Guy, James Cotton, KoKo Taylor, Junior Wells, Taj Mahal and BO Diddlie . Sweet Daddy's smoking lead vocals, full-bodied harmonica, and soulful saxophone along with Mark Easton's explosive Guitar add up to an unprecedented high energy Blues show that few bands can match. It's only a matter of time until people in cities and towns across America repeat the words spoken by the eighty-year-old trucker whose phrase gave rise to the bands name: Lawd have mercy, Sweet Daddy Cool Breeze is in town.

28 Years With The Blues

Randy Volin and The Hard Ones - Detroit Thang

Bitrate:320K/s
Year:2014
Time:49:04 
Size:112,6 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. When She Say's Jump - 4:42
 2. Come Back Home - 3:11
 3. Mr. Johnson - 4:02
 4. It's Gonna Be Alright - 5:20
 5. I Want Your Lovin' - 5:02
 6. Mofocito - 4:33
 7. Brand New Day - 6:04
 8. Mulholland Drive - 3:34
 9. Two Worlds Collide - 5:02
10. She's Fine - 3:57
11. Route 66 - 3:31

"Randy Volin was born in the late 60's in Detroit Michigan and his first memory memory of becoming hooked on music started the night the Beatles debuted on the Ed Sullivan Shoe. . For some reason he still doesn't quite comprehend, Randy became totally enthralled with music, especially the Blues, but he didn't learn how to play an instrument until 1971. After Jimi Hendrix died, Randy bought his first guitar, a used Fender Jaguar, and within 2 years he had acquired his first gig as a bass player. In 1977, Randy landed a record contract with A&M records with his band The Look, and toured extensively while releasing three albums.
In 1986, Randy finally went back to his roots, and dedicated his life as a player to the Blues. From 1986 till now, Randy has played in the Tri State area of Michigan, Illinois, and Ohio continuously, while releasing 3 solo CDs. He has played with and opened for artists such as Joe Cocker, Stevie Ray Vaughan, Wilbert Harrison, Lazy Lester, Eddie Money, Koko Taylor, Junior Wells, Albert King, BB King, Lonnie Brooks, Cheap Trick, Steve Marriott, John Mellencamp, Little Anthony, Detroit Royalty... Mitch Ryder, Johnny Bee Badanjek, and Jimmy McCarty, The Kinks, Greg Kihn, Peter Frampton, April Wine, Sonny Landreth, Johnny Johnson, John Mayall, Jeff Healy, Hubert Sumlin, J. Geils, Kirk Fletcher, Jimmy Vivino and many, many others. Randy is a self-confessed gear head and you'll quickly discover that Randy also has an envious stash of some of the most desirable vintage gear ever made.
Now living in Los Angeles, Randy is once again, doing his 'thang', Detroit style. He's been doing session work, recording, writing, rehearsing, being called to play with other artist or bands, while doing his own material too. 

Detroit Thang

Blue Cat Groove - Too Much Talk

Bitrate:320K/s
Year:2015
Time:36:12 
Size:83,5 MB 
Label:Fever Records 
Styles:Blues/Blues Rock/Rock 
Art:Front 

Tracks Listing:
 1. Sinners Prayer - 3:57
 2. Power Of Love - 3:47
 3. Stormy Monday - 4:32
 4. Too Much Talk - 2:34
 5. Heaven Rain Down - 3:11
 6. Small Things - 3:15
 7. Is It Safe - 2:36
 8. One Of Us - 4:04
 9. Hold Us Together - 4:35
10. Wade In The Water (Live From Cafe Con Dios) - 3:36

