Bitrate: 320K/s
Year: 2012
Time: 55:12
Size: 126,9 MB
Label: El Abridor Discos
Styles: Blues
Art: Front
Year: 2012
Time: 55:12
Size: 126,9 MB
Label: El Abridor Discos
Styles: Blues
Art: Front
Tracks Listing:
1. Mannish Boy - 5:28
2. Further on up the Road - 3:06
3. All Your Love - 5:05
4. Key to the Highway - 2:14
5. Messing with the Kid - 2:20
6. My Babe - 2:51
7. Hoochie Coochie Man - 4:07
8. Got Me Runnin - 3:18
9. Catfish Blues - 6:42
10. Guitar Rag - 4:10
11. Susie Q - 7:27
12. Me and the Devil - 2:34
13. Thrill Is Gone - 5:44
1. Mannish Boy - 5:28
2. Further on up the Road - 3:06
3. All Your Love - 5:05
4. Key to the Highway - 2:14
5. Messing with the Kid - 2:20
6. My Babe - 2:51
7. Hoochie Coochie Man - 4:07
8. Got Me Runnin - 3:18
9. Catfish Blues - 6:42
10. Guitar Rag - 4:10
11. Susie Q - 7:27
12. Me and the Devil - 2:34
13. Thrill Is Gone - 5:44
Musicians:
Nicolas Sartoris - Guitar and Vocals
Walter Deleon - Bass and Voice
Ariel Olmedo Prida - Drums and Voice
Gustavo Lazo - Harmonica and Voice
Guillermo Iglesia - Guitar
Nicolas Sartoris - Guitar and Vocals
Walter Deleon - Bass and Voice
Ariel Olmedo Prida - Drums and Voice
Gustavo Lazo - Harmonica and Voice
Guillermo Iglesia - Guitar
The band comes across as dedicated to honouring the tradition and to do justice to the standards they perform. It is your basic Chicago Southside electric blues combo with the blues harp player being for the most part the most prominent soloist. The artists covered include Muddy Waters ("Mannish Boy", "Hoochie Coochie Man", and "Catfish Blues."), Magic Sam ("All Your Loving"), Buddy Guy and Junior Wells ("Messing With The Kid"), Little Walter ("My Babe"), Jimmy Reed ("Got Me Running"), Robert Johnson ("Me and the Devil") and, as finale, a cool, jazzy interpretation of B B King's "The Thrill Is Gone." There is one nod to rock 'n roll with Dale Hawkins' "Suzie Q" and instrumental "Guitar Rag." There are plenty of albums by White blues acts who do their earnest best to do homage to their blues heroes, with greater or lesser degrees of success. Jammin' would not count amongst the top ten of those but it is on the whole pleasant and entertaining to listen to. If there is not much innovation there is no wholesale desecration of the material either. And, best of all, though the material is perhaps over familiar there is never a sense of the tedium that can destroy the soul through having to listen to yet another version of "Hoochie Coochie Man."
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