The Soulsetters Rockin' Blues Band - Right Attitude

Bitrate:320K/s
Year:2005
Time:50:13 
Size:116,2 MB 
Label:Indie Pool Records/Springbank Productions 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Right Attitude - 3:58
 2. Hold On I'm Comin' - 4:03
 3. Tell Me What I Did Wrong - 2:50
 4. Got My Mojo Workin' - 4:37
 5. When Something Is Wrong With My Baby - 3:20
 6. Howlin' Blues - 4:51
 7. Too Hard To Handle - 3:07
 8. My Babe - 3:36
 9. Get Ready - 3:42
10. Train Kept A'Rollin' - 3:19
11. Something' You Got - 3:54
12. Sweet Little Angel - 4:58
13. T-Bone Boogie - 3:54

Canadian blues rock band:
Drums, Vocals – Norm Stenoff / Electric Bass – Mick Acerra / Harmonica – Andre Fredette / Lead Guitar, Vocals – Mike Rende.
The Soulsetters Rockin' Blues Band In the early '70's each member of The Soulsetters was very active playing with various top bands in the live music scene in and around Toronto and southern Ontario. Not long ago, after somewhat of a reunion, the guys got together to jam. They soon realized that their style of music is as fresh and exiting today as it was 30 years ago. They enjoyed the experience so much that they re-established themselves as The Soulsetters Rockin' Blues Band. They decided to accept only selective engagements where their focus would be 'having a good time'. The Band continues to provide a refreshing interpretation of Blues, 60's R&B and classic early '50's Rock. They call their music 'Rocking Blues'. What is 'Rockin' Blues'? Rockin' Blues is a general category for Blues, Swing, R&B, Boogie, Shuffle, Funk, New Orleans, Chicago, and Texas Blues, and good old Rock and Roll. In-other-words: It is music that makes you want to tap your feet, bop your head, and dance. The Soulsetters' repertoire is branded by a 'Toronto Sound' interpretation of the music of legendary blues artist like; Howlin' Wolf, Otis Rush, John Lee Hooker, Bobby Bland, B.B. King, Junior Wells, Big Joe Turner, Willie Dixon, Luther Allison, Wilson Picket, Sam & Dave, Buddy Guy, etc., and classic early '50's Rock Artist like Jerry Lee Lewis, Buddy Holly, Fats Domino, Carl Perkins, Bill Haley, Chuck Berry, etc. The Soulsetters Rockin' Blues Band interprets the music in their own unique way that appeals to a wide variety of music lovers. They produce a dynamic sound with a dance beat that just keeps on grooving/

Right Attitude

The Robbie Ducey Band - Down Right Dirty Shame

Bitrate:320K/s
Year:2004
Time:28:46 
Size:81,1 MB 
Label:Self-Released 
Styles:Contemporary Blues 
Art:Front 

Tracks Listing:
 1. Down Right Dirty Shame - 5:37
 2. Could It Be That I've Wasted My Time - 4:01
 3. My Sweet Angel - 7:02
 4. Hound Dog - 3:05
 5. Tired - 2:55
 6. My Kinda' Lovin' - 2:39
 7. Cryin' Over You - 3:23

"Down Right Dirty Shame" is the title track and opening song from the 2004 blues album by The Robbie Ducey Band. The 7-track record showcases the group's signature blues and guitar-driven sound.
The Robbie Ducey Band have collectively performed around The Southlands since the late sixties. RDB released their first Cd "The Edge Of Reality" in 1995 with hearty acceptance. The Breeze Radio Network gave the group a lot of airplay on the east coast, often as Artist Pick Of The Month. RDB took a break in 1998 after losing their original drummer, but picked things up again in September 2002. In July 2003 the band recorded "Down Right Dirty Shame" and released it in March 2004. Robbie and the guys are extremely proud of the cd. It covers a lot of musical groundand separates itself from most other contemporary blues recordings by offering mostly original songs. The exception being a kicking shuffle version of "You Ain't Nothin' But A Hound-Dog". 

