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суббота, 6 июня 2026 г.

David Chappell & Tommy Lepson - Almost Gone

Bitrate:320K/s
Year:2023
Time:33:40 
Size:77,6 MB 
Label:Tommy Lepson music BMI 
Styles:Blues/Contemporary Blues 
Art:Front 

Tracks Listing:
 1. Almost Gone - 2:10
 2. Hard Way to Go - 4:31
 3. Song for Nash - 2:28
 4. Memphis Freeze - 2:56
 5. Mistaken Identity - 4:52
 6. If Not for You - 4:21
 7. Big Easy - 3:35
 8. She's Crazy - 2:43
 9. Nut Job - 1:46
10. In Walks Lulu (Live) - 4:13

Dave Chappell, a Washington, DC native, is one of the most sought after and respected musicians in the area. For the last several years, he has won the Washington Area Music Awards (WAMMIES) for 'Musician of the Year', 'Rock Instrumentalist of the Year', and 'Roots Rock Instrumentalist of the Year'.  Dave will be inducted into the 2026 “Maryland Entertainment Hall of Fame” on  June 28, 2026.
He has performed with Rock and Roll Hall of Fame legends Jerry Lee Lewis, Sam Moore of Sam & Dave, Percy Sledge, Johnny Johnson, and guitar wizard, Danny Gatton. Guitarist Dave Chappell is highly regarded by both his musical peers and by fans in the DC area coaxing a huge range of sounds out of his trademark Fender Telecaster.  
He  has been fortunate enough to  play with some of the finest musicians in the country and has been featured on a number of CD's recorded in the DC area. Dave's latest project with Tommy Lepson featuring artists Bob Britt, Mark Wenner, Kevin McKendree, Bruce Swaim, John Previti, Pete Ragusa, Jack O'Dell and John Thomakos!


Dr Pickup Blues Band - Three

Bitrate:320K/s
Year:2022
Time:46:27 
Size:115,4 MB 
Label:Self-Released 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. The G.M. Blues - 3:12
 2. The Texas Tbone Walk - 3:04
 3. The Waiting Blues - 7:03
 4. The Wall Street Blues - 5:02
 5. All My Money Was Gone. - 2:32
 6. Watch out Woman - 3:24
 7. Mambo Time - 2:00
 8. Life Gets in the Way - 2:29
 9. Western Union Credit Blues - 3:53
10. Roll Away the Stone - 6:16
11. I'm Sitting on Top of the World - 3:55
12. Welcome to Charleston (For Shrimp City Slim) - 3:31

This trio of French musicians, based in Toulouse for over twenty years, have been together long enough to develop a tight, cohesive sound. Their repertoire is primarily based on original compositions by the group's leader, Dr. Pickup, although they also include the occasional cover in their live performances. Currently, the band consists of Dr. Pickup, who sings and plays guitar, ably supported by Pascal Curto on Hammond organ and piano, while Jeango Alfred completes the trio on drums. These three musicians bring enthusiasm and dedication, which is paramount, although Pickup's vocal abilities sometimes suffer. It's a shame because, despite everything, the trio sounds good and they all take their work very seriously. Keep up the good work with your music and keep going strong!

Debbie Ritter & 4-40 Blues - Bluesday Afternoon

Bitrate:320K/s
Year:2003
Time:42:03 
Size:97,0 MB 
Label:Passion Blues Music 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. It's Alright By Me - 3:29
 2. Bright Moon - 6:22
 3. Bluesday Afternoon - 5:03
 4. Miss You Already - 5:41
 5. Late Again - 4:55
 6. With You After Midnight - 5:15
 7. Walkin' Shoes - 3:39
 8. Half A Mind To Leave - 4:36
 9. Sugarfootin' - 2:59

"A stunning collection of very eclectic, guitar-laden originals, all fueled by Debbie's soulful vocals". "Debbie is a sultry singer with a debt to classic stylist' - Blues Revue Magazine.

