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пятница, 17 апреля 2026 г.

Trickbag - Candyville

Bitrate:320K/s
Year:2015
Time:42:49 
Size:98,0 MB 
Label:Magic Records 
Styles:Blues/R&B 
Art:Full 

Tracks Listing:
 1. Move Me , Baby - 3:18
 2. Try It Again - 3:10
 3. You Should Have Listened - 4:05
 4. Its You That Wears The Ring - 4:56
 5. Poison Ivy - 2:53
 6. You Mystifies Me - 4:52
 7. So Good To My Baby - 3:34
 8. Long Distance Lover - 2:57
 9. What Kind Of Gal Is That - 3:28
10. Candyville - 2:09
11. Last Night - 4:16
12. Saturday - 3:05

Over the past few years, Trickbag has established themselves as one of the brightest lights on the Euro blues scene. Their live shows combine the excitement of early rock & roll with a hard blue tinge and their recordings are always a well played and exciting event.Candyville is a mixture of well chosen covers and originals that are as fun & exciting as their live act. Tomi Leino is a devastating guitarist, and West Westons harp work is a compliment to Tommy Moberg's natural unforced vocals.

Deluxury - De Best Of 1979-?

Bitrate:320K/s
Year:2008
Time:72:02 
Size:165,2 MB 
Label:Self-Released 
Styles:Blues/Mix 
Art:Front 

Tracks Listing:
 1. B-4 You Accuse Me - 4:07
 2. Leavin' Again - 3:47
 3. Operator - 2:54
 4. Ruby Baby - 3:23
 5. How Can I Love You - 3:54
 6. You Lied to Me - 3:02
 7. All I Want is You - 3:19
 8. Brown Eyed Girl - 4:25
 9. Hey Baby - 4:15
10. You So Fine - 3:17
11. Stay Drunk All The Time - 4:23
12. Shake It On Down - 5:05
13. Mustang Sally - 5:55
14. Whiskey Drinkin' Man - 6:22
15. Maybe Someday - 5:16
16. Summertime - 8:32

A high-energy Rhythm and Blues band from the Chicago area that performed for nearly 30 years (1979 to 2008). They were known for a distinctive "Chicago Style" that blended blues, Motown, Rock, Country, and Gospel. A staple of Midwest festivals, fairs, and concert circuits for over two decades. By 1999, the group had reached over 3,000 performances. Around 1979- 80, Mike, EZ Dave Haines, Dana French and Mike Hoge formed the band DeLuxury.  They were later joined by Kent Cooper (The Boyzz) and Gil Pini (The Boyzz).  At the time, DeLuxury was known for playing red hot rockin’ rhythm and blues! Although there were personnel changes over the years, the band played regularly until 2008.  Phil Miller (Sonia Dada) and Jimmi Kidd, two hot guitar players in Chicago, also did stints with the band. DeLuxury had 6 record releases, including the all original Crosseyed Cupid; was sponsored by Miller Beer for eight years; toured the Midwest and beyond; and played many prestigious gigs as headliners as well as the opening act for Stevie Ray Vaughan, Southside Johnny and the Asbury Jukes, Fabulous Thunderbirds and Little Feat, among others. They also had the pleasure of supporting established artists, including Robert Plant and Joan Baez, and jumping on stage to jam with them.  


Boogie Beasts - Don't Be So Mean!

Bitrate:320K/s
Year:2026
Time:41:38 
Size:96,0 MB 
Label:NAKED 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Jumper On The Line - 3:54
 2. Going Down South - 3:48
 3. Skinny Woman - 3:44
 4. You Got To Move - 3:55
 5. Peaches - 5:07
 6. Shake 'Em On Down - 3:37
 7. Poor Black Mattie - 3:25
 8. Over The Hill - 2:36
 9. Fireman Ring The Bell - 4:03
10. Snake Drive - 3:10
11. Alice Mae - 4:13