Blue Cat Groove is a collection of four award-winning veteran musicians based in Worcester, Mass., who deliver their own brand of rock-flavored rhythm-and-blues. Assembled two years ago and led by guitarist Samuel Bowen, the band has become a regional favorite at clubs and festivals, and just missed out on 2015 Band Of The Year honors in awards sponsored by Limelight Magazine, the web-based entertainment publication that covers the entire New England region.The unit is fronted by vocalist Kimberly Hodgens-Smith, a Nashville native, who possesses a dynamic alto voice. She was formerly a member of Crossfire, the Southern rock band based in Knoxville, Tenn., and is a founding member of Trophies Of Grace. Bowen doubles on electric and acoustic guitars. They’re backed by a rhythm section of Jeff “The Doctor” Oosterman on bass and Ohio native Vinnie “Cleveland” Depolo on drums, and all three of the men contribute backing vocals. Alan Handel makes a guest appearance on guitar for one cut. A follow-up to their debut eponymous release, Too Much Talk was produced by Bowen, who composed all of the originals. Not to be confused with a tune with a similar title that appeared in the Sylvester Stallone film, The Expendables, “Sinners Prayer,” a new number with a decidedly rock edge, kicks off the action. A simple four-note guitar hook repeats throughout as Kimberly belts out a request for mercy if she’s done anyone wrong. The same statement holds true for the next number, “Power Of Love,” which isn’t the Frankie Goes To Hollywood hit, but an original with a syncopated backbeat. A stripped-down, slow tempo cover of the T-Bone Walker chestnut “Stormy Monday” provides an aural break from the two rockers before it. Kimberly’s sultry delivery is smooth and behind the beat. It precedes the album’s cover tune, “Too Much Talk,” a complaint about a lover who can’t feel the world turning under his feet. It’s the first number on the disc that allows Bowen room to stretch out on the strings. Kimberly’s Nashville roots are on display during the tender “Heaven Rain Down,” a medium shuffle about a woman who needs help – and needs it now. “Small Things” is an acoustic blues ballad about the problems we face in a world where tiny mistakes can create big problems for folks who have both faith and belief in everything you say. The theme continues in “Is It Safe,” which flows over a tasty, but simple minor-key guitar hook as it questions whether or not a lover is lying when the singer’s perceptions are blinded by love.“One Of Us” is a deeply spiritual number that speculates what if God “were one of us,” and asks if you could ask Him one question, what would that question be? A funky bass line introduces “Hold Us Together,” about a woman desperate for help to overcome a situation where the man she truly adores is unemployed and life is breaking down around them. The album concludes with an exceptionally strong cover of the Negro spiritual “Wade In The Water,” which was recorded live. Too Much Talk is a solid effort throughout, and the original material is fresh and worth a listen.

Too Much Talk

Jon Butcher - Nuthin' but Soul

Bitrate:320K/s
Year:2025
Time:33:46 
Size:78,2 MB 
Label:Electric Factory 
Styles:Blues/Funky Blues Rock/Funky Rock/Soul/R&B 
Art:Front 

Tracks Listing:
 1. I.C.U. Intro - 0:26
 2. I.C.U - 2:11
 3. Shout It - 2:25
 4. Jam - 3:08
 5. Look What You Done - 3:39
 6. Arrested No Charge - 3:36
 7. Nuthin' but Soul - 2:36
 8. Unbreakable - 3:02
 9. Restless Heart - 3:00
10. My Blye Sky - 2:27
11. Keep on Riding - 3:15
12. Big John Henry - 3:57

The killer and high energy album from one of Boston's premier guitarists, "Nuthin' but Soul" is the fulfillment of his storied career and a must have if you dig Jon Butcher! Nuthin'but SOUL is Jon's best album yet! Grammy-nominated guitarist and New England Music Hall of Famer Jon Butcher is one of a select handful of influential recording artists who emerged from the legendary Boston music scene! Video, eclectic album releases and incendiary live performances comprise the underpinnings of a rich music career that continues today.

Nuthin' but Soul

Harpdog Brown & The Bloodhounds - Home Is Where The Harp Is

Bitrate:320K/s
Year:2016
Time:69:53 
Size:161,3 MB 
Label:Candlelight Records 
Styles:Blues/Harmonica Blues 
Art:Front 

Tracks Listing:
 1. Rocket 88 (Live) - 5:51
 2. 29 Ways (Live) - 2:39
 3. My Heart Is on the Line (Live) - 2:57
 4. Nobody but You (Live) - 2:45
 5. She Felt so Good (Live) - 4:29
 6. You Gonna Miss Me (Live) - 4:34
 7. Fine Little Girl Rag (Live) - 3:09
 8. Foul Weather Blues (Live) - 3:29
 9. Home Is Where the Harp Is (Live) - 4:56
10. Rockin' Fool (Live) - 5:28
11. Donch Know I Loves Ya (Live) - 4:34
12. Whiskey Bottle (Live) - 3:47
13. Cruel Hearted Woman (Live) - 4:16
14. Dig Dirty Doggie (Live) - 3:14
15. Standin' Around Cryin' (Live) - 6:40
16. Git Ta Gittin' Baby (Live) - 6:58

Harpdog Brown is a gifted singer and imaginative harmonica player of note that has been in Canada’s Blues scene since 1982. Born in Edmonton, Alberta and based in Vancouver, British Columbia, he’s crossed tens of thousands of miles playing club dates and festivals in Canada, North Western United States and Germany. Over the years Harpdog has issued 6 CD’s to critical acclaim. In 1995 his Home is Where The Harp Is won the coveted Muddy Award for the best NW Blues Release of the year, from the Cascade Blues Association in Portland. As well that year it was nominated for a Juno for the best Blues Release in Canada. Teamed up with Graham Guest on piano, his CD Naturally was voted #1 Canadian Blues Album of 2011 by The Blind Lemon Survey.

