Mathilda Jones - There's Something Inside Me and It's Called the Blues

Bitrate:320K/s
Year:2003
Time:48:26 
Size:111,8 MB 
Label:Southland Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. There's Something Inside Me and It's Called the Blues - 4:04
 2. Everybody Needs Some Lovin' - 4:47
 3. Goin' Home Tomorrow - 4:29
 4. Bright Lights, Big City - 3:16
 5. I'm Tired of the Way You Treat Me - 3:35
 6. I'm a Fool for You - 2:44
 7. Rain Keeps Falling - 4:10
 8. Let It Roll - 2:59
 9. Night Time Is the Right Time - 5:19
10. Nobody Can Love You Like I Can - 4:23
11. You Better Stop Doggin' Me Around - 4:38
12. Save a Seat for Me - 3:58

Mathilda Jones is a powerful blues and soul singer whose voice ranges from a whisper to the intensity of Janis Joplin. She is best known in New Orleans, where she recorded this CD, her second as a leader.

There's Something Inside Me and It's Called the Blues

Jon Bonham and Friends - Love on the Mississippi

Bitrate:320K/s
Year:2017
Time:33:33 
Size:76,9 MB 
Label:1720674 Records 
Styles:Rock/Contemporary Blues/Mix 
Art:Front 

Tracks Listing:
 1. Evening Stars - 3:51
 2. Don't Bet on Me - 4:19
 3. Now That She's Gone - 4:45
 4. For a Girl - 3:54
 5. Cold Coffee - 4:09
 6. Love on the Mississippi - 7:14
 7. Love in Vain #2 (Bonus Track) - 5:17

Jon Bonham has been leading a band of “Friends” around Saint Louis for nearly 15 years. Their music blends garage band Americana with soulful takes on juke joint country, folk rock and blues. Bonham’s distinct voice “recalls a love-child of Kris Kristofferson and Tom Waits” while his musical references can all be traced to Robert Zimmerman. His original songs bring to mind early Tom Petty demos replacing North Florida angst for stories of love lost on the Mississippi and along Route 66.

Love on the Mississippi

Teddy Wender & Jazzmatik - Fuse Breaker

Bitrate:320K/s
Year:2025
Time:43:42 
Size:101,0 MB 
Label:Self-Released
Styles:Blues/Rock/Mix 
Art:Front 

Tracks Listing:
 1. Memphis Train - 3:08
 2. Aressted For Driving While Blind - 2:57
 3. Cry To Me - 3:19
 4. Runnin' Down A Dream - 4:05
 5. Atlantic City - 4:51
 6. I'll Be Around (Whenever You Want Me) - 3:04
 7. Good Time Charlie - 3:52
 8. Willin' - 3:17
 9. Messin' With The Kid - 3:16
10. Take Me To The River - 4:41
11. You Never Can Tell - 3:06
12. Where Rainbows Never Die - 4:01

Teddy Wender is a versatile musician, musical director, and philanthropist originally from Great Neck, Long Island. His extensive career spans several decades and encompasses a range of genres, including blues, rock, pop, and jazz. He began his musical journey in New York City in 1969 with the band "White Cloud", where he was part of what is often referred to as the  "New York Wrecking Crew"—a metaphor for some of the best studio musicians working during that time.
Throughout his musical journey, Wender has collaborated with an array of legendary artists, including Johnny Winter, Odetta, and Albert King, who invited him to join his band in 1975. During this time, Wender developed a close mentorship with Hank Logan, a notable singer-songwriter, leading to the formation of the "Hank Logan Band". Although this band eventually disbanded, Wender’s creativity continued to thrive, resulting in the establishment of the "Wonderland Band", which evolved into the acclaimed New Wave ensemble "3-D".
Justin and contributing to their legacy in the music industry.
Over the course of his career, Teddy Wender has designed and built three recording studios, showcasing his commitment to the craft and production of music. He is currently engaged in his solo project called "Teddy Wender and JazzMatic", which has produced 13 albums (CDs), available for download at teddywender.com and on various music platforms, including Amazon, Apple Music, and Spotify. In addition to these projects, Wender released  "Old Friends and Friends Forever", featuring songs by Hank Logan, which had never been previously released. This amazing project served to catalog some of the best country rock songs that Wender was privy to, many of which were only uncovered and documented at this time.
Along with talented collaborators like Chris Brown (a.k.a. C4) and R&B legend Dan, The Man, Wender co-produces all "JazzMatic" records and continues to crank out new material, keeping the project vibrant and evolving.