In 2026, Belgian blues rock band Boogie Beasts will celebrate their 15th anniversary, as well as the 100th birthday of R.L. Burnside.
The band will release a new album "Don't Be So Mean!", a tribute to R.L. Burnside. This album is a unique collaboration between artists from both sides of the Atlantic. Featuring: Kenny Brown, Duwayne Burnside, Luther Dickinson, G. Love, Pablo van de Poel and Cedric Maes.  Dirty beats, hypnotising slide, screaming harmonica riffs and plenty of fuzz: all of these will be served by this four-men band from Liège-Limburg-Namur, Belgium. Boogie Beasts translate their passion for (hill country) blues into a most characteristic sound of their own, which has a touch of The Black Keys jamming with John Lee Hooker at a rave in the wee hours of the morning, or Morphine on a psychedelic trip with Little Walter, or even RL Burnside backed up by the young Rolling Stones at a juke joint-gig.  The drive is infectious, the noise is pure filth, yet highly irresistible. The band are: Jan Jaspers (guitar/vocals), Patrick Louis (guitar/vocals), Fabian Bennardo (harmonica), and Gert Servaes (drums). 

Stacy Mitchhart - No Rhyme or Reason

Bitrate:320K/s
Year:2026
Time:47:16 
Size:109,1 MB 
Label:Dr.Sam Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Good One Time - 4:13
 2. Bad As You - 4:05
 3. Sure Looks Good to Me (feat. Gretchen Wilson) - 2:58
 4. Once You Leave - 3:49
 5. Flip It to the Other Side (feat. Charlie Musselwhite) - 4:33
 6. We Blew It - 3:22
 7. It's a Long Way Down - 3:27
 8. Ain't No Rhyme or Reason - 4:09
 9. Mean Bad Wrong (feat. Kenny Neal) - 3:54
10. Never Gonna Get Me Back - 3:50
11. She's Just Right for Me - 3:17
12. On My Dying Day - 5:34

After three decades on the blues circuit, Stacy Mitchhart delivers his most compelling release to date with “No Rhyme or Reason”. Produced by multiple GRAMMY® Award winner Tom Hambridge (Buddy Guy, Susan Tedeschi, George Thorogood), the album captures Mitchhart at his most confident—pairing soulful vocals, searing guitar work, and finely crafted songwriting. Recorded largely on Nashville’s historic Music Row, the album features special guest appearances from Gretchen Wilson, Kenny Neal, and Charlie Musselwhite.

Curtis Salgado - Legacy Rewind: Live in '25 (Live April 5 at The Triple Door, Seattle, WA)

Bitrate:320K/s
Year:2026
Time:63:14 
Size:145,5 MB 
Label:Nola Blue Records 
Styles:Blues/Mix 
Art: Front 

Tracks Listing:
 1. Sing My Song (Live April 5 at The Triple Door, Seattle, WA) - 4:49
 2. Wiggle Out of This (Live April 5 at The Triple Door, Seattle, WA) - 4:58
 3. Clean Getaway (Live April 5 at The Triple Door, Seattle, WA) - 5:48
 4. My Girlfriend (Live April 5 at The Triple Door, Seattle, WA) - 4:09
 5. Money Must Think I'm Dead (Live April 5 at The Triple Door, Seattle, WA) - 5:30
 6. Sweet Jesus Buddha the Doctor (Live April 5 at The Triple Door, Seattle, WA) - 7:01
 7. Count of Three (Live April 5 at The Triple Door, Seattle, WA) - 3:54
 8. Precious Time (Live April 5 at The Triple Door, Seattle, WA) - 4:36
 9. Nobody but You (Live April 5 at The Triple Door, Seattle, WA) - 3:32
10. I Don't Want to Discuss It (Live April 5 at The Triple Door, Seattle, WA) - 3:03
11. Woman or the Blues (Live April 5 at The Triple Door, Seattle, WA) - 6:39
12. 20 Years of B.B. King (Live April 5 at The Triple Door, Seattle, WA) - 5:02
13. Fine By Me (Live April 5 at The Triple Door, Seattle, WA) - 4:07

