Поиск по этому блогу

воскресенье, 13 сентября 2026 г.

Bo Roberts - Bo Roberts & The Port City Allstars -LIVE

Bitrate:320K/s
Year:2006
Time:55:53 
Size:128,5 MB 
Label:Bo Roberts Music 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. I'm Doin' All Right - 4:36
 2. Mellow Down Easy - 9:05
 3. Goin' Back To Mobile - 6:49
 4. Let Me Love You Baby - 4:54
 5. Can't You See - 6:48
 6. Messin' With The Kid - 4:12
 7. I'm Gonna' Move To Kansas City - 5:55
 8. She's Alright - 4:33
 9. Kellie's Song - Beauty Beyond - 3:36
10. Shove Me Down - 5:21

Bo Roberts has been playing piano, singing, and writing music for several years in the Delta region and backing many artists from Alabama, Georgia, Mississippi, Florida, Tennessee, Kentucky and Louisiana. In these last few years Bo has been focusing his skills into a bluesy style that has defined his unique music. Bo has shared the stage with many artists including: Bo Diddley, The Fabulous Thunderbirds, Delbert McClinton, John Prine, The Everly Brothers, Wet Willie, Lynyrd Skynyrd, Drvin'-N-Cryin', Bob Margolin, Hubert Sumlin, and Willie "Big Eyes" Smith.

Blue Stew - Stumbling Blocks and Stepping Stones

Bitrate:320K/s
Year:2000
Time:59:09 
Size:137,6 MB 
Label:Main Street 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. Grateful - 4:43
 2. Nobody's There - 3:23
 3. My Baby's Cookin' - 6:27
 4. She Makes Me Feel That Way - 5:19
 5. To Get Your Attention - 5:00
 6. Bringing Home The Blues - 6:07
 7. Walkin' Shoes - 4:02
 8. Better Off Alone - 3:40
 9. Steppin' On Cracks - 4:54
10. Missing You - 6:09
11. Child Of The Street - 4:15
12. Why You Treat Me That Way - 4:17
13. Whoops - 0:49

Groovin', infectious blues with thought provoking lyrics, 'tastefuly' played by the critically acclaimed Blue Stew.
Blue Stew is a unique and original rockin' blues band from Ventura, CA. with three critically acclaimed CDs released in the USA. Formed in 1994, they have played shows with Little Feat, Duke Robillard, Eddy Clearwater, Roomful of Blues, Larry Carlton, The Blasters, Storyville, Doug Sahm & The Last Real Texas Blues Band.... Their music has had substantial radio play as well as glowing reviews in Blues Revue, Blues Access, L.A. Times, Blues Bytes.
The CD, "Stumbling Blocks & Stepping Stones", was released in September 2000. From that CD, "My Baby's Cookin'" and "Child of the Street" reached # 1 on MP3. "Nobody's There" can be heard in a new Warner Bros. T.V. series this fall (Oct. 2001) titled "Elimidate" on the W.B. network.
The bands latest, "Headed South" was released in August 2005
After six years together, the four guys in Blue Stew definitely have the blues thing figured out. They will be expanding their horizons with a party Thursday night at the Ban-Dar in Ventura to celebrate the release of their third CD, "Stumbling Blocks & Stepping Stones."
Imagine your favorite chair or your most comfortable pair of shoes as a band. Blue Stew has that smooth, cool blues groove going. They don't wail enough to break your eardrums, nor do they play so slow you get bored. And they ably mix styles such as T-Bone Walker, Jimmy Reed, Taj Mahal, Big Joe Turner and Freddy King.

Blind Dog Taylor & The Healers - Cash To Splash

Bitrate:320K/s
Year:1998
Time:55:53 
Size:129,0 MB 
Label:Full Moon Records 
Styles:Aussie Blues 
Art:Front 

Tracks Listing:
 1. Hot Dog! - 2:07
 2. Biscuit Tin Blues - 3:10
 3. New Orleans Boogaloo - 3:12
 4. Don't Tell Anybody - 4:14
 5. As Cool As I Wanna Be - 3:56
 6. Cash To Splash - 3:52
 7. Right Train, Wrong Track - 4:32
 8. No Train - 4:43
 9. I Don't Love You Like I Used To - 3:49
10. Two Strings And A Prayer - 3:42
11. The Good Old Anna Key Blues - 4:33
12. In The Paw-Haus - 5:23
13. Sounds Like A Good Reason (To Say Goodbye To Me) - 5:59
14. Beachport - 2:34

Musicians:
Travis Taylor - Vocals, Guitar, Harmonica;
John Carlini - Bass, Vocals;
Sav Palaktsoglou - Guitar;
Harry Milochis - Drums.

