Bitrate: 320K/s
Year: 1999
Time: 58:07
Size: 133,4 MB
Label: The Orchard
Styles: Blues/Modern Electric Blues/Blues Rock
Art: Full
Tracks Listing:
1. Can't Quit You - 7:08
2. Evil - 6:19
3. Stop Messin' Round - 2:55
4. On the Run - 4:28
5. Same Thing - 11:24
6. Wreck My Life - 8:17
7. Four Walls - 4:44
8. Homework - 4:25
9. Eyesight - 8:24
Todd Wolfe spent five years playing guitar behind pop songstress Sheryl Crow. Now he fronts his own band, a strongly blues-based rock outfit whose first recording, Live From Manny's Car Wash, delivers heavyweight guitar heroics from the old school. The players are finely tuned and capable of expressive dynamics: bassist Eric Massimino and drummers Yves Gerard and Paul Unsworth don't sound strictly like moonlighting rockers, while keyboardist Mike Lattrell, with his supportive rhythm work and strong soloing, is a tremendous asset. Wolfe's guitar sensibility is a rock 'n' roller's, bringing a searing quality to the band's Cream-y explorations. That's a useful point of comparison for Wolfe's style: Drop the needle (as it were) anywhere on Live, and you'll hear strong echoes of Eric Clapton's playing. Wolfe has adopted the legato note-cramming and highly ornamented approach of latter-period Clapton. He's imaginative, varying his attack song by song, and it's refreshing to discover a guitarist who doesn't smack of Texas or the West Coast. Wolfe's tone isn't far from Clapton's, though judging from the high noise level in his signal, his compression comes from a high-gain amp rather than from his pickups. Wolfe doesn't sound like a natural singer, but he gives a spirited and relatively unmannered performance. The set list is a traditional, with selections such as "Same Thing," "Evil," "I Can't Quit You Baby" and "Homework." A high-energy "Stop Messin' Round," from Fleetwood Mac (possibly via Gary Moore), keeps the Brit Flag flying. Wolfe shows his songwriting hand only on "Four Walls," a Son House-style Delta slider arranged for a band, and the excruciating warp-speed power boogie "On the Run." So Live serves as a calling card, introducing Wolfe and his guitar but revealing little of the artist. For many that will be enough, and this is quite a good album in "gunslinger" terms. ---Tom Hyslop (https://www.amazon.com/Mannys-Carwash-Blues-Project-Wolfe/dp/B00004W5FU)
Live From Manny's Car Wash
Year: 1999
Time: 58:07
Size: 133,4 MB
Label: The Orchard
Styles: Blues/Modern Electric Blues/Blues Rock
Art: Full
Tracks Listing:
1. Can't Quit You - 7:08
2. Evil - 6:19
3. Stop Messin' Round - 2:55
4. On the Run - 4:28
5. Same Thing - 11:24
6. Wreck My Life - 8:17
7. Four Walls - 4:44
8. Homework - 4:25
9. Eyesight - 8:24
Todd Wolfe spent five years playing guitar behind pop songstress Sheryl Crow. Now he fronts his own band, a strongly blues-based rock outfit whose first recording, Live From Manny's Car Wash, delivers heavyweight guitar heroics from the old school. The players are finely tuned and capable of expressive dynamics: bassist Eric Massimino and drummers Yves Gerard and Paul Unsworth don't sound strictly like moonlighting rockers, while keyboardist Mike Lattrell, with his supportive rhythm work and strong soloing, is a tremendous asset. Wolfe's guitar sensibility is a rock 'n' roller's, bringing a searing quality to the band's Cream-y explorations. That's a useful point of comparison for Wolfe's style: Drop the needle (as it were) anywhere on Live, and you'll hear strong echoes of Eric Clapton's playing. Wolfe has adopted the legato note-cramming and highly ornamented approach of latter-period Clapton. He's imaginative, varying his attack song by song, and it's refreshing to discover a guitarist who doesn't smack of Texas or the West Coast. Wolfe's tone isn't far from Clapton's, though judging from the high noise level in his signal, his compression comes from a high-gain amp rather than from his pickups. Wolfe doesn't sound like a natural singer, but he gives a spirited and relatively unmannered performance. The set list is a traditional, with selections such as "Same Thing," "Evil," "I Can't Quit You Baby" and "Homework." A high-energy "Stop Messin' Round," from Fleetwood Mac (possibly via Gary Moore), keeps the Brit Flag flying. Wolfe shows his songwriting hand only on "Four Walls," a Son House-style Delta slider arranged for a band, and the excruciating warp-speed power boogie "On the Run." So Live serves as a calling card, introducing Wolfe and his guitar but revealing little of the artist. For many that will be enough, and this is quite a good album in "gunslinger" terms. ---Tom Hyslop (https://www.amazon.com/Mannys-Carwash-Blues-Project-Wolfe/dp/B00004W5FU)
Live From Manny's Car Wash
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