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вторник, 9 июня 2026 г.

The E&E Blues Express - The E&E Blues Express

Bitrate:320K/s
Year:2001
Time:30:42 
Size:71,3 MB 
Label:On Hit Music Group 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. E&E Blues Express (Arriving) - 0:53
 2. Hard Times - 3:27
 3. Get Down Janice - 3:18
 4. Play the Guitar Fuzzy - 3:11
 5. Goodness Gracious - 2:04
 6. Sometimes - 3:23
 7. What'cha Gonna Do - 3:57
 8. Oklahoma Wind - 2:13
 9. Stuck in a Rut - 3:00
10. It's Too Late - 4:14
11. E&E Blues Express (Departing) - 0:57

The "mellow blues" album debut from E&E Blues Express of On Hit Music Group . This collection is packed with feel good grooves and tear-jerking moods.

W.C. Spencer - Bluescat

Bitrate:320K/s
Year:1996
Time:54:43 
Size:125,3 MB 
Label:Catscan Records 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. Crosscut Saw - 3:29
 2. No Place To Go - 4:31
 3. Unseen Eye - 4:18
 4. Same Old Blues - 2:53
 5. Blues All Day Long - 4:06
 6. Baby Please Don't Go - 4:10
 7. I Just Want To Make Love To You - 3:37
 8. Is This Goodbye - 4:38
 9. I Can't Believe - 4:13
10. My Time After Awhile - 4:42
11. Little Red Rooster - 4:28
12. The Problem - 5:28
13. Got Love If You Want It - 4:04

W. C. Spencer – The Bluescat is a versatile Maryland bluesman who is able to sing and play guitar, harmonica, drums and bass pedals. What makes Spencer unique from other versatile blues musicians is the fact that he plays them all at the same time. Spencer is easily one of a few people in any musical genre that performs his craft with a full band comprised of him on all instruments. To see him perform live (which I have) is a unique and memorable experience, especially considering the quality of the music he generates on his own.
Blues Explorer is W. C. Spencer’s third recording on Catscan Records since returning to performing in 1994 after a 10 year hiatus. The recording includes twelve songs; with four W. C. Spencer originals and eight covers of songs by Howlin’ Wolf; Lieber & Stoller; Alex Lightfoot; Big Maceo; Little Walter; Big Bill Broonzy; and the late St. Louis bluesman Tommy Bankhead. In all cases, Spencer puts his unique twist on every song with his high energy, one man take on each song.
Highlights from Blues Explorer include the well done original opening track “I Said The Blues” followed by a nice rendition of Howlin’ Wolf’s classic, “Forty Four,” one of two Howlin’ Wolf tunes on the CD. Following Little Walter’s “Tell Me Mama,” Spencer puts down another original entitled "So Long," a tribute to guitarists Roy Buchanan and Danny Gatton. Spencer does a great job on one of my favorite tunes, “Kansas City” and then shifts to the eastern border of the State of Missouri for "Down with the Blues" is an excellent shuffle written by the relatively unknown St. Louis bluesman Tommy Bankhead. Spencer works in a greasy slide guitar on Howlin' Wolf's "I'm Leavin' You," followed by Big Maceo’s classic "Worried Life Blues." Following “Mean Old Train,” a fine train song by Alex “Papa” Lightfoot, Blues Explorer closes with two more originals, “Call On Me” and “Fat Man Walking, followed by a final cover, “Key To The Highway,” another classic blues piece by Big Bill Broonzy. W. C. Spencer puts his unique stamp on every song whether it is an original or a cover, while maintaining the classic blues feeling of the songs.
Blues Explorer is a recording that blues fans will find interesting and unique it its presentation, with eight of the twelve songs recorded live. The fact that the live cuts are not appreciably different from the studio pieces is clear evidence that Spencer is no studio created musical aberration, but a legitimate and versatile performer. 

The Slippery Chickens - Red Cover

Bitrate:320K/s
Year:2022
Time:58:12 
Size:134,3 MB 
Label:Self-Released 
Styles:Rock/Blues/Roots/Rockabilly/R&B
Art:Front 

Tracks Listing:
 1. Lotta Lovin' - 2:46
 2. Ain't That Crazy - 4:45
 3. A Date - 3:20
 4. Shake Your Heinie - 4:14
 5. Thirty Second Lover - 3:53
 6. Suzie Q - 2:47
 7. Careful Now - 4:55
 8. The Girl Can't Help It - 3:16
 9. Lu Lu - 3:44
10. Bad Bad Boy - 4:36
11. It's Love Baby (24 Hours a Day) - 5:11
12. Little Sister - 3:18
13. I've Been Your Good Thing - 4:00
14. Hey Now - 7:22

“The Slippery Chickens are an original vintage rock and roll band with a stripped-down retro-style.”
Based in New York/New Jersey. Founded in 2001
​Genres: Vintage Rock 'n' Roll, Blues, Garage rock, R&B, Grass Roots Rockabilly.  The Slippery Chickens take rockabilly to the next level by maintaining the original instrumentation and updating the lyrics and vocal delivery. The quick-witted frontman/bassist Jerry Scaringe leads with his distinct mixture of croon and yelp while simultaneously playing an old-fashioned upright bass and an electrified harmonica with a homemade amplification system. Michael Olivieri plays a fantastic, giant, semi-hollow, electric guitar that alternately fills up and frees space. But always with exquisite tone.
​A unique mix of rockabilly and blues in a fantastic retro-style. Handmade music at it’s very best. Looking for a raw, rowdy night of dance inducing edgy fun? Make sure you check out The Slippery Chickens at a club near you.

The Shades - Darker Side Of Fun (Re-Mastered)

Bitrate:320K/s
Year:2004
Time:47:01 
Size:114,1 MB 
Label:ONG Corporation 
Styles:R&B/Blues/Rock/Mix 
Art:Front 

Tracks Listing:
 1. Footprints -  5:50
 2. When I Think About Love -  4:24
 3. Take It To The Limit - 11:24
 4. If I'm Wrong -  4:33
 5. You Can't See -  5:58
 6. (Stop Doing) The Devil's Work -  7:14
 7. Blackout -  7:35

Combining Traditional R&B, Blues, Rock & Jazz with soulful, knock-out vocalists & great musicianship, this band grooves from the very first beat. They engage & fascinate audiences from the very first note, blending blues, rock, & traditional r&b with knock-out vocalists & soloists. Each member brings a wealth of experience & diversity to an incredibly exciting, entertaining CD.

Debbie Ritter - In The RAW - Live At BB Kings

Bitrate:320K/s
Year:2006
Time:66:06 
Size:152,4 MB 
Label:Passion Blues Music 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. IBCing You - 5:01
 2. Down Home Blues - 7:59
 3. You Can Have My Husband - 3:29
 4. Shoulda Been Born Rich - 5:59
 5. I Can't Help You Now - 3:42
 6. Deeper Shade Of Blue - 5:27
 7. Love Me Like A Man - 7:18
 8. Suitcase Blues - 6:16
 9. Blues As Blues Can Get - 5:22
10. Chain Of Fools - 4:11
11. Baby Get Lost - 4:46
12. Roll The Dice - 6:32

Top 10 Finalist at the 2005 International Blues Challenge which took place on world famous Beale Street in Memphis, TN. 126 Bands from 32 states and 8 countries all came to Memphis to compete for the best unsigned blues band. After two nights of semi-final rounds Debbie Ritter & 4-40 Blues made the final cut. Music City Blues Award winning band ... Blues Entertainer of the year, Female Blues Vocalist & Blues CD of the Year! Her guitarist, Tomcat, won Blues Guitarist of the Year and her Keyboard player, John Wallum, won Blues Keyboard Player of the year!
When Debbie Ritter & 4-40 Blue take the stage, you can expect a high-energy, impassioned performance that leaves you wanting more. With a blend of eclectic original blues and blues favorites, this act bridges the gap between traditional blues and contemporary styling of R&B and jazz influenced Americana that must be experienced.
Sublime and powerful ...Debbie Ritter & 4-40 Blues deliver. 4-40 Blues' tight, dynamic rythum section, fueled by Tom Cat's smokin', Memphis style guitar provide the scorching undercarriage for Debbie's powerhouse performance. Debbie's natural approach makes her one of the few female blues entertainers who feels right at home on any stage whether she is belting out a greasy, gutsy, roof-shaking rocker or melting her audience down with her smooth, sultry, smoke-filled torch ballads.
4-40 Blues' electrified blues style captures the audience then feeds the fire, turning up the heat as Debbie's soulful side emerges displaying a full range of emotion driven passion. This blues act transcends the 'show', then lures the audience into the experience with Debbie's mesmerizing performance balanced by her down-home delivery. When watching the band live, one thing is certain; they enjoy performing together and their passion for music and entertaining keeps the electricity flowing on any stage.

