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суббота, 23 мая 2026 г.

Joseph "UJ" Miller - Down Home Remedy

Bitrate:320K/s
Year:2009
Time:56:53 
Size:131,1 MB 
Label:Self-Released 
Styles:Blues/St.Louis Blues
Art:Front 

Tracks Listing:
 1. Down Home Remedy - 4:57
 2. Irene Goodnight - 4:00
 3. Personal Blues - 5:57
 4. Steppin' Out Tonight - 4:25
 5. Wish I Was A Chicken Hawk - 4:58
 6. Baby Baby Don't Do That Anymore - 4:49
 7. 40-64 Blues - 5:07
 8. Rough Groove - 4:03
 9. Poor Boy Blues - 4:07
10. I'm Coming Home - 4:30
11. Down Home Remedy- Acoustic Version - 5:25
12. An Angel To Me - 4:31

Down Home Remedy is the 2nd CD to be released by Belleville, IL/St. Louis, MO musician Joseph “UJ” Miller, following after the release of his 1st CD, Back Alley Blues and Beyond. UJ is from musical family, as his grandfather used to perform throughout the region of St. Louis into southern Illinois. In addition, UJ’s father and brother both play guitar and piano. UJ himself has been singing from the age of 4 or 5, and has participated in talent shows and has been a member of a number of bands that never developed. It would be fair to classify UJ as a roots music artist who has a love of the blues, with the blues forming the bedrock of the majority of the songs on Down Home Remedy. UJ’s influences are varied, ranging from earlier influences such as Johnny Cash, Chuck Berry and B.B. King to later influences such as Gatemouth Brown and Michael Burks; not a poor musical choice among them. UJ seems to greatly enjoy being part of the St. Louis music community (family!) and from what I’ve heard on the CD that same community should be proud to count UJ as a member.
The Songs:
1. Down Home Remedy --This track leads off the CD in fine fashion, and is the "sound" that UJ could really run with. The tune is played in a sparse band format, kind of back porch thing, with lots of space among the instruments, and with UJ's warm voice working the lyrics. Also, St. Louis guitar queen Melissa Neels provided very tasty unobtrusive lead guitar lines as a guest artist throughout the song.
2. Irene, Goodnight --UJ has another winner on his hands here. It's a rootsy, folksy take on this old standard, but on this cut UJ sings and strums acoustic guitar while Melissa Neels provide more of her tasty lead guitar work.
3. Personal Blues --UJ tries his hand at a straight acoustic blues number here. It's UJ singing, Hitman Hendricks on slide guitar, and Tim Berg on harmonica. While it's not a bad track at all, it's not quite as strong as the 1st two numbers on the CD.
4. Steppin' Out Tonight --This is a simple back-porcher about hanging out with some pals in the evening time, just enjoying each others' company (as well as an adult beverage or two) as a way to shake off a melancholy mood (I couldn't bear to place the word "blues" there!)
5. Wish I Was A Chicken Hawk --This is UJ's take on the old “flying like a chicken hawk” theme. It's a lot more laid back than most occurrences of these songs, as most of them rev it up and swing like crazy. This is actually a nice change of pace, nice and down-homey, with only voice, acoustic guitar and acoustic harp. Tim Berg's harmonica work on this is right on.
6. Baby, Baby Don't Do That Anymore --This one is a fairly standard 3-piece acoustic blues number, consisting of acoustic guitar chording, slide guitar and vocals.
7. 40-64 Blues --This song is the tale of UJ's own blues set upon him by the closure of St. Louis' Highway 40 (Interstate 64) for 2 years due to reconstruction of a 12-mile long segment of the highway through the heart of the metro area. Unfortunately, now that the highway has reopened the lyrics sound a little dated. Melissa Neels is on hand again, though, playing lead guitar on an acoustic model – she should try more of this because it sounds great!
8. Rough Groove --Good move, UJ, as this tune is a complete change of pace as compared to the previous songs. I've like everything up to now, but a bit of "sameness" was creeping in due to the similar instrumentation and style of those songs. This is something completely different; it's an instrumental piece, by no means a blues, but with a very nice rootsy vibe. I think I would have titled the tune Cool Groove rather than Rough Groove, as the song isn't rough, but it is indeed very cool!
9. Poor Boy Blues --Now this track does sound more like a rough groove. It's UJ on acoustic guitar and Tim Berg on slide, performing an ominous sounding duo blues. I like this track very much, as UJ's warm but weary voice fits the song well.
10. I'm Coming Home --Here is another song that falls outside the typical pattern found on the CD. It's a melancholy tune with martial drums and a haunting organ added. I would have like to have heard organ used on a few more tracks on the CD; it sounds great here. Anyway, this has a vaguely "House of the Rising Sun" feel to it. That one is haunting and melancholic as well.
11. Down Home Remedy – acoustic version --We have a 2nd version of the CD's title track here. This one takes us back "down home", and it sounds fine. It's got a nice groove working, but the groove has that sound that just begs for the song to start off sparse and then continue to build in intensity throughout its length. At the end of the 1st verse and chorus I was expecting the song to ratchet-up a notch in intensity, and then continue this pattern throughout. Think about trying that arrangement with this tune sometime, UJ; please? It should also be noted that Melissa Neels appears once again on acoustic lead guitar!
12. An Angel To Me --The last tune on the CD, UJ performs it completely solo, singing and playing along on acoustic guitar. He plays very well here, so I'm not sure why he didn't provide more of his own lead work throughout the other 11 songs on the CD. It could be possible that UJ isn't completely comfortable playing leads for blues songs yet. He is a young man, and becoming a good blues lead guitarist (acoustic or electric) can take time as it is a deceptively difficult task to master. This song is in a singer-songwriter vein, which suits UJ's voice and abilities very well; he just seems extremely comfortable in this style.
The Verdict:
Joseph "UJ" Miller has a nice little release on his hands with "Down Home Remedy". The album has an enjoyable, warm feel to it, and it sounds as if the musicians had a fun time making this disc. Most of the songs are of a down home, back porch variety, with a couple decidedly non-back porch tunes (more singer-songwriter, Americana, Pop in style) thrown in to shake things up a little bit. UJ does an admirable job on the vocals, and the presence of Melissa Neels on lead guitar for several songs was a wise decision as she sounds great in this setting. All-in-all, this CD is a commendable effort from UJ and friends. Let's rate this bad boy: STLBluesometer rating of 3.50 for UJ Miller's Down Home Remedy. One thing East Side Slim can tell you is that he took some of that remedy and he’s feeling tter already. ~ CD Review by East Side Slim/

