Bitrate: 320K/s
Year: 1991
Time: 42:22
Size: 97,5 MB
Label: Ruf Records
Styles: Blues
Art: Full
Tracks Listing:
1. Blind Love - 4:20
2. 99 Pounds - 3:59
3. T.R.O.U.B.L.E. - 3:59
4. Hard Hearted Woman - 3:03
5. Why Why Baby - 2:15
6. I Would't Treat A Dog (The Way You Treated Me) - 5:24
7. One Rock At A Time - 3:18
8. Leave My Woman Alone - 2:52
9. The Chicken And The Hawk (Up, Up, And Away) - 3:45
10. Most Likely You Go Your Way (And I'll Go Mine) - 3:50
11. Ride And Roll - 2:49
12. Tryin' To Get To You - 2:43
Over the years, the Nighthawks have done their share of label-hopping. 1991 found them briefly recording for Powerhouse, a small Florida label that Ichiban was distributing at the time. Trouble, which the Nighthawks dedicated to Doc Pomus, was their only album for Powerhouse -- and it is a solid blues-rock outing that sometimes detours into blue-eyed soul and early rock & roll. Whatever the style, the Nighthawks bring a lot of grit and enthusiasm to the material, which ranges from Lieber and Stoller's "The Chicken and the Hawk" to Bobby "Blue" Bland's "(I Wouldn't) Treat a Dog." The band also turns its attention to Sonny Terry & Brownie McGhee's "Ride and Roll," a song that blues lovers associate with the Piedmont, GA, school of Southern country blues. But in the Nighthawks' hands, "Ride and Roll" doesn't sound like Georgia blues -- they give the tune an electric blues-rock makeover, and their version is closer to Chicago than Georgia. Another highlight of the album is Bob Dylan's "You Go Your Way"; the Nighthawks haven't recorded many songs by the folk-rock icon, but this one works well for them. On many of their albums, the DC residents have been totally self-contained; but on Trouble, they have a few guests. One of them is "Steady Rollin'" Bob Margolin, who recorded for Powerhouse as a solo artist in the early '90s. Margolin is best known for his years as Muddy Waters' guitarist, which makes him a perfect guest for the Nighthawks -- both of them both worship anything having to do with Chess Records. Trouble falls short of essential, but even so, it is an enjoyable (if overlooked) footnote in the Nighthawks' history.
Trouble
Year: 1991
Time: 42:22
Size: 97,5 MB
Label: Ruf Records
Styles: Blues
Art: Full
Tracks Listing:
1. Blind Love - 4:20
2. 99 Pounds - 3:59
3. T.R.O.U.B.L.E. - 3:59
4. Hard Hearted Woman - 3:03
5. Why Why Baby - 2:15
6. I Would't Treat A Dog (The Way You Treated Me) - 5:24
7. One Rock At A Time - 3:18
8. Leave My Woman Alone - 2:52
9. The Chicken And The Hawk (Up, Up, And Away) - 3:45
10. Most Likely You Go Your Way (And I'll Go Mine) - 3:50
11. Ride And Roll - 2:49
12. Tryin' To Get To You - 2:43
Over the years, the Nighthawks have done their share of label-hopping. 1991 found them briefly recording for Powerhouse, a small Florida label that Ichiban was distributing at the time. Trouble, which the Nighthawks dedicated to Doc Pomus, was their only album for Powerhouse -- and it is a solid blues-rock outing that sometimes detours into blue-eyed soul and early rock & roll. Whatever the style, the Nighthawks bring a lot of grit and enthusiasm to the material, which ranges from Lieber and Stoller's "The Chicken and the Hawk" to Bobby "Blue" Bland's "(I Wouldn't) Treat a Dog." The band also turns its attention to Sonny Terry & Brownie McGhee's "Ride and Roll," a song that blues lovers associate with the Piedmont, GA, school of Southern country blues. But in the Nighthawks' hands, "Ride and Roll" doesn't sound like Georgia blues -- they give the tune an electric blues-rock makeover, and their version is closer to Chicago than Georgia. Another highlight of the album is Bob Dylan's "You Go Your Way"; the Nighthawks haven't recorded many songs by the folk-rock icon, but this one works well for them. On many of their albums, the DC residents have been totally self-contained; but on Trouble, they have a few guests. One of them is "Steady Rollin'" Bob Margolin, who recorded for Powerhouse as a solo artist in the early '90s. Margolin is best known for his years as Muddy Waters' guitarist, which makes him a perfect guest for the Nighthawks -- both of them both worship anything having to do with Chess Records. Trouble falls short of essential, but even so, it is an enjoyable (if overlooked) footnote in the Nighthawks' history.
Trouble
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