Fuse Breaker

Miss Molly Simms - Revenants

Bitrate:320K/s
Year:2013
Time:24:22 
Size:56,2 MB 
Label:Self-Released 
Styles:Electric Blues/Rock/Folk/Female Vocal
Art:Front 

Tracks Listing:
 1. Angry Evil Woman - 2:42
 2. River Molds the Bricks - 2:21
 3. Usual Suspects - 4:03
 4. Spiritual Healing - 2:54
 5. Smoke It Curls and Rises - 2:39
 6. Final Jugement Day - 3:39
 7. Midnight Zone - 2:38
 8. Ain't Much - 3:23

The 8 track first pressing of Miss Molly Simms solo release is a jewel case with art work on front by Tim Smith and on back by Sam Derendal. Revenants was recorded in Nashville TN on analog equipment born in or around 1979, and in studios such as RCA Studio B -- where Elvis' microphone was used as the room mic.
“Smoldering, angry and saucy; Daddy's Little Girl is a full grown woman now (and more than a bit pissed). Miss Molly Simms can sweep the floor with tender ruminations on loves lost and quiet yearning (along the lines of Lucinda Williams), but not before setting the situation straight with a few doses of hard- earned sass and voodoo bile. At moments, what others might consider a vulgar rant is actually a level-eyed take-down from someone who knows the blues. The band on this project is stellar, for sure, but Molly's a class act all on her own. Highly recommended listening." ~ Fred Friction

Revenants

Vasti Jackson - Bourbon Street Blues: Live In Nashville

Bitrate:320K/s
Year:2007
Time:72:54 
Size:167,5 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Mr V's Vicious Shuffle -  3:23
 2. Let The Good Times Roll -  3:37
 3. Hoochie Coochie Man -  7:37
 4. Rock Me Baby -  3:45
 5. You Send Me -  6:18
 6. Let's Get It On -  3:04
 7. Nawlins Jam (Sissy Strut, Hey Pockey Way) -  7:52
 8. Band Intro -  2:22
 9. Hey Joe - 12:05
10. Red House -  5:31
11. Now Woman No Cry -  7:22
12. Hurricane Season -  5:32
13. Amazing Grace -  4:17

Musicians:
Vasti Jackson – Vocals & Guitar;
Aaron Hatmaker – Bass;
Howard Laravea – Organ & Keyboards;
Richard Griffin – Sax:
Doug Belote – Drums.

