Bitrate:320K/s
Year:1999
Time:60:18
Size:139,1 MB
Label:Right On Rhythm
Styles:Blues
Art:Front
Year:1999
Time:60:18
Size:139,1 MB
Label:Right On Rhythm
Styles:Blues
Art:Front
Tracks Listing:
1. Going Down Slow (Live) - 7:30
2. Walking on a Tightrope (Live) - 3:34
3. Good Morning Blues (Live) - 7:17
4. Street Walking Woman (Live) - 3:47
5. Highway's Like a Woman (Live) - 6:44
6. Painful Party (Live) - 4:55
7. Lover and the Married Woman (Live) - 6:48
8. The Hunt Is On (Live) - 4:23
9. Room with a View (Live) - 5:47
10. Baby What You Want Me to Do (Live) - 4:45
11. Wedding Pledge (Live) - 4:43
1. Going Down Slow (Live) - 7:30
2. Walking on a Tightrope (Live) - 3:34
3. Good Morning Blues (Live) - 7:17
4. Street Walking Woman (Live) - 3:47
5. Highway's Like a Woman (Live) - 6:44
6. Painful Party (Live) - 4:55
7. Lover and the Married Woman (Live) - 6:48
8. The Hunt Is On (Live) - 4:23
9. Room with a View (Live) - 5:47
10. Baby What You Want Me to Do (Live) - 4:45
11. Wedding Pledge (Live) - 4:43
Great cool uptown blues and Nap Turner's first cd in his more than 50 years of performing in the DC area. Thank God for independent labels and their owners/founders. Given the major multinational record labels' reluctance to support authentic blues artists (a truth allergy?) bluesmen/women are forced to rely on small record labels started up by frustrated fans who decide to take matters into their own hands. Despite the high mortality rate (most labels manage just one release before their demise) there is never a shortage of new hopefuls. The ones that do survive are usually the ones that don't let the threat of financial losses deter them, i.e. "music is art and I'm in it to create great works of art, not because I'm hoping to become a millionaire," (anonymous mental patient). All kidding aside, it's really wonderful when you have labels/owners out there that are more concerned with getting great music/artists on tape despite the ugly financial reality, and their completed projects many times will end up being priceless and timeless creative masterpieces. -- Andy Grigg, Real Blues Magazine/

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