Bitrate:320K/s
Year:2005
Time:49:47
Size:114,5 MB
Label:Jango Bleaux Records
Styles:Blues
Art:Full
Year:2005
Time:49:47
Size:114,5 MB
Label:Jango Bleaux Records
Styles:Blues
Art:Full
Tracks Listing:
1. Memphis - 5:50
2. That Aint True - 4:31
3. Bittersweet Success - 3:30
4. You Know Me - 6:06
5. Played The Fool - 5:31
6. Till I Get It Right - 3:42
7. Love Is Overdue - 6:00
8. Hard Rain - 4:38
9. Devil On Tequila - 5:49
10. Lay My Head - 4:04
1. Memphis - 5:50
2. That Aint True - 4:31
3. Bittersweet Success - 3:30
4. You Know Me - 6:06
5. Played The Fool - 5:31
6. Till I Get It Right - 3:42
7. Love Is Overdue - 6:00
8. Hard Rain - 4:38
9. Devil On Tequila - 5:49
10. Lay My Head - 4:04
Musicians:
John Gaar - Guitar & Vocals
Ron D'Argenio - keyboards
John Ehlenbach - Bass
Tommy Leanza - Drums
John Gaar - Guitar & Vocals
Ron D'Argenio - keyboards
John Ehlenbach - Bass
Tommy Leanza - Drums
2019 Independent Music Award-Winner!
Austin-based Louisiana native John Gaar comes at you with full-forced Southern-infused Roots Rock with a soul strung voice, signature raunchy guitars, wailing organs, epic hooks, sweet 3-part harmonies, clever lyrics and superb story-telling. His distinctive sound embraces multiple eras and genres, including blues, rock, country, folk, Americana and jazz, all of which he is well-versed. In late 2018 Gaar’s new “Roll Like That” album launched along with the World Video Premiere of the same title. Artistrack says “Incredible showmanship, an excellent album, boasting a wide range of styles and a stunning production!” The Roll Like That video also took home top honors by winning an Independent Music Award (IMA), honoring the year’s most exceptional artists, at their ceremony in New York City in June 2019.
Bittersweet Success:
This unpretentious looking CD is one of those bright spots. Containing ten self penned songs that are well written, well played and generally very good. This one is a keeper. The guitar work is solid, and avoids cloning the Stevie Ray Vaughan licks that show up way too often these days. The band is tight and throws in some pretty cool changing tempo accents. If these guys sound anything like the CD, they should tear the roof off most any club they play in.
The songs vary from medium tempo semi-country/pop to Mid-wests rock & soul to some kickassed rockin blues. Vocally John Garr range reminds me a bit of Joe Bonamassa on the faster rockin songs and Felix Cavaliere on the slower songs. Garr's voice is perfect for his style. The musicianship is excellent also. Suprisingly the keyboards don't overpower the music which often happens when the rhythm backing is keyboard driven.
Austin-based Louisiana native John Gaar comes at you with full-forced Southern-infused Roots Rock with a soul strung voice, signature raunchy guitars, wailing organs, epic hooks, sweet 3-part harmonies, clever lyrics and superb story-telling. His distinctive sound embraces multiple eras and genres, including blues, rock, country, folk, Americana and jazz, all of which he is well-versed. In late 2018 Gaar’s new “Roll Like That” album launched along with the World Video Premiere of the same title. Artistrack says “Incredible showmanship, an excellent album, boasting a wide range of styles and a stunning production!” The Roll Like That video also took home top honors by winning an Independent Music Award (IMA), honoring the year’s most exceptional artists, at their ceremony in New York City in June 2019.
Bittersweet Success:
This unpretentious looking CD is one of those bright spots. Containing ten self penned songs that are well written, well played and generally very good. This one is a keeper. The guitar work is solid, and avoids cloning the Stevie Ray Vaughan licks that show up way too often these days. The band is tight and throws in some pretty cool changing tempo accents. If these guys sound anything like the CD, they should tear the roof off most any club they play in.
The songs vary from medium tempo semi-country/pop to Mid-wests rock & soul to some kickassed rockin blues. Vocally John Garr range reminds me a bit of Joe Bonamassa on the faster rockin songs and Felix Cavaliere on the slower songs. Garr's voice is perfect for his style. The musicianship is excellent also. Suprisingly the keyboards don't overpower the music which often happens when the rhythm backing is keyboard driven.
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