Marty D. Spikener's On Call Band - Help! I Need Some Good Blues

Bitrate:320K/s
Year:2017
Time:39:18 
Size:91,1 MB 
Label:Self-Released 
Styles:Blues/St.Louis Blues
Art:Front 

Tracks Listing:
 1. Ain't That Loving You - 4:03
 2. Born In Chicago - 3:34
 3. Feels Like Rain - 4:40
 4. Good Blues - 5:05
 5. Guns Of St. Louis - 5:39
 6. Lord Help Me To Hold Out - 4:12
 7. Pill For That - 3:30
 8. Tall Skinny Woman - 3:56
 9. Walkin' With Grover (Mister Magic) - 4:35

Marty D. Spikener has been playing the blues for almost 40 years, and the St. Louis club scene is much richer with him perched behind his drum kit and growling out perfectly timed vocals. Marty D. Spikener’s On Call Band performs both originals and cover tunes, and their new album, help! I need some GOOD BLUES!, is a fine sampling of blues, rhythm and blues, and just a little touch of jazz. The On Call Band includes Spikener, as well as Chuck Loeb on harmonica and vocals and Doc Evans on bass, while Ryan Waked and Solomon Haynes share the guitar work. Paul Niehaus IV cut this disc at the Blue Lotus Studio (also in St. Louis), and it sounds like it may have been recorded live. I say this because there is a cool dynamic and a noticeable energy between the artists as they run through this 40-minute set, which works out well for the music they chose for the set list.Two-thirds of the songs on this disc are covers, and the On Call Band starts things off with a neat re-do of Don Robey’s “Ain’t That Loving You,” which was originally released by Bobby Bland in 1962. This is a straight-up electric blues tune that allows the throaty and soulful vocals to shine. Waked and Haynes each deliver clean guitar solos, and Loeb goes for a dirtier sound with his harp. Next up is the Paul Butterfield Blues Band’s “Born in Chicago,” which is faithful to the original, but here it is played at a slower tempo, giving it a Latin feel. The other covers are a diverse collection of American tunes, including a soulful take on John Hiatt’s “Feels Like Rain,” and the Louis Armstrong-inspired vocals on James Harman’s hilarious “Tall Skinny Woman.” But the standout is “Lord Help Me to Hold Out,” which was originally recorded in 1969 by Harrison Johnson and the Los Angeles Community Choir. This acoustic gospel song has a wonderful interplay between the harmonica and the inspirational vocals, while the backline of Evans and Spikener hold everything together. The three tunes that Marty wrote are solid, the first of which is the funky “Good Blues,” and this song offers up the opinion that the blues does not have to be a stone-cold bummer. Guest artist Bobby Schneck (Santana and Slash) provides the stunning guitar solo while the tone of Waked and Haynes’ rhythm guitars set the mood perfectly. Then there is the sobering “Guns of St. Louis,” a soulful plea for peace and sanity in the Gateway City. And the last of the originals is the light-hearted “Pill for That,” which is chock-full of slick drum fills courtesy of Mr. Spikener. Wrapping up this disc is “Walkin’ with Grover,” a tribute to Grover Washington’s 1975 soul/jazz chart-topper, “Mister Magic.” There are no horns to be found on this instrumental, but the guitars and Loeb’s harmonica fill in nicely. The band pushes the tempo more than the original, and Evans’ walking bass line transforms this song into more of a blues tune, though there is still an obvious jazz influence. Each player gets a chance to shine on this track, making this the perfect outro for the set. It is really cool that Marty D. Spikener’s On Call Band documented their sound so that listeners outside of the Show Me State can hear their music. help! I need some GOOD BLUES! Is a solid package, and it would be neat to here more from these fellows, so hopefully they will be heading back to the studio soon(Originally published in Blues Blast magazine on April 12, 2017 by Rex Bartholomew). 