Down Right Dirty Shame

New Pony - Make Your Move

Bitrate:320K/s
Year:2015
Time:47:04 
Size:108,8 MB 
Label:Self-Released 
Styles:Funk/Funky Blues/Funky Rock
Art:Front 

Tracks Listing:
 1. Move Your Feet - 4:23
 2. From the Sun - 3:32
 3. Wind Me Up - 4:19
 4. Make Your Move - 4:34
 5. Heart of Steel - 4:15
 6. What We're Living For - 4:00
 7. I Got It - 4:10
 8. Sweet Leaf - 4:03
 9. Like an Ocean - 4:20
10. Something's Going On Here - 4:48
11. Teo - 4:36

As the name suggests, New Pony Funk lives on the funky side of town, and their live shows bear witness to their long-standing residency in the neighborhood.  This is a tight, powerful band with some serious muscle.  As influences, they cite The Meters, Tower of Power, Dumpstaphunk, The Isley Brothers, Sly and the Family Stone, but when all is said and done NPF is a home-grown Philly Original.  The members of NPF all met at a monthly music showcase at the now defunct Tritone in 2005.  When they met, each was doing their own thing, but as it so often goes at these events, they ended up sitting in with each other for an impromtu set.  After the set, one thing led to another and the guys got to talking, and after a few beers and some "music nerd" conversation, it became pretty obvious that a new band was brewing.  They got together for a few rehearsals, worked up a set's worth of material, and played their first show at the same music showcase the next month.  And now, much to everyone's surprise, nearly 18 years and about 1000 shows later, New Pony Funk is still going strong.
To date NPF has released two CD's, 2015's "Make Your Move," and in July of 2022, their newest recording, "Let's Get Real," dropped.  "Let's Get Real" was recorded in March-April of 2022 and came together rather quickly.  Most of the songs had been written between 2016 and 2022 and were already frequent fliers in their live shows.  They reflect the concerns of the times.   The band takes an oblique turn to the political in "Are You Ready," while "Now Some Light" cautiously celebrates the return to normalcy and live performance post-COVID with the refrain "it's been a couple years/ Now I'm so glad to see you here."  
In their years together, NPF has opened for Bonerama, The George Porter Trio, Bernie Worrell, The Budos Band, and Papa Grows Funk, they've played at any number of local and regional festivals, and until COVID came along, they were one of the featured acts at BlocktoberFest for 7 years straight.  

Make Your Move

Brian Kahanek - Real Life

Bitrate:320K/s
Year:2004
Time:41:46 
Size:96,3 MB 
Label:Self-Released 
Styles:Classic Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. Sign - 3:46
 2. Real Life - 3:38
 3. Little Things - 5:16
 4. Love Deluxe - 4:20
 5. Tomorrow - 4:24
 6. Till the End - 3:38
 7. Sold Your Soul - 4:31
 8. Last Mile - 4:20
 9. Take my Time - 3:36
10. Gemini - 4:12

If Jimi Hendrix and Stevie Ray Vaughan had a musical prodigy, his name would be Brian Kahanek. Part Texas styled Blues Craftsman, part Southern Rocker and one hundred percent authentic …he lays his soul bare combining dynamic musicianship with boy-next-door charm.
He soaked in the fundamentals of his instrument at the University of North Texas, recognized as one of the largest and most prestigious colleges for music performance in the US. There, Brian was exposed to a wide range of musical influences that continue to inspire and shape his tone. While attending classes, he found he could not ignore the real world education playing the local club scene. Responding to this loud and early call of a professional career in music, he fast tracked graduation, and departed Texas for Los Angeles, where Brian spent over a decade playing the California club circuit.
Classic venues like The Viper Room, Molly Malone’s, BB King’s, The Mint…these were the esteemed halls where audiences first experienced Kahanek’s sonic signature. It was in LA where a track from his first album, “Real Life”, was picked up and featured in the 2006 version of Guitar Hero, the seminal video game that broke sales records and garnered Kahanek worldwide attention.
On the heels of the success of Guitar Hero, Brian released his sophomore record „Suicide King“. He followed up this record with regional live dates and session work on Grammy award winning records.
While honing his live show, Brian wrote, recorded and released his third record, „One True Thing“. This dynamic collection of original tracks conveys a potent sense of optimism, and further established his blend of Blues and no-holds barred Rock n’ Roll.
Along this journey, Brian has also recorded guitars and mixed for some of music’s top artists including: Tim McGraw, Multi-platinum Latin Group RBD (Rebels), Virgin recording artist – Betzi, Walt Disney Pictures, Warner Bros Pictures… In fact Brian’s guitar work is featured on the 2006 number one single and record in the Latin American market “Save Me” from RBD’s (Rebels) debut.
Transforming his vision from the studio to the stage, Brian’s live performances are often described as dynamic and very personal. His energy-packed sets pull people out of their seats and into the moment. It’s a place that transcends genre and connects everyone in the room to an elevated space. It’s not just a show…it’s an experience.