Prince Ronnie Love - Back 2 Love

Bitrate:320K/s
Year:2013
Time:41:03 
Size:94,6 MB 
Label:Music Access,Inc./Ocean Beach Records 
Styles:Soul/R&B/Blues 
Art:Front 

Tracks Listing:
 1. Daylight with a Flashlight - 3:54
 2. Turn That Thang Around - 4:06
 3. I Want to Love You - 3:54
 4. Strange Love - 3:21
 5. My Love Bone - 4:08
 6. Your Troubling Mind - 4:28
 7. Everytime I Turn Around - 4:08
 8. The Next Time - 5:04
 9. Wait for Me - 3:53
10. I Truly Love You - 4:02

Prince Ronnie Love (born) Ronald Dunnigan an African American R&B soul singer/songwriter. A fourth generation singer from his great grand-mother (Grandmother Dunnigan), Ronnie started singing professional at the tender age of 10 in his grandfather and father gospel quartet called the Gospel Rising Stars and with vocal coaching he received a music scholarship at Shaw University, he next team with Ollie Woodson's "Tempting featuring his Debut single (WILL YOU MARRY ME). Prince Ronnie Love is presently putting together his  Album titled (Back 2 Love) due to be released in of 2013. This album will include all New and Original tunes.“Prince is by far a talented treasure and we are delighted to have him aboard,” said Charles Gammon, Manager. Prince is assured to be an added value to the company and to our loyal customers and fans.

понедельник, 8 июня 2026 г.

Sherri Harding - Storyland

Bitrate:320K/s
Year:2026
Time:40:44 
Size:94,2 MB 
Label:Pacemaker/Fontana North 
Styles:Blues/R&B/Soul 
Art:Front 

Tracks Listing:
 1. All Around The World - 4:06
 2. Down In The Shoals - 4:01
 3. Money Man - 3:26
 4. Through It All - 3:57
 5. Rainy Day - 3:00
 6. Dark-Eyed Junco - 3:21
 7. Bad Weather - 4:26
 8. What's The Matter (With My Heart) - 3:05
 9. Tell Me You're Mine - 4:25
10. Don't Push (On An Open Door) - 3:10
11. Storyland - 3:41

Ottawa’s music scene has long been shaped by artists who straddle multiple worlds, but few embody that duality as fully as Sherri Harding. Known to many as a member of The Cooper Brothers, Harding has spent decades carving out her own identity as a powerhouse soul singer with a voice that can shift from velvet to fire in a single line. In 2026, she steps confidently into the spotlight with the release of her second solo album, Storyland, and a major launch performance at the National Arts Centre. Harding’s path to this moment has been anything but linear. After years touring across Canada and abroad—playing juke joints in the Northwest Territories, performing for the Armed Forces in Bosnia and the Middle East, and fronting bands in every kind of venue imaginable—she eventually returned home to Ottawa. Like many in the capital, she found herself working in the Public Service by day while quietly maintaining her musical life by night. Colleagues grew accustomed to seeing a guitar tucked under her desk, ready for the sprint from office to stage. Now, with Storyland, Harding is fully embracing the artist she has always been.
The album arrives June 5 on the Instant Replay Music label, distributed by Fontana North/Universal. It blends soul, blues, and R&B into a mature, emotionally rich collection of songs that reflect love, resilience, and lived experience. Harding will debut the new material live on June 16 at the National Arts Centre’s Azrieli Studio, joined by special guest Shawn Tavenier and a ten‑piece all‑star band featuring several Cooper Brothers alumni. While Storyland was recorded in Ottawa, its roots stretch deep into Alabama. Harding’s long‑standing connection to Muscle Shoals continues here, with legendary guitarist Kelvin Holly—whose credits include Little Richard and The Amazing Rhythm Aces—travelling north to play on the sessions. The iconic Muscle Shoals Horns recorded their parts in Alabama, and Grammy‑winning engineer Jimmy Nutt mixed the album at The NuttHouse, adding the unmistakable warmth and grit of the region’s sound. The album was produced and written by veteran songwriter and Cooper Brothers co‑founder Richard Cooper, whose narrative‑driven approach gives Storyland a cohesive arc. Harding’s voice sits at the centre of it all—commanding, soulful, and shaped by decades of real‑world performing. The result is a record that bridges two musical traditions: Canadian storytelling and Southern soul.
he heart. Every drive home in terrible weather at 3 a.m. after a not‑so‑great gig has been worth it to bring me to this time and place. I’ve definitely paid my dues, but I wouldn’t change a darn thing.”

Gerry Joe Weise - Blues Down Under

Bitrate:320K/s
Year:2023
Time:48:15 
Size:111,4 MB 
Label:Blues Breaking Records 
Styles:Blues/Blues Rock/Aussie Blues 
Art:Front 

Tracks Listing:
 1. Blues Down Under - 4:29
 2. Broken Hill Blues - 4:16
 3. Blue Outback - 7:22
 4. Boogie Ya Na Ho - 2:43
 5. Dreamtime Shuffle (Live) - 3:18
 6. Gerry Joe's Houserocker - 3:11
 7. Blues for Gary Moore - 4:37
 8. Bushman Boogie Deluxe - 6:46
 9. Earth Spirit - 2:42
10. Manic Depression - 8:47

Gerry Joe Weise has established himself as a Blues and Jazz musician of international acclaim. Guitarist, singer and songwriter born in Sydney, Australia, he has performed throughout the world with renown and legendary artists such as Eric Clapton, B.B. King, Ray Charles, Buddy Guy, John Lee Hooker, Albert Collins, Noel Redding, The Yardbirds, Juma Sultan, among others. He has been the recipient of various international awards and accolades. He is signed to the Chicago based label Blues Breaking Records USA, and Contemporary ARC Australia.Guitarist Gerry Joe Weise from Sydney, Australia, has been playing guitar since he was four years old. In addition, he is a “Land Artist,” which means he creates artworks from the elements of the earth, such as soil, water, rocks, and vegetation. He temporarily moved to Germany, Switzerland, and France to establish contacts with record labels and promoters. In terms of musical style, we can clearly label Gerry Joe Weise’s music “blues rock.” But not just any blues rock… no… Gerry Joe blends funk, psychedelia, avant-garde, and world music into his music with the greatest ease. He opens the album with the instrumental *Blues Down Under*. A lazy shuffle featuring his viciously biting guitar, which frequently evokes memories of Roy Buchanan. Next, *Broken Hill Blues* is a massively pumping rocker with Gerry Joe’s powerful, heartfelt vocals and his biting guitar injections. A softly rustling surf opens the relaxed, shuffling, and instrumental *Blue Outback*. In this track, Gerry Joe blends the sound of Peter Green and Stevie Ray Vaughan. Next, Boogie Ya Na Ho is a mean, biting boogie with a dirty garage rock sound, floating on a Bo Diddley beat. Dreamtime Shuffle can be heard in a live version. A pumping shuffle with raw, Elmore James-esque slide guitar work.Gerry Joe’s Houserocker is also a sweeping slide rocker in the best Elmore James and Hound Dog Taylor style. Surprisingly, Pink Floyd (Shine On You Crazy Diamond) influences surface in Blues For Gary Moore. Halfway through, the song takes off pumping in its best Gary Moore’s Walking By Myself style.Bushman Boogie Deluxe opens as a raw, driving country blues with wailing guitar work. Suddenly, the song continues as a funky blues track that also makes room for psychedelic sitar sounds. Earth Spirit is pure psychedelia in a duet between guitar and didgeridoo. Gerry Joe closes the album with a searing and highly psychedelic version of Jimi Hendrix’s Manic Depression.For top-notch blues-rock guitar work, this album by Gerry Joe Weise is the perfect choice!