Home Is Where The Harp Is

Dr BenDix - Coming Home

Bitrate:320K/s
Year:2012
Time:52:36 
Size:121,2 MB 
Label:Self-Released 
Styles:Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. Coming Home - 3:41
 2. Forever in Love - 4:36
 3. Down On My Knees - 4:58
 4. I Reach for You Babe - 4:59
 5. So Many Times - 2:36
 6. Gold Digger - 4:19
 7. Life Is Better - 4:34
 8. Give It All Up - 2:41
 9. Whisky and Cigarettes - 4:29
10. Hit the Rock Buttom - 4:14
11. Broken Heart - 5:59
12. A Song for the Devil - 5:21

Hi Dr BenDix from Norway here. We are located in a small town called Fredrikstad about 100 km east of our capital-city Oslo. We started as a 3 piece power-bluesband but now we got an exellent Hammond B3 player.
It rocks and has good soul. The voice is good too. I hear US southern rock influences of ZZ Top, Allman Bros. , Warren Haynes, and a few more in the writing, playing and arranging.

Coming Home

Brett Marvin and The Thunderbolts - Stranger Than Strange

Bitrate:320K/s
Year:2014
Time:4:59 
Size:104,0 MB 
Label:Sunhouse Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Shot in the Back - 3:24
 2. Thoughts On You - 4:11
 3. Stranger Than Strange - 3:14
 4. Blue Boar Inn - 4:29
 5. King Bee - 2:56
 6. If You Haven't Any Hay - 3:23
 7. Keep On Moving - 4:21
 8. The Night - 4:19
 9. Got My Mobile Working - 3:31
10. Cherry Ball - 3:34
11. So Tired - 4:09
12. Thunderbolt Boogie - 3:23

Released this  2014 the  offcial Brett Marvin and the Thunderboltrs album"Stranger Than Strange" on Sunhouse Records,complete with brand new songs.
All Thundebolts past and present appear on the album as does the superb musicianship of Mel Collins (King Crimson). Neil Hubbard (Roxy Music), Duffy Power, Les Davidson, Annie Whitehead, Jenifer Maidman, Tony O'Malley ,and the famous Kokomo singers.The album extended line-up brings back the Brett Marvin off-the wall variety and excitement unique selling point that all fans miss and fondly remember. 

Stranger Than Strange

The Smokin' 45s - Anywhere But Here

Bitrate:320K/s
Year:2004
Time:45:30 
Size:105,0 MB 
Label:Self-Released 
Styles:Blues/Rock 
Art:Front 

Tracks Listing:
 1. Can't Afford to Do It - 2:04
 2. When My Number Comes Up - 3:55
 3. Smokin' Hot - 3:14
 4. Wrong About Me - 5:48
 5. Howlin' for My Darlin' - 3:40
 6. She Drinks a Lot - 2:55
 7. Ain't Got a Clue - 3:51
 8. Creepin' Around - 4:06
 9. Still Got Time - 4:02
10. 63 Days - 4:43
11. Sugar Daddy Blues - 3:29
12. I Got To Go - 3:39

Musicians:
Paul Hoffman - lead vocals and harmonica;
Ken Christie - bass and vocals;
Dave Remkus - guitar and vocals;
Dale Morgan - guitar and vocals;
Jerry Bazil - drums and percussion
lead vocals and harmonica.

Formed out of veterans of the Detroit music scene, the Smokin' 45s are bringing fans their special blend of Rock and Blues. Their live show takes the music up a notch, taking cues from the American electrified Chicago Blues sounds and adding their own zeal to the sounds in a nod to the British Blues and British Invasion movements homages to the established master. The Smokin' 45s borrow from the catalogs of those from which they've drawn their inspriation in their live shows and add their own music which stands tall next to that of their well-established influences. There's no room in these sets for long, drawn-out, self-indulgent solos. These sets are packed with heart-pumping, foot-stomping rock and blues with a distinctive Detroit drive.
The Smokin' 45s first came together in 2000. Over the next few months, they continued working on writing original material and finding tasty covers that well suited the sound they had assembled. The results were clear - this was the genesis of something that was moving forward. They began recording at Stony Creek Studios in Rochester, Michigan in late 2002 with Jeff LaDuke at the dials. Twelve songs later, the band had tracks for a CD. They released their debut CD "Anywhere But Here..." in 2003. Distributing the release themselves on cdbaby.com , they've been able to reach listeners in France, Belgium, England, Holland, Norway, Argentina, Poland as well as fans across the US and Canada.
In 2004, The Smokin' 45s began booking shows more regularly and playing shows that got them more attention. The band had been writing material since their initial release and once 2010 rolled around, the band started working on a new CD in the summer and fall months between their roster of shows. Then in late 2010/early 2011, they were back at Stony Creek Studios commencing work on their new release, "Trouble Again".
With invitations to the several key festival shows in the Southeast Michigan area added to the roster of bar gigs, things started moving ahead for them. Their momentum kept moving into 2005 and beyond - more festivals, more bar gigs, more parties, more songs. The band had the honor of being accepted into the Michgan Humanties Council 2012-2015 Arts and Humanites Touring Directory and were honored to again be part of this esteemed program for 2018-2021
Great music - tight, lively shows. These guys are determined to separate themselves from the sea of also-rans and has-beens. 