Fabulous Hats - Fabulous Hats

Bitrate:320K/s
Year:2008
Time:45:39 
Size:105,8 MB 
Label:Self-Released 
Styles:Classic Rock/Southern Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. Where's My Yesterday - 4:58
 2. Let's Go To Vegas - 4:21
 3. Dick's Descent - 2:09
 4. Breakout! - 4:25
 5. She Hot - 3:29
 6. Start Again - 4:19
 7. Little Smile - 2:50
 8. Your Bliss - 3:09
 9. Shake Shake - 3:24
10. Miles Behind us - 3:28
11. Rainclouds Burst - 4:21
12. I Fall For You - 4:42

Neil Dobson was a regular on the Toronto club circuit for years with various original bands. In 1993,he co-wrote a song w/Chris Kearney and Scott Lane called "A Letter From Sarajevo" to help with Red Cross efforts during the war in Sarajevo. Song and video were produced with many Canadian artists singing/playing including Tom Cochrane , Ian Thomas ,Rik Emmett,Murray MacLaughlin, Sylvia Tyson, and others. And now this...Fabulous Hats !! . "Well I like a lot of styles of music and the "Fabulous Hats" name comes from the old saying "He wears many hats" . I guess musically, I like to wear a few.."

Gerry Groom - Twice Blue

Bitrate:320K/s
Year:1994
Time:51:55 
Size:120,2 MB 
Label:Shattered Music 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Are You Tryin' To Drown Your Troubles - 4:13
 2. The Rhythm Of Your Heartbeat - 2:27
 3. Woke Up This Morning - 4:41
 4. Groom, Gerry - 4:18
 5. Love It Like It Is - 3:12
 6. In The End You Are Alone - 5:38
 7. Gospel Jamboree - 1:38
 8. Long Distance Call (Catfish Blues) - 3:34
 9. I Wish You Would - 4:44
10. You Are The Magic - 3:25
11. The One Who Hears You Pray - 4:13
12. Radio Ghosts - 3:29
13. As Life Goes Dancing By - 2:39
14. Blue Moon - 3:38

Gerry was Duane's Allman protege and he was an unbelievable slide guitarist who's first release on Shattered Music "Once In A Blue Moon" featured Mick Taylor who held Mr Groom in the highest esteem. Gerry Groom died prior to the release of his first CD and the original major label that was to release the CD dropped the project. Shattered Music picked it up. It was later, after the success of Once In A Blue Moon , that Bobby Owsinski (producer) went back and pieced together outakes and unrelaeased songs from Gerry that makes up "Twice Blue" The music is soothing with exceptional Dobro playing and vocals by Gerry. Jeffery Bars piano playing on Blue Moon stands out as well as the southwestern ballad " The Magic of Sante Fe" There are limited quantities of Twice Blue. 


Dwane Dixon - 14 Days in the Hole, Vol. 1 & 2

Bitrate:320K/s
Year:2020
Time:37:51 
Size:87,0 MB 
Label:Dixon Line Records 
Styles:Rock/Southern Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. 14 Days in the Hole - 4:17
 2. Call Me Crazy - 3:49
 3. Soul Song - 4:29
 4. I'm Gonna Live Forever - 4:33
 5. A Million Miles to Go - 6:09
 6. On Coming Train - 5:07
 7. Come on Home - 4:06
 8. Four Walls - 5:20

Dwane Dixon's mission is to make a meaningful contribution to blues music. His passion is for guitar driven blues-rock of the 60’s & 70’s his aim is to continue the tradition of this magical time in music when British blues players brought the blues back home to North America. With over 500 show in four years, two LYS BLUES AWARD Nominations, one for Best Blues-Rock Album 2014 one for and Best Live Show of 2014! His album Black Satin Blues 2013 was nominated by the Montreal Blues Society for a International Blues Competition Award in 2014.
Dwane Dixon is a true ambassador of the 60'd and 70's blues and southern rock style of bands like the Allman Brother Band, ZZ Top, Led Zeppelin and Jimi Hendrix and pours his heart and soul into the genre.

Gregg Martinez - Soul Of The Bayou

Bitrate:320K/s
Year:2016
Time:37:23 
Size:86,3 MB 
Label:Louisiana Red Hot Records 
Styles:Blues/Soul 
Art:Front 

Tracks Listing:
 1. I Can't Stand The Rain - 3:58
 2. Who's Lovin You - 3:28
 3. Remember You Used To Love Me" - 3:21
 4. I Wish I'd Never Loved You At All - 3:15
 5. That Old Wind - 2:35
 6. Kiss Tomorrow Goodbye - 3:40
 7. If You Want Me To Stay - 4:32
 8. If I Had Any Pride Left At All - 3:49
 9. Mac Daddy - 3:28
10. You've Got To Hurt Before You Heal - 5:12

