Bitrate: 320K/s
Year: 2007
Time: 72:15
Size: 166,2 MB
Label: Dixiefrog Records
Styles: Blues
Art: Front
Tracks Listing:
1. I Was All Wrong - 4:43
2. Down The Rain - 4:51
3. Ashevedaddy Song - 5:32
4. Between a Woman and A Man 5:05
5. She Healed Me - 5:22
6. Road To Cairo 5:45
7. Gravity & Gravy - 4:41
8. Sweet Misery - 4:41
9. Why People Act Like That -6:38
10. Leadfootin' - 4:10
11. Money for cigarettes - 2:01
12. Le Tengo Rabia Al Silencio - 4:39
13. Feed The Cat - 3:26
14. Angry Old Man -5:47
15. Road Kill 4:56
"Greyboy Blues" is an out-of-the-mold kind of blues album, avoiding all the genre clichés, though keeping the spirit and structure, with special attention to meaningful lyrics written by Leadfoot Rivet himself or borrowed from fine craftsmen like Earl King, Eric Bibb or David Ackles. A distinctive, powerful and expressive voice is the signature of Leadfoot Rivet balancing between fiery southern soul-man passion and witty blues shouter social commentary. As usual, he is surrounded by cream-of-the-crop local musicians plus prestigious guests like Tom Principato, Joanna Connor (for a memorable duet), Neal Black and Fred Chapellier. A great achievement that warrants a try-out. This might be a pleasant surprise.
Greyboy Blues
Year: 2007
Time: 72:15
Size: 166,2 MB
Label: Dixiefrog Records
Styles: Blues
Art: Front
Tracks Listing:
1. I Was All Wrong - 4:43
2. Down The Rain - 4:51
3. Ashevedaddy Song - 5:32
4. Between a Woman and A Man 5:05
5. She Healed Me - 5:22
6. Road To Cairo 5:45
7. Gravity & Gravy - 4:41
8. Sweet Misery - 4:41
9. Why People Act Like That -6:38
10. Leadfootin' - 4:10
11. Money for cigarettes - 2:01
12. Le Tengo Rabia Al Silencio - 4:39
13. Feed The Cat - 3:26
14. Angry Old Man -5:47
15. Road Kill 4:56
"Greyboy Blues" is an out-of-the-mold kind of blues album, avoiding all the genre clichés, though keeping the spirit and structure, with special attention to meaningful lyrics written by Leadfoot Rivet himself or borrowed from fine craftsmen like Earl King, Eric Bibb or David Ackles. A distinctive, powerful and expressive voice is the signature of Leadfoot Rivet balancing between fiery southern soul-man passion and witty blues shouter social commentary. As usual, he is surrounded by cream-of-the-crop local musicians plus prestigious guests like Tom Principato, Joanna Connor (for a memorable duet), Neal Black and Fred Chapellier. A great achievement that warrants a try-out. This might be a pleasant surprise.
Greyboy Blues
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