Keith Scott Blues - Back to State Street

Bitrate:320K/s
Year:2025
Time:38:21 
Size:88,7 MB 
Label:Back to State Street Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Back to State Street - 2:47
 2. Addiction - 3:48
 3. Ovanda Woman - 4:06
 4. Big Dog - 4:18
 5. Scruffle - 3:22
 6. Funky (I Need It) - 4:53
 7. Vagabond Blues - 4:15
 8. Sometimes - 7:22
 9. Hot Toddy - 3:28

Guitarist Keith Scott has spent most of the past 50 years toiling in the best clubs across the city of Chicago. A student and longtime bandmate of superstar guitarist Jimmy Dawkins, he delivers modern blues with a definite old-school lump. And he does it in style here.The veteran lineup includes six-string master/drummer Marvin Jackson (Albert Collins), keyboardist Carl Snyder (Junior Wells, Son Seals), Steepwater percussionist Joe Winters, The Las Vegas band bassist Adam Arling along with guitarist/producer Tony McQuaid and Avalon Days guitarist RB Green.Remarkably versatile, Chicago-based blues/rock guitarist Keith Scott has been working his way methodically up through the blues" ranks since his parents bought him his first guitar at age 14 and his young ears heard Muddy Waters in 1980.Born in White Plains, N.Y., Scott was first exposed to the music of Jimi Hendrix, Led Zeppelin and Grand Funk Railroad. With this sonic baptism, a mind-set and foundation were established for him to explore the realm of blues inhabited by the creme de la creme of Chicago musicians such as Waters, Howlin" Wolf, Jimmy Reed and others in that pantheon. Little did Scott know, however, that he would go on in just a few years to actually play with many of the greats of post-war Chicago blues.

Back to State Street

Mr.Keith Little - A Mother's Love

Bitrate:320K/s
Year:2001
Time:45:29 
Size:104,7 MB 
Label:P.A.E.S.Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Further On Down The Road - 4:42
 2. Bull Of The Woods - 2:48
 3. A Mother's Love - 4:31
 4. That's My Daddy - 2:40
 5. Fried Chicken Blues - 5:04
 6. Cain't Thumb A Ride - 3:32
 7. I'll Rise Above It All - 6:19
 8. I Think You Lost Me - 3:10
 9. Bring It On - 4:25
10. Cincinnati Slim - 2:45
11. Red, Green, and Blue - 5:28

Here comes a fantastic Keith Little’s  cd that, as his previous ones, will not deceive his fans His powerful broken but at the same time velvety voice, perfectly controls ‘staccattos’ and other vocal resources that let him easily sing soul, ballad, gospel and blues In this cd ‘The Cincinnati Bluesman’ as he uses to call himself, brilliantly covers all these musical styles. Keith also invites us to see a two hours and a half video tape documentary entittled Thanks For My Flowers’ where he covers Cincinnatti jazz and blues scenes. Cincinnati calls him the, "King Of Blues," but I'll bet his mother calls him an angel. After listening to Keith Little's CD, "A Mother's Love," numerous times, I'd call him a ray of sun who beams in the hearts of many on cold, damp, rainy days. This talented artist delivers a traditional, yet contemporary blues style with his smooth, deep, bluesy vocals. Immediately, the warm depths of Keith Little's spirit reached out and made my soul smile with appreciation.

A Mother's Love

Sonny Moorman - Sonny's Blues

Bitrate: 320K/s

Year:2003
Time:74:21 
Size:171,4 MB 
Label:Atlas Records 
Styles:Blues/Rockin` Blues 
Art:Front 

Tracks Listing:
 1. Drowning On Dry Land - 7:38
 2. Crossroads - 5:44
 3. Born Under A Bad Sign - 5:11
 4. Rock Me Baby - 5:48
 5. Blue Jean Blues - 5:15
 6. A Fool For Your Stockings - 6:32
 7. CC  Rider - 6:40
 8. Old Slow Blues - 5:33
 9. Cincinnati Shuffle - 3:03
10. Dust My Broom - 5:12
11. You Shook Me - 4:53
12. Have You Ever Loved A Woman - 7:20
13. Sonny's Blues - 5:26

