Bitrate:320K/s
Year:2010
Time:45:34
Size:105,0 MB
Label:Firesea Records
Styles:Blues
Art:Front
Year:2010
Time:45:34
Size:105,0 MB
Label:Firesea Records
Styles:Blues
Art:Front
Tracks Listing:
1. No use Denying - 4:12
2. Suits Me Right - 3:21
3. Sweet Devil - 4:51
4. Soundcheck - 4:12
5. Big Legged Woman - 6:18
6. Make it Right - 5:16
7. The Milkman - 3:25
8. Glad Rags - 6:03
9. Ain't Nobody's Business if I Do - 7:53
1. No use Denying - 4:12
2. Suits Me Right - 3:21
3. Sweet Devil - 4:51
4. Soundcheck - 4:12
5. Big Legged Woman - 6:18
6. Make it Right - 5:16
7. The Milkman - 3:25
8. Glad Rags - 6:03
9. Ain't Nobody's Business if I Do - 7:53
Much has been said and written about King Mo's second CD, Sweet Devil. What can we add to all this praise? Well, first of all, the announcement that we of the Bluesforum Reviewsquad also think that you should simply buy this CD. It is really good. And that sums up this review in a nutshell.
But what is it that makes us all so enthusiastic, what is King Mo's secret?
Is it Sjors Nederlof, the talented solo guitarist who -on this album again- squeezes out his guitar solos in a very measured way, subdued at the right moments, but virtuoso screaming where possible.
Or is it the tightest rhythm section of the Low Countries, Henk Punter on drums and Jules van Bussel on Bass, just listen to a song like "The Milkman".
Another possibility is of course that wonderful Hammond sound of Colly Fransen, which he uses as a perfect frame for Sjors' guitar solos, or sometimes secretly imitates Phil's vocals, or simply gives away a wonderful solo.
But of course it could also be the blues voice of Phil "Bee" Bastiaanse. Who, just like Sjors' guitar, knows how to dose his voice well: he "shouts" the blues where it should be, but can also take you along in a wonderful slow blues and increase the tension with his voice. He knows how to make his voice fit every song.
Or is it just the click, the chemistry between these "professional amateurs" (and 'amateur' here has the original meaning of 'enthusiast'). I have to be honest, I don't know. The best thing is to just listen to this CD:
And then you first come across a nice solid blues shuffle like "No use denying", in which she sees through him, you can no longer deny it, the love is over. This is followed by the blues rock-leaning “Suits me right” by Jules van Bussel. A somewhat ominous song in which the infinite love is declared, mentioning that he can just as easily bring out his dark side when it suits him.
The devilish theme is continued in a moving slow blues. This is also the title song of the CD, “Sweet Devil”. But this time the “120 pounds, dressed like an angel” is his “sweet devil”.
The instrumental “Soundcheck” is a jam that originated from -yes you get it- a soundcheck. And yes, it sounds good. “Big Legged Woman with a short, short miniskirt” is a nice funky song by Israel Tolbert with a rhythm in which you can almost see the lady in question walking by.
My favorite in this album is the slow blues written by Colly Fransen and Phil Bee, “You won’t stop me to Make it Right”. The determination screams from this song. Wonderful. A song in the old tradition of lyrics with double meanings is “Milkman”, or let’s say you can interpret this text as you wish: “I am your milkman baby, I have my white suit on”, “…I bring that white cream and milk right to your home”. Long live the SRV!
“Gladrags”, written by Boyd Small (formerly of the Terraplanes), is a solid, fat Texas blues.
As a closer, the men of King Mo decided to do a cover of “Ain’t Nobody’s Business If I Do” by Grainger and Robbins. The song has been covered many times, but King Mo knows how to put down an extremely compelling version here, in which Sjors can finally let loose without any reservations. But that fits in with this song. But it is Phil’s voice that gives it the “blues”. Fantastic last song.
That the gentlemen do not lack a sense of humor is evident from the presence of a so-called “Easter Egg” on the CD, a hidden number. Now I can faintly remark that you should look up this number yourself.
But what is it that makes us all so enthusiastic, what is King Mo's secret?
Is it Sjors Nederlof, the talented solo guitarist who -on this album again- squeezes out his guitar solos in a very measured way, subdued at the right moments, but virtuoso screaming where possible.
Or is it the tightest rhythm section of the Low Countries, Henk Punter on drums and Jules van Bussel on Bass, just listen to a song like "The Milkman".
Another possibility is of course that wonderful Hammond sound of Colly Fransen, which he uses as a perfect frame for Sjors' guitar solos, or sometimes secretly imitates Phil's vocals, or simply gives away a wonderful solo.
But of course it could also be the blues voice of Phil "Bee" Bastiaanse. Who, just like Sjors' guitar, knows how to dose his voice well: he "shouts" the blues where it should be, but can also take you along in a wonderful slow blues and increase the tension with his voice. He knows how to make his voice fit every song.
Or is it just the click, the chemistry between these "professional amateurs" (and 'amateur' here has the original meaning of 'enthusiast'). I have to be honest, I don't know. The best thing is to just listen to this CD:
And then you first come across a nice solid blues shuffle like "No use denying", in which she sees through him, you can no longer deny it, the love is over. This is followed by the blues rock-leaning “Suits me right” by Jules van Bussel. A somewhat ominous song in which the infinite love is declared, mentioning that he can just as easily bring out his dark side when it suits him.
The devilish theme is continued in a moving slow blues. This is also the title song of the CD, “Sweet Devil”. But this time the “120 pounds, dressed like an angel” is his “sweet devil”.
The instrumental “Soundcheck” is a jam that originated from -yes you get it- a soundcheck. And yes, it sounds good. “Big Legged Woman with a short, short miniskirt” is a nice funky song by Israel Tolbert with a rhythm in which you can almost see the lady in question walking by.
My favorite in this album is the slow blues written by Colly Fransen and Phil Bee, “You won’t stop me to Make it Right”. The determination screams from this song. Wonderful. A song in the old tradition of lyrics with double meanings is “Milkman”, or let’s say you can interpret this text as you wish: “I am your milkman baby, I have my white suit on”, “…I bring that white cream and milk right to your home”. Long live the SRV!
“Gladrags”, written by Boyd Small (formerly of the Terraplanes), is a solid, fat Texas blues.
As a closer, the men of King Mo decided to do a cover of “Ain’t Nobody’s Business If I Do” by Grainger and Robbins. The song has been covered many times, but King Mo knows how to put down an extremely compelling version here, in which Sjors can finally let loose without any reservations. But that fits in with this song. But it is Phil’s voice that gives it the “blues”. Fantastic last song.
That the gentlemen do not lack a sense of humor is evident from the presence of a so-called “Easter Egg” on the CD, a hidden number. Now I can faintly remark that you should look up this number yourself.