What excitement, energy, creativity, and musical experience could mean to you? Vasti Jackson! When Vasti performs, your audience will be electrified! A soulful world renown guitar player and vocalist, whose presence captures an audience the moment he takes the stage, he commands the house while deftly leading his band.Grammy-nominee Vasti (pronounced Vast-Eye) Jackson is a consummate performer, vocalist, multi-instrumentalist, songwriter, and producer. From his early beginnings playing in juke joints in McComb, Mississippi, to his most recent release, “Live In Nashville” is a no holds barred, walking the razors edge, funky blues celebration that puts you slap dab in the middle of the juke joint. Recorded at Bourbon Street Blues and Boogie Bar. Vasti and his band move non-stop from Blues to Soul to Funk to Jazz. He made each person feel as if he were performing for that one person and that one person only.
Vasti’s talent has been enlarged by an amazing array of musical experiences over 30 years of his vibrant career.Jackson’s latest studio release “No Borders to the Blues”, is a good sample of Vasti’s limitless energy and magnetism. It spotlights his talents as singer and musician, and his utterly thrilling guitar mastery. This CD also features guest music stars who blend in a perfectly finished production of his own: piano great Henry Butler, folk funk master Bobby Rush (on harmonica), and New Orleans bass legend guitarist George Porter, Jr.Rooted in the Blues, Vasti Jackson recorded on B.B. King’s Grammy award winning Blues Summit in 1994. In the 1980s and early 1990s Vasti was musical director, and guitarist ZZ Hill, Johnnie Taylor, and blues ‘n’ boogie queen Katie Webster, and has opened for the blues great on many occasions. He also worked with gospel greats – including the Williams Brothers, the Jackson Southernaires, and Daryl Coley; with soul and blues artists Bobby “Blue” Bland, Little Milton, Percy Sledge and Sam Myers; and with jazz artists Harry Connick, Jr.,Wynton Marsalis, and Cassandra Wilson, just as well. Vasti has also played guitar on Malaco Records for Latimore, Denise LaSalle, Bobby Rush, and Johnnie Taylor.An accomplished composer, Vasti Jackson composed two songs for Stop Breakin’ Down, a film on the life of Mississippi blues icon Robert Johnson. He penned “Casino in the Cottonfield” for the Robert Mugge music documentary, Last of the Mississippi Jukes, and wrote on the spot and performed his “Train Rolling Blues,” in the PBS docu-drama series The Blues, executive produced by Martin Scorsese. He also wrote and performed “America, Proud and Strong” with the Mississippi Symphony Orchestra and a 1,000-voice choir, for the 2003 Mississippi ETV presentation, Mississippi, The Birthplace of America’s Music. Festivals and international tours have taken him to Japan, Germany, France, Greece, South Africa, Holland, Sweden, Switzerland, Italy, Sicily, Norway, Finland, England, Uruguay, Brazil and Portugal.Vasti Jackson has been featured in Guitar Player Magazine, Living Blues, Nothing But the Blues, Juke Blues (England), Blues Revue, and many other publications. He has performed on Dan Akroyd’s House of Blues Radio Hour, the Starz Encore Network, WGN-TV in Chicago, and PBS. He has performed, written, produced, and recorded music for HBO, VH1, Mississippi Educational Television, the British Broadcasting Corp. (BBC), and radio and television programs in Australia, Uruguay, Finland, and Canada. Vasti co-produced Bobby Rush’s Hoochie Man, earning a Contemporary Blues Record of the Year Grammy Award nomination in 2002.Vasti Jackson is professionalism at its best. He is a combination of talent, broad experience and versatility. His soulful and energetic performance will take your audience on a journey they will never forget.

Bourbon Street Blues: Live In Nashville

Erin Jaimes - Soul Garden

Bitrate:320K/s
Year:2007
Time:46:34 
Size:107,2 MB 
Label:Maudie Dawg Records 
Styles:Blues/Texas Blues 
Art:Front 

Tracks Listting:
 1. Soul Garden - 3:48
 2. Find My Love - 3:32
 3. Fear - 4:30
 4. What Have I Done Wrong - 4:23
 5. Tuck Him In - 3:14
 6. I Love You Baby - 4:20
 7. Sneakin' Around - 4:58
 8. Tell Me Why - 4:03
 9. I Don't Mind - 2:38
10. A Woman Will Do Wrong - 3:08
11. Fine Line - 3:05
12. Sloppy Drunk - 4:49

In 2004, blues firecracker Erin "Icewater" Jaimes was dubbed one of "Austin's promising female bluesicians" and voted #8 bassist in town by the Austin Chronicle. By 2007, with the release of her second CD, "Soul Garden," the Chronicle stated that "Jaimes' blues have bloomed!"
Jaimes has been playing and singing in Austin’s highly competitive blues scene for over a decade, has toured regionally and internationally, and been featured in a national advertising campaign for Net10 Wireless. Jaimes' tough, soulful vocals front a scorching modern Texas blues band featuring Tony Redman on guitar, “The Italian Tornado” Banzai LA Rocca on harmonica, Paul Lidel on keys and backup vocals and Ian Bailey on drums.