Real Life

Kevin Mark - Cuttin Loose

Bitrate:320K/s
Year:2007
Time:45:36 
Size:106,1 MB 
Label:Blue Hog Productions 
Styles:Modern Electric Bues 
Art:Full 

Tracks Listing:
 1. Goin' to Vegas - 2:35
 2. Let's Party All Night - 2:33
 3. I'll Be Good to You - 3:04
 4. If Your Phone Don't Ring - 3:17
 5. Cuttin' Loose - 3:19
 6. Pretty Little Things - 3:20
 7. Seven Nights to Rock - 2:43
 8. You're Fat [Instrumental] - 3:23
 9. It's Saturday Nite - 2:17
10. You Bust Me - 3:39
11. One Bad Stud - 2:33
12. Stop Your Crying - 3:33
13. King Albert (Instrumental) - 2:10
14. St. James Infirmary - 7:04

Musicians:
Kevin Mark - vocals, guitar;
Costa Zafiropoulos - acoustic & Fender bass;
Rob "Big Daddy" Marcheterre - drums;
Little Frankie Thiffault / Red Gauthier / Mat Mousseau - tenor/soprano/baritone sax.
With guests
Michael Fonfara - piano & B3 organ;
Dale Boyle - banjo;
Rachel Therrien - trumpet // Etiene Lebel - trombon // Ben Caissie - washboard.

2007 year certainly was the period of confirmation of Kevin Mark status on blues area. His album "Cuttin' Loose" was another sucessfull product after "Rolling The Dice" from 2004 year. A guitarist, shouter and songwriter with his friends and collaborators has offered on album 14 tunes, where 11 belongs to authors work. Kevin's musical offering are consists of hard driven blues timelly located in different periods, and different performing backgrounds dominates through his authors legacy. He simply has standardized own style, which is combination of 50's blues, 80's rhythm and blues, swing, 70's rockabilly and many in-betweens. He also has offered a specific joy and positive vibrations, and practically all of present tunes posses mentioned mood. "Cuttin' Lose" is a simply masterpiece, recomandable also for non-blues followers.

Cuttin Loose

Pete Mayes - Lowdown Feeling

Bitrate:320K/s
Year:1992
Time:52:40 
Size:122,5 MB 
Label:Collectables 
Styles:Blues/Texas Blues 
Art:Full 

Tracks Listing:
 1. Crazy Woman - 3:17
 2. Moving Out - 2:01
 3. Christmas Holidays - 4:57
 4. Locked Out - 3:45
 5. West Coast Blues - 5:47
 6. When I'm Wrong I'm Wrong - 3:20
 7. Something On Your Mind - 4:42
 8. I'm Ready - 3:09
 9. Back In School - 4:05
10. Honeysucker - 3:33
11. The Word Is Out - 4:52
12. Texas Jump - 2:51
13. Low Down Feeling - 2:59
14. Crazy Woman (New Version) - 3:15