Black Banjo - Letters In The Sand

Bitrate:320K/s
Year:2025
Time:41:46 
Size:96,9 MB 
Label:Self-Released 
Styles:Rock/Blues 
Art:Front 

Tracks Listing:
 1. All About Mojo - 3:16
 2. Promised Land - 4:11
 3. Part Of You - 5:13
 4. Letters In The Sand - 5:09
 5. Not Forgotten - 5:08
 6. Josephine - 4:09
 7. Down In History - 4:33
 8. Cold Shiver In The Night - 4:40
 9. Crazy - 5:24

Black Banjo - Original Rock n' Blues.The name of the band is inspired by the American singer and songwriter, Rhiannon Giddens, as a tribute to the roots of blues and African American culture. It is a powerful group formed by highly experienced musicians. Alex Alessandrini (Lead Vocals/Guitar), guitarist, singer, and songwriter, has been the leader and co-founder of “E.Z. Riders,” with whom he released four albums, playing in the U.S. and the UK, and opening concerts in Italy for “Deep Purple” (2016) and “Slash” (2018). Francesco “The Captain” Caporaletti (Bass) has collaborated with Ian Paice and Don Airey (Deep Purple), Uli Jon Roth (Scorpions), Vinnie Moore, David Grissom, and Andrea Braido (Vasco Rossi, Zucchero “Sugar” Fornaciari). Black Banjo’s first album, “Out of the Skies,” was released in March 2021, featuring artists such as Nathaniel Peterson (Savoy Brown, Hubert Sumlin, Eric Clapton) and world-famous saxophonist “Blue Lou” Marini from the original Blues Brothers band. The band's second album, "The Beauty & The Burst," was released in June 2022, featuring former Dickey Betts/Allman Brothers Band keyboardist Johnny Neel. In 2021, Black Banjo toured across Europe as the opening act for the legendary British band “The Animals,” and both bands still cross paths on the road to this day. In 2022, following the release of their second album ‘The Beauty And The Burst,’ Black Banjo toured Europe opening for Gus G, (Ozzy Osbourne), and played at the Pistoia Blues Festival in Italy opening for Gov’t Mule. In late 2022, the band hit the road for a national tour with guitarist Rowan Robertson, a former member of Ronnie James Dio. In 2023, the band continued to tour across Europe as the opening act for rock guitarist Steve Bolton (The Who, Paul Young), for the historic band Atomic Rooster, and headlining shows on their own. In 2024, the band toured across Europe with Corky Laing, the legendary drummer from "Mountain," and Vinnie Moore. Their new album, released in 2025, is out now. Following the new release, the band for the second time played the Pistoia Blues festival, opening for Paul Gilbert  and Blackberry Smoke.

Hollie Rogers - Everything's Fine

Bitrate:320K/s
Year:2026
Time:38:07 
Size:87,8 MB 
Label:Self-Released 
Styles:Singer-Songwriter 
Art:Front 

Tracks Listing:
 1. Bad Woman - 3:14
 2. Everything's Fine (feat. Beth Nielsen Chapman, Elles Bailey) - 3:54
 3. He Reminds Me Of You - 3:55
 4. Spaceman - 3:50
 5. She - 4:22
 6. Some Kinda Lover - 4:33
 7. Sunday Rain - 4:13
 8. Good God - 2:44
 9. Unholy Trinity - 2:53
10. All For You - 4:26

Acclaimed singer-songwriter Hollie Rogers has released her highly anticipated new album, Everything’s Fine, featuring collaborations with Elles Bailey, Beth Nielsen Chapman and The Budapest Symphony Orchestra. It’s available now on all major streaming and download platforms. With Everything’s Fine, Rogers delivers her most honest, compelling and multidimensional work to date. The album embraces life’s contradictions, finding humour, healing and hope amidst the chaos, while showcasing the powerful songwriting and emotional authenticity that have become her trademark. Speaking about the album, Hollie says: “I wanted to make a record that could hold both vulnerability and humour at the same time. A lot of these songs came from messy, or complicated experiences, but there’s warmth in them too. More than anything, I hope people hear themselves in it.”
She adds:
“I’ve always been drawn to music that can make you feel something deeply while still leaving room for lightness, honesty, or even a laugh in the middle of it all.”
The album has already received widespread praise.
RnR Magazine awarded Everything’s Fine a perfect 5/5, describing it as “a masterful undertaking” and “compulsive listening.” Blues Matters Magazine also awarded the album 5/5, calling it “an album of real quality.” Meanwhile, Blues in Britain praised the release as “an album that definitely needs to be listened to.”
Two recent singles from the album were selected for Classic Rock Magazine’s Tracks of the Week, with the title track Everything’s Fine going on to win the public vote. The magazine described the song as “toe-tapping stuff with a nicely smoky, sultry aftertaste.”
The winning music video also attracted significant praise, with Americana UK calling it “one of the best videos we’ve seen this year.”
The album’s lead single, Everything’s Fine, has been added to Spotify’s influential editorial playlist Blues Roots, reaching an audience of more than 1.1 million followers.
Further momentum came from BBC Introducing in the South West, which recently selected Hollie as its Featured Artist and has been championing tracks from the album.
Hollie is currently touring extensively in support of the release, performing a mixture of intimate solo and duo shows alongside full-band performances across the UK and Europe. Demand for the tour has been strong, with the album launch show at The Harlington in Fleet now completely sold out.

The Trevor B. Power Band - Two Crows

Bitrate:320K/s
Year:2026
Time:45:45 
Size:105,6 MB 
Label:Farm 189 Records 
Styles:Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. Bobby Lane - 4:35
 2. Let It Ride - 4:35
 3. Ain't Got No Bread - 4:35
 4. My Neighboorhood - 4:16
 5. Speck of Life - 3:26
 6. Horizon - 5:20
 7. The Message - 4:38
 8. Puddles of Blood - 5:47
 9. The Fire Burns - 5:10
10. Our Time Is Short - 3:18

The fourth studio album by New Jersey blues-rock artist Trevor B. Power and his band, released on June 5, 2026, via Farm 189 Records.
This release is a profound, mature, and largely autobiographical work from the 63-year-old musician, recorded at the intersection of roots blues, folk, and powerful guitar rock.
Critics have described Trevor's vocals as "whiskey-soaked, raspy, and deep" (in the vein of Tom Waits or Captain Beefheart, but with a more melodic approach), and the music itself is called "real, dusty, and honest blues." Power produced the album himself, working closely with multi-instrumentalist Dave Fields. The tracks were recorded live to capture the atmosphere of a raw, studio jam. An impressive lineup of musicians participated:
Steve Holley, the legendary drummer and former member of Paul McCartney's band Wings.
Dennis Gruenling and Will Wilde, harmonica.
Dave Fields, guitar, bass, and keyboards.
Jasper Fields, flute (its unexpected appearance on the track "Horizon" adds an alchemical, almost psychedelic quality to the album).

Marc Benno - Sugar Blues

Bitrate:320K/s
Year:2003
Time:44:58 
Size:104,3 MB 
Label:Texasize Records 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. Little Miss Rock N Roll - 3:36
 2. Black Cadillac - 3:29
 3. Mamas Cookin - 2:43
 4. Sugar Blues - 4:09
 5. Mary Played the Pool Hall - 5:17
 6. Easy Travelin Gal - 3:36
 7. Every Night Is Saturday Night - 3:26
 8. Snake Charmer - 3:42
 9. Love Junkie - 5:29
10. Barbecutie - 3:29
11. Jimmy Reeds Mama - 2:43
12. Shuffle Girl - 3:14

