Bitrate:320K/s
Year:2005
Time:78:25
Size:180,3 MB
Label:Thumbs Up Disc Productions under license to Chimes Music
Styles:Blues
Art:Front
Year:2005
Time:78:25
Size:180,3 MB
Label:Thumbs Up Disc Productions under license to Chimes Music
Styles:Blues
Art:Front
Tracks Listing:
1. Introduction (Live) - 0:07
2. Black Night (Live) - 7:48
3. Money's Getting Cheaper (Live) - 5:51
4. Mailbox Blues (Live) - 7:23
5. I'm Tore Down (Live) - 6:02
6. Cold Feeling (Live) - 8:05
7. Short Dress Woman (Live) - 6:18
8. She's Nineteen Years Old (Live) - 7:49
9. I Got My Mojo Workin' (Live) - 6:35
10. There's Something On Your Mind (Live) - 6:31
11. The Blues is Alright (Live) - 6:45
12. Just a Little Bit (Live) - 5:26
13. Blues in F (Live) - 3:40
1. Introduction (Live) - 0:07
2. Black Night (Live) - 7:48
3. Money's Getting Cheaper (Live) - 5:51
4. Mailbox Blues (Live) - 7:23
5. I'm Tore Down (Live) - 6:02
6. Cold Feeling (Live) - 8:05
7. Short Dress Woman (Live) - 6:18
8. She's Nineteen Years Old (Live) - 7:49
9. I Got My Mojo Workin' (Live) - 6:35
10. There's Something On Your Mind (Live) - 6:31
11. The Blues is Alright (Live) - 6:45
12. Just a Little Bit (Live) - 5:26
13. Blues in F (Live) - 3:40
Keyboardist/vocalist Bill Heid was born August 11, 1948, in Pittsburgh, PA. A natural and virtuosic musician who was inspired to play jazz and blues by listening to the radio, he played in both piano and organ groups. His brother is the well-respected drummer and producer George Heid. Originally influenced by Jimmy Smith and Don Patterson, Heid heard the chitlin' circuit greats at the Hurricane Bar, including Smith and Patterson, Jack McDuff, Jimmy McGriff, and Dr. Lonnie Smith. Down the street at the Crawford Grill were the jazz bands led by Freddie Hubbard, Max Roach, Gene Harris, Bobby Timmons, and Wynton Kelly. On occasion he would sit in with some of these groups and pester them for information. Spending time in Chicago and later in New York, he met and hung out with his mentor, Larry Young, often visiting the family-owned Newark Club in Young's hometown of Newark, NJ. He was also privy to playing with the best organ drummers like Joe Dukes and Billy James. And he heard the local contingent of jazz greats like Ahmad Jamal, Art Blakey, Erroll Garner, George Benson, Eddie Jefferson, Mary Lou Williams, and Stanley Turrentine. His quest for musical knowledge found him on the road when in 1963, in search of rare 78-rpm rhythm & blues records, he began a journey/career of hitchhiking. He did this in the contiguous 48 states of the U.S.; through Canada, Mexico, the Philippines, Japan, Korea, and China; and to the Thailand/Cambodia border. His over 400,000 documented miles of thumbing a ride gained Heid a spot in The Guinness Book of World Records. Some of his journeys led him to the so-called chicken houses and organ rooms of major cities, where he interned with Jimmy Witherspoon, Jimmy Ponder, Sonny Stitt, Grant Green, David "Fathead" Newman, Ira Sullivan, and Mickey Roker, and was a pianist with Don Patterson.
