Davey Jones - Ball Cap Blues

Bitrate:320K/s
Year:2026
Time:30:03 
Size:69,4 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Banks Of The Blues - 3:46
 2. New Groove - 3:04
 3. Walking Easy - 3:13
 4. Ain't No Good For Me - 3:23
 5. Mid Memphis Blues - 3:12
 6. What You Gonna Do - 3:38
 7. Six Feet In The Ground - 3:29
 8. Going Down In Mississippi - 3:18
 9. Woman I Love - 2:55

Davey Jones is a South Mississippi blues artist blending blues, rock, country, and soul. A multi-instrumentalist and songwriter, he delivers groove-driven songs with raw guitar, honest lyrics, and deep Southern roots—music that feels good and tells the truth.

Ball Cap Blues

Big Miller - Last Of The Blues Shouters

Bitrate:320K/s
Year:1992
Time:70:01 
Size:161,1 MB 
Label:Southland Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Hello Little Girl - 4:09
 2. Frustration Blues - 6:16
 3. Georgia - 5:45
 4. All My Love - 4:15
 5. In The Evening - 6:12
 6. After My Laughter Came Tears - 5:12
 7. Turn Me 'Round - 6:46
 8. Never Let You Go - 6:43
 9. What I Wanna Do - 8:34
10. Ain't It A Shame - 8:35
11. Ready For You, Baby (Bonus Track) - 7:29

It will have to be a big statue, because he wasn't called Big Miller for nothing -- although he did look pint-size when standing alongside his fellow blues shouter Big Joe Turner during a reunion tour in the '70s. The plan is to unveil a life-sized statue of Miller by the year 2003 in one of Edmonton, Alberta's city parks. It is a long way from the Kansas City jazz scene that welcomed Miller as a singer beginning in his teenage years. But Edmonton was this artist's adopted home from the '70s up until his death in the early '90s. It is said that he lived in the backseat of the car he'd driven into Edmonton in for several months before becoming established enough to afford his own place, which seems a bit harsh for a fellow who had already paid dues performing with the likes of Duke Ellington and Count Basie. Hopefully this didn't take place in the winter, when that northern city's temperatures can dip to 30 below zero and stay that way for weeks. If so, they might have wound up calling him "Frozen Miller" and a statue would not have been needed. He was born Clarence Horatius Miller, and perhaps his most defining career moment came in the '50s with his participation in the Jon Hendricks revue entitled The Evolution of the Blues. Miller's size, vocal power, and intense stage presence combined to drive home the legend of the blues shouters, men who could sing over an entire big band without using a microphone. The success of this show led to a recording contract with Columbia, for whom the artist cut several albums, a pair of which were reissued on a CD package in 2000. The earlier stages of his recording career included a stint with Savoy, which was one of the first jazz labels to record him. A group led by Clifford Curry known as the Clovers, which would later change its name to the Five Pennies, provided backup on some of the Savoy sessions. The singer also doubled on trombone, sometimes playing in a big band section and later using this instrument for special solo features, although his range was limited. Miller also had a sideline movie career, including a cameo in the star-packed comedy It's a Mad, Mad, Mad, Mad World. Cinematic activities also continued in the frozen North, where one of Miller's strangest projects was a role in the surrealistic film Big Meat Eater, directed by Chris Windsor. From the script synopsis: "Bob's life is thrown into turmoil when he decides to hire Abdullah (The Big Meat Eater) -- a massive human blockhouse of a man -- as an apprentice in his butcher shop. Unbeknownst to Bob, Abdullah has just murdered the Mayor of Burquitlam in a fit of pique -- and the corpse is hidden in Bob's freezer...Abdullah sings the blues while he charcoal grills gangsters and turns dalmatian dogs into spotted spam..." Okay. 
Miller's Edmonton activities more normally included collaborations with the city's top local artists such as the bandleader Tommy Banks, with whom Miller performed a highly acclaimed concert at the Montreux Pop Festival. Although the singer's repertoire was of course focused around standards and blues numbers from the Kansas City days, he kept an ear to the ground in the '70s and wound up doing a fine cover version of "Big Yellow Taxi" by Alberta native Joni Mitchell. In 1987, the National Film Board of Canada chose Miller as the subject of documentary short, no doubt presenting a better image of the man than in his role as Abdullah. Miller was also closely involved with the formation and growth of his adopted city's jazz society. The Edmonton Jazz Society first began organizing events a few years after the singer had moved to the city, a period in which the last major appearances by jazz artists was a tour by Louis Armstrong in the '40s. At first the new jazz organization was only throwing small club gigs in rented venues. With Miller's frequent participation as a guest artist and enthusiastic spokesman for live jazz, the jazz society grew into the sponsors of a citywide festival presenting dozens of concerts each summer. Another music program in this area that expanded greatly during Miller's lifetime was the Banff Centre for Fine Arts located a few hundred miles to the southwest of Edmonton in the Rocky Mountains. The facility added a jazz program in the early '70s, eventually allowing an opportunity for the big singer to expand into the role of a teacher. His fellow faculty members included virtuoso jazz pianist Oscar Peterson. Miller tends to be remembered fondly by his fellow musicians, some of whom recorded tributes. These include a piano solo recorded by Kansas City old-timer Jay McShann entitled "Big Miller's Blues," as well as a track entitled "Never Be the Same: Big Miller Blues" by the Canadian Shuffle Demons. ~ Eugene Chadbourne