Denise La Grassa - A Crossroads Communion

Bitrate:320K/s
Year:2026
Time:35:02 
Size:80,6 MB 
Label:Deelagee Records 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Big Bad Dream - 3:04
 2. These Vain Games - 4:08
 3. Who Will Mourn You - 4:03
 4. Boy the Blues Have Been Blue to Me - 3:43
 5. The Jesus Reel - 2:28
 6. I'll Play the Blues For You - 4:50
 7. Go Down Laughing Good - 3:55
 8. Joyride - 4:19
 9. Go Bad Mouth Yourself - 4:27

A Crossroads Communion is her boldest move yet—a rocking blues statement that honors the past while offering fresh sounds. The album was made possible through an award from the Illinois Arts Council Agency Creative Accelerator Fund. La Grassa handles vocals, organ, and lyrics, while co-writer John Kregor provides the music. Kregor also plays guitar on two tracks, alongside additional guitarists Alvin Santner and Stephen Ryan, who contributes slide guitar on four tracks. The rhythm section features Steven C. Manns on bass and vocals, and Timothy Walker on drums. Special guest Pierre Lacocque of Mississippi Heat plays harmonica on two tracks. The album is produced by Jim Gifford and engineered and mixed by Maxwell Mendeloff at Narwhal Studios in Chicago, Illinois.
The lone cover, “I’ll Play the Blues For You,” written by Jerry Beach and first recorded by Albert King in 1972, is delivered with raw emotion as La Grassa moans, “If you’re down and out, and you feel real hurt, come on over to the place where we live and all your lonliness we’ll try to soothe, I’ll play the blues for you. Don’t be afraid to come on in, you might run across some of your old friends, all your lonliness we gotta soothe, I’ll play the blues for you.”

Carlos Johnson and Hideaki Tanaka - Blues - It's Powerful Stuff

Bitrate:320K/s
Year:2026
Time:73:16 
Size:168,3 MB 
Label:P-VINE Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. I Wonder Why - 11:05
 2. I Just Want To Make Love To You -  7:51
 3. I'm Your Hoochie Coochie Man - 16:13
 4. Don't You Lie to Me -  5:28
 5. My #1 Son -  8:10
 6. Let's Straighten It Out - 11:21
 7. Jimmy Reed Medley - 13:05

Carlos Johnson, one of Chicago’s most accomplished blues guitarists. Guitarist Hideaki Tanaka, who was influenced by Carlos’s playing while he was there, and Carlos have come together to create this collaborative album! Since Otis Rush suffered a stroke in 2004, Carlos Johnson, the Chicago guitarist/singer who has supported Rush as his right-hand man and gained immense popularity among Japanese blues fans with his passionate solo performances, is now collaborating with Japanese guitarist Hideaki Tanaka. Tanaka, inspired by Otis Rush, moved to Chicago in 1999, witnessed Carlos’s live performances, and was greatly inspired and influenced, spending four years there.
This album brings together these two, who could be called master and apprentice, to a full collaboration. From “I Wonder Why,” Otis’s signature instrumental opener that Carlos has taken over, to Jimmy Reed’s “You Don’t Have To Go,” a closer that Carlos has also featured on previous live albums, the two engage in a deep conversation through their guitars. The result is a relaxed yet profound album.

John Primer - John Primer and Friends Tribute to Theresa's Lounge

Bitrate:320K/s
Year:2026
Time:56:22 
Size:129,1 MB 
Label:Blues House Productions LLC 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Up in Heah - 3:44
 2. 7 Nights for 7 Years - 3:19
 3. The Blues is King - 4:52
 4. Sugar Sweet (feat. Billy Branch) - 4:21
 5. Champagne and Reefer (feat. Willie Buck) - 4:58
 6. We All Need Help - 3:44
 7. She's Nineteen Years Old (feat. Carlos Johnson) - 5:15
 8. Little by Little - 5:09
 9. Mary's Song (feat. Mary Lane) - 5:06
10. Cut You A Loose - 3:14
11. Blues Survivalist - 4:41
12. Here I am Knockin' at Your Door Again (feat. John Watkins) - 3:24
13. Mean Old World - 4:29