Influenced by T-Bone Walker at a young age, he played guitar since childhood. He will meet, indeed, Walker in 1954 for the first time and will accompany him regularly on stage the following years. In 1955, he met Joe Hughes another Texan guitarist who became a close friend. Two years later, Pete formed his own band. He becomes particularly a regular attraction of Double Bayou Dance Hall led by his uncle Manuel Rivers. In 1960, he moved to Houston and frequent local blues and jazz musicians. But his income as an artist are not enough and he takes different jobs to earn a decent living (including house painter). In the meantime, in the 60's and 70's, he recorded some singles as a leader especially for local label Ovide. Pete cut also four titles behind Junior Parker in 1969 for Blue Rock (a trademark of Mercury). In this CD proposed by Collectables are compiled first singles from Pete Mayes between 1967 and 1991. Therefore, the whole is quite heterogeneous but rather draws a compelling overview of the first part of this Texan guitarist's career. The sound quality is not always good. Despite this, several titles can be listened with pleasure : "Christmas holidays", "Locked out", "The world is out" and instrumental "West Coast blues" and "Texas jump".

Lowdown Feeling

The Wingnut Adams Blues Band - Vintage Nut

Bitrate:320K/s
Year:2007
Time:40:11 
Size:92,4 MB 
Label:Funky Monkey Productions 
Styles:Blues/Funky Blues/Harmonica Blues 
Art:Front 

Tracks Listing:
 1. Take Me - 2:56
 2. Things Will Be Alright - 3:57
 3. Bring It On Home - 2:50
 4. Real Lovin' - 4:44
 5. I Been Criticized - 5:04
 6. Three Times - 3:15
 7. You Never Know - 4:05
 8. Wicked Ways - 4:01
 9. Hard Times - 4:40
10. So Satisfied - 4:33

Honored by The West Coast Blues Hall Of Fame as "Band Leader Of The Year". Wingnut pays homage to the roots of the Blues, while injecting his own life experiences into a funky musical stew that captures hearts and souls everywhere! Wingnut began his musical journey as a percussionist for well respected artists including Archie Lee Hooker and Ron Thompson.He went out on his own in 2002 to begin work on the first of five CD projects to date. From day one fans everywhere soon realized that Wingnut had a love for a strong danceable groove, as well as a desire to interact with the fans to a very high degree. Wingnut's goals were straight forward… #1- Keep it simple… with a groove. #2- Take it to the people. #3- Give 'em everything you’ve got. Wingnut Adams has spent decades living the music that he performs nightly. The formula worked… averaging over 200 dates annually year after year, Wingnut Adams delivers great roots music to the people. From small smoky dives to large festivals this blues man delivers the good. Wingnut sets the bar high… there is no middle ground. Sweat and soul, every time…all the time! As a direct result of his live shows Wingnut has sold over 30,000 CDs without industry support!

Vintage Nut

Gary U.S. Bonds - Back in 20

Bitrate:320K/s
Year:2004
Time:46:21 
Size:107,3 MB 
Label:G.L.A. Records 
Styles:Blues/Blues Rock/R&B 
Art:Front 

Tracks Listing:
 1. Can't Teach An Old Dog New Tricks - 4:24
 2. Murder In The First Degree - 3:13
 3. Take Me Back - 3:25
 4. She Just Wants To Dance - 3:09
 5. Fannie Mae - 3:39
 6. Bitch / Dumb Ass - 4:05
 7. I've Got Dreams To Remember - 4:36
 8. Nothing But Blue - 4:17
 9. She Chose To Be My Lady - 3:30
10. Too Much, Too Little, Too Late - 3:47
11. Every Time I Roll The Dice - 4:29
12. Don't Do It Here - 3:40