Last Of The Blues Shouters

Janet Lynn - Tainted Rose

Bitrate:320K/s
Year:2002
Time:44:43 
Size:103,2 MB 
Label:Southland Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Crazy About You - 4:30
 2. It Hurts Me Too - 4:23
 3. Tainted Rose - 6:03
 4. Wet Match - 3:40
 5. Misty Blue - 3:52
 6. Get Your Own Coffee - 3:12
 7. Sugar Coated Love - 3:52
 8. Sweet Daddy - 3:09
 9. I Never Had It so Good - 4:00
10. Three Strikes - 3:38
11. Masquerade - 4:20

As far as I can tell, Louisiana blueswoman Janet Lynn’s 2002 debut, “Tainted Rose,” is her only solo album, and that’s a shame.
Lynn’s voice washes over listeners with a combination of sexiness and sweetness in much the same way that Lou Ann Barton’s does. Listen to Lynn’s and Barton’s recording of “Sugar Coated Love” back to back and you can hear the same impish spirit bursting through their powerful vocals.Lynn’s at her best when she’s barreling through a song. She romps through the swinging “Sweet Daddy” and the swampy blues “Crazy About You.” But she can scorch listeners with a ballad, too, as she does on a cover of Dorothy Moore’s soul classic “Misty Blue.” And on the album’s title track, which is sure to please Janis Joplin fans, Lynn’s voice throbs with a sensuous roughness.There’s nothing rough about Lynn’s rendition of the jazz standard “The Masquerade is Over,” titled “Masquerade.” The song’s one more example of her versatility and talent.

Tainted Rose

Mathilda Jones - Dues Paid In Full

Bitrate:320K/s
Year:2000
Time:52:41 
Size:121,5 MB 
Label:Southland Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Match Box Blues - 2:57
 2. Honest I Do - 4:27
 3. Baby Workout - 3:49
 4. Nobody Wants You When You're Down and Out - 4:18
 5. I Want to Know - 4:33
 6. Ace of Spaces - 3:04
 7. CC Rider - 3:24
 8. Ain't Nothing You Can Do - 3:34
 9. Lonely Teardrops - 4:15
10. Need Your Love so Bad - 3:30
11. Let the Good Times Roll - 3:54
12. Little Red Rooster - 5:11
13. Sittin' and Drinkin' - 5:39

Musicians:
Vocals – Mathilda Jones;
Guitar – Joe Caruso;
Bass – Manual Smith;
Piano – Jack Armstrong;
Tenor Saxophone – George Foshe;
Drums – Vernon Saferain.

US blues and soul singer, active in the 1970s supported by producer Clarence Carter and later in the 1980s supported by producer Cleon Floyd. Mathilda Jones is a powerful blues and soul singer whose voice ranges from a whisper to the intensity of Janis Joplin. She is best known in New Orleans, where she recorded this CD, her debut as a leader.