Louisiana Swamp Pop king Gregg Martinez has the kind of powerhouse voice that seems to grow slow and deep, like the roots of an ancient tree, straight up from the earth. It’s an incredible voice, and Martinez has a gift for adding an extra lagniappe of soul to everything he sings. On his  for Louisiana Red Hot Records, the appropriately named Soul Of The Bayou, Martinez adds inspired covers to his self-penned tracks, and the result is deeply satisfying. He is backed by a truly fine band (Gregg Kingston on slide guitar, Charles Ventre on keyboards, and Pat Breaux on sax, among others). The opener, a slinky take on the classic “I Can’t Stand The Rain” kicks off with Kingston’s slide guitar and follows through with Stax-y horns. It’s a slow burn of a groove with Martinez giving a rich, soulful performance. Another clever cover, Sly Stone’s “If You Want Me To Stay” is a percolating dance floor filler with wah wah guitar, and Gregg Martinez kicking out the funky jams. His vocals are ripping. Martinez can really sell heartbreak. On the bluesy “Wish I’d Never Loved You At All,” he gives a stellar, heart-wrenching performance. He lets it rip on “Kiss Tomorrow Goodbye,” a serious tearjerker. “If I Had Any Pride Left At All” is a full on weeper, crushingly sad despite the tinkly piano. Martinez gives a mature, virtuoso performance.Mature is the watchword on Soul Of The Bayou. Gregg Martinez is a fully-formed, adult artist with a glorious, expressive voice. The gorgeous, old-school doo-wop vibe of “Who’s Loving You” is wonderful (the way he sings, “Now listen” almost under his breath sent goosebumps up the spine). He sells the hell out of that song with soulful slips into falsetto, silky in the right places that hit the ear (and the heart) just right. “That Old Wind” is bluesy and swampy with bright guitar licks. The protagonist is “Standing on the levee/waiting for the surge” and waiting for that old wind to wail. It’s an evocative, atmospheric track with a great, chugging beat and crisp percussion. “Mac Daddy” is a likable, upbeat blues number—a character study of sorts about a fellow who drives a rag-top Cadillac and has loads of women who follow him out of the club on the regular. “Remember You Used To Love Me” is a barroom boogie that’s a bit slicker than it needed to be, but witty lyrics salvage the track.
Soul Of The Bayou is an amiable charmer. Gregg Martinez’s voice is incredible and he’s wisely chosen his material (and band) to showcase that killer voice. It’s a pleasure to hear.Soul of the Bayou was released by Louisiana Red Hot Records on April 29 (2016).

пятница, 22 мая 2026 г.

Delta Generators - On & On

Bitrate:320K/s
Year:2026
Time:54:42 
Size:126,4 MB 
Label:Independent 
Styles:Blues/Blues Rock/Rock/Mix 
Art:Front 

Tracks Listing:
 1. I Got You - 3:02
 2. Button - 0:30
 3. Poker Face - 4:26
 4. Mr. Vain - 3:47
 5. Drone - 6:40
 6. Hernan's Stomp - 0:25
 7. Mr. C - 3:59
 8. Fuse - 0:28
 9. Baby Bomb - 5:27
10. Bet - 5:05
11. Ginny Mae - 5:24
12. Strength in Numbers - 3:47
13. Never Again - 4:38
14. Little Rat - 3:16
15. Deep State of Mind - 3:40