Salgado breathes new energy and life into a high impact set list of R&B, Funk, Soul and Rock ‘n’ Roll music from various points in his career. This tour de force performance by Curtis Salgado and a 15 piece band was recorded live and filmed at The Triple Door in Seattle, WA on April 5, 2025. On this historic retrospective, Salgado breathes new energy and life into a high impact set list of R&B, Funk, Soul and Rock ‘n’ Roll music from various points in his career, featuring new arrangements using four part horns and three backing singers. An astounding ten of the thirteen songs are from Salgado’s extensive list of Blues Music Award-nominated projects and from award-winning albums: “Nobody But You” and “A Woman or The Blues” from ‘Soul Shot’ (Alligator Records, 2012); “My Girlfriend” from ‘The Beautiful Lowdown’ (Alligator Records, 2016) and the title track from ‘Fine By Me’ (Little Village, 2024).
Award-winning vocalist, instrumentalist and songwriter Curtis Salgado, the man NPR calls “an icon” with “a huge voice,” is revered worldwide for his ability to wring every ounce of soul out of every song he performs. Salgado is famed not only for his powerhouse live shows and eleven previous albums, but also for his passionate and insightful original songs. He has been nominated three times for the Blues Music Award for Song Of The Year, winning in 2018 for “Walk A Mile In My Blues” from The Beautiful Lowdown. In total, he has won 13 Blues Music Awards, including the B.B. King Entertainer Of The Year. DownBeat calls his songwriting skills “an impressive gift.” Billboard says Salgado’s music is “inspired and powerful.”

Travellin' Brothers - Back in Business (Big Band)

Bitrate:320K/s
Year:2026
Time:35:37 
Size:82,4 MB 
Label:Magnolia Records
Styles:Blues/Funk/Jazz/R&B/Swing 
Art:Front 

Tracks Listing:
 1. Higher & Higher (Big Band) - 4:02
 2. Adelene (Big Band) - 3:10
 3. The Power of Your Love (Big Band) - 4:29
 4. Let the Good Times Roll (Big Band) - 3:33
 5. Sweet Corrine (Big Band) - 4:46
 6. Movin' On (Big Band) - 5:44
 7. Everything to Me (Big Band) - 4:56
 8. Si tuviera un dia - 5:05    
 9. Frenchmen Street (Big Band) - 4:54

2018 is a year etched in the band's calendar, a year marked by many important milestones, numbers few can achieve, and which further solidify one of the most respected and admired careers in Europe in recent years. 15 years, 8 albums, and 1,000 concerts are some of the figures they will reach this year. /
So this one's a little different. Hailing from Bilbao in the Spanish Basque Country, Travellin’ Brothers aren't exactly a fixture on the American Blues scene. But they undoubtedly play an infectious brand of Jumpin’ Blues/Soul that would easily fit in here. The band may be from Spain, but its music is certainly American in origin. The singing is all in English. Another interesting thing about the band is that there are multiple versions of the lineup. According to their website, there's the core six-piece band pictured above, two different eight-person lineups, and a "Big Band" with 16 players. If you get to Europe any time soon check out the band's tour schedule. Whichever version you see, it'll be entertaining.

Morgan Davis - Hogtown Years

Bitrate:320K/s
Year:2003
Time:48:09 
Size:110,3 MB 
Label:Silverbirch Productions
Styles:Blues 
Art:Front 

Tracks Listing:
 1. A Little Bit Won't Do - 2:57
 2. Honky Tonk Blues - 3:23
 3. Why'd You Lie? - 4:12
 4. Satisfaction Guaranteed - 3:26
 5. Happy Song - 1:36
 6. Prop Me Up Against The Wall - 3:45
 7. Time To Go - 3:08
 8. Love Song - 3:38
 9. Married Woman Blues - 3:15
10. Whatchasee - 3:28
11. Rosalee - 2:38
12. Buddy Bolden's Blues - 2:46
13. Easy Money(With Mumbo Jumbo) - 3:08
14. Reefer Smokin' Man - 6:43

Morgan Davis is a Canadian blues singer, guitarist, and songwriter.
He was born and spent his childhood in Detroit, Michigan, before relocating to Toronto, Ontario, Canada. He moved to Halifax, Nova Scotia, in 2001. His song "Why'd You Lie" was a hit for Colin James and featured on James' 1988 debut album. "Reefer Smokin' Man" was described as a "blues cult classic". Davis' principal major label release, Morgan Davis, on Stony Plain Records, was produced by Colin Linden.Davis was the recipient of multiple awards, including a Juno Award, for his 2003 release, Painkiller, on Electro-Fi Records.