"Cash To Splash", a universal ambition since Adam and Eve started paying the mortgage! So' even if you're not an aficionado of Mississippi Saxophone, Italian Bagpipes or the Cordless Electric Drill, this album has something for everyone. Against current trends this CD has been tested on animals and Pavlov himself would be surprised with the results! Blind Dog Taylor and The Healers may not have "Cash To Splash", but they've got music and they've got rhythm...….who could ask for anything more? ~Marty Jones

GProject Blues Band - Blue Shadow

Bitrate:320K/s
Year:2013
Time:64:12 
Size:149,0 MB 
Label:Timezone 
Styles:Blues/Blues Rock/Rockin`Blues 
Art:Front 

Tracks Listing:
 1. 100 Buck’s For Peeing - 3:31
 2. Downtown - 3:03
 3. Lonesome Highway - 6:16
 4. Rocky Mountain Way - 6:10
 5. Blue Shadow - 3:18
 6. Keep Your Hands to Yourself - 3:56
 7. Get It Done - 5:24
 8. Lonesome Rider - 2:48
 9. Long As I Can See the Light - 3:48
10. Dust My Broom - 4:07
11. Joe's Blues for Muddy Waters - 3:14
12. Blues Deluxe - 6:30
13. Sixteen Tons - 5:36
14. Soldier of Fortune - 3:34
15. You Changed My Mind - 2:48

GProject Blues Band, based in southeastern Germany, presents its first long player with Blues Shadow, on which the quartet shows an amazing stylistic diversity. In doing so, it demonstrates a pleasing assurance in all areas, be it hard blues rock or gentle balladry. The 15 tracks on the CD are divided into eight original compositions and 7 covers by such diverse composers as Merle Travis, Elmore James or Joe Walsh. With their stylistic diversity, the band puts you in a mood and makes you want more, and the CD is decidedly varied, always remaining more than entertaining. This is the best mood music. Whether acoustic slide guitar or rock solos on a grand scale, both fit well side by side here. The band has really internalized the principle that the ensemble of a rock band is more their individual musicians.
credits. This quartet throws a lot of music at the listener, and they take common blues stylings to come down over an hour. Michael Staudenmyer plays the keys and handles the vocals. Leonidas Kyriakakos can be heard on guitar, and TomBo and James Ransom keep the beat on drums and bass, respectively. 
Released December 12, 2013

The Butler Twins - Not Gonna Worry About Tomorrow

Bitrate:320K/s
Year:1995
Time:71:31 
Size:164,5 MB 
Label:JSP Records 
Styles:Blues/Electric Blues/Harp Blues 
Art:Full 

Tracks Listing:
 1. I Finally Found Me A Girl - 5:31
 2. My Baby's Coming Home - 5:55
 3. Not Gonna Worry About Tomorrow - 8:31
 4. I Know You Don't Love Me Baby - 7:43
 5. 1-900 - 6:11
 6. You Don't Need Me - 5:40
 7. Going Down A Long Country Road - 5:50
 8. Crack House Baby - 7:07
 9. That Old Devil (Crossroads) - 6:33
10. Bring It On Back To Me - 5:20
11. Travellin' Down South - 7:04

Musicians:
Clarence Butler - Harmonica, Vocals;
Curtis Butler - Rhythm Guitar;
Kenny Parker - Lead Guitar;
Jeff Grand - Additional Guitar;
Eddie Harsch - Keyboards;
Buster Wylie Tatterson - Bass;
Martin Gross - Drums.