If you are wanting blues and nothing but the blues - this is certainly the CD for you. Sonny Moorman is blues through and through. His musicianship on the lead guitar is totally HOT and BAD TO THE BONE. At the beginning of his 'Sonny's Blues' CD, I thought the first track of 'Drowning on Dry Land' was going to be the beginning of some old blues. But as the tracks played on, it got HOTTER & HOTTER. Moorman totally tore the heck out of 'Crossroads', and 'Rock Me Baby' well all I can say is that the fingers flew all over that guitar neck. Sonny Moorman is one outstanding musician-in a class of his own and would cause any heart and soul to have an serious meltdown. ~Mary Rudy

Sonny's Blues

Lance Boyd - Tell Me Baby

Bitrate:320K/s
Year:2014
Time:34:35 
Size:80,0 MB 
Label:Self-Released 
Styles:Contemporary Blues 
Art:Front 

Tracks Listing:
 1. Tell Me Baby - 3:15
 2. Take a Funky Walk - 3:00
 3. Mercedes Benz - 3:28
 4. Slow Your Roll - 2:47
 5. I Will Always Have the Blues - 3:45
 6. Sweet Little Girl of Mine - 3:18
 7. Come to Me - 4:25
 8. My Fillipina Baby - 3:03
 9. I Still Have the Blues for You - 4:07
10. Ain't No Funk (Like That Old School Funk) - 3:23

A 30-year veteran of the local music scene, Ellington commands the stage with ease and confidence on vocals and saxophone, playing R&B, rock, soul, jazz and blues. He has been nominated for numerous industry awards, including five Cincinnati Music Awards. His CD "Blue Eyed Blues," was named "Best Self-Produced CD" by The Cincinnati Blues Society. In 2017, Leroy was a semifinalist in the International Blues Challenge in Memphis, TN.

Tell Me Baby

Morgan Hudson and Company - Fault Lines (Live)

Bitrate:320K/s
Year:2026
Time:33:09 
Size:76,4 MB 
Label:Nash Studios, LLC 
Styles:Blues
Art:Front 

Tracks Listing:
 1. Sleeping Alone (Live) - 3:24
 2. Fine. (Live) - 4:22
 3. Ghost (Live) - 3:46
 4. Bad Decision (or 3) (Live) - 5:02
 5. Reality (Live) - 4:48
 6. I Fall (Live) - 4:36
 7. Between The Notes (Live) - 7:10

North Carolina artist Morgan Hudson has been making a name for herself as a part of the soulful blues rock, rhythm, and grooves quartet, MoCo (short for Morgan and Company). 
Out of Greenville, North Carolina, Morgan Hudson has had music running through her veins all her life, picking up her first guitar at the age of 11, when she discovered the power and energy of rock and roll. From there she moved into songwriting and singing, finding even more ways to express herself through music.

Fault Lines (Live)

Queen Esther - Blackbirding

Bitrate:320K/s
Year:2026
Time:45:01 
Size:103,7 MB 
Label:EL Recordings 
Styles:Roots/Soul/Rock/Blues/Americana 
Art:Front 

Tracks Listing:
 1. Are You Thirsty? (Les Vivandieres Theme Song) - 3:10
 2. Can't No Grave Hold My Body Down - 5:06
 3. Hold Steady - 2:32
 4. The Devil May Care (But Jesus Knows) - 3:22
 5. Hey Virginia! - 3:04
 6. I Feel So Alive - 4:20
 7. Oh My Stars (The Gettysburg Variation) - 4:56
 8. Rebels - 2:45
 9. Magic - 5:54
10. Home Free - 3:39
11. When I Get Home - 2:09
12. You're Gonna Get What's Coming - 3:59