Marc Broussard - Chance Worth Taking

Bitrate:320K/s
Year:2026
Time:60:31 
Size:139,2 MB 
Label:KTBA Records 
Styles:Contemporary Blues 
Art:Front 

Tracks Listing:
 1. You'll Be Sorry - 3:24
 2. Trying To Do Right - 5:41
 3. I'm Going Home - 4:03
 4. No More - 5:02
 5. Fever - 4:30
 6. Chance Worth Taking - 5:30
 7. Let Me Take You Out Tonight - 3:34
 8. Sweet Love - 4:21
 9. These Walls - 5:02
10. Satisfaction Guarenteed - 4:10
11. Blame - 4:29
12. Whispers - 4:37
13. Laissez Street Parade Intro - 0:49
14. Laissez Les Bons Temps Rouler - 5:12

Powerhouse soul singer Marc Broussard goes all in on ‘Chance Worth Taking‘, his first full album of original blues songs marking a definitive creative pivot for the acclaimed Louisiana singer-songwriter, out April 17th via Joe Bonamassa’s KTBA Records.
Produced by Joe Bonamassa and Josh Smith alongside Calvin Turner, the stunning 14-track collection reunites Broussard with Bonamassa, who takes the helm to contribute master fretwork and mesmerizing guitar solos on 10 tracks, including three songs co-written with Broussard. This stellar creative circle is rounded out by Josh Smith, who features on and co-wrote four tracks, and Calvin Turner, who joined forces with Broussard to co-write 10 of the album’s original songs and contributes to the album’s lush string and horn arrangements.
Today, Broussard offers the first taste of the album with two lead singles – ‘No More‘ a sweeping cinematic blues ballad framing Broussard’s yearning vocal with stately strings and Bonamassa’s soaring guitar. ‘Fever‘ delivers a slinky, modern roadhouse groove, driven by funky rhythm guitars, punchy horns, Smith’s stinging leads, and an insistent beat. These tracks serve as a powerful introduction to the album’s range, blending blistering guitar work with Broussard’s signature vocal grit.
Though ‘Chance Worth Taking‘ marks a stylistic pivot, it remains unmistakably Broussard. His signature “bayou soul” vocal, equal parts grit and grace, anchors the album, tying together brawny shuffles, pleading soul-blues, horn-driven blues-rock, and Mardi Gras–infused funk.
The album’s origin began when Turner proposed an album of original blues material and sent Broussard a folder of 15 instrumentals. Broussard then wrote lyrics as if possessed. “I would wake up at 6:00 a.m. and write until 11:00 p.m. I’d be in the studio sweating like a madman,” he recalls. The songs were finished in three manic days and refined in the studio with Bonamassa.
“I’m still more versed in soul music than in blues, but I’m getting an education in the genre and its history from Joe and Josh,” Broussard explains. “When we got into the studio, Joe wasn’t fully convinced we had a blues album, so he added to the songs we already had, and we wrote three others together. In the end, we got to the promised land.” 
There is a sense of free-spirited discovery on Chance Worth Taking, with Broussard exploring a wide emotion and stylistic palette – from big-band, B.B. King-style arrangements on the jaunty, swinging “Let Me Take You Out Tonight” and the horn-riff-driven “Blame,” which boasts tasty, masterful improvisational interplay among Bonamassa, Smith, and Rock and Roll Hall of Famer Reese Wynans and the ‘80s-inspired ballad, “These Walls” with Bonamassa in rare form, soloing with a fire that’s both cinematic and pyrotechnic.  
Fans of classic Broussard will rejoice in the soul ballads ‘Chance Worth Taking‘, with its gospel-tinged chorus, and ‘Sweet Love‘, a timeless ballad complete with sumptuous harmonies and sweeping strings. The album concludes on a New Orleans send-off with the brassy, booty-shaking ‘Laissez Les Bons Temps Rouler‘, a song co-written by Trombone Shorty and Broussard.
Broussard is ready to unveil ‘Chance Worth Taking‘, introducing fans to both the new album and a fresh era of inspired creativity. “Man, I’m so excited about it all. It’s time for me to move into my bluesman phase. At this stage of my life, I’m all about it.”