Dues Paid In Full

Pete Cornelius and the DeVilles - Live at the Lakes

Bitrate:320K/s
Year:2008
Time:74:07 
Size:178,7 MB 
Label:Only blues music 
Styles:Blues 
Art:Front 

Tracks Lissting:
 1. Introduction (Live) - 0:13
 2. Heartbreaker (Live) - 6:39
 3. Comin' home (Live) - 5:13
 4. Nearly Caused Me the Blues (Live) - 6:35
 5. Gotta' live (Live) - 4:13
 6. Rock n Roll (Live) - 5:29
 7. All My Heroes Are Dead (Live) - 7:13
 8. Bunglo Party (Live) - 7:31
 9. Goin' down (Live) - 6:44
10. Shake Your Money Maker (Live) - 3:48
11. Running in the Red (Live) - 4:08
12. After School Blues (Live) - 7:06
13. Born Under a Bad Sign (Live) - 9:09

Musicians:
Pete Cornelius - Vocals and Guitar;
Bruce Cornelius  -Drums and Vocals;
Phil Wilson - Bass and Vocals.

Recorded at the Miena Shearing Shed up at Great Lake in the middle of Tassie. This has all the songs & guitar licks that have made Pete & the DeVilles one of Australia's premier blues bands. Also to make this special, the band is the 'original' DeVilles - Bruce Cornelius on drums & 'Uncle' Phil Wilson on Bass. Live at the Lakes is just a great fun album with excellent music that reminds you why you love blues, especially when it is played live!
Pete Cornelius has been a working musician since the age of 13. He continues to expand his repertoire and impress his audience with his toneful guitar and soulful vocals. Pete’s style is difficult to describe but is steeped in heartfelt blues, greasy funk & soul with Americana overtones. His authentic sound and original songwriting is unique to Pete and does not disappoint.

Live at the Lakes

Ashford Gordon - Fool Is Gone

Bitrate:320K/s
Year:2020
Time:37:08 
Size:85,6 MB 
Label:Ashford Gordon Music 
Styles:Contemporary Blues
Art:Front 

Tracks Listing:
 1. All These Blues (Second Hand Blues Band Version) - 3:21
 2. Can't Cry No More - 3:45
 3. Fool Is Gone - 4:43
 4. I Got to Find My Way Home - 3:31
 5. Indian Princess - 3:42
 6. More Blue Than Gray - 3:45
 7. Ride with Me - 3:49
 8. You & Me - 3:40
 9. Time's up Live - 6:48

A singer-songwriter gifted with a ringing baritone-bass voice, Ashford Gordon has appeared with various artists nationwide over the past three decades including the late Louisiana "Guitar" Red, his mentor, Joe Houston, Eric Burdon, Roy Gaines, Robert "Jr." Lockwood and Jackie Lomax, the first artist signed to the Beatles Apple Records label. Ashford has been favorably compared to Robert Cray and as a writer offers a contemporary take on electric blues. Owing to his living in Northern California for more than 20 years, his music has some of the flavor of both San Francisco and Santa Cruz.
Out of the Hill country of Northeastern Mississippi through the ‘50s Rhythm & Blues of the Pruitt-Igoe Projects of St. Louis, nurtured in the Blues and Gospel of his teen years in the San Francisco Bay Area, Ashford Gordon bears the standard for Contemporary Blues with a pedigree for the deep Blues of his birthplace in Starkville, Mississippi.

