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пятница, 28 января 2022 г.

Christian Brooks - Lucky Me

Bitrate: 320K/s
Year: 2022
Time: 40:50 
Size: 93,6 MB 
Label: 3632513 Records DK
Styles: Blues/Blues Rock
Art: Front 

Tracks Listing:
 1. What's It Gonna Be (feat. Anson Funderburgh) - 4:21
 2. Lets See Ya Move It - 3:26
 3. Daisy Louise - 3:38
 4. Give It Up (feat. Mike Morgan) - 2:44
 5. Peace And Comfort - 2:42
 6. Roadtrip - 3:21
 7. Reina Marie - 3:37
 8. Going Back To Texas (feat. Anson Funderburgh & Mike Morgan) - 3:18
 9. Going Down To Louisiana - 4:42
10. Smoke And Mirrors - 3:12
11. Lucky Me - 3:36
12. Fly Away.wav - 2:08

Local blues musician/leather smith from Dallas, Texas.
SIXTH-GENERATION TEXAN CHRISTIAN BROOKS brings a lifetime of musical performance to his own mix of Cajun blues meets Texas honky-tonk rock, topped with a little Southern boogie. Creating an original sound thats catchy and easy to dance to, fans keep smiling and listening to the toe-tappin tunes and forceful instrumentals. Brooks slide guitar and vocals lead the band.Brooks has a rich background in an array of genres, as he sprang out of Dallas well-known OAK CLIFF music community a group that over the past 45 years has produced a string of top-name vocalists and musicians, as well as many current artists.

Wille & the Bandits - When the World Stood Still

Bitrate: 320K/s
Year: 2022
Time: 63:12 
Size: 145,7 MB 
Label: Fat Toad Records
Styles: Rock/Blues Rock
Art: Front 

Tracks Listing:
 1. Caught in the Middle - 3:57
 2. I'm Alive - 6:22
 3. Without You - 8:33
 4. Good Stuff - 4:56
 5. In This Together - 3:42
 6. Will We Ever - 4:25
 7. When the World Stood Still - 5:08
 8. Move Too Fast - 6:05
 9. Broken Words - 3:34
10. Daylight - 3:52
11. Refuge - 4:39
12. Solid Ground - 7:55

Cornwall-based roots rock band Wille & The Bandits release their fifth studio album When The World Stood Still on January 28, 2022, on their independent label, Fat Toad Records. This is about an album that documents a time when the world stood still, recorded in a place only accessible on the high tide, on the banks of the river Fowey; one of Britain’s most iconic recording studios that is coming to the end of an influential life. This could be the last album recorded at Sawmills, funded by the fans of a band considered one of the most exciting and successful independent acts in Europe. It is no exaggeration to state that Sawmills Studio, with the artistry of John Cornfield, has produced some of the most ground-breaking albums of the last 30 years; Stone Roses’ Fools Gold, Oasis’ Definitely Maybe, Supergrass’ In It For The Money, Robert Plant’s The Fate of Nations, Muse’s Showbiz, and now Wille & The Bandits’ When the World Stood Still stands alongside as one of equal mastery. Wille & The Bandits are a band who do not stop pushing boundaries. They were in the process of carving out a reputation as one of the UKs most original acts when the impacts of the pandemic led to a cease of touring. Wille and the Band got stuck into song-writing and an album was written; A group of powerful anthemic songs, who’s melodies and lyrics resonate with the emotions of a time that none of us expected.“It had always been a dream for me to record at Sawmills,” says Wille Edwards, the band’s lead singer, guitarist, and multi-instrumentalist. “I was devastated at the thought that another piece of music history was being repurposed away from a place of inspiration for the arts.” “However,” continues Wille, “there was a suggestion of fate when a friend took me night fishing at a secret spot, that just happened to be in the Foy River, looking across to this wonderfully situated building; one that we all know, even if we don’t realise it, from a childhood of reading Wind in the Willows. This set me on a hunt to find out if there was still a chance to record one last album at Sawmills with the man behind all the iconic albums recorded there – Mr John Cornfield. To fund this enterprise, we turned to our unbelievable fans who made the dream happen, and who we are eternally grateful, too” Wille & The Bandits have so far recorded five studio albums to critical acclaim and are credited with pushing the boundaries of roots rock into a new era of music lovers. They were listed in the top ten must see bands at Glastonbury Festival by BBC Radio One and were personally invited to perform on the German TV show Rockpalast – a musical institution of global import. They have played festivals across the world, from Broadway to the West End, and Belgrade to Sydney.  They were picked to perform at the London Olympics after being voted one of UK’s best live acts.


John Mayall - The Sun Is Shining Down

Bitrate: 320K/s
Year: 2022
Time: 45:34 
Size: 104,5 MB 
Label: Forty Below Records
Styles: Blues/Blues Rock
Art: Front 

Tracks Listing:
 1. Hungry and Ready (feat. Melvin Taylor) - 5:00
 2. Can't Take No More (feat. Marcus King) - 3:45
 3. I'm as Good as Gone (feat.Buddy Miller) - 4:23
 4. Got to Find a Better Way - 4:00
 5. Chills and Thrills - 5:20
 6. One Special Lady (feat. Jake Shimabukuro) - 4:17
 7. A Quitter Never Wins - 4:32
 8. Deep Blue Sea (feat. Scarlet Rivera) - 4:24
 9. Driving Wheel (feat. Melvin Taylor) - 3:40
10. The Sun is Shining Down (feat. Carolyn Wonderland) - 5:19