When the annals of ‘60s soul are finally written, the name of Gary ‘U.S.’ Bonds is sure to be included. Although not as famous as Otis or Aretha or even Solomon Burke, Bonds’ immense influence on rock ‘n’ roll was sealed with the 1961 hit single “Quarter To Three,” a rollicking musical party that inflamed the imaginations of numerous future rockers, including Bruce Springsteen. 
Twenty years after his commercial peak, Bonds was “rediscovered” in 1981 by Springsteen and Little Steven (Van Zandt), the trio creating a pair of excellent rock-n-soul recordings. After an overlooked 1984 album that suffered due to the lack of an Asbury Park connection, Bonds quietly hit the oldies circuit…
Gary U.S. Bonds’ Back In 20
Two decades later, Gary ‘U.S.’ Bonds has returned with a fine collection of red-hot R&B and scorching blues tunes titled, well, Back In 20. If the slashing opening guitarwork on “Can’t Teach An Old Dog New Tricks” sounds familiar, it’s because guest Bruce Springsteen has used variations on the riff before, if not always as effectively. When Bonds comes in with his semi-biographical tale, the song explodes into a raucous blend of soulful vocals, madcap instrumentation and jump-n-jive spirit. Much of Back In 20 hits a similar groove, Bonds jumping between original rave-ups like “Murder In the First Degree” and classic soul covers like “Fannie Mae” or the Otis Redding ballad “I’ve Got Dreams To Remember.”
Guests on Back In 20 include Springsteen and Southside Johnny, Phoebe Snow and former Allman Brothers guitarist Dickey Betts. The guests don’t overshadow Bonds’ fine soul band, however. Led by guitarist Mark Leimbach, who co-wrote several of the original songs, the band builds a solid foundation for Bonds’ powerful vocals. With a unique vocal inflection and a raw quality that has more in common with Chuck Berry than with the church-nurtured, silk crooning of Sam Cooke or Jackie Wilson, it’s easy to see why a handful of early-60s Bonds hits proved so influential with young rockers. Gary U.S. Bonds may not roll out any new tricks with Back In 20, but why should he when the old tricks still sound so good? (MC Records, released 2004)
Review originally published by Community Free Press (Springfield MO).

Back in 20

Matt Hill - On The Floor

Bitrate:320K/s
Year:2010
Time:52:44 
Size:122,8 MB 
Label:VizzTone - Deep Fryed
Styles:Blues/Harmonica Blues/Rock/Honky-Tonk/Rock & Roll 
Art:Front 

Tracks Listing:
 1. Time Is Up - 3:43
 2. Hellz Bellz - 3:12
 3. Poor Circle - 3:53
 4. Griddle Bread Boogie - 2:27
 5. I Tried To Love a Crazy Woman - 6:40
 6. Red Boots - 2:51
 7. 30 Years Old - 2:39
 8. I'm Gonna Hit That Highway - 3:07
 9. When I Get Drunk - 4:07
10. Stolen Bride Blues - 4:31
11. Gasoline - 4:24
12. Children (That Ain't Mine) - 4:27
13. Why The Fuck (Do You Think I Cuss) - 2:49
14. Poor Circle (Acoustic) - 3:46

Matt Hill - gtr/bass/lapsteel/voc; Dave Gross - gtr;Bob Margolin - gtr; Tad Walters - hca; Dennis Gruenling - hca;Chuck Cotton - drums, etc.
Matt Hill's debut is a powerful collection of blues-rock named in honor of his legendary stage antics. Hill plays guitar on his back, stage dives into the crowd, rips off his clothes, and jumps onto the tables closest to the stage. With Hill acting like the bastard child of Jerry Lee Lewis and Nappy Brown, his uncontained shows have made him a legend around his hometown of Greensboro, NC. This album will introduce the rest of the country to this blazing, over the top artist. He's obviously listened to a lot of early rock, R&B, and Chicago blues, and while the music of his heroes may still be evident in his music, he's got an outrageous style all his own. The album's 14 cuts include 11 Hill originals, given in-yer-face performances marked by Hill's guitar prowess, soulful gritty vocals that belie his youth, and a dark sense of humor that makes them crackle. "I Tried to Love a Crazy Woman" brings Muddy Waters to mind with its snarling vocal, ominous Delta-meets-Chicago groove, and a searing guitar solo of tortured bent notes. Hill shows off his slide work on "Children (That Ain't Mine)," another country-style tune that hints at madness and murder. Rockers include the album opener, "Time Is Up," which features Hill's stinging solos and a nasty harp solo from Tad Walters; "Griddle Bread Boogie," a swinging instrumental that gives Hill a chance to show of his lap steel guitar prowess; and "30 Years Old," an exuberant ode to self-destruction that insouciantly declaims "I won't see 30 years old/I can't slow down now/I got a reputation to uphold." He's just as good at delivering the covers he put on the album. AC/DC's "Hellz Bellz" gets remade as a Chuck Berry rocker while Johnny "Guitar" Watson's "I'm Gonna Hit That Highway" retains its traditional feel with Dave Gross supplying ripping piano arpeggios and Hill's brief solo carving out its own unique space. Still, in years to come, people will probably remember this album for introducing Hill and Bob Margolin's "Why the F*ck (Do You Think I Cuss)," which could well become Hill's signature tune. The song is perfect for his bad-boy persona, another Berry-esque bit of country-flavored '50s rock that's peppered with so much profanity it becomes comical. Hill's screaming vocals and a thick twang-heavy bass solo make it the album's standout track.