Alfonzo “John” Primer was born in Camden, Mississippi, in 1945. He was born on sharecropper land and grew up working in the fields. Primer migrated to Chicago with his mother in 1963. His blues career began on Maxwell Street, playing for tips. Primer got his first gig at Theresa’s Lounge, located at 48th and South Indiana Avenue, where he became a regular. Primer played guitar in Willie Dixon’s Chicago Blues All-Stars and in the Muddy Waters Band. He later joined Magic Slim and the Teardrops. Primer was nominated multiple times for Traditional Blues Male Artist at the Blues Music Awards, first winning in 2016. Primer was also the lead vocalist, guitarist, and featured artist on the Grammy-nominated “Muddy Waters 100” project. Overall, Primer is a three-time Grammy nominee. This is Primer’s twenty-first album. The album is dedicated to Theresa Needham.
Theresa provided a safe place for musicians. She gave them a place to connect and the freedom to play together. All the greatest blues musicians played there: Muddy Waters, Willie Dixon, Howlin’ Wolf, Hubert Sumlin, Earl Hooker, Buddy Guy, Jr. Wells, Luther Tucker, Otis Rush, Magic Slim & the Teardrops, Mike Bloomfield, Little Walter, Otis Spann, Jimmy Rogers, and others. Featured on this tribute are Primer, Billy Branch, Bob Stroger, Willie Buck, Mary Lane, Harmonica Hinds, Carlos Johnson, Twist Turner, John Watkins, Tony Mangiullo, and Jeff Brinkman.
The album opens with “Up In Heah,” written by Daniels and Moore and first recorded in 1966. Featuring some great bass from Stroger, the song was sung by Jr. Wells to kick off his set, as Primer sings “So c’mon ya’ all, we’re gonna have a ball…up in heah, so c’mon ya’ all were gonna have a ball.”
On “7 Nights For 7 Years,” an original written by Primer for this tribute, he chimes “Going down to the river that’s where all the bluesmen hangout…it’s the home of Jr. Wells and James Cotton, when they play they make you jump and shout.”
“The Blues Is King” is another Primer original with some great slide guitar. He tells how important it is to keep tradition alive, as he chants “can’t change the blues no matter what you do, the blues is the only way, the blues will always be king, the blues is alive and the blues is strong, if you sing the blues, you can’t go wrong.”
On “Sugar Sweet,” written by Mel London and first recorded by Muddy Waters in 1955, the featured artist is Billy Branch on harp and vocal, as he moans “I’m gonna tell you about my baby, I speak of her with pride, she’ll go all the way to make me satisfied, oh she’s my baby, she’s my baby, can’t you see, I can’t call her sugar ’cause sugar never was so sweet.”
“Champagne And Reefer,” written by Muddy Waters, was first recorded by him in 1981, as Willie Buck groans “Yeah, bring me champagne when I’m thirsty, bring me reefer when I want to get high, well when I’m lonely, bring my woman, set her right down here by my side. Well there should be no law if people want to smoke a little dope, well you know it’s good for your head and it relax your body, don’t you know.”
On “We All Need Help,” another Primer original written as a tribute to Theresa, he cries out “well it’s been good, that’s all you need, just keep on trying and you will succeed, have faith in good, that’s all you need, just keep on tryin’ you will succeed.”
“She’s Nineteen Years Old,” written by Muddy Waters and first recorded in 1958, features Carlos Johnson on guitar and vocal, as he wails “I’m gonna tell something to you, don’t care how you feel, you just don’t realize you got yourself a good deal, she’s nineteen years old, got ways just like a baby child.”
On “Little By Little,” written by Mel London and one of Jr. Wells’ most notable songs, first recorded in 1960, it’s a song about a woman whose love is slowly slipping away, as Primer shouts “oh, oh, oh, you stay all night until the break of day, you don’t listen to the things I say, bit by bit, your slipin’ away from me…little by little your love is driftin’ away from me.”
“Mary’s Song” is written and sung by Mary Lane, at the time the only female regular at Theresa’s, now 90 years young, as she belts “how can you love me when you treat me like you do…have you ever loved someone when you know they don’t love you…if you don’t want me baby, why don’t you let me be,” with Primer on guitar.
On “Cut You Loose,” a third song credited to Mel London, originally released in 1963 by singer Ricky Allen, it is performed here by Primer as he whines “well I work, work, work… well I should quit you baby well I’m full, full, full up to my neck, the only time your nice to me, is when I cash my chack.”
“Blues Survivalist” is yet another Primer original, as he declares “I’m a blues survivalist, I’m gonna keep it going strong, I just can’t stop, I got to keep it going on.”
On “Here I Am Knockin’ At Your Door Again,” written and sung by guitarist John Watkins, first released in 1985 and often sung by James Cotton, Watkins pleads “Something you got changed my whole world…you set my soul on fire, I don’t want no one else I know…well here I am nothing is going to make me go away…just lookin’ at you is enough to drive me insane.”
The closer, “Mean Old World,” from Little Walter Jacobs, was first recorded in the mid-1950s. It was sung every night at Theresa’s by Muddy Waters’ guitarist Sammy Lawhorn. It is sung here by Primer as he croons “It’s just a mean old world if you try to live it by yourself, when you can’t get the one that your lovin’, you got to use somebody else.”
John Primer’s dream of becoming a musician came true at Theresa’s Lounge. It was like home to him and it changed his life forever. Primer states, “We are all in our seventies, eighties, and nineties now. I am so happy we were all healthy enough to make this tribute to Theresa’s Lounge and to Theresa Needham. I hope you enjoy this album as much as I do.” ~ Richard Ludmerer.