Clarence and Curtis Butler are two longtime beacons on the Detroit-area blues scene, and with two recorded albums for the London-based JSP Records. The brothers' albums for JSP include Pursue Your Dreams (1996) and Not Gonna Worry About Tomorrow (1995).
Guitarist Clarence and harmonica player Curtis Butler grew up near W.C. Handy's birthplace of Florence, Alabama, about 30 miles from the Mississippi Delta. They took their earliest musical cues from their father, guitarist Willie "Butch" Butler, who was famous in the region but never recorded.
The twins moved to Detroit in the 1960 and quickly found work in Motor City auto plants. The club scene at the time was booming, with the music of John Lee Hooker, Little Sonny, Bo Collins, Bobo Jenkins and dozens of others spilling out of the city's juke joints. The twins continued working and sitting in as much as they could, but by the late 1960s, the blues scene in Detroit had dried up. Civil unrest and the rise of the Motown sound didn't leave much room for a flourishing blues scene, but by the early 1980s, when the blues began a resurgence again nationally, the Butler Twins were still on the scene. More importantly, they were celebrated as survivors and veterans.
The Twins died in 2003 and 2004 never having any more opportunities come their way. But the albums live on, and if you like rough, tough ‘they don’t make albums like that anymore’ music then this is for you…~ John Stedman/

Manu Lanvin & The Devil Blues - Grand Casino

Bitrate:320K/s
Year:2019
Time:53:48 
Size:124,4 MB 
Label:Gel Production 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. The devil does it right (feat.Beverly Jo Scott) - 2:58
 2. Highway to hell - 3:47
 3. Shake it lady - 4:26
 4. When it's too late - 4:48
 5. Satisfaction - 4:02
 6. Lost under the waves - 3:06
 7. Rock me baby - 3:30
 8. So come on down (feat.Taj Mahal) - 4:11
 9. Spoonful (feat.Popa Chubby) - 4:08
10. A bluesman in Hong-Kong - 2:30
11. I don't love you - 3:56
12. Hoochie Coochie Ya Ya Yeah - 4:02
13. Je suis le diable (feat.Paul Personne) - 8:18

It was undoubtedly the Texan singer Calvin Russell (1948–2011)—with whom he collaborated as a songwriter and producer on the album *Dawg Eat Dawg* (2009)—who sparked a new musical direction for the Parisian Manu Lanvin. The sharp turn taken after Russell’s passing marked the beginning of Lanvin’s solo career and the release of his own albums. Between 2000 and 2007, the emphasis of his first three albums (*Venir au Monde* [2000], *Les Temps Mauvais* [2005], and *Faible Humain* [2007]) was primarily on rock. With the power trio Devil Blues, Manu Lanvin finally found the path that suited him perfectly. Following their debut *Mauvais Casting* (2012), things moved at breakneck speed, opening doors for this bluesman and his band. *Grand Casino* is a pure Blues 'n' Roll album featuring prestigious friends—such as Taj Mahal, Beverly Jo Scott, Johnny Gallagher, and Popa Chubby—answering the call of "the Devil." *Grand Casino* is Manu Lanvin’s seventh album overall—and his fourth with Devil Blues—following *Blooze, Booze & Rock’N’Roll* (2016). The album is remarkable in its own right, thanks to its special guests; no fewer than Taj Mahal ("So Come Down"), Beverly Jo Scott ("The Devil Does It Right"), and Popa Chubby (covering Willie Dixon's "Spoonful") joined Manu "the Devil" Lanvin for the project. The result is an album featuring (blues) classics—such as AC/DC’s "Highway to Hell," the Rolling Stones’ "Satisfaction," and B.B. King’s "Rock Me Baby"—alongside new original material like "When It’s Too Late" and the ballads "Lost Under the Waves" and "I Don’t Love You." The closing track "Je Suis Le Diable"—performed by Lanvin featuring Paul Personne—serves as the final burst of fireworks that really sets the party ablaze. With *Grand Casino*, master entertainer Manu Lanvin hits the mark with the general public; his collection of rock classics, complemented by new material, is sure to create a fantastic atmosphere.