Anywhere But Here

Valerie Reynolds - Good Woman Blues

Bitrate:320K/s
Year:1995
Time:43:53 
Size:101,6 MB 
Label:Self-Reeleased 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. The One That You Can Hold - 4:19
 2. America - 2:49
 3. My Soul Is Cryin' - 4:30
 4. Why Don't We? - 5:22
 5. We Ain't Gonna Take It - 4:13
 6. Dreams of '62 - 3:09
 7. Good Woman Blues - 3:03
 8. Just A Little Too Late - 4:03
 9. Paul: Practice Session 1993 - 0:55
10. Brown Eyes - 4:55
11. The Leading Role - 4:09
12. 'Til The End Of Time - 2:20

From women's issues to songs of the heart, she takes her lyrics wraps them in Chicago Blues, Folk & AAA style and delivers them in a powerful and unique vocal style.

Good Woman Blues

Doctor Nick & the Rollercoasters - Blues... Straight Ahead

Bitrate:320K/s
Year:2009
Time:45:35 
Size:105,3 MB 
Label:BlueTube Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. I,m in Love With You Baby - 3:51
 2. Louise - 4:25
 3. I Wish You - 3:11
 4. Westcoast Lowdown - 4:49
 5. I Want a Woman - 4:59
 6. Blues After Hours - 5:57
 7. What Have I Done - 2:59
 8. Got Love If You Want It - 4:45
 9. Honey Bee - 3:32
10. Back Track - 3:18
11. Worried Life Blues - 3:44

Over the past 25 years, Doctor Nick and the Rollercoasters have performed countless gigs at the venerable Rex Hotel and elsewhere. Their Blues is rooted in the early electric post-war period of Chicago's south side of the 1950's, where Blues luminaries such as Muddy Waters, Jimmy Rogers, Little Walter and others honed their craft to produce a sound which is at the root of most of the contemporary music that we hear today. Doctor Nick fronts the band singing and laying down the fat sax-like tone of the amplified harmonica that is so emblematic of that era. Juno award winning Julian Fauth also graces the stage on piano and vocals. On guitar, the talented Darren Gallen digs into some deep Blues grooves and is supported by the stellar rhythm section of Bob Vespaziani on drums and James Thompson on acoustic bass. The Rollercoasters play the Blues in the only way they know how: with passion, sincerity and respect. We invite you to come down and catch a show.  If you have the Blues, Doctor Nick has the remedy.

Blues... Straight Ahead

Marc Benno - Take It Back To Texas

Bitrate:320K/s
Year:1990/2018
Time:32:29 
Size:75,4 MB 
Label:Sky Ranch Records/Texasize Records 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. Black Cadillac - 3:27
 2. Easy Travelin Gal - 3:33
 3. Mama's Cookin - 2:41
 4. Take It Back To Texas - 5:19
 5. No Problem Child - 4:37
 6. Lil Miss Rock 'n Roll - 3:32
 7. Mary Played The Pool Hall - 5:14
 8. Greatest Find - 4:03

Musicians:
Marc Benno - Vocals, Guitar;
Doyle Bramhall II - Guitar, Bass Guitar;
Jim Milan - Electric Upright Bass;
Denny Freeman - Piano, Slide Guitar, Guitar;
Johnny Marshall - Organ [Hammond B3];
Doyle Bramhall - Drums, Backing Vocals.

So, Marc Benno's Take It Back To Texas-yeah, it's a thing. Dropped in 2018 but recorded way back in 1990 at Dallas Sound Lab. Kinda wild that it sat around for nearly three decades before seeing the light. Album's got that raw, unpolished vibe you can't fake. Like, you hear the room, the breaths, the creak of a stool. Feels real. Not overproduced like so much stuff these days. Benno's voice? It's lived-in. Sounds like he's been down some backroads, had a few too many coffees at roadside diners. Not flashy, but honest. You believe him when he sings about pool halls and black Cadillacs.  Guess they really liked that one. Slide guitar cuts through like a knife. Denny Freeman on piano and slide? Yeah, that's a win. Doyle Bramhall Sr. on drums and backing vocals-solid. And his son, Doyle Bramhall II, on guitar and bass? That's next level. Family affair with some serious talent. The track, "Take It Back To Texas," feels like a homecoming. Proud, not cheesy. No cowboy hats or boot-scootin' nonsense. Just a guy saying, this is where I'm from. No apologies. "No Problem Child" kicks off strong-bluesy rock with a swagger that doesn't try too hard. But, not perfect. Some tracks feel a bit samey after a while. Like, we get it-Texas, roots, blues-rock. But maybe a little more variety in tempo or mood would've helped. 