A move to Chicago brought him closer to the urban blues as he worked or recorded with Muddy Waters, John Lee Hooker, and especially Son Seals, Koko Taylor, Fenton Robinson, and Roy Buchanan. He also did two LPs and played in the bands of contemporary jazz guitarist Henry Johnson. Moving to Detroit, he spent two decades there playing in his own groups; helping to revive the career of a local legend of blues guitar and vocals, Johnnie Bassett, as the music director of his Blues Insurgents; and backing the veteran singer Alberta Adams. During and since his time in Detroit, Heid could be found making music soundtracks for adult films in Los Angeles, then touring worldwide for the U.S. State Department as a jazz ambassador, particularly on tours of Japan and Vietnam. In August 2003, Heid played more of the Pacific Rim in Sri Lanka, Indonesia, Malaysia, and Singapore.
Upon moving back to the Eastern United States, he could be heard on organ and piano engagements at various venues in the Washington, D.C., area. Of his mindset, Heid was quoted as saying "I can't live a day without playing 1-4-5s," incorporating those standard blues changes with cool McCoy Tyner minor riffs, vicious funk songs in Japanese, and what he calls Talifunk. "I approach this thing like total war and have been lucky to have avoided a day job." His hip vernacular, unique vocal language, and risqué sense of humor, melded with his passion for baseball, have made him an entertainer nonpareil. ~ Michael G. Nastos
Drummer, singer, and songwriter Big Joe Maher has been plying his craft in Washington, DC area clubs for more than three decades. With his band the Dynaflows, Maher has toured most of the U.S. Big Joe & the Dynaflows specialize in a kind of shuffle-heavy, swing-based blues that you can dance to. Big Joe was raised in suburban Washington, DC, listening to records his father liked to play on the family stereo. This included recordings by B.B. King, Little Milton Campbell, and Louis Jordan. By his late teens, he was out hearing live blues at nightclubs in D.C., as he had started playing drums in his early teens. As a drummer and singer, Maher takes his musical cues from a host of influences, including Big Joe Turner, Louis Jordan, Roy Brown, B.B. King, Little Milton Campbell, and Wynonie Harris.
After graduating high school in the DC area, Maher went on the road with his own blues-based jazz trio and over the years, he's accompanied the likes of Jimmy Witherspoon, Bull Moose Jackson, James "Thunderbird" Davis, Nappy Brown, Otis Rush, Earl King, Duke Robillard, and other guitarists and singers. Back home in the DC area, he spent several years on tour with the Tom Principato Band and then formed his own five-piece jump blues group, Big Joe & the Dynaflows. After some touring with that group, he took a job that would keep him home more often as musical director for Fleetwood's, Mick Fleetwood's nightclub in Alexandria, VA.
Albums by Big Joe & the Dynaflows include I'm Still Swingin' and All Night Long for the Maryland-based Severn Records, released in 1998 and 2000, respectively. I'm Still Swingin' includes innovative covers of tunes by B.B. King, Ray Charles, and Crescent City songwriter/producer Dave Bartholomew. Earlier releases from his band include Layin' in the Alley for the (defunct) New Orleans-based BlackTop Records label. The band also recorded their first release, Good Rockin' Daddy for the Powerhouse Records label (owned by Tom Principato) and released Cool Dynaflow for a label in Europe. In 1995, Maher recorded Mojo, with bassist Jeff Sarli and a team of DC area musicians for Mapleshade Records. Mojo features classic blues tunes in a stripped down, acoustic mode with laid-back grooves.
Maher works with two groups, the Big Three Trio or the Big Four Combo and tours around the U.S., Canada, and in Europe. As a drummer and singer, he has also recorded albums with others. His sessionography credits include albums by Bob Margolin's The Old School, Principato's In Orbit, Mark Wenner (of the Nighthawks) Nothin' But, and Ann Rabson's (of Saffire - The Uppity Blues Woman) Music Makin' Mama. Maher continues to record and perform, bringing his unique, sophisticated Kansas City-turned DC area jump blues stylings to all corners of the U.S., Canada, and Europe. ~ Richard Skelly/
A move to Chicago brought him closer to the urban blues as he worked or recorded with Muddy Waters, John Lee Hooker, and especially Son Seals, Koko Taylor, Fenton Robinson, and Roy Buchanan. He also did two LPs and played in the bands of contemporary jazz guitarist Henry Johnson. Moving to Detroit, he spent two decades there playing in his own groups; helping to revive the career of a local legend of blues guitar and vocals, Johnnie Bassett, as the music director of his Blues Insurgents; and backing the veteran singer Alberta Adams. During and since his time in Detroit, Heid could be found making music soundtracks for adult films in Los Angeles, then touring worldwide for the U.S. State Department as a jazz ambassador, particularly on tours of Japan and Vietnam. In August 2003, Heid played more of the Pacific Rim in Sri Lanka, Indonesia, Malaysia, and Singapore.