Queen Esther is a performance artist, solo performer, actor, songwriter, lyricist, topliner, vocalist, producer, musician and storyteller.American musician Queen Esther has created an ambitious exceptionally concept album, but it's also surprisingly a versatile roots album that impresses musically and certainly vocally.Queen Esther is a completely new name to me, but it's one I'll be keeping an eye on from now on. The New York musician has a very varied career behind her, but on Blackbirding embraces American roots music. It's American roots music that can cover a remarkably broad range, and so can the American musician's voice. Queen Esther has also opted for a unique concept album, which requires some knowledge of the American Civil War, which makes her new album even more interesting, although it's also an album with songs that are easily convincing. A fine album. Apparently it's the week of the crushing opening tracks, because after the opening track of Jay Buchanan's album, Queen Esther also managed to overwheel me with the first track of the new album Blackbirding, which I discovered through the newsletter of promoter Angela Backstrom. It's a track that musically sparks the imagination, but Queen Esther does so primarily with her skilled voice. I'd never heard of Queen Esther before, but she's been around for a while and has a handless good of albums to her name. These albums cover a broad musical spectrum, and music is reportedly just one of the many areas in which Queen Esther is active.The opening track of her new album immediately and held my attention, and the other tracks on the album are also top-notch. American roots music takes center stage on Blackbirding, but it can go in any direction. The New York musician has also created a remarkably ambitious album. Part of that is the theme, as Blackbirding is a concept album about the Battle of Gettysburg, one of the defining moments of the American Civil War. Queen Esther describes the Battle of Gettysburg from both the perspective of a Black American and a feminist perspective, which are interesting perspectives.Blackbirding is as a fascinating album musically, as secondly Queen Esther's incorporates different influences into her songs. One moment she delivers pure country soul with a beautiful role for the pedal steel, while the album as well as features jazzy songs and tracks that verever toward vintage soul and gospel, or toward R&B and pop. Blackbirding not only transitions easily between genres but also moves through time, with songs that sound contemporary and songs that could be decades old. The American musician self-produced her album, wrote the lyrics, and provided lead vocals. Her vocals are and impressive the album song by song. The New York-based musician possesses a raw soul voice, but she also has a knack for variety and beautiful delivery. It's a voice that's easily convincing, yet highly distinctive. It's a voice that compellingly tells the album's story, keeping you listeningly intent to Blackbirding.I can easily imagine the album forming the base for an interesting theatrical performance, but Blackbirding as well as makes an impression as an album. Queen Esther relies on some very competent for the music on the album. I find the guitar work particularly beautiful, but the other musicians featured on Blackbirding as well as provide the album with a very tasteful sound.It's a sound that always serves Queen Esther's voice, but is also filled with beautiful accents, especially from string instruments. The beauty of Queen Esther's Blackbirding is that it's an album that sounds more ambitious and idiosyncratic than the average American roots album, but certainly not one full of pretentiousness. I'd never heard of Queen Esther before, but her new album is very interesting(https://queen-esther.com/blog/the_latest_news/blackbirding-album-review-de-krenten-uit-de-pop.html).

Blackbirding

Billy Tircuit - Billy Sings the Blues

Bitrate:320K/s
Year:1999
Time:52:59 
Size:122,6 MB 
Label:Southland Records 
Styles:New Orleans Blues/R&B 
Art:Front 

Tracks Listing:
 1. New Orleans Shuffle - 4:12
 2. Cherry Red - 4:10
 3. Everyday I Have the Blues - 3:18
 4. Juicy Head Baby - 7:15
 5. Strollin' with Mr. G - 2:32
 6. Rock-n-Roll Fever - 3:40
 7. Shake, Rattle-n-Roll - 4:08
 8. Jelly, Jelly - 7:41
 9. Good Rockin' Tonite - 3:20
10. Flip, Flop-N-Fly - 3:14
11. Billy's Shuffle - 3:17
12. Here Comes the Blues - 6:05

"Billy Sings the Blues" is a CD album by vocalist Billy Tircuit, released on the Southland label. It features 1940s and 50s-style New Orleans R&B, with personnel including Manuel Smith, Joe Caruso, Jack Armstrong, George Forsher, and Vernon Saferain. 