Okay, so I finally gave Marc Benno's Sugar Blues a real listen. Not the kinda album that smacks you in the face. More like... it sidles up, all dusty boots and cigarette smoke, and starts tellin' stories. Recorded back in '69 but feels way older, like it crawled outta a juke joint basement. First thing? The voice. Man, Benno sounds tired. Like he's been driving all night, radio crackling, sun barely up. It ain't pretty. It's raw. Gritty. Sometimes cracks at the edges. But that's why it works. You believe him when he sings about pool halls and rock n' roll girls and black Cadillacs. He ain't fakin' it. "Love Junkie" kicks it off slow. Piano drips, guitar moans. Feels heavy. Like heartache you can't shake. "Shuffle Girl" picks up a tiny bit, but still drags its feet. That's the vibe-laid-back to the point of almost collapsing. "Sugar Blues" (the title track) is probably the catchiest? If you can call a blues shuffle catchy. Harmonica wails, Benno mutters lyrics like secrets. Kinda hypnotic after a few listens. Some tracks are short as hell. "Jimmy Reeds Mama" - 2:43 of acoustic ramblin'. Feels unfinished. Like a demo. "Snake Charmer" has this weird, slinky groove. Cool, but sticks out like a sore thumb. Album jumps around style-wise. Blues mostly, yeah, but bits of folk, pop, even psych-tinged moments. Doesn't always gel. What I love? The honesty. No polish. No big studio tricks. Just Benno, his guitar, piano, and a band that knows how to lay back. Songs like "Black Cadillac" and "Easy Travelin' Gal" got this lonely highway feel. Perfect for late nights. You feel the weariness. The small-town dreams. The cheap thrills. What bugs me? Besides the duplicate mess? Production's thin. Sounds like it was recorded in a garage with one mic. Which, fine, if that's the goal. But sometimes the vocals get buried. And the pacing... drags in the middle. Needs tighter editing. Still... it grows on you. Like a weird stain on your favorite shirt you kinda don't wanna wash out. It's flawed. Uneven. Probably shouldn't work as well as it does. But there's soul here. Real, unvarnished soul. Not the kind you buy. The kind you earn after too many cigarettes and bad decisions. Funny thing? I kept thinking how unknown Benno is. Dude played with Morrison, had talent dripping off him... and this record just kinda vanished. Makes you wonder how many other gems are rotting in crates, waiting for someone dumb enough to care. This one's worth the dust.


Ryan McGarvey - Up From The Ashes

Bitrate:320K/s
Year:2026
Time:50:47 
Size:117,8 MB 
Label:Self-Released 
Styles:Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. Back To Life - 3:25
 2. In The Graveyard - 6:08
 3. Edge Of Eternity - 4:30
 4. Gone Come Morning - 3:07
 5. Searching For You - 5:07
 6. All I've Got - 3:50
 7. Nothin' Worth Living For - 5:40
 8. Have Mercy - 3:46
 9. Cold Prison Cell - 5:47
10. Filthy Lies - 3:51
11. When The Levee Breaks - 5:30

Everyone loves a great comeback story, and so it’s a sincere pleasure to share with readers the return of Ryan McGarvey to the blues music world with the release of his brand new album, Up From The Ashes. Due to health and life events, it has been eight years since the release of his last album, but McGarvey is now back doing what he loves. What he loves is playing guitar, writing, and performing. Born almost forty years ago in New Mexico, he was named Guitar Center’s “Guitarmaggeddon: Next King Of The Blues” in 2006. He followed that by recording his first album, Forward In Reverse, in 2007, followed by three more studio albums and one live album through 2018. McGarvey was selected to perform by Eric Clapton at Clapton’s Crossroads Guitar Festival in 2010 and 2019. He has also shared stages with the likes of Jeff Beck, Joe Bonamassa, Kenny Wayne Shepherd, and B.B. King. He’s been nominated for, and has received, many musical awards in both the U.S. and European markets, so it’s fair to say that he has plenty of musical credibility preceding this brand new album release.
Appropriately titled, Up From The Ashes is loaded with Ryan McGarvey’s masterful guitar playing, particularly his soulful slide work. There is no skimping on quantity on this album either. It contains eleven songs, including a cover of a classic. Recorded at Rio Grande Studios in New Mexico, McGarvey is supported by a group of talented musicians, including Tony Franklin (bass on tracks 1, 7, and 11), Logan Miles Nix (drums), Artha Meadors (bass), and Brant Leeper (keys).
The recording opens with McGarvey’s first single release from this project, titled “Back To Life,” which is available on YouTube. This tune is an accurate reflection of McGarvey’s return to performing and recording as he sings, “You thought I was down for the count.” He continues with, “You don’t know what you’re talking about. Now you see that I’m here to stay. You can’t keep me down. I’m coming back to life.” You just can’t help but feel good about his return. This song also offers some of his fine slide work to kick this album off right.
The fourth cut on Up From The Ashes is “Gone Come Morning,” and it has a real Allman Brothers feel to it. McGarvey sings, “I’ve got a good mind baby to walk right out your door. I’ll be gone come morning, I just can’t take no more.” I absolutely love his slide work on this classic-styled blues number. The vocals here are strong and drenched in soul, and for me, this is where Ryan McGarvey sounds his very best.
“Cold Prison Cell” begins with what I call a stomp, clap, and slide and, again, it’s where he sounds right at home. The vocals are great, and the playing is right on the money. This song explodes and morphs into a rockier version of itself. “Now I’m writing you my love from my cold prison cell.” Some fiery picking carries this song to a great ending.
The last cut on Up From The Ashes is one that many of our readers might recognize. It is a smoking hot cover of Led Zeppelin’s “When The Levee Breaks.” There are very few folks who will attempt a recorded version of any Led Zeppelin tune, but Ryan McGarvey pulls it off and does a classy job of it as well. Again, as on every track of this album, his guitar work is a highlight and will be appreciated not only by listeners, but by every player who has ever held a guitar in their hands and called themselves a musician.
I can’t even begin to imagine the anxiety that Ryan McGarvey has endured in the creation of this brand new album after enduring the ups and downs of the past few years. We all know that old cliché about absence making the heart grow fonder, and based on this recording, it could very well be true.
Again, it is always great to witness people overcome adversity, and I wish Ryan McGarvey the very best as he continues his musical journey. Check out social media sites for upcoming events and go out and catch him live. I would also suggest that you grab a copy of Up From The Ashes and enjoy this recording for yourself.  And lastly, welcome back, Ryan McGarvey! ~ Moe Moore (https://bluesrockreview.com).

воскресенье, 7 июня 2026 г.

The Baddest Blues Band (Ever!) - Driving In The Rain



Bitrate:320K/s
Year:2009
Time:68:12 
Size:159,7 MB 
Label:Audio-B Limited 
Styles:Blues/Jazzy Blues 
Art:Front 

Tracks Listing:
 1. Broken Heart Blues - 5:13
 2. Driving In The Rain - 3:29
 3. Heroes - 4:40
 4. Too Much Of A Good Thing - 3:54
 5. Buck - 3:59
 6. Good Lord Please Tell Me What To Say - 4:39
 7. I'm In The Mood - 5:09
 8. Come Home Sweet Baby - 3:29
 9. You're Not Alone - 2:50
10. Let Me Sing The Blues - 4:10
11. Don't Preach To Me - 4:19
12. We're Going Wrong - 3:56
13. If I Didn't Care - 3:56
14. Heartbreak Tears - 6:36
15. I Can't Quit You Babe (Live) - 7:44

Musicians:
Zoe Schwarz - Vocals;
Rob Koral - Electric and acoustic guitar;
Malcolm Creese - Double bass;
Pete Whittaker, Stephen Darrell Smith - Hammond organ;
Dave Wallace - Drums;
Si Genaro - Harmonica.

Driving In The Rain is the latest CD from rock fuelled blues six-piece The Baddest Blues Band (ever!), and they certainly present this image well. The album, which features 15 tracks, for me brings back some routes of blues music that I have not heard recently. The classic sound of a rotary organ underneath a harmonica solo section can go a long way, not to mention the bands solid rhythm section.Songs such as “Driving In The Rain” and “Buck” are strong evidence of the bands ability to write classic bluesy tones and grooves, whilst “You’re Not Alone” is slower and more ballad like. This kind of diversity in song writing adds more character to an album, especially one so routed in the classic blues sound. This is a very well rounded album, which is able to combine rock and blues elements with great guitar ability. You can really tell this band understand each other, and perfectly complement the vocal talent of lead singer Zoë Schwarz who, in the midst of their strong sound puts the perfect cherry on top. (Check this review out in this months Blues In Britain Magazine!)