Shrimp City Slim - I Work Nights

Bitrate:320K/s
Year:1998
Time:69:53 
Size:161,6 MB 
Label:Erwin Records 
Styles:Lowcountry Blues
Art:Front 

Tracks Listing:
 1. I Work Nights - 3:21
 2. Charleston Strut - 4:43
 3. Summer Angel - 3:27
 4. The Time We Should Have Spent Together - 3:29
 5. The Supermarket - 4:06
 6. You Just Never Know - 1:58
 7. Color Me Indigo - 4:27
 8. It's Just Her Family - 3:03
 9. Good, Good Love - 3:40
10. Natural Resource - 3:29
11. Calendar Time - 3:25
12. Moonstone - 2:29
13. I Found a New Morning - 2:36
14. Being Broke - 3:12
15. Switch Me Over (To Love) - 5:18
16. Stick & Stay - 3:52
17. I Don't Wanna Be In Town (When Your Payback Comes Around) - 3:43
18. Hey, Mr. D.J. - 2:55
19. Words Like That - 2:56
20. The Grass Is Greener - 3:33

Songwriter/keyboardist/singer Shrimp City Slim and crew epitomize the genre known as the 'Lowcountry blues', a rollicking blend of groovy shuffles, coastal funk, and swampy ballads that reflects the multi-cultural heritage of their home base, Charleston, SC. 'I Work Nights', Shrimp City Slim's fifth all-original CD released in 1998, documents a fascinating period in the artist's career. At this point in time, the band was a sextet with two women singers with a huge repertoire of original material. 'I Work Nights' contains twenty (20)  songs including 'Charleston Strut', 'Hey Mr. DJ', the first version of 'Switch Me Over (To Love)' (sung here by Ann Caldwell; later a show-stopper for Wanda Johnson), 'The Grass Is Greener', 'Stick & Stay','Color Me Indigo', and more. Shrimp City Slim continues to travel worldwide. Performance dates/venues at his web site. An important slice of Lowcountry music history...we think you will love this album.

Review
"A delicious, original song stew of American roots and kickin' blues." ~ The Pulse

"Charleston's Shrimp City Slim" makes records like no one else. "I Work Nights" will repay repeated plays and will hook you real, real bad. Personally, at the moment, I can't play anything else." ~ Blues & Rhythm, UK.