Take It Back To Texas

Deja Blues - Nothin' But The Groove

Bitrate:320K/s
Year:2010
Time:38:28 
Size:88,6 MB 
Label:Self-Released 
Styles:Blues/Electric Blues/Harmonica Blues 
Art:Front 

Tracks Listing:
 1. Had To Have Some of That - 4:35
 2. Weak In the Knees - 3:12
 3. I'm Gonna Be Late (And I Can't Stay Long) - 3:29
 4. Know What You Know - 4:59
 5. My Misery - 2:58
 6. Crazy - 3:58
 7. My, My, My - 3:58
 8. Blue Thing - 5:15
 9. Bald Headed Woman - 3:22
10. Sleepwalk - 2:38

Deja Blues is not your typical Blues Band. They remake some of the great classic tunes that go back as far as the 1960s. Songs people recognize, remember and love; hence use of the word "deja". Deja Blues possesses a unique ability to mix music from different genres and timeframes into expressions that are both contemporary and timeless simply by adding their own blend of style, talent, and blues chords. Suddenly everything old is new again.

Nothin' But The Groove

Jr.Johnny and The Usual Suspects - Wow (Featuring Kenny Clark on Organ)

Bitrate:320K/s
Year:2011
Time:44:42 
Size:103,2 MB 
Label:Bohemian Records  
Styles:Blues/Harmonica Blues 
Art:Front 

Tracks Listing:
 1. Switch Track - 3:35
 2. High Price Blues - 2:30
 3. Bright Lights Big City - 3:14
 4. Smokestack Lightning - 3:57
 5. Natural Ball - 2:54
 6. Boogie Twist - 4:52
 7. She Whispers - 3:02
 8. Life's A Movie - 2:57
 9. I'm In the Mood - 4:47
10. Bugs In My Beer - 4:14
11. Good Morning Little School Girl - 4:54
12. Ice Women Blues - 3:39

Musicians:
Jr. Johnny - Harmonicas and Vocals;
Stephen Minnich – Guitar;
Rick Finke – Guitars;
J.T. Burley – Bass;
Kenny Clark – Organ;
Bjarne Kjaer – Drums.

Jr. Johnny uses one of his custom made harp amps on this CD Awesome tone! You got to hear this !!! Jr. Johnny is backed by: “The Usual Suspects”. ‘The photos Jr. Johnny includes in his liner notes this time out present the guy as a veritable studio rat. No doubt that’s true, since WOW is Johnny’s 12th album, released just over a year since the last offering, Red Hot. On WOW, Johnny mixes his forthright, at times a little salacious, originals with a few well-worn blues standards — all soaked with his trademarked Sonny Boy II–style harmonica flair. This time around, Florida’s best kept secret in blues harp adds a new ingredient to his sound. The addition of guest Kenny Clark on Nord C2 combo organ marks a big step forward for the band. Noticibly fatter in texture than past efforts, WOW benefits from Clark’s presence by adding subtle nuances not previously heard from the band.
“With each album building upon the last, WOW is without a doubt the best yet from these guys. Johnny’s harp is still pivotal to the band’s sound, but the glow of Kenny Clark’s organ can’t be denied. The band would do well to bring Clark back for another round.”

Wow (Featuring Kenny Clark on Organ)

Ernie Williams & The Wildcats - Harvest Time

Bitrate:320K/s

Year:1997

Time:60:00 

Size:138,8 MB 

Label:Wildcats' Records 

Styles:Blues 

Art:Full 

Tracks Listing:

 1. Tell Me Baby What's Wrong With You - 5:39

 2. You Spoiled Me - 4:11

 3. Love Of Gold - 6:01

 4. Harvest Time - 3:54

 5. It's Over - 8:03

 6. So Long - 6:47

 7. Going Home - 6:45

 8. Hambone - 1:28

 9. My Time Has Come - 4:56

10. Evil In this World - 5:12

11. Searching For Salvation - 6:59

Ernie played his first guitar in the 30's; he was 13 and living in a shack on a Virginia Plantation. He spent his days picking tobacco and his nights bending the blues on a beat up six-string. By the 40's, he earned the right to play with the local bluesmen at the Saturday night Fish Fries in Halifax County, Virginia. At the age of 19, he bought a one-way ticket to Harlem, NY with the $9.00 it took him a year to save - he was moving north to go after his dream.

In the 50's, he played as many as 7 nights a week. From amateur nights at the famed Apollo Theater to juke joints in the dark corners of the city, he was making his mark as a young showman. In the 60's, life demands brought him north to Albany, NY. He worked odd jobs day and night to support his family. His dream was put on hold.