Roger Connelly and The Blues Merchants - Reason To Cry

Bitrate:320K/s
Year:2001
Time:41:01 
Size:94,8 MB 
Label:Ear To The Grindstone Music 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Dine Behind The Wheel - 4:16
 2. Give It Up - 4:12
 3. Angel Tree - 3:38
 4. Bad Little Baby - 3:45
 5. The Rooster - 5:24
 6. Highway Blues - 4:57
 7. Teach You How To Dance - 4:35
 8. Reason To Cry - 4:14
 9. On This Side Of Heaven - 5:57

Chicago Blues Rocker Roger "The Rooster" Connelly and his legendary band The Blues Merchants have been recording and touring for over 25 years. ...Known as a “one-man wrecking crew” with the soul of a delta blues legend, Roger’s performances are a high-energy blend of guitar mastery, gritty vocals, and smokin’ blues harmonica. He’s not just a performer — he’s a storyteller, channeling decades of experience into every song. Beyond the stage, Roger has written music for TV and major motion pictures, and his talent is captured on 29 album releases, including three solo projects. Whether you’re a lifelong blues fan or just love live music with passion and power, Roger is a must-see.







четверг, 16 апреля 2026 г.

Jeff Naideau - Shine

Bitrate:320K/s
Year:1995
Time:44:59 
Size:103,9 MB 
Label:Altered Records 
Styles:Blues/Mix 
Art:Full

Tracks Listing:
 1. Sweet Marie - 4:10
 2. Metro - 4:23
 3. Nothing Inside - 3:17
 4. Your Time Is Coming - 5:05
 5. Times Like These - 3:23
 6. Dark Tonight - 4:38
 7. Might As Well Be Guilty - 4:09
 8. Don't Take Your Love Back - 3:53
 9. Anything She Can Do For You - 7:41
10. Shine - 4:17

During the 1970s, pianist Jeff Naideau gave up Connecticut's cold climate for the warmth of California, along the way trading in his classical training for a stint in a rock group. The decision led to work with Wang Chung, Quiet Riot, Robbie Kreiger, and Eric Burden. He found a second home in Louisiana when, during a trip to the Crescent City to take in the New Orleans Jazz & Heritage Festival, he sat in during a French Quarter gig at Patout's. The establishment's owner so enjoyed the music Naideau made on the piano that he booked Naideau for the rest of his time in New Orleans. Drawn by the city's musical heritage and culture, the pianist relocated once again and drew inspiration from such Big Easy artists as Dr. John, James Booker, and Professor Longhair. It didn't take long for the rest of New Orleans to warm to Naideau. The House of Seafood and Chef Andrew Jaeger booked him into the French Quarter, snagging him before he'd been there more than a few days. While at The House of Seafood, Naideau shared the stage with numerous New Orleans musicians, including drummer Freddy Staehle. 
Shine is the first solo album. Incorporating a variety of musical styles into his repertoire, Jeff Naideau's Shine efficiently floats between straight-ahead blues ("Times Like These"), bayou-influenced R&B ("Sweet Marie"), and familiar strains of American folk-rock("Nothing Inside"). By defying strict categorization, Naideau confidently manages to successfully tread the delicate line between having a broad musical vision and maintaining a singular and unique artistic expression of his own.
Naideau and his band are extremely competent at crafting this sort of piano rock (often injecting it with more than a little blues) ~ Nordic Downloadable Music Site/

