Bitrate:320K/s
Year:1996
Time:49:40
Size:114,7 MB
Label:Crescent Records
Styles:Blues/Electric Blues
Art:Front
Year:1996
Time:49:40
Size:114,7 MB
Label:Crescent Records
Styles:Blues/Electric Blues
Art:Front
Tracks Listing:
1. Don't It Make Me Blue - 3:28
2. Congo Square - 4:54
3. El Don Blues - 4:05
4. I'm a Woman - 2:48
5. Dreamtime - 6:22
6. Route 66 - 3:23
7. Comin' Home Baby - 3:54
8. Man in Blue - 4:15
9. Broken Dreams - 3:37
10. Four on Six - 3:09
11. Every Day I Have the Blues - 3:25
12. Nannabocca Blues - 2:49
13. Crossroads - 3:25
1. Don't It Make Me Blue - 3:28
2. Congo Square - 4:54
3. El Don Blues - 4:05
4. I'm a Woman - 2:48
5. Dreamtime - 6:22
6. Route 66 - 3:23
7. Comin' Home Baby - 3:54
8. Man in Blue - 4:15
9. Broken Dreams - 3:37
10. Four on Six - 3:09
11. Every Day I Have the Blues - 3:25
12. Nannabocca Blues - 2:49
13. Crossroads - 3:25
This is the first blues project released by Crescent Records and what a CD it is. In the words of veteran blues DJ Gavin Fox (The Rooster Man), KLCC/KLCO, "Oh Babies, they got a thing goin' on don't they?"
The blues often bring out a very different, "more is more" approach - more volume, more notes, more speed - and that's all well and good. But Don Latarski's Deep Play works at subtler levels with music that often hints rather than hollers, sometimes seduces rather than screams. While many musicians with such prodigious gifts would find the temptation to showboat irresistible, on Deep Play the song and the groove always come first. This kind of performance requires musicianship of the highest order and, on occasion, some high-wire, without-a-net guitar. Even when whompin' on the whammy or bending strings almost to the breaking point, he's ever mindful of the intrigue of a remark left unspoken, the way a deft sketch engages the eye in a manner that a detailed painting cannot, the seductive mystery of spaces between notes. Less is more.
Latarski's background includes many years of playing blues in the small Michigan community of Romeo. Since 1973, he has focused on incorporating jazz elements into his music and released several LP's of jazz based music. He has written numerous books on the subject of guitar playing: Arpeggios for Guitar, Scale Patterns for Guitar, Movable Chords, Chord Orbits, Practical Theory for Guitar, Chord Embellishments, Introduction to Chord Theory, Guitar Theory Basics and The Ultimate Guitar Chord Big Book. All are published by Warner Bros. Publications. He has been an adjunct instructor of Studio guitar at the University of Oregon since 1983 where he teaches jazz and blues styles. He also owns and operates Crescent Studio and Crescent Records in Eugene, Oregon.
The blues often bring out a very different, "more is more" approach - more volume, more notes, more speed - and that's all well and good. But Don Latarski's Deep Play works at subtler levels with music that often hints rather than hollers, sometimes seduces rather than screams. While many musicians with such prodigious gifts would find the temptation to showboat irresistible, on Deep Play the song and the groove always come first. This kind of performance requires musicianship of the highest order and, on occasion, some high-wire, without-a-net guitar. Even when whompin' on the whammy or bending strings almost to the breaking point, he's ever mindful of the intrigue of a remark left unspoken, the way a deft sketch engages the eye in a manner that a detailed painting cannot, the seductive mystery of spaces between notes. Less is more.
Latarski's background includes many years of playing blues in the small Michigan community of Romeo. Since 1973, he has focused on incorporating jazz elements into his music and released several LP's of jazz based music. He has written numerous books on the subject of guitar playing: Arpeggios for Guitar, Scale Patterns for Guitar, Movable Chords, Chord Orbits, Practical Theory for Guitar, Chord Embellishments, Introduction to Chord Theory, Guitar Theory Basics and The Ultimate Guitar Chord Big Book. All are published by Warner Bros. Publications. He has been an adjunct instructor of Studio guitar at the University of Oregon since 1983 where he teaches jazz and blues styles. He also owns and operates Crescent Studio and Crescent Records in Eugene, Oregon.
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