Soul Garden

Kate Meehan - Soulshaker

Bitrate:320K/s
Year:2002
Time:46:16 
Size:106,6 MB 
Label:Southern Cross Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Second Hand Man - 4:20
 2. Black Cat - 4:08
 3. Soul Shake - 3:48
 4. Out Of Love - 5:28
 5. Feet Start Walking - 3:27
 6. Rock Me Right - 5:04
 7. God's Gift To Women - 2:30
 8. Call Me Mrs. Blues - 3:56
 9. Smackwater Jack - 3:46
10. Off The Clock - 3:52
11. Final Verdict - 5:53

Kate Meehan and her talented band bring the magic of blues to life! With performances at venues including festivals, we create memorable experiences filled with soulful music and vibrant energy. Join us for an evening filled with rhythm and grooves that keep you moving!
Kate was born in Hobart, the daughter of jazz trumpeter and vocalist Clem Meehan. She was raised in a household infused with music, hearing Louis Armstrong and Ella Fitzgerald one day, and listening to Carole King and Shirley Bassey the next. It was in this environment that Clem started giving Kate her first singing lessons. Kate’s formal music education commenced at the Sacred Heart College where she received piano lessons as well singing in the choir, and by the time she commenced High School, Kate had added guitar to her arsenal. At sixteen Kate left High School and moved to the mainland where she busked with her guitar around Adelaide for a few years learning the art of performing as a soloist in public. By the time she was twenty Kate had returned to Hobart where she fronted various covers and originals bands, before returning to the mainland, this time Melbourne, for a brief sojourn in front of another covers band. At twenty four Kate found herself back in Tasmania where she was approached by the Fabulous Blues Cats, a Chicago jump-blues styled band. This is where Kate found her groove. Koko Taylor was discovered, and there was no turning back. Kate learnt her craft as a raunchy blues belter in front of this band playing the midnight to four shift every Friday and Saturday night at the Round Midnight nightclub in Salamanca. In 1998 she recorded her first album as the Kate Meehan Blues Band “Let the Good Times Roll, a CD covering her favourite electric Chicago blues songs. This album opened doors back on the mainland on the blues festival circuit. It was also at this time that Kate heeded advice that she would have to write her own material to get anywhere as a blues singer, and over the next four years Kate released two more albums including her own songs as well as originals by her Texan pen friend, Kathy Murray. 

Soulshaker

Malaya Blue - Bourbon Street

Bitrate:320K/s
Year:2014
Time:56:27 
Size:129,8 MB 
Label:Mad Ears Prodctions 
Styles:Blues 
Art:Front 

Tracks Listting:
 1. Bourbon Street - 4:08
 2. Forgiveness (Album Mix) - 4:12
 3. Bitter Moon - 4:07
 4. Lost Girl - 3:50
 5. Lady Sings the Blues (Night Owl Mix) - 4:20
 6. Ivory Tower - 3:25
 7. Bluesville U.K. - 4:13
 8. Dawn - 3:50
 9. Guilty - 4:04
10. I've Cried a Little - 3:11
11. Cold Hearted Man - 3:30
12. How Did You Do This - 5:07
13. Cold Light of Day - 4:42
14. Promised Land - 3:43