Fool Is Gone

Joe Metzka - Some Kinda Blue

Bitrate:320K/s
Year:2006
Time:42:11 
Size:97,4 MB 
Label:Moeche Records 
Styles:Blues/Jazzy 
Art:Front 

Tracks Listing:
 1. Sunrise - 5:03
 2. Stay - 5:19
 3. Your Love - 4:11
 4. Peace - 2:05
 5. Yours - 6:46
 6. Grease - 2:24
 7. Can't Keep Up with You - 4:22
 8. D. - 5:21
 9. Your Love (slight return) - 6:37

"Joe Metzka is not your average blues man. He moved to the sacred ground of St. Louis and assembled a world class band that delivers a full package of blues, soul, funk and jazz seamlessly. The charismatic vocals, confident solos and killer grooves of this group will take you to the next level of appreciation for a live music experience you deserve."  ~ John May, St. Louis Blues Society

Some Kinda Blue

Roland Johnson - Imagine This

Bitrate:320K/s
Year:2016
Time:37:25 
Size:86,1 MB 
Label:Blue Lotus Recordings 
Styles:Soul/Blues/R&B 
Art:Front 

Tracks Listing:
 1. Can't Get Enough - 2:41
 2. Promised Land (Featuring Renee Smith) - 3:21
 3. Mother - 4:02
 4. Keep On Dancin' - 3:28
 5. The Things You Do - 3:39
 6. Your's And Mine (Featuring Renee Smith) - 3:59
 7. Sweet Little Nothings - 5:09
 8. Ain't That Loving You - 4:34
 9. Imagine This - 2:39
10. Someone To Love - 3:49

This is modern day soul legend Roland Johnson's first album with St. Louis record label Blue Lotus Recordings. He's like a fine aged wine, complex and utterly pleasing to the senses. His charisma is utterly captivating and undeniable.
If you’ve been missing Wilson Pickett since that great soul singer’s demise, some of his spirit can be found in Roland Johnson. “Can’t Get Enough” and “Promised Land” render the evidence for the Pickett-like vocal phrasings, though in a less intense singing style than the Wicked Pickett’s – but who could match that? “Mother” is another one, a New Orleans-style tune that digs into the ‘60s rhythm and blues bag, while “The Things You Do,” “Sweet Little Nothings” and especially the title track, “Imagine This” would get anyone off their butts and to the dance floor. Rather than cut new musical terrain, Johnson draws on the best of horn-driven old-style rhythm and blues to show it’s still kicking along just fine. (Joe Safari, Roots Music Report).

Imagine This

Michael Williams - Late Night Walk

Bitrate:320K/s
Year:1999
Time:58:48 
Size:134,9 MB 
Label:Blue Tempo Records 
Styles:Blues/Jazzy  
Art:Full

Tracks Listing:
 1. Muck Rain - 5:03
 2. Let's Talk About It - 3:37
 3. Late Night Walk - 8:28
 4. Just Last Night - 5:52
 5. Shinning Bright - 5:10
 6. Voice Of An Old Friend - 5:43
 7. Lazy Boy - 5:20
 8. Got Me Once - 4:41
 9. Laughing Through The Tears - 7:11
10. Post Consumer Blues - 7:41

Michael Williams has been active as a blues and jazz guitarist since 1987, performing extensively throughout the United States and Canada as a member of Grammy award winning James Cotton’s blues band, and with many other artists, including David “Fathead” Newman, Mighty Sam McClain, the Bruce Katz Band, Sugar Ray Norcia, Darrell Nulisch, Toni Lynn Washington, Michelle Willson, Jerry Portnoy, the Love Dogs, blues piano virtuoso David Maxwell, and his own band, Michael Williams and Friends. Michael performed on James Cotton’s album, 35th Anniversary Jam, which won a W.C. Handy Award and received a Grammy nomination for the Best Traditional Blues Album in 2003. He performed on Bruce Katz’s 2004 release, entitled A Deeper Blue, and his playing, songwriting, and arranging are featured on Michelle Willson’s album So Emotional, which earned a four-star review in DownBeat magazine.
Michael Williams' CD Late Night Walk (Blue Tempo Records), was released in fall 1999. A stroll across the lines of blues and jazz, the CD features Williams on ten of his original compositions, with guest artists David "Fathead" Newman on tenor sax, Sugar Ray Norcia on vocals, and Bruce Katz on Hammond B3 organ and piano.
Originally from Northern California, Williams has written jingles for radio and television, and performed on extended tours throughout Europe with jazz and theater groups.
Michael is an associate professor in the Guitar department at Berklee College of Music and specializes in teaching a mix of blues and jazz styles. Originally from Northern California, he has written jingles for radio and television, and performed on extended tours throughout Europe with jazz and theater groups.