The latest album from Delta Generators, ON & ON, drops on May 22. Delta Generators have been around since 2008, releasing six albums, playing regional venues, and building a loyal fan base. Their sound has been described as a swampy blend of blues, R&B, and Americana with raw rock energy.ON & ON is a more focused blend of Texas roadhouse and Mississippi juke joint raw grit, intensely greased up with a lot of slide guitar and powerful harmonica leads. With that blending of Southern sounds, it may be surprising to learn that founding brothers Charlie O’Neal (guitar) and Rick O’Neal (bass) come out of the Boston music scene, with tenures in bands like Benjamin Orr’s band and alongside Johnny A. Rounding out the four-piece band are Jeff Armstrong on drums and Brian Templeton on vocals and harmonica. Templeton, a veteran of the Boston blues scene and former frontman of The Radio Kings, replaced original vocalist Craig Rawding after the band’s fourth album, Hipshakers and Heartbreakers, in 2016.
As a band, they have shared stages with Robert Cray, Jimmie Vaughan, Walter Trout, Sonny Landreth, Johnny Winter, and Three Dog Night. They have also appeared on Keeping the Blues Alive at Sea, building a more global following along the way. Their website describes their approach as “Real music by real people, played live and recorded live.” This mantra is lived out in the recording process for ON & ON. The entire album was written, arranged, and rehearsed in eight days, then recorded literally “live to tape” in two days at Power Station New England by Evan Bakke, who has collaborated with Prince and Warren Haynes.
That minimalized approach gives ON & ON a very grounded, rustic feel, like you are in a dark bar lit only by neon beer signs and dusty bulbs, until the opening track “I Got You” electrifies the setting with its crescendo opening into a toe-tapping beat. Its possessive mantra is the perfect opener for an album or a live set. It is also the first single released and a tone-setter for the rest of the album. The following tracks cover various real-world themes, all served with a thick, greasy layer of rock and blues. The second single, “Mr. Vain,” a slow, rhythmic, and interesting take on vanity, is already getting some streaming traction. “Poker Face,” with its cool, greasy slide guitar, and the harmonica-led toe-tapper “Mr. C” spin tales of seedy characters we all hope to avoid. “Little Rat” is a stripped-back, almost a cappella junkyard rhyme about a poor fool who crosses those seedy characters. “Deep State of Mind” is a fun track with an interesting theme around “deep state” paranoia framed in a fast-paced rockabilly-style rant.However, ground zero for blues themes has always been affairs of the heart, or just plain lust, and ON & ON does not disappoint. “Bet” has a swampy waltz feel that leads into a slow, thick solo with the refrain, “you better bet on me.” “Ginny Mae” is a Chicago blues thumper about that one girl you want who seems to be everywhere. “Strength in Numbers” tells a humorous, harmonica-led, toe-tapping tale about her “crew.” “Never Again” is a slide-oozing piece of self-talk we can all relate to. The longest tracks on the album are a pair of rockers. “Drone” laments being on the wrong end of a domineering relationship with a thick, swampy beat and haunting harmonica reminiscent of Led Zeppelin’s version of “When The Levee Breaks.” “Baby Bomb” is a heavy, semi-psychedelic grinder about an “explosive” temperament that may be my favorite track on the album.
The album also has a trio of short tracks, each less than a minute long, that are not labeled as intros but have interesting placement in the track sequence with their titles. “Button” precedes “Poker Face,” a song about a gun for hire. “Hernan’s Stomp” precedes “Mr. C,” a song about a leader of nefarious characters, and “Fuse” fittingly precedes “Baby Bomb.” Intentional or not, it is a fun quirk on a thoroughly enjoyable album.Guitarist Charlie O’Neal noted that the record “perfectly captures the live spirit of the band.” They certainly will not have to figure out how any of the tracks work on a live stage.
ON & ON is a fun listen that puts you on a creaky, uncomfortable bar stool or a dusty, crowded dance floor, simply enjoying gritty blues rock as it was meant to be heard, with a sense of gritty realism that is often absent from studio recordings. Delta Generators bottled that into a record that feels alive from the very first note.

Lena & The Slide Brothers - Lighthouse Blues

Bitrate:320K/s
Year:2026
Time:49:05 
Size:113,3 MB 
Label:Z-Trading LTD/Root Music 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. In A Black Cadillac - 4:17
 2. Tell My Mama - 2:54
 3. Sweet Little Angel - 5:24
 4. One Blues Away From Home - 3:41
 5. Lighthouse BLues - 6:55
 6. Open Road - 4:05
 7. Train Of Thought - 3:28
 8. No Time To Waste - 4:11
 9. Nothing But Right - 3:14
10. Wolves - 5:36
11. All Over the Place - 5:16

Musicians:
Lena Lindroos - vocals, bass
Matti Kettunen - guitars, backing vocals
Kristian Wahlström - guitars, backing vocals
Raine Kokkinen - drums, percussion

Lena & The Slide Brothers was formed in 2009 in Helsinki, Finland. The first album "Turn It On" came out in 2010, the second "Shine Your Light" in 2013. Their third album "The Road" was released in 2016 and it received great reviews and plenty of airplay world wide.
The  album "IV" (2019) has received superb reviews everywhere and the blues radios all over the world have taken it on their playlists, UK IBBA Top 40 on April and May among others. "A solid winner 6/6."- Blues News Norway.
The band has played at the most of Finnish blues and roots music festivals as well as in clubs and concert halls all over the country and visited also Sweden, Estonia, France, Italy, Belgium and Switzerland. Lena and her band mates occasionally perform as an acoustic duo or an electric blues trio.
In 2016 Lena & The Slide Brothers represented Finland at EBU EUROPEAN BLUES CHALLENGE 2016 in Italy.
On January 2017 the band won two categories at the FINNISH BLUES AWARDS 2017. The artist/band of the year and the best song of the year. (The Road You're On).
And here's the long-awaited new album! Listen to it!

Memphis Slim - The Memphis Slim Story

Bitrate:320K/s
Year:2026
Time:39:59 
Size:104,3 MB 
Label:Good Time Records, under exclusive license from the Peter Chatman Estate 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. We've Been Together Too Long - 4:01
 2. Sassy Mae - 2:04
 3. The Driving Wheel - 2:57
 4. Life Is Like That - 4:31
 5. All By Myself - 2:11
 6. Next Time You See Me - 2:56
 7. Misery - 2:22
 8. Kansas City - 2:27
 9. The Comeback - 3:38
10. H.C.F Boogie - 3:31
11. The Blues Is Everywhere - 4:17
12. Boogie Jam - 4:58