Jimmie Lee Robinson - Maxwell Street Blues

Bitrate:320K/s
Year:1998
Time:53:30 
Size:122,5 MB 
Label:Amina Records 
Styles:Blues 
Art:Full 

Tracks Listing:
 1. Maxwell St. Classic - 5:22
 2. What Makes a Woman Happy - 4:42
 3. Peaches - 4:47
 4. I'll Be Your Slave - 4:20
 5. What Makes Your Head So Smart (Trifflin' On You) - 4:43
 6. That Lucky Old Sun - 4:30
 7. Maxwell St. Memories - 3:46
 8. Maxwell Street Teardown Blues - 5:31
 9. A Woman Born of a Man - 4:06
10. Electricity Blues - 2:42
11. The Real Deal - 5:00
12. Moaning the Blues - 3:56

This song was written and recorded by Jimmie Lee Robinson to inspire the fight for historic preservation of the old Maxwell Street. Jimmie Lee was a regular playing on Maxwell Street in the 1940s before Muddy Waters played there. You can read his description of life on Maxwell Street by reading his Save Maxwell St. plea to UIC Chancellor Broski.
Blues guitarist Jimmie Robinson, born 1931 in Chicago, has been called the "Picasso of the blues." He grew up near Maxwell Street and his earliest collaborations were with musicians in that neighborhood.  
Most of the family came from around Hillhouse, Mississippi. Jimmie knew his great grandfather Mose Jenkins, who was born a slave and whose job was water boy. After emancipation, Mose became a preacher circuit rider. Jimmie Lee remembers walking with his great grandfather and grandfather on Maxwell Street. Mose died at age 91 in Chicago in 1935. Mose had a daughter, Celia (Jimmie's Grandmother); Celia's mother was a Choctaw Indian.
Jimmie spent a lot of time with his grandparents: Celia and Elijah Jackson. Celia was called "Little Mama" and Elijah was called "Big Daddy" because they took care of everyone. Elijah worked as a barber and a factory worker at McCormick Farm Equipment. Jimmie remembers Celia making sweet potato and apple pies that his grandfather Elijah would sell at work as a sideline activity.
Jimmie's parents were Almor Smith and Emma Robinson. Almor was a construction worker, worked for the WPA and also as junkman. Emma also had a boyfriend, Jack Palmer, a communist who was friends with Paul Robeson. Jack Palmer was the father of Jimmie's half brother, Eddie Lee Robinson.
In 1948, Jimmie met the now legendary singer/guitarist Eddie Taylor and they played the Chicago club scene until1952. Robinson, who played with Freddie King in a band called "The Every Hour Blues Boys," would go on to share the stage with Little Walter and B.B. King. He was in demand at classic Chess and Veejay recording sessions. He did lead guitar work on Little Walter's 1957 Ah'w Baby, rhythm guitar on the 1958 The Toddle, and bass guitar on the 1958 Confessin the Blues.
He also gained fame as a sideman for other blues legends such as Sunnyland Slim in the '60s and Howlin' Wolf in the '70s. By the '80s, however, he had virtually disappeared from the blues scene. He has made a come back in the '90s, when he signed with the Delmark label. His CD, Guns, Gangs, and Drugs, is a timely mixture of poetry and blues. Mr. Robinson presented the song, Maxwell Street Tear Down Blues, at a Maxwell Street protest rally, April 4, 1998 on Maxwell and Halsted Streets, his old home turf. "Maxwell Street Tear Down Blues" is in Jimmie Lee's new CD: Maxwell Street Blues/

Roger Connelly - Lifetime Of The Blues

Bitrate:320K/s
Year:2021
Time:49:23 
Size:113,8 MB 
Label:Lyin' Dog Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Epitaph - 4:48
 2. I'm Comin' Down With Somethin' - 3:59
 3. Lifetime Of The Blues - 3:56
 4. It's Only A Matter Of Time - 4:50
 5. American Dream Machine - 4:45
 6. Teach You How To Dance - 4:04
 7. I've Got Nothin' - 3:42
 8. Oughta Be A Law - 5:12
 9. Livin' On Borrowed Time - 6:45
10. A Song For Kathy - 4:31
11. Point Of View - 2:45