On The Floor

Lewis Stubbs Junior - West Nashville Sky

Bitrate:320K/s
Year:2026
Time:25:19 
Size:58,6 MB 
Label:Tulip Tree Records 
Styles:Blues/Rock/Americana 
Art:Front 

Tracks Listing:
 1. When I Hear - 2:58
 2. West Nashville Sky - 1:38
 3. Back Home to You - 3:10
 4. Blues Done Got Me in a Hole Right Now - 2:29
 5. Never Too Late to Get Down - 4:32
 6. Best I Can Tell - 2:57
 7. W.C. Blues - 3:16
 8. Heads Up - 4:16

Stubbs wrestles with themes that are hard-edged such as addiction, recovery, alienation & survival. Decades ago, when artists started their careers, they aspired to the style & fame of Elvis Presley, Chuck Berry, Buddy Holly & later The Beatles & Rolling Stones. But today, it seems more glitz & fashion for the mainstream purveyors of pulp music. In the case of Lewis Stubbs Junior & others like him, it’s more about self-expression & through it, their trials & tribulations. Write, sing & play your own music from a deeper well, your well. Lewis draws from the well of the past & puts his own spin on it, or should I say his own hubcaps. The 8 songs on West Nashville Sky (Drops April 3/Independent/25:19) are succinct & come from a personal place, as a lived-in portrait & to be blunt “getting your shit together,” as Lewis said in so many words. While Lewis doesn’t have the deep baritone of Robert Gordon, his appeal is borderline rockabilly — not overheated, but vivid. It’s like a Florentine steak – a minute or two on each side, then dig in. “When I Hear” has old-fashioned spice in its rock with a pinch of Duane Eddy/Lonnie Mack finesse on guitar. Quite cool. The instrumental “West Nashville Sky” features CJ Colandrea’s pedal steel guitar & it’s sweet. “Back Home To You” has a marvelously picked guitar & Lewis’ vocal is sharp as a saber. The pedal steel cruises while Lewis’ vocals capture the essence of another era, but never retro. He owns this reinforced application of R&R both in ballad form & when it percolates. Lewis unleashes his Jerry Lee Lewis persona on “Blues Done Got Me In a Hole Right Now,” which features Chad Abel (keyboards) among the gutsy lead guitar & shuffling drums. Good work on this arrangement, weighty without being weighed down. Filled with cruising speed & the song goes full-tilt with genuine dance floor appeal as the sparks fly off toes & heels.
“Never Too Late To Get Down” has late-career J. Geils Band soul/R&B punch to it. Honking saxes & snappy snare beats. Old-fashioned R&R but with reliable strength. With “Heads Up,” it’s not quite as energetic & white-knuckle tight as Ragnar Zavaran (“It’s All Different Now”), but Lewis has lots of moxie, muscle & coherence here. Strap yourself in, it’s gonna be a bumpy ride.
Musicians – Brad Clark (bass), Chris Long (drums), Randy Boen (keys), Chris West (horns) & Lucy Stubbs (bgv).