HTTPS://www.bluesblastmagazine.com/malaya-blue-bourbon-street-album-review/:
"Just the mere words “Bourbon Street” conjure up different memories for different areas of the world. It would seem that every major city in the world has a Blues club named for the real deal in New Orleans, LA.
Malaya Blue opens Bourbon Street with an ode to the most famous party street in the world. With a slow tempo Blues delivery Blue gives us her interpretation of NOLA with a soft, sultry delivery that would be welcome to the Big Easy and all of its nuances, presence and passion. Fans of Mick Simpson might recognize his songwriting style and lead guitar delivery on this tune (shares writing credits with Andy Littlewood and M. Ashforth) that has a Gary Moore feel to it. There is also a great video of the song on the Mad Ears Productions web site.
On track 2, “Forgiveness”, we are again treated to clean guitar leads by Simpson. Who doesn’t deserve a little forgiveness in their lives? Blue’s voice drips with emotion here while pleading for forgiveness for some past transgression to a man she seems almost afraid to approach with her plea. Another entertaining video of this song is on www.madearsproductions.com .
Things pick up a bit on track 4, “Lost Girl”, with some horns in the background provided by The MEP Collective. With a forceful, somewhat Rock driven, beat Blue provides proof that her voice is comfortable in many Blues settings and can make your toes tap when she wants to.
“Bluesville U.K.” (track 7) is a mid-tempo shuffle that combines Blue’s voice, A. Littlewood’s guitar work, brass, and harmonica by Dave Hunt. The mix makes a statement for Blues in the U.K. while treating the listener to some Dixieland driven brass mixed in with some harmonica that works well here.
Track 9, “Guilty” is a song most of us can relate to. Most of us have been in a relationship where there comes a point where one starts accusing another of transgressions that are either real or imagined. With lyrics like “I say you do – you say you don’t…” one gets the message quickly that things are breaking down. With Mick Simpson providing some clean, capable, chronically good guitar licks this number stands out as one of the best examples of the talents on this recording.
Malaya Blue’s voice is the main engine driving this album and rightfully so. Her voice is sensually sexy with a range that few vocalists can match. When that voice is matched with the songwriting and instrumental excellence here the listener can’t lose. All fourteen songs here are originals with some straight ahead Blues, some Blues-rock with a little Jazz thrown in to complete the mix.
Songwriting credits go to Andy Littlewood and M. Ashforth for all songs except track 1, “Bourbon Street” that was written by Littlewood, Ashforth and Mick Simpson and track 5, “Lady Sings the Blues” which shows A. Littlwood as the sole contributor. Further credits (as listed on CD cover) go to: Malaya Blue – lead vocals and backing vocals, Andy Littlewood – guitars, keyboards, bass, and backing vocals, Mick Simpson – lead guitar on tracks 1, 2, 6, 9, 11, and 13, Giovanni Bruno – guitar on tracks 5 and 10, The MEP Collective – horns and brass, and Dave Hunt – harmonica on track 7". 

Bourbon Street

Bel Airs - HooDoo Party

Bitrate:320K/s
Year:1999
Time:39:27 
Size:93,0 MB 
Label:Blueberry Hill Records 
Styles:Blues 
Art:Full 

Tracks Listing:
 1. Hoodoo Party - 3:28
 2. Strange Things - 3:41
 3. Sugar Mama - 4:32
 4. Big City - 2:56
 5. I'm Lost Without You - 2:17
 6. Every Day I Cry Some - 2:38
 7. Good Lover - 3:15
 8. How Come People Act Like That? - 3:40
 9. Who Been Foolin You? - 4:15
10. Left Me To Roam - 2:50
11. Take This Hurt Off Me - 3:17
12. House On Fire - 2:31