Late Night Walk

Mathilda Jones - There's Something Inside Me and It's Called the Blues

Bitrate:320K/s
Year:2003
Time:48:26 
Size:111,8 MB 
Label:Southland Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. There's Something Inside Me and It's Called the Blues - 4:04
 2. Everybody Needs Some Lovin' - 4:47
 3. Goin' Home Tomorrow - 4:29
 4. Bright Lights, Big City - 3:16
 5. I'm Tired of the Way You Treat Me - 3:35
 6. I'm a Fool for You - 2:44
 7. Rain Keeps Falling - 4:10
 8. Let It Roll - 2:59
 9. Night Time Is the Right Time - 5:19
10. Nobody Can Love You Like I Can - 4:23
11. You Better Stop Doggin' Me Around - 4:38
12. Save a Seat for Me - 3:58

Mathilda Jones is a powerful blues and soul singer whose voice ranges from a whisper to the intensity of Janis Joplin. She is best known in New Orleans, where she recorded this CD, her second as a leader.

There's Something Inside Me and It's Called the Blues

Jon Bonham and Friends - Love on the Mississippi

Bitrate:320K/s
Year:2017
Time:33:33 
Size:76,9 MB 
Label:1720674 Records 
Styles:Rock/Contemporary Blues/Mix 
Art:Front 

Tracks Listing:
 1. Evening Stars - 3:51
 2. Don't Bet on Me - 4:19
 3. Now That She's Gone - 4:45
 4. For a Girl - 3:54
 5. Cold Coffee - 4:09
 6. Love on the Mississippi - 7:14
 7. Love in Vain #2 (Bonus Track) - 5:17

Jon Bonham has been leading a band of “Friends” around Saint Louis for nearly 15 years. Their music blends garage band Americana with soulful takes on juke joint country, folk rock and blues. Bonham’s distinct voice “recalls a love-child of Kris Kristofferson and Tom Waits” while his musical references can all be traced to Robert Zimmerman. His original songs bring to mind early Tom Petty demos replacing North Florida angst for stories of love lost on the Mississippi and along Route 66.

Love on the Mississippi

Teddy Wender & Jazzmatik - Fuse Breaker

Bitrate:320K/s
Year:2025
Time:43:42 
Size:101,0 MB 
Label:Self-Released
Styles:Blues/Rock/Mix 
Art:Front 

Tracks Listing:
 1. Memphis Train - 3:08
 2. Aressted For Driving While Blind - 2:57
 3. Cry To Me - 3:19
 4. Runnin' Down A Dream - 4:05
 5. Atlantic City - 4:51
 6. I'll Be Around (Whenever You Want Me) - 3:04
 7. Good Time Charlie - 3:52
 8. Willin' - 3:17
 9. Messin' With The Kid - 3:16
10. Take Me To The River - 4:41
11. You Never Can Tell - 3:06
12. Where Rainbows Never Die - 4:01

Teddy Wender is a versatile musician, musical director, and philanthropist originally from Great Neck, Long Island. His extensive career spans several decades and encompasses a range of genres, including blues, rock, pop, and jazz. He began his musical journey in New York City in 1969 with the band "White Cloud", where he was part of what is often referred to as the  "New York Wrecking Crew"—a metaphor for some of the best studio musicians working during that time.
Throughout his musical journey, Wender has collaborated with an array of legendary artists, including Johnny Winter, Odetta, and Albert King, who invited him to join his band in 1975. During this time, Wender developed a close mentorship with Hank Logan, a notable singer-songwriter, leading to the formation of the "Hank Logan Band". Although this band eventually disbanded, Wender’s creativity continued to thrive, resulting in the establishment of the "Wonderland Band", which evolved into the acclaimed New Wave ensemble "3-D".
Justin and contributing to their legacy in the music industry.
Over the course of his career, Teddy Wender has designed and built three recording studios, showcasing his commitment to the craft and production of music. He is currently engaged in his solo project called "Teddy Wender and JazzMatic", which has produced 13 albums (CDs), available for download at teddywender.com and on various music platforms, including Amazon, Apple Music, and Spotify. In addition to these projects, Wender released  "Old Friends and Friends Forever", featuring songs by Hank Logan, which had never been previously released. This amazing project served to catalog some of the best country rock songs that Wender was privy to, many of which were only uncovered and documented at this time.
Along with talented collaborators like Chris Brown (a.k.a. C4) and R&B legend Dan, The Man, Wender co-produces all "JazzMatic" records and continues to crank out new material, keeping the project vibrant and evolving.