The Ride - Ride On

Bitrate:320K/s
Year:2011
Time:43:29 
Size:101,3 MB 
Label:Mamawa Records 
Styles:Rock/Contemporary Blues 
Art:Front 

Tracks Listing:
 1. Quiet Place - 4:56
 2. Out On the Road - 5:25
 3. Frame Up - 3:15
 4. Takin' My Time - 6:13
 5. You Know It - 2:41
 6. Blues Lover - 2:56
 7. I Know Nothing - 4:04
 8. Ride On - 4:00
 9. Surfbone - 5:18
10. Midnight Blue - 4:36

The album *Ride On* was released in 2011. Bandleader Bob Perrone wrote three songs for the album and also served as its producer. His repertoire includes original compositions such as "Quiet Place in the Country," "Takin' My Time," "Out on the Road," "Here We Go Again," "You Got Me Now," "Sunshine," and "Solar Wind."

James Van Buren - Live At Littleton Town Hall

Bitrate:320K/s
Year:1993
Time:72:38 
Size:167,8 MB 
Label:Van Buren Records & Tapes Records
Styles:Blues/Jazzy Blues 
Art:Front 

Tracks Listing:
 1. Lou's blues - 5:23
 2. Nosey Rosie - 3:58
 3. Wailing Gray Wall - 5:33
 4. Make Love Like a Fool - 4:07
 5. Time With My Baby - 3:51
 6. Country Boy - 6:15
 7. That's What Happens - 4:57
 8. One for Jimmy - 5:35
 9. Low Down Blues - 5:57
10. Hard Head - 6:00
11. Sweet Woman Blues - 5:24
12. Whatever Happened to the Blues - 8:20
13. Cheatin' & Lying - 7:12

Since forming the Blues Kings in Kansas City in 1956, Van Buren went on to release several albums, including We Will Be Together Again, which made NPR’s Top 20 list, It’s All Over, I Ain’t Doin’ Too Bad and 2004’s Live at the Kasbah, which featured saxophonist Richie Cole. Since 1996, the Colorado Rockies have used Van Buren’s “James’ Baseball Song” as the team’s anthem. Van Buren also performed with legends like T. Bone Walker, Big Joe Turner and Lou Rawls.
“James is as original in his song as Joe Williams or Billie Holiday,” famed jazz guitarist Phil Upchurch once said. “The other thing I like about his style is that you can hear him smiling.”
Diamond says Van Buren was a classy guy and a passionate guy who cared about the music and cared about the people. “He always wanted to be great for everybody and do a great job and do a great performance,” Diamond adds. “He was a one-of-a-kind guy. Between doing his jazz and his blues, he was always an advocate for people’s causes.”

Vincent Bucher - Hometown

Bitrate:320K/s
Year:2014
Time:41:02 
Size:94,3 MB 
Label:Continental Record Services 
Styles:Blues/Harmonica Blues 
Art:Front 

Tracks Listing:
 1. Cheers & Handshakes - 4:46
 2. Hometown - 4:20
 3. Second Chance - 4:26
 4. The Other Way Around - 3:51
 5. Spare Time - 3:54
 6. The 14th Jump - 3:42
 7. I'm Buying Time - 3:58
 8. I'm Gone - 4:46
 9. Don't Leave the Table - 3:02
10. Once in a While - 4:14

Vincent Bucher's Hometown is a raw, soulful ride through modern blues. With gritty harmonica solos and heartfelt vocals, this 2014 album blends acoustic charm and electric energy. Tracks like "I'm Gone" and the title tune "Hometown" hit hard with real emotion and storytelling.  Fun fact: it was recorded at Fish Ranch Studio and made in Holland. Not what you'd expect from a French artist, huh?
Vincent Bucher's Hometown (2014) is a bluesy, low-key ride through dusty roads and late-night thoughts. Recorded at Fish Ranch Studio, this album feels like it was made with more heart than budget - which isn't necessarily a bad thing. Bucher handles vocals and harmonica throughout, backed by a small crew of multi-talented musicians including Jérémie Tepper on guitars and Marten Ingle handling co-production and some lyrics. What stands out first is the rawness. No glossy sheen here, just gritty textures and honest performances. Tracks like "I'm Gone" and "Cheers & Handshakes" have that slow-burn blues feel that pulls you in without trying too hard. Bucher's harmonica playing is solid, never flashy but always present, weaving through the songs like a background narrator. The title track "Hometown" has a nostalgic vibe that hits close to home, even if you've never been there. The production leans lo-fi, which works for the genre but might turn off listeners looking for crystal-clear studio polish. Some tracks blend together a bit, especially in the middle, where the mood stays consistently mellow. Not a huge variety in tempo or tone across the 10-song lineup, but maybe that's the point - it's a cohesive listen, like one long evening of music around a campfire. One minor gripe: the album clocks in at just over 40 minutes. While not too short, it leaves you wanting more - not because it ends on a high note, but because some tracks feel underdeveloped. Still, the simplicity is part of its charm. Odd thought: listening to Hometown made me realize how rare it is to hear an album that doesn't try to impress with technical perfection. It's flawed, sure, but it's also real. Like finding a used vinyl in a thrift store - slightly scratched, but full of soul.