B. Douglas - Drivin' Wheel

Bitrate:320K/s
Year:1995
Time:68:14 
Size:156,2 MB 
Label:Self-Released 
Styles:Blues/Modern Electric Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. For Your Love -  5:43
 2. Ain't A Day -  4:38
 3. Autumn Leaves -  4:05
 4. Drivin' Wheel -  2:21
 5. Keep Your Eye On The Light -  3:58
 6. Take Me Down To Memphis -  3:03
 7. Juerga Con Duende -  6:51
 8. I'm Blue So Bad -  4:05
 9. Boppin 101 -  3:40
10. I've Got Myself A Mansion -  2:54
11. Here We Go Now -  6:20
12. Zone II - 20:29

Drivin' Wheel is a 12-track blues and rock album by artist B. Douglas, released on April 29, 1995. The album clocks in at 1 hour and 8 minutes and features original compositions spanning a range of rootsy blues-rock. The album features a mix of both energetic and deeply rooted blues tracks. Notable songs on the album include the title track "Drivin' Wheel", "For Your Love", "Ain't a Day", and "I've Got Myself a Mansion".Check out this recording to get a feel for the classic groove of B. Douglas.
“B. Douglas plays his blues loud and straight with a passing resemblance to Stevie Ray and a pronounced Albert’s King-and Collins streak at the core, “Chris Wissman, Nightlife Magazine. B. Douglas grew up in Springfield, Illinois, playing a variety of different instruments, trumpets, drums, and guitar. After attending college for a year, he wanted a change of pace and rode his motorcycle out to California and made that his home for the next 15 years. After running cranes, bulldozers and welding, he somehow came back to music where he probably needed to be all along. Hard times fell upon him, hitting rock bottom, he found himself living in the desert, 14 miles from civilization. He truly lived the blues. As one of his favorite quotes goes “You can’t sing the blues from an air-conditioned room”. He turned his life around and his Mississippi called him home. He picked up his guitar and has been playing ever since. After learning life’s lessons, God showed him the way out through music. “What drew me to the blues is getting to play my guitar. I can vent my frustrations; vent my feelings, all of myself, through the guitar.
B. Douglas has been leading his own blues band since 1994 and has recorded three albums. The first one “Blues You Can Use” was recorded at Blue Earth Recording Studio. All copies were sold out. The second album also recorded at Blue Earth “Drivin Wheel” was made up of all original material written and composed by B. Douglas also sold out. The third “Live from Hollywood, Please Don’t Pull The Plug” was recorded by John Falzarano, Studio on Wheels, live at the Hully Gully Rehearsal hall in Hollywood, California B. Douglas was the last performer to use the hail before it closed for good.
He has four albums set for release, showing growth and polish, as the blues is his way of life. His styles are influenced by music greats such as Stevie Ray Vaughan, Eric Clapton, Jimi Hendrix, B.B. King, and Jr. Kimbrough.

пятница, 5 июня 2026 г.

Harrell "Young Rell" Davenport - Young Rell

Bitrate:320K/s
Year:2026
Time:47:08 
Size:108,7 MB 
Label:RellTone Records 
Styles:Blues /R&B
Art:Front 

Tracks Listing:
 1. Tomorrow - 3:50
 2. Fatherless Child - 4:40
 3. Spinning - 3:15
 4. Giving Me the Blues - 3:49
 5. Richland Swing - 3:57
 6. Hurt People, Hurt People - 4:56
 7. I Be Tryin' - 4:40
 8. Masters of War - 3:26
 9. I'll Keep It Hot for You - 3:24
10. I Hear Some Blues Downstairs - 3:55
11. Nite Creepin' - 3:47
12. The World Don't Deserve Your Smile - 3:26