Billy Sings the Blues

Hash Brown & The Browntones - Have Some Fun!

Bitrate:320K/s
Year:2002
Time:50:15 
Size:116,7 MB 
Label:Browntone Records 
Styles:Blues 
Art:Full 

Tracks Listing:
 1. Blues For April Green - 4:19
 2. Ain't No Way - 3:25
 3. I've Got The Blues - 5:49
 4. You've Got To Lose - 3:05
 5. Celluphone Blues - 3:16
 6. The Woman I Love - 3:53
 7. Glory Of A Man - 4:01
 8. Poultry Queen Boogie - 2:46
 9. Hot Dog - 4:25
10. You're The One - 4:30
11. Soul Survivor - 3:33
12. Muskadine Blues - 3:03
13. Hey Little Baby - 4:03

The Browntones concept was the brainchild of Dallas bluesmen Brian "Hash Brown" Calway and Shawn Pittman in 1998. The basic idea was to put together a band to play harp driven blues. Pittman subsequently moved to Austin, but the Browntones concept was kept afloat by Hash Brown using different musicians. Money problems meant that there was a hiatus after the first recording session in June 2000, but fortunately things picked up, allowing things to be completed in May 2002, albeit using another version of the Browntones. The end result is "Have Some Fun!"%0A%0AThe album opens nicely with "Blues for April Green," which defines the style of the Browntones. There are subtle shades of SRV, Fab T-birds, and maybe even a little early Bluesbreakers about the way they play. It all fits nicely together, with Brown leading from the front on harp and vocals. The band then shift up a gear for the first swamp blues influenced number, "Ain't No Way." The second, "Hot Dog," is a risque blues with shades of Slim Harpo in the harp playing.%0A%0AFor someone who is best known as a guitarist, Brown is a more than capable harp player. On "Celluphone Blues," for example, which chugs along neatly, his playing calls to mind the great Snooky Pryor. He also plays chromatic harp on "The Woman I Love," which has a nice walking bass line, courtesy of John Bradley. The harp also combines surprisingly well with Elliott Sowell's guitar on the T-Bone Walker style "Poultry Queen Boogie."%0A%0AIn addition to the eight original tunes, there are five covers, starting with Sam Myers ("I've Got The Blues"), and ranging through to "Muskadine Blues," one of Little Walter's first recorded tracks. The latter precedes the closing track, "Hey Little Baby," where the Browntones are reduced to the duo of Jon Moeller (guitar) and Hash Brown. It is a more down home blues tune, and it is easy to imagine this as a call-and-response song in a live show.%0A%0A"Have Some Fun!" certainly achieves its aim: it sounds like the band had fun recording it, and it certainly makes for pleasurable listening. There are no real great surprises here, with a familiar feel to many of the songs, all of which are all performed well. Even though two different line-ups were used during recording, you would be hard pushed to identify which songs came from which session. "Have Some Fun!" should appeal to blues lovers everywhere–particularly fans of Texas blues–and shows that there is still plenty of life in the old dog yet.

Have Some Fun!

Chris Bevington Organisation - Sand & Stone

Bitrate:320K/s
Year:2020
Time:40:28 
Size:93,5 MB 
Label:Self-Released 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. It's True - 3:08
 2. Bad Bad Bad - 3:45
 3. Already Got The Blues - 4:11
 4. Blues Is Everywhere I Go - 4:57
 5. Deep River - 3:56
 6. I Got Time - 2:42
 7. It Was Over - 3:39
 8. Heaven Above - 3:46
 9. What Did I Drink Last Night - 3:09
10. Home Sweet Home - 3:15
11. Sand And Stone - 3:56