Blakester - It's About Time

Bitrate:320K/s
Year:2005
Time:41:08 
Size:95,1 MB 
Label:Not On Label 
Styles:Texas Blues/Southern Rock/Classical Rock
Art:Front 

Tracks Listing:
 1. It's About Time - 1:34
 2. Goodbye Mama - 2:33
 3. I Bought The Boots - 3:10
 4. I Just Want To Love You - 4:35
 5. When I Think of You - 3:50
 6. No Place Left to Go - 3:35
 7. Loving You Was Easy - 3:45
 8. Best Boy - 5:36
 9. Go to Hell for Lying - 3:36
10. Bushwhacken Man - 3:15
11. One More Night - 3:58
12. Firefly - 1:40

Blakester's It's About Time is a 2005 music album featuring a blend of blues, southern rock and classic rock.... It's danceable with some tasty guitar and vocals from a soon to be recognized artist. 

суббота, 12 сентября 2026 г.

Jack Bon Slim Combo - What a Good Life

Bitrate:320K/s
Year:2014/2018
Time:43:39 
Size:101,3 MB 
Label:iM StarassoProd (2018) 
Styles:Blues/Electric Blues/Modern Electric Blues 
Art:Front 

Tracks Listing:
 1. Empty Mind - 3:43
 2. Loose My Cool - 3:27
 3. Traces Don't Lie - 2:59
 4. Faded Roses Blues - 3:45
 5. I Wish You the Best - 3:48
 6. You Were in Love - 3:40
 7. When You've Got No Money - 3:28
 8. Rain Blues - 3:56
 9. In Love with My Guitar - 3:36
10. Don't You Worry About Me - 3:40
11. What a Good Life - 3:43
12. When I Crossed the River - 3:48

French singer and guitarist Jack Bon leads Slim Combo with a steady hand, joined by Laurent Falso on drums, percussion, and vocals, and Chris Michel on bass and vocals. For this release, they also enlisted the valuable contribution of harmonica player Fred Brusse, who adds a sensitive, personal touch to several tracks. The album serves as a fine example of contemporary blues-rock—albeit one influenced by 1970s bands, a style of which Jack Bon is a prominent French exponent. Their music is steeped in funk and boogie, and Bon’s guitar playing exudes a fierce intensity, creating a distinctive signature sound instantly recognizable to his legion of fans. All of this makes the music on *What A Good Life!*—composed entirely by this legendary figure of French rock—a collection of well-crafted songs that make the album both accessible and highly recommended.

Buttnaked - The Big Splash

Bitrate:320K/s
Year:2004
Time:39:49 
Size:93,9 MB 
Label:Naked Productions 
Styles:Blues/Blues Rock/Mix 
Art:Front 

Tracks Listing:
 1. Cool Conversation - 3:44
 2. Dog Days - 3:08
 3. The Big Splash - 3:35
 4. You - 3:17
 5. Hit Me - 3:25
 6. Mr. Gonzales - 2:51
 7. No Chicks - 2:37
 8. Little Prayer - 2:51
 9. Sunlight - 3:51
10. Train - 2:37
11. Beggin' And Pleadin' - 3:06
12. Transsylvanian Devil - 4:42

