Bitrate:320K/s
Year:2025
Time:49:47
Size:115,3 MB
Label:Beracah Records/New Day Distribution
Styles:Soul/Gospel/Blues
Art:Front
Tracks Listing:
1. I Missed The Target Again (feat. Jonathan Dubose Jr.) - 4:26
2. It's Gonna Rain (feat. Maggie Peebles) - 4:06
3. Hang On in There (God Is At The End Of Your Rope) (feat. Larry McCray) - 3:59
4. Shine A Light - 4:26
5. The Lord Will Make A Way Somehow - 4:58
6. God's Gonna Use Me - 4:02
7. There Will Be Peace In The Valley (feat. Maggie Peebles) - 3:27
8. 1963 - 5:20
9. Reach Down And Touch Heaven For Me - 2:49
10. Love Breakthrough - 3:47
11. My God Has A Telephone (feat. William Bell) - 3:25
12. In God's Hands We rest Untroubled - 4:59
On the brink of her 85th birthday, soul and gospel legend and four-time Grammy winner Candi Staton releases an American-styled project, aptly titled “Back To My Roots.” The album is a mix of covers and originals, the former touching on The Rolling Stones, Elvis Presley, and Al Green. She also performs a duet with STAX living legend William Bell. Staton says, “These songs represent my roots. Even the new songs on some level represent something I’ve experienced and that’s what real soul music is about.” The iconic singer seems to be getting a bigger wave of publicity in the UK where she just received the American Music Association UK’s most prestigious honor, The International Lifetime Achievement Award. The core of the album was recorded in the UK too with overdubs in Nashville. She is also starring in a new film, “I’ll Take You There,” about the music and civil rights history of Alabama. There are a host of musicians and guests throughout that we will detail as we go centered around the core group of keyboardist (piano, organ , Rhodes) Myra Walker, guitarist Steve Lewis, and drummer Marcus Williams. Opening original “I Missed the Target” is a gospel infused blues featuring Harry Connick Jr.’s longtime guitarist Jonathan DuBose Jr. There are four background (“Hallelujah”) vocalists including Maggie Peebles, Staton’ older sister, who alongside Staton was a member of the Jewell Gospel Trio in the 1950s. Peebles sings two duets with Staton including the stirring traditional “It’s Gonna Rain,” in tribute to their mother. In keeping with the varied instrumentation throughout , this one just feature drum, electric guitar (Kenny Vaughn), steel guitar (Chris Scruggs) , and a bevy of six vocalists. Later the two sisters trade verses on the Thomas Dorsey 1939 classic “There Will Be Peace in the Valley,” popularized by Elvis.
As you listen, don’t be too fixated on terms such as roots and Americana. This is in essence a GOSPEL record, even down to the new songs. Almost every track has at least one background vocalist, most with several. Original “Hang on in There, featuring blues guitarist Larry McCray is case in point and she renders her cover of The Rolling Stones 1972 hit, “Shine A Light” features a large choir, helping her to clearly put her own stamp on the song. She revives another Dorsey classic, often sung by Al Green, in “ The Lord Will Make a Way Somehow,” imbues by tasty blues guitar from Lewis and church-like organ. Her “God’s Gonna Use Me Anyway’ plays to a syncopated, slightly Caribbean rhythm as she duets with Karen Bryant, in the latter’s lone appearance. The pivotal track is “1963” where Staton dramatically delivers impassioned spoken words about the four Black girls killed in the Birmingham Church bombing (‘when I was 23 on that bloody Sunday in 1963”). Staton pours out her deepest emotions here claiming that it was so emotional she could only do it in one take. Unfortunately the racism she speaks about is still all too prevalent and on the rise under you know who. “Reach Down and Touch Heaven for Me” finds Staton alone on piano for the first time on record although she was a church pianist in the ‘60s. She says this original is straight Baptist as she and her three background vocalists make a a plea for the homeless. The standout up-tempo Motown-styled “Love Breakthrough” rings through as a roof raising church singalong. She unearths Aaron Frazer & the Flying Stars of Brooklyn NY’s 2017 “My God Has a Telephone,” arranging it in a syncopated Malaco arrangement replete with three background vocalists and a couple of cameo verses from William Bell. The closer owes to late country singer Lari White. “in God’s Hands We Rest Untroubled” is a song that’s Staton’s held onto for a decade, finally getting a chance to record it. The orchestral backdrop driven by keyboards and special effects has this one sounding much different and far more solemn than the other tracks yet there is a sequence where Staton sings alone, evoking that 2006 brilliant album of hers, “His Hands.” Staton remains in fine voice almost twenty years later and hasn’t lost a drop of passion – Jim Hynes.