Fronted by brothers Dick and Dave Pruitt on bass and electric guitars, with Michael Cherry on drums, the Bel Airs play a danceable mix with an authentic but eclectic bluesy-country-soul-and-rock-n-roll sound influenced by the likes of Wilson Picket, Slim Harpo, Howlin’ Wolf and Johnny Cash. The Pruitt brothers’ harmony vocal style sets them apart in the contemporary music scene–leading one reviewer to refer to them as the “Everly Brothers of Blues”. David’s “big guitar” and Dick’s howling vocals over soulful, right-on rhythm playing make this trio a powerhouse. Formed in 1981, the original incarnation of the Bel Airs included the Pruitt brothers, harp player Michael Henderson and drummer Pat O’Connor. In those days, rumor has it that in addition to playing guitar behind his head, little David Pruitt occasionally rode on Henderson’s shoulders at the end of an especially raucous set.
Back in the days of vinyl, the original four members of the band released the Bel Airs’ first recording NEED ME A CAR on Blind Pig Records in 1984. Later, Henderson moved to Nashville and played with the Snakes and toured with Mark Knopfler. In 1991, the Bel Airs released DANGEROUS CURVES, recorded at Lou Whitney’s studio in Springfield, Missouri, as a trio. Later that year, when David moved temporarily to southern California, drummer Pat O’Connor left for Nashville as well, and in 1995, brothers Dick and David recruited Indianapolis native Michael Cherry, a veteran of the Paladins and the James Harman Band, to return to the midwest to take the helm of the rhythm section. The association has proven to be a fruitful one. The current line-up has been together over ten years, and has released two recordings. HOODOO PARTY (1999) was recorded in St. Louis and among the guest musicians featured is late-great pianist Johnnie Johnson, who emerged from Chuck Berry’s shadow during the 1990’s and often joined the Bel Airs on stage at St. Louis’ legendary Off Broadway. Their most recent recording effort is GOT LOVE on Hightone Records. Recorded at The Studio with Lou Whitney in Springfield, GOT LOVE features the intensity of the live shows that loyal fans know and love, with guests Jimmy Carpenter on horn and Joe Terry on hammond organ adding depth and polish in just the right places.
From the funky cover courtesy of Charlie Johnson's "Museum of the Odd" to the closing acoustic track "House On Fire," The Bel Airs' third recording, "Hoo Doo Party," is a solid slice of wild and wonderful American cake. Nothing about the Bel Airs fits neatly into any category, except for their well-deserved reputation for house-rock live shows and solid musicianship. "Hoo Doo Party" delivers the energy and groove fans have come to expect from the Bel Airs.
Living on the road and playing clubs from Austin to Boston, the Bel Airs are carrying on the tradition of American rhythm and blues. Now based in Columbia, Missouri, the Bel Airs are easily one of the hottest and most entertaining blues bands in the country.
Brothers Dick and David Pruitt front the band on bass and electric guitars. Drummer Michael Cherry is well known for his powerful groove. David's big guitar sound and Dick's howling vocals over soulful rhythm playing make this trio a powerhouse. BAND_MEMBERS: Dick Pruitt: vocals, bass guitar David Pruitt: vocals, guitar, slide guitar Michael Cherry: drums/

HooDoo Party

Baim and Gugun Blues Shelter - Let There Be Light

Bitrate:320K/s
Year:2021
Time:22:51 
Size:52,7 MB 
Label:Nagaswara Records 
Styles:Blues/Rock 
Art:Front 

Tracks Listing:
 1. Bank Robber's Blues - 2:38
 2. Tap Dancer - 4:14
 3. He Got Caught - 3:55
 4. It's You - 4:21
 5. Don't Say Goodbye - 4:15
 6. Me, Myself and I - 3:25

Musicians:
Guitar,Vocals – Gugun, Baim, Ibrahim Imran;
Bass – Jono;
Keyboards – Baim;
Drums – Bowie.