Boogie Riders - Highway Dagger

Bitrate:320K/s
Year:2014
Time:52:28 
Size:120,8 MB 
Label:Motmo.pro Records 
Styles:Blues Rock/Rock 
Art:Front 

Tracks Listing:
 1. Train To The Midtown - 4:59
 2. Bad Luck On My Trail - 4:08
 3. Highway Dagger - 3:33
 4. Red Stone Valley - 4:34
 5. Takin' Care Of Love - 3:22
 6. Universe Woman - 5:23
 7. Rainy Summer Nights - 4:19
 8. Liars - 4:15
 9. Groovy Slim - 3:08
10. Confusion - 7:26
11. Cold Long Day - 3:16
12. Once I Met A Woman - 4:01

Musicians:
Markel Quilós - Guitars and Vocals;
Jorge Buey - Bass Guitar;
Said Elkhalloufi - Drums and Percussion.

Boogie Riders is a blues-rock'n'roll band from the Basque Country. The band started eight years ago, with some of Cream, Hendrix and UFO covers, and then started writting their own original songs. First of it all was the debut album "Highway Dagger", released on April 2014. Boogie Riders came into studio again in 2012 to record a little demo with 7 own songs recorded live. After been on the stage as long as they can, decided to make a new record, so the band came into the studio and record a new demo with twelve cuts this time, all of original songs. Then they made a videoclip for the song "Groovy Slim" and recorded "Boogie Riders Hamarrecords Session" a weekend-session of covers. Boogies been playing live anytime, anyplace we could through that years. Nowadays the band writing new songs and gonna keep on doing the same raw powerblues until the end of times. The Band are: Jorge Buey on bass, Markel Quilós on guitars & vocals; and Said Elkhalloufi on drums & percussion ~ TXEMA MAÑERU.

Rich Chorné - That's Shor-Nay

Bitrate:320K/s
Year:1995
Time:46:28 
Size:107,3 MB 
Label:Self-Released 
Styles:Blues/R&B 
Art:Front 

Tracks Listing:
 1. Let Me Show You What Love Can Do - 4:53
 2. Neighbor, Neighbor - 3:52
 3. Don't Leave Me Hangin' - 5:02
 4. Piece of Your Smile - 3:44
 5. Pass the Sauce - 2:59
 6. Not for You to Say [Vocal Version] - 4:35
 7. Katy's Song - 3:22
 8. Crossing the Line - 4:22
 9. Not for You to Say [Instrumental] - 5:02
10. Walkin' With My Baby - 3:52
11. Room With a View - 4:41

Rich Chorné probably isn’t a known name, but he has had a long musical career. He grew up in El Paso and left after graduating from UTEP. He was a touring musician and technician. He worked for Sony music many years and has semi-retired to the hills around his hometown. He met Rich Cagle who lives in the area and owns Montrose Studio. They decided to record together and brought in musicians for a full band. 
Rich Chorné, a Ruidoso, NM musician turned recording artist and producer brings home New Mexico’s Best Blues Album Award at a ceremony hosted by the New Mexico Music Awards on May 7th in Albuquerque.  The kudos are shared with Montrose Records owner Richard Cagle who also sang on the album. “This honor is an acknowledgment that this little Ruidoso neighborhood harbors top musical talent and can produce music at the highest levels. I’m proud to bring this honor home,” Chorné states. This album features three vocalists besides Chorné; Richard Cagle, Kathy Lyon, and Tommy Lepson.  Chorné penned nine of the twelve songs.

The Baddest Blues Band (Ever!) - Breakout

Bitrate:320K/s
Year:2007
Time:70:15 
Size:161,9 MB 
Label:Audio-B Ltd 
Styles:Blues/Jazzy Blues/Jazz 
Art:Front 

Tracks Listing:
 1. Pebble in My Pond - 4:19
 2. Wiseman - 4:52
 3. Someday Baby - 3:52
 4. Sugar & Spice - 5:09
 5. Do I Move You? - 6:21
 6. I Cry Just to Think of It - 4:30
 7. Nothing Seems to Matter - 5:02
 8. Stop This World - 3:22
 9. It's Alright to Be Blue - 5:32
10. The Waitress - 5:57
11. I Can't Quit You Babe - 6:49
12. Gimme a Break - 4:02
13. Who Are You to Judge Me? - 4:27
14. Spoonful - 5:54

Featuring some of the funkiest musicians from the parallel worlds of blues, jazz and rock. Expect a sprinkling of classic songs by the likes of Ray Charles, Nina Simone and Willie Dixon, plus some great originals by the band's guitarist Rob Koral and vocalist Zoë Schwarz. The six-piece line-up creates a distinct and individual sound featuring expressive, sassy vocals, virtuoso guitar, animated and charismatic harmonica (Si Genaro), wailing Hammond-organ (Pete Whittaker); supported by the legendry bassist Malcolm Creese and drummer Paul Robinson. The individual musicians pedigree is second to none, whose CVs include Nina Simone, George Shearing, George Benson, Diana Ross, Sting, Rod Stewart, Bill Bruford, Lulu, Judie Tzuke, Mose Allison, Toyah, Lisa Stansfield and Cleo Laine. "The blues vocals of Zoe Schwarz are seriously special" - Jeremy Miles Bournemouth Echo Sept 2010.
"A world class band" - Properganda Magazine Sept 2010
"The Baddest Blues Band features a thoroughbred line-up performing across the UK to immense critical and popular acclaim. Their second CD, 'Heartbreak Tears' (Audio-B), is a thoroughly modern amalgamation of hardcore blues originals ignited by jazz and contemporary influences. A dynamite show." - Pizza Express Jazz Club Soho.
"They are superb..." Blues Matters

Jay Collins - Northern Resistance

Bitrate:320K/s
Year:2026
Time:38:22 
Size:88,1 MB 
Label:Self-Released 
Styles:Blues/Rock/Jazz/
Art:Front 

Tracks Listing:
 1. 3 Days in Paris - 4:31
 2. Till You're Ready - 4:48
 3. Top of the Town - 4:19
 4. Cradle of Civilization - 5:35
 5. More Than Enough (Woman for Me) - 5:25
 6. Poem for You Today - 5:54
 7. Porch Light Blues - 3:54
 8. Why Are People Like That? - 3:53

Join Jay Collins and Northern Resistance as they celebrate the release of their new album “Northern Resistance”. Copies of vinyl records will be available for purchase! Saxophonist, vocalist, keyboardist, song-writer and arranger, Jay Collins, won 2 Grammy’s with the Levon Helm Band, toured on sax with the Gregg Allman Band for 15 years, and performed and arranged horns for the legendary group, Little Feat.
He currently plays in the Helm Family Ramble Band (from Levon Helm Studios), and is one the most in-demand horn players in the state of NY. “Northern Resistance", Jay’s Woodstock NY-based band, delivers original rock-and-roll injected with plenty of Jazz and Blues.

Ken Tucker - Looking For A Brighter Day

Bitrate:320K/s
Year:2007
Time:52:07 
Size:120,8 MB 
Label:Jomar Records 
Styles:Blues/Blues Rock/Modern Electric Blues 
Art:Front 

Tracks Listing:
 1. Looking For A Brighter Day - 3:32
 2. Call Me Up - 3:14
 3. The Sun Is Always Shining - 3:23
 4. Where Are You Tonight - 4:47
 5. Walking Cane - 3:10
 6. Tin Cup Blues - 5:01
 7. Guitar Man - 3:50
 8. Lord, Your All I Need - 3:59
 9. Why Do You Hurt Me So Bad - 3:44
10. Cold Rain Coming - 4:25
11. Hang My Head - 4:21
12. The King Is Coming - 5:05
13. Wayfaring Stranger - 3:30

Ken Tucker has  experience as a guitarist, songwriter, and performer.
He has played for several groups over the years including,Christian Music Legend, Larry Norman. Canadian Rocker, Lindsay Ell, Darrell Mansfield, as well as sharing the stage with the extraordinary, Shawn Mullins. Josh Hammond, Ken's occasional music partner and collaborator, is a harmonica playing and guitar picking force of nature.
In spite of their diverse musical upbringings, they compliment each other amazingly well. Ken's gravelly, baritone voice is a perfect blend for Josh's high tenor harmonies. They have been getting lots of airplay in the US and overseas. 