In the 70's when the blues scene was waning, he formed a new band, playing gigs in local bars and hosting blues jams whenever he could slip away from his minimum wage jobs. Over the next two decades, he maintained his post as a fixture of Albany's blues community, a scene hidden away in the dingy rooms of the city's toughest neighborhoods.

In 1992, he formed yet another band and, 53 years after he played his first note, Ernie Williams was about to realize his dream.

Although the band members have changed through the years, Ernie has remained one of the most beloved performers in the region. From the House of Blues in Boston to Buddy Guy's Legends in Chicago; from festivals to opening slots for major recording acts, Ernie has been a force to be reckoned with. Ernie and his band represented the East Coast in KLON's National Blues Talent Search and walked away with a prize for first runner up; on two occasions they received a Critic's Choice column in the "Chicago Reader". To date, Ernie has released six CD's.

In addition to his musical performances, Ernie's charisma has landed him both magazine and TV spots. He was selected by Canon for their ad campaign for their new line of copiers called "Canon Blues". He also appeared on a TV commercial for "Grapes and Grains", a Capital District upscale wine establishment.

At 80+ years young, Ernie continues to say "this is just the beginning". Knowing his spirit and motivation, that's entirely possible!

Harvest Time

Exeter Blues Groove - The Human Touch

Bitrate:320K/s
Year:2006
Time:66:41 
Size:154,2 MB 
Label:Self-Released 
Styles:Dirty-raw blues 
Art:Front 

Tracks Listing:
 1. future's so bright - 3:04
 2. ain't always pretty - 3:57
 3. son house said - 5:05
 4. big moon - 5:05
 5. feel of the steel - 4:13
 6. desperate man - 4:23
 7. road trip - 5:09
 8. the way home - 5:03
 9. human touch - 4:19
10. shake and groove - 4:09
11. train song - 5:40
12. gold in me - 3:55
13. coming home soon - 4:16
14. rain - 4:22
15. red sky tonight - 3:56

Exeter Blues Groove is a UK-based blues and roots music project, fronted by singer-songwriter and guitarist David John O'Leary. Best known for albums like Let It Flow (2004) and The Human Touch (2006), their sound blends Delta slide guitar, punk-funk, dirty-raw Blues and Cajun country elements. 

The Human Touch

The Dan Lawson Band - Bill n Hels Kitchen

Bitrate:320K/s
Year:2001
Time:23:25 
Size:61,4 MB 
Label:Self-Released 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Lets Ride - 3:47
 2. Just Aint Easy - 5:20
 3. Play The Blues(Tribute To Leo Fender - 3:36
 4. Outway Street - 4:00
 5. Jo Mama - 2:38
 6. Cry - 4:01

The Dan Lawson Band is a high energy "boogie blues" band. Dan has been hailed as "one of the best blues guitarists in the country" by the likes of guitar maker Ken Parker(Parker Guitars), and the album Bill 'n Hel's Kitchen has been hailed as, "high-energy boogie blues...that would make Clapton proud". The track "Let's Ride" has been picked up by MTV "Road Rules" and ABC's "Making the Band" as well as ESPN. Do you like the blues? If you do, this is about as good as it gets. The Dan Lawson Band is a high-energy boogie blues band that brings rock ‘n roll together with the blues to create a stunning sound. The mix of Dan Lawson’s thundering guitar licks, GoG’s impeccable timing on the drums, the rock steady bass of Billy Carpenter, and the sweet fingers of Gary Voller on the Hammond organ and piano make for a unique brand of lively danceable music. Their sound is perfect for every venue from smoky bar rooms to the largest of arenas. Dan has played with many bands and has also served as studio and band guitarist for such national touring acts as Nashville’s Nathalie Cote. He was also a finalist in the Jimi Hendrix Guitar Competition. He ranges from ripping rock guitar solos to country licks and down-and-dirty blues. But his real love is a mix of styles called Boogie Blues. Songs like “Jo Mama” and “Play the Blues” are perfect examples of this style with effortless guitar lines and full backing band. Yet, he is not limited in any sense. The band can play songs that range from high energy rock to more somber tunes like “Just Ain’t Easy”, an Allman Brothers tune that appears on this CD. Dan’s unique guitar style thrills fans and keeps them dancing for hours. 