West Nashville Sky

Andy Carrieri - All Things Bright

Bitrate:320K/s
Year:2026
Time:35:20 
Size:81,4 MB 
Label:Bloos Records 
Styles:Blues/Delta Blues/Country Blues/Chicago Blues 
Art:Front

Tracks Listing:
 1. I Still Don't Know - 3:14
 2. If I Was - 3:49
 3. Wine Drinking Woman - 4:04
 4. Blue Bird Blues - 4:00
 5. All Things Bright - 4:03
 6. Mind Chains - 3:28
 7. Down In Nola - 3:58
 8. Guitar Shuffle - 2:50
 9. Back To New Orleans - 3:24
10. All Things Bright (Reprise) - 2:26

With ALL THINGS BRIGHT, Carrieri goes even deeper in search of the blues. Bringing out his virtuosic skills on his own, with the effortlessness of a veritable oneman-band bluesman at the crossroads, Carrieri is now ready to take his listeners on a
Delta journey of his own making. (To be sure, Alessio Gavioli ably remains on the drums with the steadiness of a stern wheel.) The result is a deeply honest and farranging celebration of blues landmarks, from its slide-dominated Mississippi Delta country roots up to the rag-timey and boogie beats, Hopkins’ talking blues, alongside Piedmont picking, to the Chicago styles of Carrieri’s exemplars, Big Bill Broonzy, John Lee Hooker and Muddy Waters.

All Things Bright

Purple Bluze - Purple Bluze

Bitrate:320K/s
Year:2025
Time:56:06 
Size:128,9 MB 
Label:ATS-Records
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Why - 4:05
 2. My Brain - 3:19
 3. Crown Jewels - 4:41
 4. Here I Am - 3:28
 5. The House of the Rising Sun - 5:04
 6. Please Don't Stop - 4:45
 7. My Life Is No Less Than a Breath - 3:57
 8. Tears I Cry - 5:34
 9. The Mantis - 5:15
10. To Chase Away These Blues - 4:55
11. Not Called Jan - 6:50
12. Johanna - 4:07

Purple Bluze are a three-piece Austrian Blues band led by Harald Federer who plays some funky guitar and undertakes all the vocals, as well as producing, recording and writing all the material on the album, he states his influences among others include Jimi Hendrix, Deep Purple and Free, their styles are not directly evident on this release though. Harald Federer is a very talented musician and this release showcases him well and will put Austrian Blues firmly on the map.
~ Alan Pearce (Blues Matters)/

Purple Bluze

The New Vintage Blues Band - Walkin' Blues

Bitrate: 320K/s
Year: 2002
Time: 50:52 
Size: 117,3 MB 
Label: Self-Released
Styles: Blues
Art: Front 

Tracks Listing:
 1. Evil Ways - 4:09
 2. The Thrill Is Gone - 7:02
 3. Walkin' Blues - 5:21
 4. Johnny B Goode - 3:45
 5. Cold Shot/mary Had a Little Lamb - 8:09
 6. Oh Pretty Woman - 4:03
 7. All Your Love - 2:50
 8. Further On Up the Road - 4:27
 9. Red House - 6:48
10. Green Onions - 4:15

Musicians:
Dennis Dalton: Lead Vocals, Rythm Guitar;
Jim Dalton: Guitar;
Chris Ong: Bass;
Dick Roark: Bass;
John Silva: Drums, Vocal Harmony;
Phil Jump: Keyboard.

"The New Vintage Blues Band was the brainchild of Dennis Dalton and Jim Dalton, who founded the band in 1996. New Vintage's mission was to provide an offering of early and modern blues. We have since deviated somewhat to include some classic rock number which we consider "offspring" of the blues. We are influenced by Robert Johnson, Muddy Waters, Jimi Hendrix, Bob Dylan, Buddy Guy, Stevie Ray Vaughan, Albert King, Mark Knopfler, Willie Dixon, Bob Marley, and Eric Clapton" ~ Dennis Dalton/

Walkin' Blues

Jerry Jemmott & Souler Energy - Patience (EP)

Bitrate:320K/s
Year:2016
Time:15:41 
Size:37,8 MB 
Label:Whachagonnado Records  
Styles:Blues
Art:Front 