Harrell “Young Rell” Davenport Announces Full‑Length Debut on Little Village A new generation of blues takes the stage Little Village proudly announces the full‑length debut from Harrell “Young Rell” Davenport, the 19‑year‑old Mississippi phenom whose rapid rise has electrified the blues world and reaffirmed that the tradition is not only alive — it’s evolving in real time.Raised in Vicksburg, Mississippi and steeped in the cultural memory of the Delta, Young Rell represents the rarest combination: a deeply rooted traditionalist with the instincts and imagination of a modern songwriter. A standout guitarist of striking maturity, a fat‑toned harmonica player with a signature attack, and a vocalist who sings with unforced authority, Davenport has already emerged as one of the most compelling young voices in contemporary blues.His story is the kind that reminds the community why Little Village exists. Like D.K. Harrell, Sean McDonald, Kyle Rowland, Candice Ivory (and more!) before him, Young Rell arrives at the label at the exact moment when raw talent, lived experience, and artistic purpose converge. Little Village has made a mission of catching young artists on their ascent — and Davenport is unmistakably on his way up, up, and up!!One of Davenport’s greatest strengths is the breadth of his musical vocabulary. His repertoire moves effortlessly from deep Mississippi Delta blues to acoustic country blues, from Chicago electric grit to southern soul. He understands the connective tissue between these styles because he has studied them — not casually, but obsessively. His knowledge of blues history is astonishing: legendary recordings, obscure B‑sides, forgotten innovators, regional variations, and the overlooked artists who shaped the music from the shadows. Young Rell’s songwriting is extremely impressive and his taste in covers is impeccable; he wrote all the songs on this album except two, and they aren’t the usual standards — they’re deep cuts, songs most musicians never touch, like his unique, fascinating and timely take on Bob Dylan’s “Masters of War” and Fenton Robinson’s should be classic “I Hear Some Blues Downstairs!” And he doesn’t just play them; he inhabits them, reshaping each tune with a sense of ownership and emotional clarity far beyond his years.Discovered by many through a viral clip of his first‑ever Chicago performance — 165,000 views and 4,000 shares within days — Young Rell has since built a global following through his musicianship, his humility, and his gift for community‑building. His social media presence is not a marketing strategy; it’s an extension of the same generosity he brings to the bandstand. Fans and musicians alike engage with him on technique, tone, gear, and the deep history of the music he carries forward.As a child, Davenport found refuge in the blues, writing his way through hardship and trauma. By the time he finished high school, he had written more than 150 original songs — personal without being confessional, poetic without affectation, shaped by experience and the emotional intelligence of someone who listens as intently as he plays.This debut album — recorded at Kid Andersen’s Greaseland Studios and produced by Chicago blues harmonica ace Matthew Skoller with co‑production and engineering by Kid Andersen — showcases a young artist already in full command of his voice. Surrounded by a powerhouse Bay Area rhythm section and supported by Larry Batiste’s horn arrangements and background vocals, Davenport delivers a set that honors the lineage while sounding unmistakably like himself.

Wes The Power Trio - First Born/second Offering

Bitrate:320K/s
Year:1990
Time:57:13 
Size:132,0 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Stressed Out - 3:28
 2. Hardlife - 3:39
 3. Lichella - 4:25
 4. Demon - 4:05
 5. Ain't It a Shame - 4:26
 6. Sweet Lady - 4:05
 7. Runnin' - 6:04
 8. Smokes Too Much - 5:59
 9. Play My Way - 4:24
10. Happy - 4:18
11. Time Waits for No Man - 5:47
12. Can't Say - 6:28

There are some opportunities that one cannot afford to miss - they must be seized. WES, The Power Trio, a band made up of three power musicians fresh from the New Orleans music scene have it all: a mixture of rock, Rhythm & blues, Blues, Reggae and Funk. Three musicians, bassist Ron Wesley, drummer Paul Benko, and the guitarist with the elusive initials V.C., have already opened for and jammed with such famous names as Johnny Winters, James Cotton, David Bromberg, Tab Benoit, and Lonnie Brooks. Having played their own special brand of music for over half of the world, they break out of the traditional jazz mold. In order to provoke audience participation and have that 'Black Feeling' permeate the listeners, they aim directly at the gut of the public through the use of their sweeping rhythm/