Buttnaked is in for all the colours of todays music universe, at the same time always connecting with where it all started: traditional blues music.
A massive, creative UFO spotted in the Belgian sky! At the controls—bare-assed—are the four intrepid souls from Namur! Holy cow, this time our little Buttnaked crew has really shaken up the blues scene. It took some serious guts to churn out a second album sitting right at the crossroads of pop, blues, and funk!
Marc Bodart, Patrick Louis, and company deliver a knockout blow! A delicate, slender voice paired with a warm, soulful one, backed by two lead guitarists whose playing is as finely crafted as it is breathtaking!
The material drifts across various musical styles—Hispanic, Jamaican, funk, folk, rock, and even Dutch influences—all torn up and reassembled here and there. It all stews in a blues sauce, then comes together with skill and maturity! The result is an unexpected brand of blues-rock that absolutely rocks and breaks free from the mold.
You might ask: are we still in the realm of the blues? Rest assured, there is no doubt about the source of their influences. The framework is there—solid and undeniably bluesy! *The Big Splash* leaves an impression of playful, yet expertly mastered improvisation, driven by a solid rhythm section and brilliant, prominent guitars. So, is Buttnaked the new Belgian "Jésus Volt"? Or simply a bunch of buddies—musically formidable and passionate about the blues—who just want to play the music they love, free from bars and labels?
Unsettling, innovative, but damn original! Not for the purists! ~ Joël Bizon

Blues Beer - Hot Blues & Fresh Beer

Bitrate:320K/s
Year:2020/2026
Time:45:21 
Size:105,0 MB 
Label:Produccions BLAU S.L 
Styles:Harmonica Blues/Electric Blues/Chicago Blues 
Art:Front 

Tracks Listing:
 1. Shake the Boogie - 3:06
 2. Rock Me Baby - 3:51
 3. Scratch My Back - 4:03
 4. Can't Get No Gridin - 3:18
 5. Lucille - 2:54
 6. Last Night - 7:35
 7. One Way Out - 4:32
 8. Sugar Sweet - 3:26
 9. Good Time Charly - 4:04
10. You Don't Have to Go - 4:57
11. Born in Chicago - 3:30

"Founded in Palma in early 2015, Blues Beer is a band with a sound that embodies the authentic style of Chicago groups from the 1950s and 60s. With a dynamic stage presence and a sound defined by frenetic harmonica playing, they transport their audience to the atmosphere of the urban black music clubs of that era. Despite the band's recent formation, its members come from prominent groups in the genre, such as the Harmonica Coixa Blues Band, Victor Uris, Blues Devils, and Broncos Blues Band. 'Hot Blues & Fresh Beer' is the final album by the late Toni Reynés/ " ~ Produccions BLAU S.L .(2020)

Ass Pocket of Whiskey - Based On A True Story [EP]

Bitrate:320K/s
Year:2004
Time:20:17 
Size:46,6 MB 
Label:JGL 
Styles:Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. Posession - 5:09
 2. Swamp - 3:22
 3. Song In My Soul - 4:26
 4. Firefly - 2:26
 5. Robert Jones (Live) - 4:52

Based On A True Story is a 2004 five-track blues EP by the musical act Ass Pocket of Whiskey, which is a separate entity from the 2024 premium bourbon brand of the same name.

Erica Brown Band - Rough Cut Stone

Bitrate:320K/s
Year:2006
Time:55:17 
Size:127,7 MB 
Label:Not On Label 
Styles:Blues/Modern Electric Blues/Blues Rock 
Art:Full 

Tracks Listing:
 1. I Spent A Month There One Night - 3:38
 2. Cajun Moon - 5:42
 3. Everyman Hears Different Music - 4:59
 4. Rough Cut Stone - 3:43
 5. Daner's - 5:27
 6. Payin Dues - 4:46
 7. Shape I'm In - 3:40
 8. Bring Back The Quarters - 5:34
 9. Things Are Getting Better - 5:48
10. Hard Faith - 6:55
11. In The Can - 4:59