Bevington has surrounded himself with some of the most talented individuals there is. Jim (FM) Kirkpatrick, is a wonderful guitarist and along with Scott Ralph he has crafted these tunes, ensuring the laid back “Bad, Bad Bad” has some summery, Clapton-esque vibes, and “Already Got The Blues” has a timeless air. You can imagine the bar-staff clearing up around them as it plays at the end of the night.
“The Blues Is Everywhere I Go” sees the vocal duties fall on Kate Robertson and Sarah Miller and they do a wonderful job, and a mark of the breadth of the material here is “Deep River” which has a big old riff to go with its huge dollop of soul.
Indeed, there is a real feel on this of anything goes. There’s people who like bands to have a “sound” and there is people – like me – who like the approach of a strand or two running through, but all kinds of different turns. To that end “I Got Time” is right from the New Jersey Boardwalk, and the one that follows, “It Was Over”, is from the more gritty Danny Bryant type of British Blues (albeit with the horn section).
“Heaven Above” is built on two things. First a harmonica lick (I assume from Ralph?) and a guitar riff that sounds like it’s going to turn into Aerosmith’s “Walk This Way” at any time.
More than anything, though, this is just a fun record. Underlined by “What Did I Drink Last Night?” (being tee-total I have no sympathy with any of them…..) but a particularly classy one too, as the ballad “Home Sweet Home” makes clear.
The title track is the last one here, and it is one of the most important. Ostensibly a delta blues type song, a work song from the southern belt, it deals with a mining disaster that befell the Sneyd Colliery in 1942 in Bevington’s home town of Stoke on Trent, it is confident end to a mighty fine record.

Sand & Stone

Greg Piccolo & Heavy Juice - Red Lights

Bitrate:320K/s
Year:1997
Time:63:50 
Size:151,3 MB 
Label:Fantasy 
Styles:Blues/Jazzy/R&B/Funk/Mix
Art:Full 

Tracks Listing:
 1. Old Maid Boogie - 6:54
 2. Rockin' Chair - 4:23
 3. My Baby's Gone (Alicia's Song) - 6:24
 4. Acid Blue - 7:22
 5. Red Lights - 5:32
 6. Everytime I Turn Around - 6:17
 7. Tired Of Waitin' For A Change - 6:04
 8. Blue Pepper (Far East Of The Blues) - 6:46
 9. What Would I Do Without You - 3:33
10. Money - 7:07
11. Moondog Boogie - 3:23

At age nineteen, Duke Robillard recruited Greg as one of the earliest members of what became the Rhode Island based powerhouse, Roomful of Blues. The unifying magnet within the group in its early years, 1969 -1971, was focus on the rootsy, retro, danceable, swing sound of the ‘40s and ‘50s. This “new” sound to teenage ears and the recall of this music to the older folks, filled dance floors all over the band’s New England home-base and eventually on the global stage.
For the next twenty-four years, Greg Piccolo had amazing experiences playing with and/or recording with such music legends as Big Joe Turner, Earl King, Eddie “Cleanhead” Vinson”, Pat Benetar, Red Prysock, Stevie Ray Vaughan, to mention only a few.
As Roomful players would come and go, Greg’s twenty-five year contribution evolved to lead singer and bandleader, all the while being noticed world-wide for his signature “fat” tenor sound, unique sax style, and distinguishable vocals.
After nearly twenty-five years with Roomful of Blues, Greg sensed a calling to go back to his roots and develop his “heavy juice” sound. This “less is more” approach gave him the freedom to cover the gamut of his musical longings, which include traditional jazz, r & b, and rock’n roll. He had compiled a well of songs which demanded their own arrangements and band configurations outside of the classic “Roomful sound.” In 1994 he stepped away and officially formed his own band, Heavy Juice, which led to his first solo release, self-titled, “Greg Piccolo Heavy Juice,” on the legendary Louisiana-based Black Top label.
Following were two releases, Red Lights and Acid Blue, on the famous California-based Fantasy Label (now Concord), and his first all instrumental tenor sax release titled “Homage” on the Pennsylvania-based Emit Doog label. His most recent release, “Who Did This?” is a tribute to his favorite sax recordings and includes an original recorded tenor instrumental.Now at seventy years of age, Greg Piccolo is still practicing his horn every day, writing his own material, and traveling the world with Heavy Juice. Piccolo is an example of someone who has always played from his heart (https://www.gregpiccolo.com/bio).