The collaboration between Baim and Gugun Blues Shelter stemmed from their frequent appearances together. While this album doesn't have a particularly distinctive flavor, it's noteworthy for showcasing two musicians with distinct musical styles. Gugun Blues Shelter (GBS), as is known, often plays a strong rock-blues sound. The trio (Gugun, Jono, and Bowie) brought the band international fame with their masterful playing. Meanwhile, Baim, who has previously performed in the groups ADA Band and The Dance Company, has a pop style.
Undeniably, the six songs on this album—"Bank Robber's Blues," "Tap Dancer," "He Got Caught," "It's You," "Don't Say Goodbye," and "Me, Myself, And I"—are strongly reminiscent of GBS's style.
Just listen to the first song, "Bank Robber's Blues," which features a rock 'n' roll rhythm. While it may sound ordinary, playing only standard blues compositions, guitarist Gugun's playing style is undeniably unmatched.
In "Tap Dancer," GBS delivers a powerful guitar intro that lends the song a strong and enjoyable sound. Gugun's guitar solo, with its steady speed shifts, makes this song incredibly bluesy. For blues enthusiasts, this song is sure to be easy and enjoyable to play. However, be warned: while easy to follow, Gugun's guitar solo will undoubtedly be different from yours. Gugun, heavily inspired by legendary guitarist Jimmy Hendrix, is able to create distinct nuances with each piece.
GBS' music is known for its simple and predictable style. What sets GBS apart from other bands is its ability to harmonize its playing, making it enjoyable to listen to. While it's unavoidable, some songs sometimes share notes from legendary blues groups that serve as musical references.
GBS's simple playing can be seen in the song "He Got Caugh." Gugun and Jono's simple composition is quite pleasant to listen to. The rock-blues style is predictable, yet still enjoyable. Gugun's flat vocals are made more powerful by the simple music. Similar compositions are found in the slow "It's You" and the bluesy "Me, Myself, And I."
Meanwhile, in Baim's "Don't Say Goodbye," GBS seems to avoid overdoing it. Baim's sweet arrangement is supported by GBS's signature style in the final verses, where Gugun imbues it with his distinctive guitar playing.
For blues fans, especially fans of GBS and Baim, this song is definitely worth a listen. Bravo, GBS and Baim.

Let There Be Light

Blues Boy Kings - These Blues[EP]

Bitrate:320K/s
Year:2023 
Time:17:02 
Size:39,2 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Rockin' Blues - 4:20
 2. Don't Do That - 4:38
 3. Crossfire - 3:31
 4. Get Rid Of These Blues - 4:33

Blues Boy Kings a new exciting blues band coming from Boston and Lincoln, performing new original material.The sound is bluesy but modern, rootsy yet current. Some of the songs are almost dance orientated, such as 'East Shore', whilst others have a punky new wave edge, such as '21 Days'. All of the songs feature great guitar work, sensitive lyrics with a passionate delivery. The rhythm section, sometimes featuring a harmonica, and a hammond organ is always solid. Jason North plays lead guitar, sings lead vocals and is the chief songwriter. Over the last ten to 15 years Jason has written around 30 or 40 original songs, and now wishes to promote these.

These Blues[EP]

Robert Hill - Robert Hill

Bitrate:320K/s
Year:1999
Time:50:57 
Size:117,5 MB 
Label:Slide On Rye Records 
Styles:Roots/Blues Rock/Slide Guitar Blues/Americana 
Art:Full 

Tracks Listing:
 1. Moses Mccord - 4:17
 2. Rose City - 4:22
 3. Ozark Passage - 3:29
 4. Sweet Salvation - 7:32
 5. Human Chain - 4:27
 6. Down to Me - 4:17
 7. Imperfect Girl - 2:17
 8. Written All Over You - 4:17
 9. Slide On Rye - 4:24
10. Workingman's Curse - 7:46
11. Crater of Diamonds - 3:45

Debut cd- contains, "Moses McCord, "Rose City", "Slide On Rye", and many more. Some smoking performances on this one- plug in, crank it up, rinse & repeat. Hill was inducted into the New York Blues Hall of Fame in 2014. A native of North Little Rock, Arkansas, has been living & performing around the New York City area for the past 25 years. Award -winning slide guitarist, and songwriter.Band members: Joanne Lediger- vocals, Mark Murphy-bass,Eric Puente-drums, Paul Silverman-keys. Blues, Roots Slide Guitar! WEBSITE: roberthillband.com 