Bill McLees - If I Lose Your Love

Bitrate:320K/s
Year:2004
Time:45:17 
Size:104,5 MB 
Label:Self-Released 
Styles:Electric Blues/Rock 
Art:Front 

Tracks Listing:
 1. Livin In My Car - 2:56
 2. Naughty Girl - 3:45
 3. See Past My Tears - 5:57
 4. Im In Love - 3:27
 5. If I Lose Your Love - 3:11
 6. Crazy Loving You - 3:49
 7. Waited Too Long - 3:20
 8. Dog Tale - 2:42
 9. Sexy Brown Eyes - 4:39
10. Pretty Penny - 2:56
11. Low Down Blue - 4:54
12. I'm In Love ( Part 2 ) - 3:34

I've waited a long time to make music the focus of my life, ( late blooming baby boomer) in the past there was always something that prevented me from doing what I really loved to do, there was work , family, money, partying, but mostly, my own lack of self confidence! Now I let the music in me be the joy in my life. DIY Thanks to the new wave of music technology, computer software & the interenet, I write songs,sing, play guitar, a bit of keyboards, produce & mix my own music. I can live my dream, record my songs, share them with the entire world, and sell them online, iTunes, Amazon, cdbay, etc. DIY Never give up. Music isnot defined by youth! I have spent alot of time learning from other musicians by going to open jams, I learned to just be who I am , and play the music I like to play. I learned that, to bring the audience into my crazy world was alot of fun. I learned about improvising, and I found I had a knack for ad libbing lyrics and making people smile. 

суббота, 6 июня 2026 г.

David Chappell & Tommy Lepson - Almost Gone

Bitrate:320K/s
Year:2023
Time:33:40 
Size:77,6 MB 
Label:Tommy Lepson music BMI 
Styles:Blues/Contemporary Blues 
Art:Front 

Tracks Listing:
 1. Almost Gone - 2:10
 2. Hard Way to Go - 4:31
 3. Song for Nash - 2:28
 4. Memphis Freeze - 2:56
 5. Mistaken Identity - 4:52
 6. If Not for You - 4:21
 7. Big Easy - 3:35
 8. She's Crazy - 2:43
 9. Nut Job - 1:46
10. In Walks Lulu (Live) - 4:13

Dave Chappell, a Washington, DC native, is one of the most sought after and respected musicians in the area. For the last several years, he has won the Washington Area Music Awards (WAMMIES) for 'Musician of the Year', 'Rock Instrumentalist of the Year', and 'Roots Rock Instrumentalist of the Year'.  Dave will be inducted into the 2026 “Maryland Entertainment Hall of Fame” on  June 28, 2026.
He has performed with Rock and Roll Hall of Fame legends Jerry Lee Lewis, Sam Moore of Sam & Dave, Percy Sledge, Johnny Johnson, and guitar wizard, Danny Gatton. Guitarist Dave Chappell is highly regarded by both his musical peers and by fans in the DC area coaxing a huge range of sounds out of his trademark Fender Telecaster.  
He  has been fortunate enough to  play with some of the finest musicians in the country and has been featured on a number of CD's recorded in the DC area. Dave's latest project with Tommy Lepson featuring artists Bob Britt, Mark Wenner, Kevin McKendree, Bruce Swaim, John Previti, Pete Ragusa, Jack O'Dell and John Thomakos!


Dr Pickup Blues Band - Three

Bitrate:320K/s
Year:2022
Time:46:27 
Size:115,4 MB 
Label:Self-Released 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. The G.M. Blues - 3:12
 2. The Texas Tbone Walk - 3:04
 3. The Waiting Blues - 7:03
 4. The Wall Street Blues - 5:02
 5. All My Money Was Gone. - 2:32
 6. Watch out Woman - 3:24
 7. Mambo Time - 2:00
 8. Life Gets in the Way - 2:29
 9. Western Union Credit Blues - 3:53
10. Roll Away the Stone - 6:16
11. I'm Sitting on Top of the World - 3:55
12. Welcome to Charleston (For Shrimp City Slim) - 3:31

This trio of French musicians, based in Toulouse for over twenty years, have been together long enough to develop a tight, cohesive sound. Their repertoire is primarily based on original compositions by the group's leader, Dr. Pickup, although they also include the occasional cover in their live performances. Currently, the band consists of Dr. Pickup, who sings and plays guitar, ably supported by Pascal Curto on Hammond organ and piano, while Jeango Alfred completes the trio on drums. These three musicians bring enthusiasm and dedication, which is paramount, although Pickup's vocal abilities sometimes suffer. It's a shame because, despite everything, the trio sounds good and they all take their work very seriously. Keep up the good work with your music and keep going strong!

Debbie Ritter & 4-40 Blues - Bluesday Afternoon

Bitrate:320K/s
Year:2003
Time:42:03 
Size:97,0 MB 
Label:Passion Blues Music 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. It's Alright By Me - 3:29
 2. Bright Moon - 6:22
 3. Bluesday Afternoon - 5:03
 4. Miss You Already - 5:41
 5. Late Again - 4:55
 6. With You After Midnight - 5:15
 7. Walkin' Shoes - 3:39
 8. Half A Mind To Leave - 4:36
 9. Sugarfootin' - 2:59

"A stunning collection of very eclectic, guitar-laden originals, all fueled by Debbie's soulful vocals". "Debbie is a sultry singer with a debt to classic stylist' - Blues Revue Magazine.

Denise La Grassa - A Crossroads Communion

Bitrate:320K/s
Year:2026
Time:35:02 
Size:80,6 MB 
Label:Deelagee Records 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Big Bad Dream - 3:04
 2. These Vain Games - 4:08
 3. Who Will Mourn You - 4:03
 4. Boy the Blues Have Been Blue to Me - 3:43
 5. The Jesus Reel - 2:28
 6. I'll Play the Blues For You - 4:50
 7. Go Down Laughing Good - 3:55
 8. Joyride - 4:19
 9. Go Bad Mouth Yourself - 4:27

A Crossroads Communion is her boldest move yet—a rocking blues statement that honors the past while offering fresh sounds. The album was made possible through an award from the Illinois Arts Council Agency Creative Accelerator Fund. La Grassa handles vocals, organ, and lyrics, while co-writer John Kregor provides the music. Kregor also plays guitar on two tracks, alongside additional guitarists Alvin Santner and Stephen Ryan, who contributes slide guitar on four tracks. The rhythm section features Steven C. Manns on bass and vocals, and Timothy Walker on drums. Special guest Pierre Lacocque of Mississippi Heat plays harmonica on two tracks. The album is produced by Jim Gifford and engineered and mixed by Maxwell Mendeloff at Narwhal Studios in Chicago, Illinois.
The lone cover, “I’ll Play the Blues For You,” written by Jerry Beach and first recorded by Albert King in 1972, is delivered with raw emotion as La Grassa moans, “If you’re down and out, and you feel real hurt, come on over to the place where we live and all your lonliness we’ll try to soothe, I’ll play the blues for you. Don’t be afraid to come on in, you might run across some of your old friends, all your lonliness we gotta soothe, I’ll play the blues for you.”

Carlos Johnson and Hideaki Tanaka - Blues - It's Powerful Stuff

Bitrate:320K/s
Year:2026
Time:73:16 
Size:168,3 MB 
Label:P-VINE Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. I Wonder Why - 11:05
 2. I Just Want To Make Love To You -  7:51
 3. I'm Your Hoochie Coochie Man - 16:13
 4. Don't You Lie to Me -  5:28
 5. My #1 Son -  8:10
 6. Let's Straighten It Out - 11:21
 7. Jimmy Reed Medley - 13:05

Carlos Johnson, one of Chicago’s most accomplished blues guitarists. Guitarist Hideaki Tanaka, who was influenced by Carlos’s playing while he was there, and Carlos have come together to create this collaborative album! Since Otis Rush suffered a stroke in 2004, Carlos Johnson, the Chicago guitarist/singer who has supported Rush as his right-hand man and gained immense popularity among Japanese blues fans with his passionate solo performances, is now collaborating with Japanese guitarist Hideaki Tanaka. Tanaka, inspired by Otis Rush, moved to Chicago in 1999, witnessed Carlos’s live performances, and was greatly inspired and influenced, spending four years there.
This album brings together these two, who could be called master and apprentice, to a full collaboration. From “I Wonder Why,” Otis’s signature instrumental opener that Carlos has taken over, to Jimmy Reed’s “You Don’t Have To Go,” a closer that Carlos has also featured on previous live albums, the two engage in a deep conversation through their guitars. The result is a relaxed yet profound album.