The Maynard Brothers Band - Take It From Me

Bitrate:320K/s
Year:2004
Time:39:07 
Size:90,2 MB 
Label:Self-released 
Styles:Blues/Blues Rock/Rock 
Art:Full 

Tracks Listing:
 1. Your Blues Is Killing Me - 4:16
 2. Used To Do Before - 3:46
 3. All The Good Ones Are Taken - 3:50
 4. You Me And Luther - 5:18
 5. It All Broke Loose - 3:30
 6. Leave The Rest For Me - 3:36
 7. Love Don't Wait - 4:42
 8. Take It From Me - 6:57
 9. Without You Loving Me - 3:08

The Maynard Brothers Band based in Johnsonville, NY, is a blues-based, roadhouse-rock group. As their name indicates, the trio consists of the brother tandem of Erv and Jeff Maynard anchored by percussionist Harold Clutch Reiser the brother-from-another-mother. Erv pens most of the music and lyrics and handles all the guitars while brother Jeff The Throat Maynard belts out the vocals and plays bass. Their strengths lie in Jeff's dynamic vocal delivery of some witty, well-crafted lyrics.

Jumpin' Juba - Bumpity Bump

Bitrate:320K/s
Year:2004
Time:49:19 
Size:114,3 MB 
Label:Bonel'ss Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Funny Farm - 3:59
 2. Back Street Studio - 3:48
 3. Bruce's Boogie - 3:38
 4. Chase the Dream - 4:21
 5. Sufferin' Blues - 3:53
 6. Explaining the Blues - 3:10
 7. Complications - 5:41
 8. Best Buy in Town - 4:01
 9. Four-Footed - 3:43
10. Fixated Woman - 2:12
11. Lost in Logic - 2:34
12. Rear View Mirror - 3:55
13. Back Door Blues - 4:21

Jumpin' Juba mixes regional blues from Chicago, Memphis and New Orleans together with roots-y rock & roll, jazz, calypso, and Latin flavors. It features Steve Hurl (guitars, vocal), whose playing draws from the great acoustic blues finger-pickers, and from the blues-y string benders of the 1950's. Bruce Ward's burly piano work recalls such greats as Prof. Longhair, Otis Spann, and Albert Ammons. The band's two CD releases (Bumpity Bump and Slap Happy) have received regional and overseas airplay, and have garnered many favorable reviews in MA and beyond. 

Grey DeLisle and Les Greene - Grey & Greene

Bitrate:320K/s
Year:2026
Time:29:15 
Size:68,9 MB 
Label:Hummin'Bird Records LLC 
Styles:Blues/R&B/Alt-Country/Americana 
Art: Front 

Tracks Listing:
 1. Homewrecker - 2:39
 2. I'm Gonna Let You Call Me Baby - 3:34
 3. Mister - 3:05
 4. Back of Your Hand - 3:20
 5. The Pieces - 3:58
 6. Shake That Thing - 3:34
 7. Mariposa - 3:23
 8. Go Go Go - 2:55
 9. That's All - 3:34
10. You're the One That I Want - 2:38