Red Lights

Lightnin Rod & the Thunderbolts - After The Storm

Bitrate:320K/s
Year:2008
Time:43:41 
Size:100,6 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Close to You - 3:38
 2. Bring You Back Home - 5:00
 3. After the Storm - 4:45
 4. Writing On the Wall - 4:09
 5. Narcissistic Fool - 3:22
 6. Rosalee - 3:40
 7. Crawling Back Home - 3:21
 8. John the Revelator - 2:39
 9. I Guess I'll Just Sing You the Blues - 5:49
10. Alligator Woman - 4:22
11. Flight of the Free Spirit - 2:51

Deeply steeped in the sauce of the Blues, Lightnin Rod & The Thunderbolts meld their rock sound with songs of the greatest blues players ever.  Frontman Lightnin Rod Wilson is a charge of musical talent by himself, but add in Jimmy Seville on bass, and Greg Kitzmiller on drums, and voltage ignites. Blues rocker Lightnin Rod has merged his talent with Robert Cray, Buddy Guy, Stevie Nicks, The Allman Brothers, Delbert McLinton, and Joe Bonnamassa, both live and in the studio. The band has received an abundance of awards in the worlds of both Rock and Blues. Currently playing around Northeast Florida, Lightnin Rod and the Thunderbolts bring down the house with their blues rock sound, playing both covers and original tunes.  Josie Award Nominee for Blues Artist of the Year for 2017. Gold Artist Award, Grinde Award Winner, two #1 MP3 chart-toppers in two different musical genres, “Sugar & Spice” Music Video was used for the 2010 NME (First For Music News) Award Show. That is just a few of Lightnin’ Rod's accomplishments. He has shared the stage with members of the Allman Brothers, Bob Seger, The Steve Miller Band, Cher, Stevie Nicks, Steppenwolf, Chuck Berry, Robert Cray, and Mitch Ryder just to name a few. Rod’s music has been called “Bob Seger Meets Eric Clapton at Muddy Waters’ House”. Always a blues rocker at heart, his music also has shades of soul, Motown, gospel and acoustic influences.

After The Storm

Ron Beer - Somebody Help Me!

Bitrate:320K/s
Year:2010
Time:35:02 
Size:80,9 MB 
Label:Be One Music Inc.
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Somebody Help Me - 3:11
 2. Break Away - 4:05
 3. Let It Be - 2:45
 4. Sailor's Dream - 3:12
 5. Sometimes - 3:54
 6. Desparate Housewifes - 3:34
 7. Your Love - 3:43
 8. Smash N'Grab - 2:56
 9. I Need You - 4:41
10. Tragedy - 2:57