A Chicago native who doubles on guitar and harmonica, blues-rocker Roger Connelly has traveled the world making music since the ‘90s, and returns to the studio under his own name for the first time in 20 years for this set of originals, all delivered from a unique point of view.Now based in Nashville, where he most recently worked four nights a week as a solo act at the Millennium Maxwell House Hotel for the better part of three years prior to the COVID-19 shutdown. In the early 2000s, he was a member of Maxwell Street legend Jimmie Lee Robinson’s last touring band, a unit that had Bob Stroger on bass.Shortly thereafter, Connelly uprooted himself for Catalina Island in California, where he spent 12 years, dividing his time between his own group, the Blues Merchants, and as a member of Welshman Spencer Davis’ Catalina Island All-Stars, contributing two songs to an eponymous album the group released in 2012. His tunes have appeared in two major films, including Rodney Dangerfield’s “Back by Midnight.” The third release in Roger’s career as a bandleader and the first since 2001’s Reason to Cry, this one was primarily recorded at South Light Sound in Music City with additional tracks laid down in Glendale and Burbank, Calif. Connelly’s backed by keyboard player Dave Siebels, sax player Al Rappoport and a rhythm section composed of drummer Dave Criger and either Anthony Hood or Randy Landis on bass.A stripped down guitar run opens before the band enters for the medium-paced shuffle, “Epitaph,” on which Connelly wonders who’s going to carry him to his grave. The tempo kicks up for the interesting “I’m Comin’ Down with Somethin’.” Fear not, however, it’s not what you think – just a case of love that no doctor can cure. Roger plays slide on the title tune, “Lifetime of the Blues,” a steady-swinging blues-rocker that states that nobody really understands him or his situation.Things quiet a little for “It’s Only a Matter of Time,” a fingerpicked ballad with clever lyrics that advises living a life that’s less demanding and planting a seed of hope and watching it grow because your life will pass faster than you can imagine. Connelly’s back on slide for the bluesy rocker, “American Dream Machine,” on which he proclaims himself to be a “bad mama-jammer” who’s driving his ’57 Chevy through a storm to make it to his lady’s side.Siebels’ keys open the soulful ballad, “Teach You How to Dance,” a song that pleads a woman for half a chance at romance, before the shuffle, “I’ve Got Nothin’,” finds him sitting in his car in pouring rain as he bemoans the loss of the lady and, apparently, everything worthwhile. The theme continues in “Oughta Be a Law,” starts quietly before exploding as Roger announces he’s going to petition Congress for protection from the way he’s been treated.Another ballad, “Livin’ on Borrowed Time,” revisits the theme of fleeting existence before the acoustic instrumental, “A Song for Kathy,” finds Connelly hitting the high notes as he shifts between fingerpicking and slide before “Point of View” brings the set to a close with images of someone who’s crying frozen tears behind prison bars, but insists that the man inside is someone that he used to know.Lifetime of the Blues is a pleaser on multiple levels, delivering quality musicianship throughout and well-polished tunes that pack a punch with their words. Despite Connelly’s background, this definitely isn’t Chicago blues. But if you’re interested in contemporary Americana with timeless appeal, this one’s right up your alley (https://www.bluesblastmagazine.com/roger-connelly-lifetime-of-the-blues-album-review/).

Morgan Davis - Painkiller

Bitrate:320K/s
Year:2003
Time:47:38 
Size:110,5 MB 
Label:Self-Released 
Styles:Blues
Art:Front 

Tracks Listing:
 1. Driving the Backroads - 4:34
 2. Waffle House Blues - 4:41
 3. Hello, Nova Scotia - 5:17
 4. I'll Find My Way - 3:05
 5. Gettin' Old - 4:00
 6. I Don't Have Time - 4:01
 7. Painkiller - 5:09
 8. Po' Bob - 2:08
 9. She's My Radiator - 3:04
10. We Need a Fire - 3:42
11. We Sure Know How to Live - 3:14
12. Rainin' Trains - 4:37

Musicians:
Morgan Davis - Vocals, Guitar;
Alec Fraser - Bass;
Rod Phillips - Organ, Piano;
Mark Mariash -  Drums, Percussion;
Al Lerman - Harp, Saxophone;
Chris Whiteley - Trumpet.