Grey & Greene was produced by rockabilly veteran and multi-instrumentalist James Intveld, with original songs written by Americana/alt-country star Grey DeLisle (three co-written by Intveld), and showcases the vocal talents of DeLisle and Les Greene, who Grey befriended in 2024 when they did a Christmas song together called “I Don’t Want Nothing” that sparked a desire to collaborate further. Some folks know Greene from his incendiary vocals as Little Richard in Baz Luhrmann’s Elvis, or from his captivating performances on American Idol’s Season 16, but his bread and butter is his own Les Greene and the Swayzees. This high-octane outfit bring their own take on soul and R&B-flavored rock n’ roll with performances that regularly leave audiences with jaws dropped, in a daze from Greene’s otherworldly talent.
Pairing that powerhouse with Americana sweetheart DeLisle guarantees something special. The duo trade off vocal duties throughout the record on tracks like “Shake That Thing,” “Go Go Go,” and “Home Wrecker,” the latter a clever reimagining of DeLisle’s 2002 classic. Here, Greene steps into the title role, reimagining the character into a “devil in some tight leather,” in place of the original vixen who was a “devil in a tight sweater.”
The flavors of classic country, blues, rockabilly, Brill Building pop and soul create something for everybody, and one can easily imagine DeLisle & Greene’s set at Stagecoach and Coachella, the Grand Ol’ Opry and South x Southwest, Boots in the Park and your local hipster bar jukebox. We all wanna shake that thang, and DeLisle and Greene give us all the infectious inspiration to do it.
There are tender moments as well. Ballads like “I’m Gonna Let You Call Me Baby,” “Mariposa,” (featuring Deke Dickerson on guitar) and “That’s All” allow the beauty and uniqueness of these voices to shine. Anyone nursing a recent heartbreak might want to skip “That’s All”—or, alternatively, put it on endless repeat. Greene’s gorgeous, desperate pleas are the perfect showcase for those remarkable pipes. 

Elliot Dyson - Can't Stop Rockin'

Bitrate:320K/s
Year:2004
Time:38:00 
Size:87,4 MB 
Label:Self-Released 
Styles:New Orleans Blues/R&B 
Art:Front 

Tracks Listing:
 1. Jump, Jive and Wail - 3:37
 2. Rockin' Robin - 3:36
 3. Let's Stay Together - 3:35
 4. Mustang Sally - 6:02
 5. Bad, Bad Leroy Brown - 3:37
 6. Europa - 4:10
 7. Straighten Up and Fly Right - 4:24
 8. Rocking Pneumonia - 1:30
 9. Twisting the Night Away - 3:24
10. Riff for Mom and Dad - 3:58

A multi-talented saxophonist and vocalist, he was a long-time resident musician in the French Quarter of New Orleans. He plays a mean guitar too. You'll love the horn parts in this lively invigorating rendition of pop selections from several decades. Great old school rhythm and blues in the spirit of Sam Cooke and Al Green.

Mark Scott LaMountain And The Blue Thunder Band - Blue Thunder Boogie

Bitrate:320K/s
Year:2005
Time:36:56 
Size:85,4 MB 
Label:Blues Baby Records 
Styles:Blues/R`n`R/Rock 
Art:Front 

Tracks Listing:
 1. Blue Thunder Boogie - 2:47
 2. Snake Charmer - 3:21
 3. Pump Up This Party - 3:13
 4. Inside Out - 3:09
 5. Sweet Round Booty Blues - 3:30
 6. Empty Man - 3:26
 7. Angel - 4:03
 8. Price I Gotta Pay - 5:04
 9. Blues Of Love - 3:25
10. Suburbia - 4:53

Mark Scott LaMountains (Blue Thunder Boogie) is absolutely one of the most exiting blues records to come along in some time. Combining blues, with rock, with swing, with country and soul, it will keep you rock'n 1st note to last.
"Blue Thunder Boogie" is the title track and lead single from the 2005 album by Mark Scott LaMountain And The Blue Thunder Band. The 10-track record blends traditional blues with a high-energy, Stray Cats-style rockabilly feel.
Mark Scott LaMountain Originally from Boston Ma. and Now kicking back in Sacramento California has been playing guitar and singing in pro touring bands since the mid 80's He has played not only across the USA, but also in Jamaica, Firenze Italy and Canada. Having toured relentlessly in the hard rock bands Rude Attitude and Dead River, he finds himself at real musical and songwriting peace with the band of his own name. Where he can write and sing about any topic that comes to mind, with a full 180 swing back to the blues. In this context he has now found the musical nirvana he always searched for and intends to stay deep in his blues style of music forever. But this is not rehashed blues. MSL and this band are redefining the blues for a new millennium.