Alright, let’s talk about The Memphis Slim Story—a 1962 live cut from Paris. Memphis Slim, real name John "Peter" Chatman (yeah, the guy who wrote “Every Day I Have the Blues” and didn’t even put his real name on it—wild), was already a blues OG by this point. Left Chicago for France like “peace, y’all,” and recorded this one in Paris, May ‘62. No big studio tricks. Just piano, voice, and a band that kinda shows up and does their thing. First off—his piano? Thick. Like, syrup-on-pancakes thick. He don’t play notes, he stomp 'em in. And his voice? Sounds like gravel wrapped in velvet. Rough but smooth, if that makes sense. Track “Sassy Mae” kicks in like a rusty gate swinging open—simple, catchy, and you’re already nodding your head. “Life Is Like That” is pure blues gospel. Dude just states facts like “life is tough, deal with it,” over a slow boogie. No whining. Just truth. Now, Ben Waters plays clarinet, soprano, and tenor sax here. One dude, three horns. Feels like he’s trying to be an entire section. Sometimes it works (“The Blues Is Everywhere”), sometimes it’s like watching someone juggle too many apples—impressive, but might drop one. Kansas Fields on drums keeps time like a heartbeat. Not flashy, but you’d notice if it stopped. “Boogie Jam (1-2)” and “Boogie Jam” later on? Basically the same jam, split. 
Kinda lazy. Or maybe they just had fun and decided to leave both. Honestly, I’m cool with it. Feels real. Unpolished. Like overhearing a bar gig at 2 a.m. But here’s the thing—some tracks drag. “All By Myself” twice? C’mon. One version hits hard, the second feels like leftovers. And while Memphis Slim’s charm is his no-nonsense delivery, after 15 tracks of mid-tempo blues, you start craving a curveball. A ballad. A scream. Something. It’s all simmer, no boil. Also, why’s the album called a “story” but doesn’t really tell one? Liner notes are by Slim himself, which is cool, but where’s the arc? Where’s the drama? Feels more like a setlist than a narrative. Misleading title, man. Still. When he sings “The Driving Wheel,” you feel it. That moment when you realize you’re stuck in life’s driver seat, going nowhere fast. Chills. Real ones. And get this—recorded in Paris, by an American blues legend, backed by a French label, with a British dude on horns. The whole thing’s a weird cultural sandwich. Blues made in Europe, by ex-pat Americans, for people who probably don’t even speak English. Wild when you think about it. So yeah, not perfect. Repetitive. A bit samey. But damn, when Slim leans into the mic and growls, you shut up and listen. That voice. That piano. That vibe. You don’t need fireworks when you’ve got a slow burn this real.
Note:
This is the CD version (2026).

Nick Earle & The Reckless Hearts - Live At The JAG Soundhouse

Bitrate:320K/s
Year:2026
Time:74:07 
Size:171,1 MB 
Label:745 Music - Fontana North 
Styles:Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. Bottle The Sun (Live At the JAG Soundhouse) - 4:49
 2. One That I've Been Looking For (Live At the JAG Soundhouse) - 3:28
 3. Never Should Have Left (Live At the JAG Soundhouse) - 3:57
 4. I Wanna Know (Live At the JAG Soundhouse) - 5:09
 5. Nostalgia Attack (Live At the JAG Soundhouse) - 3:52
 6. Dive Bar (Live At the JAG Soundhouse) - 5:02
 7. Before I Met You (Live At the JAG Soundhouse) - 4:12
 8. It Ain't Bad To Be Me (Live At the JAG Soundhouse) - 6:46
 9. Ocean View (Live At the JAG Soundhouse) - 3:46
10. Best of Me (Live At the JAG Soundhouse) - 4:48
11. Downtown (Live At the JAG Soundhouse) - 6:11
12. Borrowed Time (Live At the JAG Soundhouse) - 3:25
13. Running on Fumes (Live At the JAG Soundhouse) - 5:19
14. Doesn't Anybody Hear It (Live At the JAG Soundhouse) - 4:07
15. Queen of the Night (Live At the JAG Soundhouse) - 4:22
16. Born To Lose (Live At the JAG Soundhouse) - 4:48

Guitarist, vocalist, and songwriter Nick Earle is a Canadian rock-blues artist from St. John’s, Newfoundland. Earle began his career in the music industry as one half of the nationally recognized duo “Earle and Coffin.” As part of this duo, he has received two Canadian Folk Music Awards, two MusicNL Awards, and a multitude of ECMA, Maple Blues, and MusicNL nominations. Earle began making a name for himself as a solo artist in June of 2019 when he released his debut solo record, Breaking New Ground. He has since generated much success with his new musical endeavors, along with his band “The Reckless Hearts.” 
He is bringing his unique combination of soulful vocals and unorthodox guitar playing to a  effort, which has been released on May, 2026.