Ron Beer – Singer/Songwriter, Author and Martial Artist.
Ron Beer’s newest musical installment, Boogie Boy Blues, is a music CD loosely based on his experiences in 1974 when he hitch-hiked across Canada with his guitar on his back. Due to his authorship, Boogie Boy Blues is now a music CD turned children’s graphic novel that teaches children about the craft of songwriting.
A three-year veteran of the Humber Summer Songwriting workshops, Ron has given back by sharing his knowledge of songwriting by hosting the Songwriters’ Music Festival. This event, hosted at the Whitby Courthouse Theatre, raised funds to help supply musical instruments to a children’s music program. His ability and desire to teach did not stop there as Ron continues to teach his music program in York Region to grades four through eight.
In addition to his successful and ever-evolving musical career, Ron Beer is also an established and highly recognized marital artist. Since 1978, Ron has owned and operated his martial arts studio in Markham, Ontario. In that time, he has hosted, scripted and scored for shows such as ‘Karate Kids’ on Classic Communications in York Region, and ‘The Martial Arts’ on Mclean-Hunter Television.
Ron is an artist, and a true artist has the ability to mold, fuse and professionally combine different forms of art. Though combining singing and songwriting, literary authoring and martial arts, Ron Beer has the trifecta of artistry.
Both the album project and its final result come from Ron Beers and Lou Sabatini hard work They are two Canadian composers who, since the moment they met till now, have written together more than a one hundred and twenty songs They have selected ten to be included in this album, that is their first joint project that sees the light in compact disc format, as they have been working together for several years Somebody Help Me! shows the talent of these two poets, who drive us along a journey through their particular visionary world Besides Ron Beer, you will also find Paul Schofield on sax, flute and clarinet, Steve Didunyk on keyboards and accordion, Mike Tabaras on lead guitar, George Danes on trumpet, Alex Paris on bass, John Maydehm on drums, David Figliano, on congas and percussion and Jay & Mike Olsen on vocals A cool pleasant album, including a wide range of tempos and arrangements, that could be described as flavoured groovy-blues/

Somebody Help Me!

The Good Gheddo Trio - Vinile "Live In Italy"

Bitrate:320K/s
Year:2026
Time:36:35 
Size:84,1 MB 
Label:Checkmate Records 
Styles:Blues/Harmonica Blues 
Art:Front 

Tracks Listing:
 1. Evening Sun (Live) - 7:58
 2. Top Of The Harp (Live) - 4:08
 3. Think It Over (Live) - 4:47
 4. Snatch It Back - 4:26
 5. G. Smith (Live) - 9:36
 6. Shake Your Boogie (Live) - 5:37

Musicians:
Vincent "Vinni" Petrone - Vocals;
R.J.Mischo – Harmonica;
Umberto Porcaro –Guitars;
Paolo Sclaverano – Bass;
Luca Bozzola – Drums.

The Trio is made up of musicians with diverse backgrounds in Turin's most important musical groups. Active on the Turin Blues scene and beyond since 2008, the Good Gheddo Trio has performed at major festivals such as the Gilgamesh Blues Fest (2013/2014/2015/2016/2017/2018) and live music clubs such as Baladin in Piozzo (CN) and the Blue Note in Milan in 2013. Among its collaborations, the Trio boasts some of the most important names in the Italian and international Blues scene, such as organist Alberto Marsico, Amar Sundy, and Todd Sharpville, to name a few. The Trio's guitar and lead vocals are by Italian-American Vincent "Vinni" Petrone. A native of New York State, USA, where he trained as a guitarist and lived until the early 1980s, Vinni imported his eclectic musical education to Italy, not coincidentally taking place in the Big Apple. The rhythm section is entrusted to the experience of Luca Bozzola (drums) and Paolo Sclaverano (electric bass), irreplaceable and energetic supporting players in a trio capable of engaging and astonishing audiences with original compositions, as well as soulful hits by Albert King and Ray Charles. ALBERO MARSICO Alberto Marsico is regarded as one of the finest organists on the European scene. He has collaborated with some of the greatest names in the jazz world, including Jimmy Cobb, Bobby Durham, Kenny Burrell, Joey De Francesco, Fabrizio Bosso, Jimmy Witherspoon, Enrico Rava, Jesse Davis, and Alvin Queen. He has performed and recorded worldwide: Los Angeles, San Francisco, Moscow, Sydney, Singapore, Oslo, Tokyo, Berlin, Madrid, Paris, Amsterdam, and Brussels, and has held seminars at numerous European conservatories.