Tracks Listing:
 1. It's We - 3:51
 2. In the Moon Light - 2:39
 3. Patience - 5:00
 4. Hey Jerry, He Treats Me Right - 4:09

Two time Grammy Award-wining bassist Jerry Jemmott was one of the pre-eminent session bassists of the late 1960s and early 1970s, working with an impressive cross section of the era's finest soul, jazz and blues artists. He grew up in a family of Civil Rights activist, in the Bronx, New York and honed his skills during the struggle that continues on to this day. 
The Blues is all about faith; so here is a collection of our most popular Blues songs featuring "Patience" produced by Souler Energy, on the Whachagonnado Records label.
Songs:
1. It's We -  Feat. Mike Finnegan, Guitar Shorty,
David Garfield, John Altman & Steve Ferone.
2. In the Moon Light - Feat. Connie Fredericks Malone,
Sam Leon, Stan Wright, Tom Kaelin and Steve Blum.
3. Patience -  Feat. Lisa Andersen, Bernard Fowler,
Lora Lee Christensen, Jim Pugh, Kid Andersen and
Derrick D’Mar Martin.
4. Hey, Jerry He Treats Me Right  - Feat. Connie Fredericks Malone, Stan Wright, Tom Kaelin and Steve Blum. 
Gerald Joseph Stenhouse Jemmott grew up in New York City and began playing the bass when he discovered Paul Chambers at age ten; by age 12, he was already skilled enough to perform in public, and studied Charles Mingus intensely. He got his big break when he was discovered by R&B/jazz saxophonist King Curtis, and played on his first recording sessions in 1966, including Nina Simone's The Blues album. Thanks to his Atlantic Records connection through Curtis, Jemmott soon found work backing other Atlantic soul stars, like Aretha Franklin, Wilson Pickett, the Rascals, Clarence Carter, Don Covay, and Roberta Flack. But that was just the tip of the iceberg; Jemmott also recorded with blues legends like B.B. King, Freddie King, Otis Rush, and Champion Jack Dupree over the next decade, and backed jazz stars like Herbie Hancock, Freddie Hubbard, Les McCann, Eddie Harris, Shirley Scott, Houston Person, George Benson, Archie Shepp, Lionel Hampton, Herbie Mann, Eddie Palmieri, and Richard "Groove" Holmes. Around 1975, Jemmott's session activity started to tail off; in the years that followed, he worked in both film and theater as an arranger and conductor, and produced several instructional books and videos on the art of bass playing (including one in tandem with Jaco Pastorius). 

Patience (EP)

Flat Broke Blues BAnd - FB3

Bitrate:320K/s
Year:2011
Time:39:19 
Size:90,1 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Never Stay - 2:51
 2. Mistreatin' Me - 3:18
 3. Good Thing - 5:27
 4. One More Try - 3:09
 5. Muddy Water Blues - 4:41
 6. Saturday Night Jump - 2:44
 7. Drama Queen - 3:51
 8. What About Love - 2:18
 9. Way Up North - 3:37
10. Can I Change My Mind - 3:38
11. Give It Up - 3:41

Marquette, Michigan based Flat Broke Blues Band has been playing clubs, festivals and concerts around the Upper Great Lakes region for for over 25 years. The band currently features original members guitarist/vocalist Walt Lindala and bassist/vocalist Mark Johnson. Flat Broke’s stellar lineup also includes guitarist/vocalist Mike Letts, drummer Bud Clowers and lead vocalist/harmonica player Lorrie Hayes. Flat Broke Blues Band takes the influences of blues, rock, soul and R&B and creates a sound that respects the tradition of the blues but also pushes it’s contemporary bounds. The band’s stage show is filled with an entertaining and danceable mix of blues and R&B classics along with a variety of original songs that showcase the talents of all of the band members. Over the years, Flat Broke Blues Band has shared the stage with several blues stars including Koko Taylor, Johnny Winter, Tab Benoit, Shemekia Copeland, Sean Costello, The Fabulous Thurderbirds and Lonnie Brooks to name a few.

FB3