Bill n Hels Kitchen

Jr.Johnny - Danger Zone

Bitrate:320K/s
Year:2009
Time:50:05 
Size:115,3 MB 
Label:Bohemian Records 
Styles:Blues/Electric Blues/Harmonica Blues 
Art:Front 

Tracks Listing:
 1. In Shock - 3:36
 2. Bad Boy - 3:44
 3. Danger Zone - 4:36
 4. Baby, Please Don't Go - 3:43
 5. Mojo - 4:15
 6. New York City - 3:08
 7. Put Some Gravy Onthat - 2:39
 8. Spoonful - 4:41
 9. Do the Hipshake - 5:12
10. Off My Mind - 4:22
11. Bring It On Home - 4:35
12. Rocket in My Pocket - 2:24
13. Tin Pan Alley - 3:05

Thirteen new original tracks, bearing the unmistakable stamp of singer and harmonica player Jr Johnny, who, as on previous occasions, is backed by Stephen Munnich on guitars, David Pastorius (Jaco's nephew) on bass, and Bjarne Kjaer on drums. The four musicians have shaped this new release, titled Danger Zone, in which many of the songs have clear stylistic references to Lou Reed or Van Morrison in the way they are performed. Fans who decide to get a copy of the album will find, in addition to the thirteen new compositions, some well-known covers such as Got My Mojo Working, Baby, Please Don't Go, Spoonful, and Tin Pan Alley, in personal interpretations that are somewhat different from the traditional versions. The tracks were recorded almost entirely in one take. Direct and with hardly any overdubs, the result is vibrant and very rewarding.

Danger Zone

Alan Gerber - The Well

Bitrate:320K/s
Year:2026
Time:51:04 
Size:118,0 MB 
Label:Self-Released 
Styles:Folk-Rock/R&B/Blues/Soul 
Art:Front 

Tracks Listing:
 1. Put Back My Heart - 3:48
 2. On A Roll - 4:22
 3. The Well - 3:11
 4. In This Love - 3:59
 5. Homeless - 2:49
 6. Bend 'N Slide - 4:31
 7. Over Again - 3:46
 8. Mysterious - 3:09
 9. World Turning - 3:23
10. Diablo Square - 3:34
11. Time Is My Treasure - 3:50
12. JT Boogie - 3:40
13. Like Ghosts - 3:06
14. Money Can't Save You - 3:49

Alan Gerber’s The Well distills a lifetime of blues, soul, and folk into a heartfelt journey from gritty R&B grooves to poetic ballads and adventurous, genre-bending instrumentals.

The Well

Octavia - Down In The Hollow

Bitrate:320K/s
Year:2005
Time:51:44 
Size:139,0 MB 
Label:AVAP Records 
Styles:Blues/Blues Rock/Harmonica Blues/Rock 
Art:Front 

Tracks Listing:
 1. Playin For My Keep - 5:09
 2. Down In The Hollow - 5:01
 3. A Cold Day In Hell - 7:33
 4. Insomnia - 2:28
 5. Service Call - 6:50
 6. Indelible Days - 5:17
 7. Unchain My Heart - 5:30
 8. The Village Will Provide - 4:47
 9. Need A Little Sugar in My Bowl - 4:46
10. This Train's a Commin - 4:18

Musicians:
Octavia - Lead Vocals, Harp, 12-String Acoustic Guitar, Acoustic Guitar, Electric Guitar, Percussion;
Bill Wasch - Lead Guitar, Rhythm Guitar, Slide Guitar;
Bobby Fry - Bass Guitar;
Butch Walker, Chad Salvaggio - Drums
Randy Bucksner - Tenor Saxophone.

Octavia has led and been in various bands across the United States most of her life. She toured with Etta James in California in the mid 70's, and played with Freddie King, as well as The Meters (Funky Meters/Neville Brothers).

Down In The Hollow

Tenry Johns The King Kong Rocker - So What(featuring Oh Baby)

Bitrate:320K/s
Year:2005
Time:50:14 
Size:116,0 MB 
Label:Terry Music 
Styles:Blues/Funk/Funky Blues/Soul 
Art:Front 

Tracks Listing:
 1. Party Time - 4:00
 2. So What - 4:56
 3. I'm A Good Man - 3:52
 4. Where's The Love - 4:04
 5. Oh Baby - 4:39
 6. We Can Make It - 4:22
 7. You Don't Need No One You Cant Trust - 4:05
 8. T. J.'s Groove - 3:49
 9. I Wanna Know Your Name - 4:34
10. Heart And Soul (Instrumental) - 3:35
11. We Won - 4:27
12. Keep On Movin On - 3:45

