Bitrate: 320K/s
Year: 1994
Time: 68:50
Size: 157,9 MB
Label: Van Der Linden
Styles: Harmonica Blues/Chicago Blues/Modern Electric Blues
Art: Front
Tracks Listing:
1. I Love My Baby - 4:13
2. Learned The Hard Way - 4:48
3. Let's Pack Our Bags - 3:47
4. Je Me Souviens (I Remember Too) - 5:11
5. Keep Your Hands Off Her - 4:04
6. He's Not Good For Me - 3:04
7. My Woman Is An Old Black Spider - 3:57
8. Moanin' And Cryin' - 6:13
9. Kindhearted Fool - 4:03
10. Lonely Nights No More - 4:31
11. The Wrong Guy - 4:35
12. How Long Can A Man Be Poor? - 6:38
13. Got To Change Your Ways - 3:14
14. Bull Frog Hop - 3:26
15. Mean Old World - 7:00
A diverse, eclectic and stormy blues variety album for the blues lover in everyone. Led by bandleader and song-writer Pierre Lacocque on harp, LEARNED THE HARD WAY is the band’s second recording. Considered by some to be their best traditional blues CD. (1994)
“Straight From the Heart” launched Mississippi Heat solidly into the Chicago blues scene in January 1993. Since then we replaced our singer-drummer Robert Covington with singer Deitra Farr and drummer Allen Kirk. Robert, the original Mississippian in our band, simply had too many commitments to be able to play with us on a regular basis. Although he is not with us any longer he and Pierre continue their musical relationship through song-writing for future projects. The impelling force for this album is to introduce Deitra Farr with Mississippi Heat. Sterliung Plumpp, Assistant Professor of Black Studies at the University of Illinois at Chicago, and poet, says it best when he wrote: “…her message is conveyed because she literally brings the tool kit of the church with her; she is deeply immersed in the sacred waters of the gospel and therefore hums, groans and shuffles her voice to both state and insinuate meanings…she might have drowned in her own tears [but] because of the power of her delivery… she has wings and will not let somebody ‘worry her life anymore.’ ” (In At Chicago, Feb. 7, 1990) For this album Deitra is recording an array of original songs: Two of her own, five of Pierre’s composition, and one very special gift to us and you,her superb rendering of Mean Old World. This song, her theme song, is an arrangement of two of Little Walter’s songs. When, some ten years ago, Billy Branch invited her on stage to sing a song at B.L.U.E.S., Deitra uncharacteristically accepted. Her rendition of Mean Old World and the audience’s response inspired her to launce into Tonight With A Fool. This mixing of these two songs into one particularly encapsulates her power, passion, and extraordinary sensitivity. Her voice and agony resonate as though through a cavernous pit and when she puts the microphone down and “walks the floor” to sing Mean Old World acoustically, the entranced audience opens up and touches her in return. When Mississippi Heat was named Top Blues Band and one of the top three bands overall at the Montreal International Jazz Festival 1993, by Serge Truffault, a reporter at Le Devoir, it was largely because of the mystical power Deitra brings to our performances. When we thought we had it all, Allen Kirk stepped in to drum for us. Allen immediately added a spark. For many years he played with The Chicago Diamonds, and, later, with The Fabulous Fishheads. Steve Freund brought him to Sunnyland Slim, Bob Stroger, and Sam Burkhardt (The Big Four), when Robert Covington was out of town. Allen credits his drumming style to these superb veterans. During our tour of Quebec and Ontario in July 1993, Bob Stroger and Allen Kirk worked together and refined a musical bond that is the key to our sound. We marvel at the rich simplicity of Allen and Bob’s work. Another treat for us, and indeed a special gift, is Bob Stroger’s first vocal recording! Keep Your Hands Off Her is a song Bob arranged from a 1935 Big Bill Broonzy’s song. This song has become a part of Mississippi Heat’s repertoire because it wonderfully reflects a deep feeling we share towards Deitra. Indeed, when Bob touchingly refers to Mississippi Heat aas his family, we intuit that he refers specially to the love and joy Deitra brings to our band. Bob Stroger’s charisma is sung all over. A quieter man has never been more powerfully felt and noticed! As the band’s veteran, Bob is our quiet leader. Bob is “Straight From The Heart.” Billy Flynn continues to lift us with his quiet and uncanny ability to inspire us and audiences alike. HIs culture, his knowledge of blues repertoire and history, his ability to express musically the depth of his emotions and his extraordinary guitar carry us each night to new heights. (Thank you David Waldman!) As David Whiteis, Critics Choice columnist wrote in the April 2, 1993 edition of the Chicago Reader, “…Flynn is a fiery, emotional player for whom the old blues sounds are as urgent now as the were for the Delta migrants who created them in the late 40’s and early 50’s.” Billy composes and plays every day of his life. Each time we travel, he lets us hear new musical arrangements, new chords, or simply wonderful renditions of this favorite 30’s and 40’s songs. Every night is a great night for Billy Flynn! Passionate with superb form, restrained but always ready to explode, Billy’s artistry and commitment are a continuous reminder of our task. James Wheeler’s calm and debonair attiude belies his deep emotions when he plays. James, our other veteran, keeps usdown to earth singing the “you-done-me-wrong blues.” James Wheeler’s gentle blues is profoundly felt and conveyed. He has long inspired musicians with his effective guitar licks and with his blues sense. Wheeler’s genis is particularly displayed on four cuts on this album: How Long Can A Man Be Poor, Let’s Pack Our Bags, My Woman Is An Old Black Spider, and The Wrong Guy. His experience with lyrics helped with some of these songs. We decided to include James as co-author to three of Pierre’s songs because he offered valuable suggestions and therefore became part of the creative process.Pierre continues to create an original sound while staying faithful tho the traditional Chicago-style harp playing. David Whiteis wrote in the aforementioned article that “Pierre Lacocque is that rare younger-generation harpist who’s absorbed the lessons of subtlety, silence, and solo construction from the masters…as well as their raucous, hawk like tonal power.” Pierre’s thirst for expressing his blues has no bound. The enthusiasm and the reverence he has for his music and his band are at the heart of MIssissppi Heat.
Learned The Hard Way