John Primer - John Primer and Friends Tribute to Theresa's Lounge

Bitrate:320K/s
Year:2026
Time:56:22 
Size:129,1 MB 
Label:Blues House Productions LLC 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Up in Heah - 3:44
 2. 7 Nights for 7 Years - 3:19
 3. The Blues is King - 4:52
 4. Sugar Sweet (feat. Billy Branch) - 4:21
 5. Champagne and Reefer (feat. Willie Buck) - 4:58
 6. We All Need Help - 3:44
 7. She's Nineteen Years Old (feat. Carlos Johnson) - 5:15
 8. Little by Little - 5:09
 9. Mary's Song (feat. Mary Lane) - 5:06
10. Cut You A Loose - 3:14
11. Blues Survivalist - 4:41
12. Here I am Knockin' at Your Door Again (feat. John Watkins) - 3:24
13. Mean Old World - 4:29

Alfonzo “John” Primer was born in Camden, Mississippi, in 1945. He was born on sharecropper land and grew up working in the fields. Primer migrated to Chicago with his mother in 1963. His blues career began on Maxwell Street, playing for tips. Primer got his first gig at Theresa’s Lounge, located at 48th and South Indiana Avenue, where he became a regular. Primer played guitar in Willie Dixon’s Chicago Blues All-Stars and in the Muddy Waters Band. He later joined Magic Slim and the Teardrops. Primer was nominated multiple times for Traditional Blues Male Artist at the Blues Music Awards, first winning in 2016. Primer was also the lead vocalist, guitarist, and featured artist on the Grammy-nominated “Muddy Waters 100” project. Overall, Primer is a three-time Grammy nominee. This is Primer’s twenty-first album. The album is dedicated to Theresa Needham.
Theresa provided a safe place for musicians. She gave them a place to connect and the freedom to play together. All the greatest blues musicians played there: Muddy Waters, Willie Dixon, Howlin’ Wolf, Hubert Sumlin, Earl Hooker, Buddy Guy, Jr. Wells, Luther Tucker, Otis Rush, Magic Slim & the Teardrops, Mike Bloomfield, Little Walter, Otis Spann, Jimmy Rogers, and others. Featured on this tribute are Primer, Billy Branch, Bob Stroger, Willie Buck, Mary Lane, Harmonica Hinds, Carlos Johnson, Twist Turner, John Watkins, Tony Mangiullo, and Jeff Brinkman.
The album opens with “Up In Heah,” written by Daniels and Moore and first recorded in 1966. Featuring some great bass from Stroger, the song was sung by Jr. Wells to kick off his set, as Primer sings “So c’mon ya’ all, we’re gonna have a ball…up in heah, so c’mon ya’ all were gonna have a ball.”
On “7 Nights For 7 Years,” an original written by Primer for this tribute, he chimes “Going down to the river that’s where all the bluesmen hangout…it’s the home of Jr. Wells and James Cotton, when they play they make you jump and shout.”
“The Blues Is King” is another Primer original with some great slide guitar. He tells how important it is to keep tradition alive, as he chants “can’t change the blues no matter what you do, the blues is the only way, the blues will always be king, the blues is alive and the blues is strong, if you sing the blues, you can’t go wrong.”
On “Sugar Sweet,” written by Mel London and first recorded by Muddy Waters in 1955, the featured artist is Billy Branch on harp and vocal, as he moans “I’m gonna tell you about my baby, I speak of her with pride, she’ll go all the way to make me satisfied, oh she’s my baby, she’s my baby, can’t you see, I can’t call her sugar ’cause sugar never was so sweet.”
“Champagne And Reefer,” written by Muddy Waters, was first recorded by him in 1981, as Willie Buck groans “Yeah, bring me champagne when I’m thirsty, bring me reefer when I want to get high, well when I’m lonely, bring my woman, set her right down here by my side. Well there should be no law if people want to smoke a little dope, well you know it’s good for your head and it relax your body, don’t you know.”
On “We All Need Help,” another Primer original written as a tribute to Theresa, he cries out “well it’s been good, that’s all you need, just keep on trying and you will succeed, have faith in good, that’s all you need, just keep on tryin’ you will succeed.”
“She’s Nineteen Years Old,” written by Muddy Waters and first recorded in 1958, features Carlos Johnson on guitar and vocal, as he wails “I’m gonna tell something to you, don’t care how you feel, you just don’t realize you got yourself a good deal, she’s nineteen years old, got ways just like a baby child.”
On “Little By Little,” written by Mel London and one of Jr. Wells’ most notable songs, first recorded in 1960, it’s a song about a woman whose love is slowly slipping away, as Primer shouts “oh, oh, oh, you stay all night until the break of day, you don’t listen to the things I say, bit by bit, your slipin’ away from me…little by little your love is driftin’ away from me.”
“Mary’s Song” is written and sung by Mary Lane, at the time the only female regular at Theresa’s, now 90 years young, as she belts “how can you love me when you treat me like you do…have you ever loved someone when you know they don’t love you…if you don’t want me baby, why don’t you let me be,” with Primer on guitar.
On “Cut You Loose,” a third song credited to Mel London, originally released in 1963 by singer Ricky Allen, it is performed here by Primer as he whines “well I work, work, work… well I should quit you baby well I’m full, full, full up to my neck, the only time your nice to me, is when I cash my chack.”
“Blues Survivalist” is yet another Primer original, as he declares “I’m a blues survivalist, I’m gonna keep it going strong, I just can’t stop, I got to keep it going on.”
On “Here I Am Knockin’ At Your Door Again,” written and sung by guitarist John Watkins, first released in 1985 and often sung by James Cotton, Watkins pleads “Something you got changed my whole world…you set my soul on fire, I don’t want no one else I know…well here I am nothing is going to make me go away…just lookin’ at you is enough to drive me insane.”
The closer, “Mean Old World,” from Little Walter Jacobs, was first recorded in the mid-1950s. It was sung every night at Theresa’s by Muddy Waters’ guitarist Sammy Lawhorn. It is sung here by Primer as he croons “It’s just a mean old world if you try to live it by yourself, when you can’t get the one that your lovin’, you got to use somebody else.”
John Primer’s dream of becoming a musician came true at Theresa’s Lounge. It was like home to him and it changed his life forever. Primer states, “We are all in our seventies, eighties, and nineties now. I am so happy we were all healthy enough to make this tribute to Theresa’s Lounge and to Theresa Needham. I hope you enjoy this album as much as I do.” ~ Richard Ludmerer.

Shrimp City Slim - I Work Nights

Bitrate:320K/s
Year:1998
Time:69:53 
Size:161,6 MB 
Label:Erwin Records 
Styles:Lowcountry Blues
Art:Front 

Tracks Listing:
 1. I Work Nights - 3:21
 2. Charleston Strut - 4:43
 3. Summer Angel - 3:27
 4. The Time We Should Have Spent Together - 3:29
 5. The Supermarket - 4:06
 6. You Just Never Know - 1:58
 7. Color Me Indigo - 4:27
 8. It's Just Her Family - 3:03
 9. Good, Good Love - 3:40
10. Natural Resource - 3:29
11. Calendar Time - 3:25
12. Moonstone - 2:29
13. I Found a New Morning - 2:36
14. Being Broke - 3:12
15. Switch Me Over (To Love) - 5:18
16. Stick & Stay - 3:52
17. I Don't Wanna Be In Town (When Your Payback Comes Around) - 3:43
18. Hey, Mr. D.J. - 2:55
19. Words Like That - 2:56
20. The Grass Is Greener - 3:33

Songwriter/keyboardist/singer Shrimp City Slim and crew epitomize the genre known as the 'Lowcountry blues', a rollicking blend of groovy shuffles, coastal funk, and swampy ballads that reflects the multi-cultural heritage of their home base, Charleston, SC. 'I Work Nights', Shrimp City Slim's fifth all-original CD released in 1998, documents a fascinating period in the artist's career. At this point in time, the band was a sextet with two women singers with a huge repertoire of original material. 'I Work Nights' contains twenty (20)  songs including 'Charleston Strut', 'Hey Mr. DJ', the first version of 'Switch Me Over (To Love)' (sung here by Ann Caldwell; later a show-stopper for Wanda Johnson), 'The Grass Is Greener', 'Stick & Stay','Color Me Indigo', and more. Shrimp City Slim continues to travel worldwide. Performance dates/venues at his web site. An important slice of Lowcountry music history...we think you will love this album.