How does a Detroiter based in Blandford walk off with four Maple Blues Awards? This is your answer. While devoted to the blues and capable of summoning the delta at the drop of a pick, Davis has been easy to take for granted. Painkiller combines self-deprecating humour, topical flow and the sharpest band he could find (in Toronto, alas) to attain a new peak. “Get-tin’ Old” will ring true with everyone eventually and “Hello, Nova Scotia” lays out the appeal of this province to fidgety urban emigres ~ Doug Taylor

Larry Cotton Blues Band - Electric Soul Revival


Bitrate:320K/s
Year:2026
Time:28:12 
Size:64,7 MB 
Label:Self-Released 
Styles:Blues/Modern Electric Blues/Guitar Blues 
Art:Front 

Tracks Listing:
 1. Ashes and Glory - 3:31
 2. Blue Car - 4:19
 3. Confession - 2:50
 4. Dark Skies Cry - 5:23
 5. Night Thoughts & Neon... - 3:28
 6. Tell Me Why - 4:38
 7. Smoking Mirrors - 3:59

Larry Cotton was born in Caracas, Venezuela of an American Dad and an Italian Mom. At the age of 17 he received he's first Guitar and the teenagers musical ability was soon noticed by the music establishment of Caracas.In 1974 he moved to Nashville, Tennessee, where he mingled with a variety of musicians. In the early 80's, he moved to Colorado where he did various studio work and formed a top 40 band that he took on tour all over the country. In late 80's he moved to Marietta, Georgia where he met members of the band Kansas where it was a learning and productive experience. Then, back to Colorado where he resides today occasionally, traveling to Kaua'i where he does studio work.Larry Cotton worked on and released three albums in 2011. The albums, G T R, Rain in Paradize and Legend, ITunes. As early as the 80's, he was recording demos for record companies, in between the multitude of gigs he played while spending most of his time on the road. Never a commercial musician.
Larry's talent was evident from the start, but finding a label willing to promote the music and care about him, as an Artist, would prove difficult. Larry Cotton has a unique style of music with no compromising for the sake of acceptance.

Charlie Vitamine - Charlie Vitamine Blues (2026 Remastered)

Bitrate:320K/s
Year:2026
Time:38:49 
Size:89,6 MB 
Label:iMD-CharlieVitamine 
Styles:Blues/Blues Rock/Rockin`Blues 
Art:Front 

Tracks Listing:
 1. Too Tired for the Blues (2026 Remastered) -  4:29
 2. Chicago Blues (2026 Remastered) -  3:08
 3. Hey Hey Man (2026 Remastered) -  2:52
 4. Move on Up (2026 Remastered) -  2:30
 5. Like an Old Ford (2026 Remastered) -  4:02
 6. Breakfast Blues Live  [Live] (2026 Remastered) -  6:21
 7. Just a Blues Live  [Live] (2026 Remastered) - 10:19
 8. Vitamine Blues (2026 Remastered) -  5:04

The Charlie Vitamine Band (CVB) was founded Charlie Vitamine which devotes itself to the development of a rock'n'blues repertoire centered on personal compositions.
The strengths and specificities of the band: experience, sincerity, passion for groove and rock, the need and the pleasure of singing and playing, a very personal sound and style of guitar, and the specialty of the band: a style of sounds rather similar to sound paintings..., and without any concessions. the band works essentially in a passionate way, where the spirit of the music takes precedence even over the sounds... Charlie Vitamine has already had the chance to perform on the American continent (USA and Canada) and in more than 770 concerts in Europe with the release of more than 12 CDs or DVDs.