Upon moving back to the Eastern United States, he could be heard on organ and piano engagements at various venues in the Washington, D.C., area. Of his mindset, Heid was quoted as saying "I can't live a day without playing 1-4-5s," incorporating those standard blues changes with cool McCoy Tyner minor riffs, vicious funk songs in Japanese, and what he calls Talifunk. "I approach this thing like total war and have been lucky to have avoided a day job." His hip vernacular, unique vocal language, and risqué sense of humor, melded with his passion for baseball, have made him an entertainer nonpareil. ~ Michael G. Nastos
Drummer, singer, and songwriter Big Joe Maher has been plying his craft in Washington, DC area clubs for more than three decades. With his band the Dynaflows, Maher has toured most of the U.S. Big Joe & the Dynaflows specialize in a kind of shuffle-heavy, swing-based blues that you can dance to. Big Joe was raised in suburban Washington, DC, listening to records his father liked to play on the family stereo. This included recordings by B.B. King, Little Milton Campbell, and Louis Jordan. By his late teens, he was out hearing live blues at nightclubs in D.C., as he had started playing drums in his early teens. As a drummer and singer, Maher takes his musical cues from a host of influences, including Big Joe Turner, Louis Jordan, Roy Brown, B.B. King, Little Milton Campbell, and Wynonie Harris.
After graduating high school in the DC area, Maher went on the road with his own blues-based jazz trio and over the years, he's accompanied the likes of Jimmy Witherspoon, Bull Moose Jackson, James "Thunderbird" Davis, Nappy Brown, Otis Rush, Earl King, Duke Robillard, and other guitarists and singers. Back home in the DC area, he spent several years on tour with the Tom Principato Band and then formed his own five-piece jump blues group, Big Joe & the Dynaflows. After some touring with that group, he took a job that would keep him home more often as musical director for Fleetwood's, Mick Fleetwood's nightclub in Alexandria, VA.
Albums by Big Joe & the Dynaflows include I'm Still Swingin' and All Night Long for the Maryland-based Severn Records, released in 1998 and 2000, respectively. I'm Still Swingin' includes innovative covers of tunes by B.B. King, Ray Charles, and Crescent City songwriter/producer Dave Bartholomew. Earlier releases from his band include Layin' in the Alley for the (defunct) New Orleans-based BlackTop Records label. The band also recorded their first release, Good Rockin' Daddy for the Powerhouse Records label (owned by Tom Principato) and released Cool Dynaflow for a label in Europe. In 1995, Maher recorded Mojo, with bassist Jeff Sarli and a team of DC area musicians for Mapleshade Records. Mojo features classic blues tunes in a stripped down, acoustic mode with laid-back grooves.
Maher works with two groups, the Big Three Trio or the Big Four Combo and tours around the U.S., Canada, and in Europe. As a drummer and singer, he has also recorded albums with others. His sessionography credits include albums by Bob Margolin's The Old School, Principato's In Orbit, Mark Wenner (of the Nighthawks) Nothin' But, and Ann Rabson's (of Saffire - The Uppity Blues Woman) Music Makin' Mama. Maher continues to record and perform, bringing his unique, sophisticated Kansas City-turned DC area jump blues stylings to all corners of the U.S., Canada, and Europe. ~ Richard Skelly/
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