Tenry Johns has come a long way from his humble beginnings in a small town in the Delta called Shelby, Mississippi. He started his own band at the age of 15 while he while still in high school.
After graduating in the mid ’60s, his family moved to Chicago. Shortly after hitting town, Tenry looked up his cousin, notable local singer/songwriter and performer, Johnny Drummer, and the two started playing together regularly.
Eventually, Tenry and his brothers formed “The Johns Bros. Band” with the fabulous Denise LaSalle and Bill Coday fronting the band.
After years of performing around Chicago and surrounding areas, Tenry met Harry Glen from Marvel Records. They worked together on releasing his first 4 song EP.
Some of his other experiences include teaming up with the Gemico label recording group called “The Notations”, and as the bandleader for the touring band, “Nitro”.
After the group broke up, Tenry’s focus turned to writing and producing his own songs.
Far too often the blues can come across as generic and lacking in variety. There are few artists who manage to pull off a form of the style that is based in a traditional vein and is still varied enough to entertain. There are even less who do that and make it fun. Tenry Johns is just such a man. With this CD he has combined classic blues stylings with rock and roll and even jazzy modes to create a sound that is quite varied and fun. There are some lesser, more generic moments, but overall Johns seems to know how to change it up enough to keep the music fresh. If you are a fan of high-energy blues, especially with a traditional core, then by all means you should give this one a listen.

So What(featuring Oh Baby)

Will Ray - Mojo Blues

Bitrate:320K/s
Year:2001
Time:55:11 
Size:127,0 MB 
Label:Wild Rose Records 
Styles:Blues/Electric Blues
Art:Front 

Tracks Listing:
 1. Wait A Minute - 3:34
 2. Santa Cruizin - 4:50
 3. Bad Bad Day - 5:37
 4. I Hate My Day Job - 3:35
 5. Oh Me, Oh My - 5:22
 6. Shenandoah - 4:13
 7. Sister Theresa - 5:24
 8. 219 Orange Avenue - 6:49
 9. Holy Smokes - 3:37
10. Trouble - 6:43
11. Sparks - 5:22

Soulful electric Blues featuring red hot blues guitar picking and slide work. Few guitar pickers can out-slide, out-bend or out-torture a Telecaster the way Will Ray can. As a member of the pyrotechnical twang trio The Hellecasters, Will has created a place for himself among some of the worlds guitar greats. In recording Mojo Blues, Will has returned to his roots and wears his influences proudly on his sleeve. 

Mojo Blues

Frank Huskins - No Purchase Necessary

Bitrate:320K/s
Year:2004
Time:46:09 
Size:106,9 MB 
Label:Self-Released 
Styles:Blues/Roots/Rock/Folk/Mix 
Art:Front 

Tracks Listing:
 1. You Can't Fight Love - 4:56
 2. Give and Take - 4:00
 3. So Good So Far - 4:54
 4. Free As A Bird (Tied Up To A Tree) - 3:53
 5. You're Beautiful - 3:26
 6. I Thank You - 3:48
 7. No Purchase Necessary - 3:16
 8. It Hangs On - 4:19
 9. Still On Fire For You - 2:56
10. You've Got A Hook In Me - 2:39
11. For Your Love - 2:56
12. On My Way - 2:12
13. A Matter of Choice - 2:48

Raw Blues/Rock Roots, intertwined with beautiful folk lyrics, to create an interesting soundscape of songs.No Purchase Necessary is a 13-track independent folk and blues album released in 2004 by Canadian singer-songwriter and long-time Hamilton, Ontario musician Frank Huskins. The project, which took three years to complete, features his original compositions spanning various life and love themes.

No Purchase Necessary

Ernie Williams & The Wildcats - Sun Goin' Down

Bitrate:320K/s
Year:1993
Time:54:09 
Size:125,0 MB 
Label:Wildcat Records 
Styles:Blues 
Art:Full 

Tracks Listing:
 1. Who's Gonna Love You - 3:54
 2. World I Used To Know - 4:38
 3. South Of Memphis - 4:24
 4. Lonely Man - 9:01
 5. Trouble - 3:31
 6. Good Old Days - 5:23
 7. Where'd You Stay Last Night - 4:06
 8. House Was Gone - 4:43
 9. Love A Woman So Bad - 8:03
10. Sun Goin' Down - 6:22

It's pretty rare these days for veteran bluesmen to be "discovered" after years of obscurity, but bassist and vocalist Ernie Williams proves that there may still be some truth in that cliche. Though he'd worked for years in neighborhood venues in New York City and Albany, Williams was unable to expand his reputation until 1993, when he assembled his rough-and-ready band the Wildcats (Williams's old street nickname had been Wildcat Quick Ernie Lash). Led by guitarist Mark Emanatian, they began gigging in rock clubs throughout the Albany area, and they eventually recorded Sun Goin' Down on the homegrown Wildcat label. On that disc  Williams demonstrates a refreshingly unforced versatility: he immerses himself in a spectrum of musical and emotional expression from wistful blues balladry to roadhouse rockers. His lyrics are unusually personal, even poignant, and his Wildcats, though predictably rock influenced, take their cues from Williams and remain rooted in a tasteful blues groove. Williams's brand of workmanlike artistry is becoming increasingly rare in this age of flash and vapid flamboyance, but it's what the blues needs if it's to remain viable as an art form.

Sun Goin' Down