Vinile "Live In Italy"

Change It up Charlie - ...With Benefits

Bitrate:320K/s
Year:2018
Time:56:40 
Size:130,2 MB 
Label:Rouge Revue Records 
Styles:Jump Blues/Mix 
Art:Front 

Tracks Listing:
 1. Call Me... - 4:48
 2. Martyr Blues - 4:26
 3. Black Coffee - 5:08
 4. Ex Lover - 4:39
 5. Hot 2 Trott - 4:27
 6. Don't Let Me Be Misunderstood - 4:03
 7. Andelusia - 5:17
 8. Fool 4 U - 3:02
 9. Heard It Through the Grapevine - 4:01
10. Something Good - 4:21
11. Moral High Ground - 4:36
12. Pour Some Sugar on Me - 3:41
13. Something Good Take 2 - 4:07

With Benefits is the upcoming second album from Ohio’s favorite outlaw lounge band, Change It Up Charlie… and for this album the band brought some friends along for the ride.
We are bringing you, (you lucky so and so) a new album featuring some new songs, some updated old songs, covers and classics, all now with some musical help from their friends…with benefits.
The idea behind With Benefits was to do an album where a few songs feature friends of Change It Up Charlie from the Columbus music scene to guest spot and show off a bit. These musical collaborations include a mix of our usual pop remakes and jump blues and hot jazz originals. Who is Change It Up Charlie you ask? CIUC is a 5 piece ensemble That originated in 2008 with string bass player, the devilishly provocative Thom Reed. Steaming up the room and tickling your eardrums is the bewitching lead vocalist Holly Schmitt. The man with the magic fingers on lead guitar is the always cool “Peppermint” Bob Hamilton. The youngest member of the band, bringing the back beat with a smile, the drumming phenom Brandon Pettiford. And the bands news member, this guy blows, it the best way possible… bringing the saxy back, the ever charming Alan Stull.  Thank you! ~  Change It Up Charlie/

...With Benefits

Richie Barron - Rather Have The Green Than The Blues

Bitrate:320K/s
Year:1996
Time:48:52 
Size:112,8 MB 
Label:Catapult Records 
Styles:Blues/Jump Blues  
Art:Front 

Tracks Listing:
 1. Tahoe Boogie - 2:33
 2. Rather Have The Green Than The Blues - 3:47
 3. Gold Country Blues - 4:08
 4. No Trouble Tonight - 5:17
 5. Down To The End Of The Line - 3:30
 6. Grandpa's Farm - 3:32
 7. To Damn Good To Last - 4:03
 8. Younger Woman - 4:04
 9. Waitin On The Mailman - 4:39
10. Somebody's Got To Go - 4:20
11. Still Ahead Of You - 4:53
12. Help Somebody Lose The Blues - 4:01

Leslie Ann Knight is the host of the “Monday Morning Blues” program on KKUP-FM, in Cupertino California, and as of late, she has been responsible for a number of west coast blues getting their message to the rest of the United States. Richie Barron is one of those performers.
Richie is a strong guitarist and he has the right attitude. His music is hard-hitting in the Oakland tradition, but it still has a certain tongue-in-cheek quality which makes it very easy to listen to. This delivery is tried and true, and it’s bound to make a lasting impression on blues lovers everywhere.He’s enlisted the talents of some great California bluesmen, including the legendary Freddy Roulette, the man more responsible than anyone else for bringing the lap steel into the blues idiom.A couple of decades back, Otis Rush made the statement “…give me my flowers now.” It appears Richie Barron is making a similar statement with his current offering, “…I’d rather have green than blue.” Me too!
Guitar slinger Richie Barron began his career as vocalist and guitarist with Junior Walker, toured with ZZ Top drummer Frank Beard and cut his blues teeth in clubs from Dallas to Chicago before moving to Marin County to record a CD with Buddy Miles (Electric Flag & Jimi Hendrix's Band of Gypsies) and Michael Carabello (Santana Rock 'n' Roll Hall of Famer). His band is hard-hitting in the Oakland tradition with a horn section, powerful vocals and features Billy Noteman, one of the finest Blues Harmonica players in the world. Richie's original jump blues songs have been featured on the nationally syndicated show House of Blues Radio as well as his interviews by Blues Brother, Elwood Blues (aka Dan Aykroyd).

Rather Have The Green Than The Blues