Fuse Breaker

Miss Molly Simms - Revenants

Bitrate:320K/s
Year:2013
Time:24:22 
Size:56,2 MB 
Label:Self-Released 
Styles:Electric Blues/Rock/Folk/Female Vocal
Art:Front 

Tracks Listing:
 1. Angry Evil Woman - 2:42
 2. River Molds the Bricks - 2:21
 3. Usual Suspects - 4:03
 4. Spiritual Healing - 2:54
 5. Smoke It Curls and Rises - 2:39
 6. Final Jugement Day - 3:39
 7. Midnight Zone - 2:38
 8. Ain't Much - 3:23

The 8 track first pressing of Miss Molly Simms solo release is a jewel case with art work on front by Tim Smith and on back by Sam Derendal. Revenants was recorded in Nashville TN on analog equipment born in or around 1979, and in studios such as RCA Studio B -- where Elvis' microphone was used as the room mic.
“Smoldering, angry and saucy; Daddy's Little Girl is a full grown woman now (and more than a bit pissed). Miss Molly Simms can sweep the floor with tender ruminations on loves lost and quiet yearning (along the lines of Lucinda Williams), but not before setting the situation straight with a few doses of hard- earned sass and voodoo bile. At moments, what others might consider a vulgar rant is actually a level-eyed take-down from someone who knows the blues. The band on this project is stellar, for sure, but Molly's a class act all on her own. Highly recommended listening." ~ Fred Friction

Revenants

Vasti Jackson - Bourbon Street Blues: Live In Nashville

Bitrate:320K/s
Year:2007
Time:72:54 
Size:167,5 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Mr V's Vicious Shuffle -  3:23
 2. Let The Good Times Roll -  3:37
 3. Hoochie Coochie Man -  7:37
 4. Rock Me Baby -  3:45
 5. You Send Me -  6:18
 6. Let's Get It On -  3:04
 7. Nawlins Jam (Sissy Strut, Hey Pockey Way) -  7:52
 8. Band Intro -  2:22
 9. Hey Joe - 12:05
10. Red House -  5:31
11. Now Woman No Cry -  7:22
12. Hurricane Season -  5:32
13. Amazing Grace -  4:17

Musicians:
Vasti Jackson – Vocals & Guitar;
Aaron Hatmaker – Bass;
Howard Laravea – Organ & Keyboards;
Richard Griffin – Sax:
Doug Belote – Drums.