Leeann Atherton - Good God

Bitrate:320K/s
Year:2026
Time:45:14 
Size:107,7 MB 
Label:5058091 Records DK/RainStorm Records 
Styles:Blues/Soul/Gospel/Mix
Art:Front 

Tracks Listing:
 1. Saved - 2:52
 2. Drinkin' That Wine - 4:29
 3. Joy - 3:51
 4. Put A Little Love In Your Heart - 3:36
 5. Call On The Lord - 4:39
 6. Games People Play - 3:58
 7. I'll Fly Away - 2:43
 8. I'm Looking For A Miracle - 3:33
 9. This Little Light Of Mine - 3:40
10. How Great Thou Art - 3:29
11. Smack Dab In A Miracle - 3:29
12. More Peace And Love - 2:10
13. Angel Band (feat. Austin Storm Atherton) - 2:39

Leeann Atherton (vocals), Johnny Vernazza (guitar, backing vocals), Mac McNabb (guitar), Edward Cleveland (drums), Rob LaMonica (keyboards), Bob Berman (keyboards), Mike Burnham (bass), Kevin Cooper (bass), TJ Moss (bass), Austin Atherton (backing vocals), Laura Jane Willcock (backing vocals), HeartBeat Pro (backing vocals)/
Leeann Atherton from Austin, Texas, describes her style as a mix of country gospel, blues, and soul. She hails her latest work as "A Celebration of Faith, Community, and the Transformative Power of Song." In other words: Southern music for the heart, soul, and spirit. With influences like Mavis Staples and Sam Cooke, Atherton, who also possesses considerable vocal talent, is certainly on the right track. The cornerstones of the album are the singer's three original compositions—"Joy," "Call On The Lord," and "Smack Dab In A Miracle"—which are complemented by a wide range of well-known and lesser-known songs. Particularly noteworthy are her fine interpretations of the Leiber/Stoller classic "Saved," the Joe South number "Games People Play," the beautiful a cappella anthem "Angel Band," and the evergreens "Put A Little Love In Your Heart" and "This Little Light Of Mine." Consistently excellent: the work of the studio crew around TJ Moss and Johnny Vernazza.
Without sounding the least bit contrived, Leeann Atherton exudes a healthy dose of positivity and hope on this album, something we could all certainly use these days.

The Blues Overdrive - Live Slices (Live)

Bitrate:320K/s
Year:2026
Time:37:51 
Size:87,6 MB 
Label:Cherry Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Rolling Thunder (Live) - 4:10
 2. Lay Your Burden Down (Live) - 5:47
 3. I Was Wrong (Live) - 3:34
 4. Aurora (Live) - 5:05
 5. Pistol Blues (Live) - 3:36
 6. Jealous (Live) - 5:06
 7. 16 Tons (Live) - 5:35
 8. I Need Your Lovin' (Live) - 4:56

The Blues Overdrive return with a strong new album. Live Slices also marks the band’s first vinyl release. The album captures the raw and authentic concert energy that has made the band of Europe’s most distinctive blues names.
The Blues Overdrive was founded in 2000 and is an internationally renowned blues’n roots band out of Copenhagen, Denmark. The band has gathered a strong reputation on the international blues and roots scene, touring all over Europe and garnering rave reviews from renowned music publications worldwide. Prominent dutch publication “Blues Magazine” have hailed The Blues Overdrive as: “A world-class blues band from Denmark. I do not exaggerate by saying that this combo can easily be categorized in the same league as, for example, The Fabulous Thunderbirds.”
The bands formula is a clear distinctive sound that effortlessly blends elements of various blues and roots styles into a strong and recognizable signature sound. Through the years, the band has collaborated with notable legends such as Lazy Lester, Manfred Mann, James Harman, Ian Siegal, Duke Robillard, and many more. 

Grainne Duffy - What Am I Supposed to Do

Bitrate:320K/s
Year:2026
Time:28:16 
Size:65,0 MB 
Label:Self-Released 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Early in the Morning - 2:32
 2. What Am I Supposed to Do - 3:06
 3. Streets of Love - 2:59
 4. Tearing Me Apart - 2:23
 5. Tragedy - 4:12
 6. Hurts Just the Same - 2:45
 7. Taking My Heart Away - 2:54
 8. Got to Give It Up - 3:14
 9. Need Your Love so Bad - 4:07

Gráinne Duffy is an Irish singer-songwriter from Castleblayney, Co. Monaghan, Ireland. All Access Magazine described her music as a "powerhouse of soul and inspiration mixed with desire and passion". Her Success has led her to play 3 days on the Acoustic Stage at Glastonbury Festival 2008, UK. and Blues On The Bay Festival 2008 in Warrenpoint, Northern Ireland, which has been twice headlined by Van Morrison. Grainne Duffy has opened for many major acts including Robben Ford, Dino Baptiste, Shawn Jones and The Yardbirds. Her tracks have also made it on many BBC Radio Ulster playlists including Alan Simpson's Playlist, Late Show with Cherrie as well as the blog of BBC Presenter Stuart Bailie Grainne Duffy has also been asked to record Oleta Adams' Get Here if you Can for the BBC in George Martin's renowned Air Studios in London.
On the new album world class musicians accompany Gráinne including acclaimed drummer Kenny Aronoff (John Mellencamp, Bob Dylan, Bruce Springsteen, Paul McCartney), bassist Jørgen Carlsson (Gov’t Mule), keyboardist Peter Levin (Blind Boys of Alabama), Marc Ford (The Black Crowes), and Duffy’s longtime lead guitarist Paul Sherry. Irish guitarist, singer, and songwriter Gráinne Duffy has developed into a rock & roll queen with a powerful voice and swagger. Guitarist Paul Sherry and drummer Aronoff jump into a groove that’s not just rockin’ but rooted in blues and soul.