Miss Erica Brown is a Singer, Songwriter, Recording Artist and Actress based in Denver, CO. She has been singin’ the blues all her life and has truly seen and lived the Blues. As she shares her gifts with the world, the world has taken notice, from publications like Living Blues and Chicago Blues Guide in the US to Blues Matters in the UK, and Rootstime in Belgium. 
Erica has long been a mainstay in Colorado’s Music scene.  From 1998-2008, as frontwoman for the Award-winning Erica Brown Band, Erica electrified audiences all over the Rocky Mountain region with the band’s brand of searing blues rock. The band won nearly every award the region offered, including Best Blues Band (Westword Magazine) Best Underground Blues Band (Denver Post, multiple years) and The Rocky Mountain News’ Best of in the Blues Category. The band released two critically acclaimed CD’s, “Body Work” in 2000, and “Rough Cut Stone” in 2003. Erica was dubbed “Denver’s Queen of the Blues”, a moniker that was used by the Altitude Network in their concert showcase feature “OnStage”, which was broadcast to five million households in ten western states in 2005. 
In 2008, Erica began her Solo career.
In 2013, Dan Treanor’s Afrosippi Band featuring Erica Brown garnered 3rd Place Honors in the International Blues Challenge (IBC) sponsored by the Blues Foundation in Memphis, TN.  That year, over two hundred bands competed in what is the premier competition for blues bands worldwide. 
In 2016, Erica was contacted by Grammy-nominated Bluesman Carl Gustafson, (Blinddog Smokin’ Blues Band) and was asked to contribute vocals to a project he was producing, along with 2017 Grammy Winner in Traditional Blues, Blues Man Bobby Rush. That project has blossomed into the epic music novel “MOJA: A Music Saga”, the story of Rush’s family, the Ellis Family. Erica voices Bobby’s Rush’s ancestress on the song “She Did What She Had to Do.”  Artists from around the world have contributed to this incredible telling of an important African and American Story.
Along with Rush on harmonica, a fraction of the other musicians on the project include “The 500” (the 500 musicians and artists on this incredible Project!!) Blues Woman Teeny Tucker (daughter of Tommy Tucker, writer of the 1963 Hit “Hi Heel Sneakers”), Ms. Tata Vega (the “musical voice” of the character “Shug” in the movie The Color Purple), gospel vocalists The McCrary Sisters, 2020 US Artists Fellow Dom Flemons, Harmonica Master Billy Branch, vocalist Natalie Cadet, famed gospel, rock, blues, jazz and funk B-3 organist Cory Henry, along with Mississippi Hill Country blues (and sons of R.L. Burnside) brothers Gary and Duwayne Burnside, Blues Guitar master Lightnin’ Malcolm, African Folklorist and master Djembe player Weedie Braimah, West African Ngoni Master Bassekou Kouyate, Cuban drummer Pedrito Martinez, multi-instrumentalist Fabian Chavez, guitarist George Dez, and scores more Artists!! The massive, 8-volume project released in early 2022, in individual Volumes. 
Erica has been awarded Colorado’s Five Points Jazz Festival’s Tribute Award for significant and lasting contributions to music and culture in the historically African-American Five Points Neighborhood, and throughout Colorado!
In 2013, Dan Treanor’s Afrosippi Band featuring Erica Brown garnered 3rd Place Honors in the International Blues Challenge (IBC) sponsored by the Blues Foundation in Memphis, TN.  That year, over two hundred bands competed in what is the premier competition for blues bands worldwide.  Since then, in tandem with the IBC competition, Erica conducts the Livestream Interviews for the National Women In Blues Showcase Day during IBC Week.
In 2016, what would become a double page “Center-Magazine-Splash” photo of Erica taken during the Women In Blues Showcase by Superstar Photographer Danny Clinch was featured in Smithsonian Magazine’s Historic September 2016 companion issue for the opening of the National Museum of African American History and Culture (NMAAHC) in Washington DC.  Attendees of the Museum opening on September 24, 2016 included a Dedication by then-President Barack Obama.  Erica is deeply honored to be included in such a special Smithsonian issue.  
Erica has been featured in a number of stage productions throughout her career.  In 2018 Erica took a star turn as the character Nancy Foster in Emancipation Theater Company’s World Premiere of its’ inaugural stage production Honorable Disorder. The show received rave reviews from multiple publications, including the Denver Center for the Performing Arts (DCPA).