What excitement, energy, creativity, and musical experience could mean to you? Vasti Jackson! When Vasti performs, your audience will be electrified! A soulful world renown guitar player and vocalist, whose presence captures an audience the moment he takes the stage, he commands the house while deftly leading his band.Grammy-nominee Vasti (pronounced Vast-Eye) Jackson is a consummate performer, vocalist, multi-instrumentalist, songwriter, and producer. From his early beginnings playing in juke joints in McComb, Mississippi, to his most recent release, “Live In Nashville” is a no holds barred, walking the razors edge, funky blues celebration that puts you slap dab in the middle of the juke joint. Recorded at Bourbon Street Blues and Boogie Bar. Vasti and his band move non-stop from Blues to Soul to Funk to Jazz. He made each person feel as if he were performing for that one person and that one person only.
Vasti’s talent has been enlarged by an amazing array of musical experiences over 30 years of his vibrant career.Jackson’s latest studio release “No Borders to the Blues”, is a good sample of Vasti’s limitless energy and magnetism. It spotlights his talents as singer and musician, and his utterly thrilling guitar mastery. This CD also features guest music stars who blend in a perfectly finished production of his own: piano great Henry Butler, folk funk master Bobby Rush (on harmonica), and New Orleans bass legend guitarist George Porter, Jr.Rooted in the Blues, Vasti Jackson recorded on B.B. King’s Grammy award winning Blues Summit in 1994. In the 1980s and early 1990s Vasti was musical director, and guitarist ZZ Hill, Johnnie Taylor, and blues ‘n’ boogie queen Katie Webster, and has opened for the blues great on many occasions. He also worked with gospel greats – including the Williams Brothers, the Jackson Southernaires, and Daryl Coley; with soul and blues artists Bobby “Blue” Bland, Little Milton, Percy Sledge and Sam Myers; and with jazz artists Harry Connick, Jr.,Wynton Marsalis, and Cassandra Wilson, just as well. Vasti has also played guitar on Malaco Records for Latimore, Denise LaSalle, Bobby Rush, and Johnnie Taylor.An accomplished composer, Vasti Jackson composed two songs for Stop Breakin’ Down, a film on the life of Mississippi blues icon Robert Johnson. He penned “Casino in the Cottonfield” for the Robert Mugge music documentary, Last of the Mississippi Jukes, and wrote on the spot and performed his “Train Rolling Blues,” in the PBS docu-drama series The Blues, executive produced by Martin Scorsese. He also wrote and performed “America, Proud and Strong” with the Mississippi Symphony Orchestra and a 1,000-voice choir, for the 2003 Mississippi ETV presentation, Mississippi, The Birthplace of America’s Music. Festivals and international tours have taken him to Japan, Germany, France, Greece, South Africa, Holland, Sweden, Switzerland, Italy, Sicily, Norway, Finland, England, Uruguay, Brazil and Portugal.Vasti Jackson has been featured in Guitar Player Magazine, Living Blues, Nothing But the Blues, Juke Blues (England), Blues Revue, and many other publications. He has performed on Dan Akroyd’s House of Blues Radio Hour, the Starz Encore Network, WGN-TV in Chicago, and PBS. He has performed, written, produced, and recorded music for HBO, VH1, Mississippi Educational Television, the British Broadcasting Corp. (BBC), and radio and television programs in Australia, Uruguay, Finland, and Canada. Vasti co-produced Bobby Rush’s Hoochie Man, earning a Contemporary Blues Record of the Year Grammy Award nomination in 2002.Vasti Jackson is professionalism at its best. He is a combination of talent, broad experience and versatility. His soulful and energetic performance will take your audience on a journey they will never forget.

Bourbon Street Blues: Live In Nashville

Erin Jaimes - Soul Garden

Bitrate:320K/s
Year:2007
Time:46:34 
Size:107,2 MB 
Label:Maudie Dawg Records 
Styles:Blues/Texas Blues 
Art:Front 

Tracks Listting:
 1. Soul Garden - 3:48
 2. Find My Love - 3:32
 3. Fear - 4:30
 4. What Have I Done Wrong - 4:23
 5. Tuck Him In - 3:14
 6. I Love You Baby - 4:20
 7. Sneakin' Around - 4:58
 8. Tell Me Why - 4:03
 9. I Don't Mind - 2:38
10. A Woman Will Do Wrong - 3:08
11. Fine Line - 3:05
12. Sloppy Drunk - 4:49

In 2004, blues firecracker Erin "Icewater" Jaimes was dubbed one of "Austin's promising female bluesicians" and voted #8 bassist in town by the Austin Chronicle. By 2007, with the release of her second CD, "Soul Garden," the Chronicle stated that "Jaimes' blues have bloomed!"
Jaimes has been playing and singing in Austin’s highly competitive blues scene for over a decade, has toured regionally and internationally, and been featured in a national advertising campaign for Net10 Wireless. Jaimes' tough, soulful vocals front a scorching modern Texas blues band featuring Tony Redman on guitar, “The Italian Tornado” Banzai LA Rocca on harmonica, Paul Lidel on keys and backup vocals and Ian Bailey on drums.

Soul Garden