Samantha Martin & Delta Sugar - A Beautiful Buzz (Live)

Bitrate:320K/s
Year:2026
Time:58:03 
Size:134,1 MB 
Label:Gypsy Soul Records 
Styles:Blues/Soul 
Art:Front 

Tracks Listing:
 1. Love is All Around (Live) - 3:35
 2. Don’t Have To Be (Live) - 3:02
 3. You’re The Love (Live) - 3:36
 4. Good Trouble (Live) - 3:18
 5. All Night Long (Live) - 4:39
 6. The Shape I’m In (Live) - 3:57
 7. I’ve Got a Feeling (Live) - 6:58
 8. My Crown (Live) - 5:52
 9. Loving You Is Easy (Live) - 7:24
10. Band Introductions (Live) - 1:48
11. Pass Me By (Live) - 3:30
12. Them Changes (Live) - 3:54
13. Loving Cup (Live) - 6:25

Occupy a rare space in modern roots blues music: deeply reverent of soul and gospel tradition.
Canadian powerhouse Samantha Martin & Delta Sugar Announce new live album “A Beautiful Buzz”, a soul-driven, blues-soaked revue capturing one of the most electrifying voices at full flight, in the spirit of “Mad Dogs & Englishmen”.
Samantha Martin & Delta Sugar release their new live album ‘A Beautiful Buzz’ via Gypsy Soul Records on May 22, 2026. Captured during the band’s Love Is All Around tour across Western Canada in 2022, the album documents the raw power, soul, and communal energy that have made Samantha Martin & Delta Sugar one of Canada’s most electrifying live acts. Samantha Martin & Delta Sugar occupy a rare space in modern roots blues music: deeply reverent of soul and gospel tradition, yet unafraid to push those forms into something louder, sweatier, and fiercely alive. Led by Martin’s unmistakable, powerhouse vocal delivery, the band has earned a reputation as one of Canada’s most commanding live acts, equal parts grit, grace, and emotional force. A two-time JUNO Award nominee and seven-time Canadian Blues Award nominee for Female Vocalist of the Year, Samantha Martin has long drawn comparisons to the great soul shouters of the past. As Rhythm & Booze put it, “Samantha Martin’s name can be talked of in the same sentence as Etta James, Tina Turner, and Aretha Franklin. It’s soul for the modern age with a turbocharger.” Paris Move (France) went further, calling her “indispensable, Samantha Martin, the new Southern soul tornado.”
Those comparisons aren’t casual. Over the course of their catalogue, discerning listeners will hear echoes of Mavis Staples, Sharon Jones, Otis Redding, Booker T. & the MG’s, and the Memphis Horns, all filtered through a modern, road-hardened sensibility. It’s classic soul DNA delivered with contemporary urgency and volume. As Glide Magazine noted, “a jaw-dropping display of vocal prowess that showcases this band’s brand of supercharged blues. Comparisons of soul greats run rampant, but like Brittany Howard, Samantha Martin might be the next musical game changer.”

четверг, 21 мая 2026 г.

Jack's Waterfall - Blue Light Club

Bitrate:320K/s
Year:2026
Time:40:59 
Size:94,3 MB 
Label:3845771 Records DK 
Styles:Jazz/Blues/Jazzy Blues/Mix 
Art:Front 

Tracks Listing:
 1. Calling All Angels - 3:45
 2. Trading Fours - 2:05
 3. The Best is Yet to Come - 4:10
 4. Same Things Today - 3:20
 5. Yeah You Right - 3:54
 6. Spirit Mountain - 3:20
 7. Peace in a Restless World - 3:39
 8. Love Be True - 4:43
 9. I Need Your Voice - 4:25
10. I Got to Go - 4:14
11. Blue Light Club Theme - 1:05
12. Hard Times - 2:12

Jack’s Waterfall is the musical adventure of singer, songwriter and musician, Jack Licitra. Pop, blues, jazz, country, folk, gospel and global influences all meet at The Waterfall. Whether performing solo or with an ensemble, Jack always projects a unique energy of inclusiveness. His great capacity for rhythmic-percussive adventures, virtuosic piano explorations and heartfelt songs and storytelling come together in every captivating recording and performance.
A smart later day folkie that follows in the tradition of the 70s stars that redefined the genre, whether singer/songwriter or alt.country, this cat has a smart pen and knows how to deliver a song that cuts to the chase to makes its point. A keen observer, this crew keeps its eye on the ball and hits it out of the park.
 A singer/songwriter/keyboard player who’s been captivating audiences in metropolitan New York for decades when not serving as an educator, too, Jack Licitra delivers hard-to-define music at the intersection of jazz and blues. And the themes and characters he describes on his latest CD will warm your heart and have you grooving, too.
Jack’s a rich tenor who pours his heart out with every phrase he sings. If you love the old-school, small-combo format that filled café society showrooms in the ’50s and ’60s complete with horns and more, you’ll adore this one.
Get hip to “Calling All Angels,” “Trading Fours,” “The Best Is Yet to Come,” “Yeah You Right,” “Peace in a Restless World,” “Love Be True,” “I Need Your Voice,” “I Got to Go,” “Blue Light Theme” and “Hard Times.”