Robert Hill

The Rick Robichaud Band - Too Much Fun

Bitrate:320K/s
Year:2004
Time:28:45 
Size:66,2 MB 
Label:Amunhart Records 
Styles:Blues/Rockin Blues 
Art:Front 

Tracks Listing:
 1. Sometimes you Win - 3:28
 2. Too Much Fun - 3:21
 3. Shine On - 4:02
 4. You Lied - 3:44
 5. Tied Hands - 3:10
 6. Without Love - 3:08
 7. Set me Free - 2:52
 8. Walkin - 4:56

Rick is a local Newmarket boy who has been carving out his name in the Canadian music scene with his own style of guitar work and smooth, to the point vocals. His towering stature, devilish grin, and soulful touch, melts deep into his guitar, producing an amazing flow of pure energy that ripples back and hits you like a wave of emotion. Heavily influenced by Jimi Hendrix, Stevie Ray Vaughan, Johnny Winter, and David Wilcox,  Rick is ready to take you on, what’s sure to be, a very memorable musical journey. Rick is accompanied by Mike Pulkinghorn on drums, Gary Sharma on bass, Al Pipher on harmonica and Grant Bonsant on rhythm guitar.

Too Much Fun

Blues Boy Kings - Back On The Blues

Bitrate:320K/s
Year:2019
Time:40:46 
Size:93,7 MB 
Label:Boo Boo Bear Records 
Styles:Blues/Modern Electric Blues 
Art:Front 

Tracks Listing:
 1. Don't Turn Your Back On The Blues - 3:22
 2. It's OK With Me Baby - 3:36
 3. King Of The Blues - 3:58
 4. Baby's Put Me On The Streets - 7:24
 5. Love Has Gone Away - 3:40
 6. Play My Axes - 4:11
 7. Straight Jacket - 3:23
 8. I Need Your Loving - 3:42
 9. Hey Pretty Baby - 3:22
10. Nothing I Can Say - 4:04

We are a rocking blues band which will have you on your feet, audiences thoughly entertained wherever we go. Jason started playing guitar in 1985 and formed his first full blues band in 2000, around popular covers and whilst writing original tunes on an 8 track recorder. Sam was on the other side of Lincoln, learning the bass and forming a rock covers band, Local Heroes. In 2007 Local Heroes needed a singer to dep for their singer, who was on holiday and doing alot of karaoke jobs. Jase stepped in and met Sam for the first time. Sam introduced Jase to the Red Hot Chili Peppers and Jase introduced Sam to Chicken Shack. In 2010 the couple went to Las Vegas to get married. On their return, they started to rehearse a bunch of old original songs from Jase's days with the 8 track. Their debut album was born at Tabby Road Studios in October and November of that year, with Mark Barrett ably adding the drums. Since then, the line up has expanded to a five piece with Stevie 'Keys' Gooding on organ and piano and the unbelievable Dave Taylor on Saxophone. 

Back On The Blues

Paul Bonn - True Stories

Bitrate:320K/s
Year:2024
Time:28:55 
Size:67,1 MB 
Label:2730120 Records DK
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Backdoor Man - 3:54
 2. Be Thankful For What You Keep - 4:28
 3. El Chupacabra - 3:22
 4. Got Me A Good Thing Now - 3:07
 5. I Know I'm Gettin' Old - 2:42
 6. Nicotine - 3:23
 7. Saturday Night In The City - 2:56
 8. St. Louis Sound - 5:00

Friends! The track order is incorrect here!
Singer and songwriter Paul Bonn has been entertaining audiences for more than fifty years with his uncanny ability to hold the listeners, draw them into the show, and leave them wanting more.Backed by drummer Derek Bonn, guitarist John Higgerson, and bassist Robert Lloyd, the band serves up the very best in blues, soul, R&B and swampy Lousiana classics and originals.The St. Louis area is home base for the band, but they continue to showcase their talent across the U.S. every year. Paul’s discography includes 10 albums, with original songs featured on every one. If you really want to experience the energy of the band you must see them live!

True Stories