Review
"A delicious, original song stew of American roots and kickin' blues." ~ The Pulse

"Charleston's Shrimp City Slim" makes records like no one else. "I Work Nights" will repay repeated plays and will hook you real, real bad. Personally, at the moment, I can't play anything else." ~ Blues & Rhythm, UK.

B. Douglas - Drivin' Wheel

Bitrate:320K/s
Year:1995
Time:68:14 
Size:156,2 MB 
Label:Self-Released 
Styles:Blues/Modern Electric Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. For Your Love -  5:43
 2. Ain't A Day -  4:38
 3. Autumn Leaves -  4:05
 4. Drivin' Wheel -  2:21
 5. Keep Your Eye On The Light -  3:58
 6. Take Me Down To Memphis -  3:03
 7. Juerga Con Duende -  6:51
 8. I'm Blue So Bad -  4:05
 9. Boppin 101 -  3:40
10. I've Got Myself A Mansion -  2:54
11. Here We Go Now -  6:20
12. Zone II - 20:29

Drivin' Wheel is a 12-track blues and rock album by artist B. Douglas, released on April 29, 1995. The album clocks in at 1 hour and 8 minutes and features original compositions spanning a range of rootsy blues-rock. The album features a mix of both energetic and deeply rooted blues tracks. Notable songs on the album include the title track "Drivin' Wheel", "For Your Love", "Ain't a Day", and "I've Got Myself a Mansion".Check out this recording to get a feel for the classic groove of B. Douglas.
“B. Douglas plays his blues loud and straight with a passing resemblance to Stevie Ray and a pronounced Albert’s King-and Collins streak at the core, “Chris Wissman, Nightlife Magazine. B. Douglas grew up in Springfield, Illinois, playing a variety of different instruments, trumpets, drums, and guitar. After attending college for a year, he wanted a change of pace and rode his motorcycle out to California and made that his home for the next 15 years. After running cranes, bulldozers and welding, he somehow came back to music where he probably needed to be all along. Hard times fell upon him, hitting rock bottom, he found himself living in the desert, 14 miles from civilization. He truly lived the blues. As one of his favorite quotes goes “You can’t sing the blues from an air-conditioned room”. He turned his life around and his Mississippi called him home. He picked up his guitar and has been playing ever since. After learning life’s lessons, God showed him the way out through music. “What drew me to the blues is getting to play my guitar. I can vent my frustrations; vent my feelings, all of myself, through the guitar.
B. Douglas has been leading his own blues band since 1994 and has recorded three albums. The first one “Blues You Can Use” was recorded at Blue Earth Recording Studio. All copies were sold out. The second album also recorded at Blue Earth “Drivin Wheel” was made up of all original material written and composed by B. Douglas also sold out. The third “Live from Hollywood, Please Don’t Pull The Plug” was recorded by John Falzarano, Studio on Wheels, live at the Hully Gully Rehearsal hall in Hollywood, California B. Douglas was the last performer to use the hail before it closed for good.
He has four albums set for release, showing growth and polish, as the blues is his way of life. His styles are influenced by music greats such as Stevie Ray Vaughan, Eric Clapton, Jimi Hendrix, B.B. King, and Jr. Kimbrough.

пятница, 5 июня 2026 г.

Harrell "Young Rell" Davenport - Young Rell

Bitrate:320K/s
Year:2026
Time:47:08 
Size:108,7 MB 
Label:RellTone Records 
Styles:Blues /R&B
Art:Front 

Tracks Listing:
 1. Tomorrow - 3:50
 2. Fatherless Child - 4:40
 3. Spinning - 3:15
 4. Giving Me the Blues - 3:49
 5. Richland Swing - 3:57
 6. Hurt People, Hurt People - 4:56
 7. I Be Tryin' - 4:40
 8. Masters of War - 3:26
 9. I'll Keep It Hot for You - 3:24
10. I Hear Some Blues Downstairs - 3:55
11. Nite Creepin' - 3:47
12. The World Don't Deserve Your Smile - 3:26

Harrell “Young Rell” Davenport Announces Full‑Length Debut on Little Village A new generation of blues takes the stage Little Village proudly announces the full‑length debut from Harrell “Young Rell” Davenport, the 19‑year‑old Mississippi phenom whose rapid rise has electrified the blues world and reaffirmed that the tradition is not only alive — it’s evolving in real time.Raised in Vicksburg, Mississippi and steeped in the cultural memory of the Delta, Young Rell represents the rarest combination: a deeply rooted traditionalist with the instincts and imagination of a modern songwriter. A standout guitarist of striking maturity, a fat‑toned harmonica player with a signature attack, and a vocalist who sings with unforced authority, Davenport has already emerged as one of the most compelling young voices in contemporary blues.His story is the kind that reminds the community why Little Village exists. Like D.K. Harrell, Sean McDonald, Kyle Rowland, Candice Ivory (and more!) before him, Young Rell arrives at the label at the exact moment when raw talent, lived experience, and artistic purpose converge. Little Village has made a mission of catching young artists on their ascent — and Davenport is unmistakably on his way up, up, and up!!One of Davenport’s greatest strengths is the breadth of his musical vocabulary. His repertoire moves effortlessly from deep Mississippi Delta blues to acoustic country blues, from Chicago electric grit to southern soul. He understands the connective tissue between these styles because he has studied them — not casually, but obsessively. His knowledge of blues history is astonishing: legendary recordings, obscure B‑sides, forgotten innovators, regional variations, and the overlooked artists who shaped the music from the shadows. Young Rell’s songwriting is extremely impressive and his taste in covers is impeccable; he wrote all the songs on this album except two, and they aren’t the usual standards — they’re deep cuts, songs most musicians never touch, like his unique, fascinating and timely take on Bob Dylan’s “Masters of War” and Fenton Robinson’s should be classic “I Hear Some Blues Downstairs!” And he doesn’t just play them; he inhabits them, reshaping each tune with a sense of ownership and emotional clarity far beyond his years.Discovered by many through a viral clip of his first‑ever Chicago performance — 165,000 views and 4,000 shares within days — Young Rell has since built a global following through his musicianship, his humility, and his gift for community‑building. His social media presence is not a marketing strategy; it’s an extension of the same generosity he brings to the bandstand. Fans and musicians alike engage with him on technique, tone, gear, and the deep history of the music he carries forward.As a child, Davenport found refuge in the blues, writing his way through hardship and trauma. By the time he finished high school, he had written more than 150 original songs — personal without being confessional, poetic without affectation, shaped by experience and the emotional intelligence of someone who listens as intently as he plays.This debut album — recorded at Kid Andersen’s Greaseland Studios and produced by Chicago blues harmonica ace Matthew Skoller with co‑production and engineering by Kid Andersen — showcases a young artist already in full command of his voice. Surrounded by a powerhouse Bay Area rhythm section and supported by Larry Batiste’s horn arrangements and background vocals, Davenport delivers a set that honors the lineage while sounding unmistakably like himself.

Wes The Power Trio - First Born/second Offering

Bitrate:320K/s
Year:1990
Time:57:13 
Size:132,0 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Stressed Out - 3:28
 2. Hardlife - 3:39
 3. Lichella - 4:25
 4. Demon - 4:05
 5. Ain't It a Shame - 4:26
 6. Sweet Lady - 4:05
 7. Runnin' - 6:04
 8. Smokes Too Much - 5:59
 9. Play My Way - 4:24
10. Happy - 4:18
11. Time Waits for No Man - 5:47
12. Can't Say - 6:28

There are some opportunities that one cannot afford to miss - they must be seized. WES, The Power Trio, a band made up of three power musicians fresh from the New Orleans music scene have it all: a mixture of rock, Rhythm & blues, Blues, Reggae and Funk. Three musicians, bassist Ron Wesley, drummer Paul Benko, and the guitarist with the elusive initials V.C., have already opened for and jammed with such famous names as Johnny Winters, James Cotton, David Bromberg, Tab Benoit, and Lonnie Brooks. Having played their own special brand of music for over half of the world, they break out of the traditional jazz mold. In order to provoke audience participation and have that 'Black Feeling' permeate the listeners, they aim directly at the gut of the public through the use of their sweeping rhythm/