Just after his 88th birthday in 2021, John Mayall, the long-reigning king of British blues, announced he was hanging up his road shoes. He also noted that he would continue to record and felt excited by the work he was doing. The Sun Is Shining Down (album number 60) was completed just before that announcement. As evidenced here, his ability to write and record vital modern blues with excellent musicians continues unabated. These ten tracks showcase a cast of invited all-star guests; most are guitar slingers -- after all, this is the man who gave us Eric Clapton, Peter Green, Mick Taylor, and countless others. His own band comprises guitarist Carolyn Wonderland, bassist Greg Rzab, drummer Jay Davenport, and a horn section for the proceedings. Mayall sings, plays piano, Wurlitzer, Hammond B-3, and harmonica.Opener "Hungry and Ready" is a swinging Chicago blues with Mississippi-born bluesman Melvin Taylor playing lead guitar atop hard-grooving horns. Mayall, in excellent voice, still plays a deft, wailing harmonica. Taylor's solo is mean and winding. South Carolina blues hero Marcus King takes the lead chair for "Can't Take No More," a funky roadhouse blues driven by B-3 and a cracking drum kit. King lays down layer after layer of tasty guitar fills. Former Heartbreaker and current Fleetwood Mac axeman Mike Campbell guests on Bernard Allison's "Chills and Thrills," offering his funky, yet precise economical style as the perfect foil for Mayall's voice and evil B-3. Buddy Miller adds a nasty blues tone and grimy solo to "I'm as Good as Gone." Violinist Scarlet Rivera accompanies the band on "Deep Blue Sea." Her sweeping fills and labyrinthine solo expand the tune's frame to the breaking point, and Mayall's piano work is exemplary, coming right out of the stride and NOLA traditions, adding color and texture with a Wurlitzer. Ukulele innovator Jake Shimabukuro trades tasty, snarling lines with Wonderland on "One Special Lady" (a jump blues) as Mayall's B-3 prods the band to support them. Taylor tears it up again on a cover of Roosevelt Sykes' "Driving Wheel." His stinging fills punctuate each sung line as the horns stroll and roil underneath. Wonderland shines as a soloist on the closing title track. Her sinister, steamy blues, razor-wire fills, and accents bubble and bump atmospherically around and under Mayall's organ and moaning vocal while the band shuffles, swells, and vamps all around them. Wonderland doesn't merely trade lines with Mayall, she offers a tight, soulful solo and plays call-and-response with herself, offering tight lines and smoky phrases. Hopefully, life goes according to plan and Mayall gets to deliver many more recordings before he's done, because The Sun Is Shining Down sounds hungry and vital. Mayall delivers these rough-and-ready blues like a champ.

четверг, 27 января 2022 г.

Altered Five Blues Band - Holler If You Hear Me

Bitrate: 320K/s
Year: 2021
Time: 50:21 
Size: 115,9 MB 
Label: Blind Pig Records 
Styles: Blues/Chicago Blues/Modern Electric Blues
Art: Front 

Tracks Listing:
 1. Holler If You Hear Me - 3:33
 2. Guilty of a Good Time - 3:25
 3. If You Go Away (She Might Come Back) - 3:32
 4. Holding on with One Hand - 3:56
 5. Full Moon, Half Crazy - 3:21
 6. Where's My Money? - 3:13
 7. All Suit, No Soul - 2:57
 8. I Got All I Need - 5:37
 9. Clear Conscience, Bad Memory - 5:29
10. In the Name of No Good - 3:30
11. Leave Before I Let You Down - 4:21
12. Fifteen Minutes of Blame - 4:09
13. Big Shout Out - 3:12

Milwaukee’s outrageously cool Altered Five Blues Band gets one step closer to world domination with the release of their new platter Holler If You Hear Me. Set to break out September 3rd, 2021 on Blind Pig Records, the album was made over the span of only five days in Nashville, Tennessee with three-time Grammy-winning producer Tom Hambridge (Buddy Guy) at the helm. Hambridge produced the band’s earlier chart-topping album Ten Thousand Watts and has developed a musically successful relationship and workflow with the members of Altered Five that seems to level up every time they all get together. Holler If You Hear Me is an absolutely stomping good time and proves once again that Altered Five Blues Band rates among the top roots music acts in the business. The group is tight, fully seasoned, and capable of writing songs that stand tall and sound fresh, which is exactly what they do on this, their sixth album. Working out of the often overlooked city of Milwaukee, Wisconsin, Altered Five Blues Band has built a huge, well-deserved reputation as a block-rocking crew with a mighty live presence and the skills and writing chops to back it up. The group was nominated for a Blues Music Award in 2018 and also won an Independent Music Award and a Wisconsin Music Award that same year. Fronted by the man-sized vocals of singer Jeff Taylor and fueled by guitarist Jeff Schroedl, bassist Mark Solveson, drummer Alan Arber, and keyboardist Raymond Tevich, Altered Five has become a creative force in modern blues. Their mix of instrumental power, top-flight, entertaining songs and vocals, and a genuine enthusiasm for what they’re doing makes this bunch unstoppable. This new set kicks off with its title track “Holler If You Hear Me,” which begins with a nice bounce but becomes a full-on rave-up once the chorus kicks in. Jeff Taylor’s voice is impossible to ignore and he leads listeners through the song with jubilation. The rhythm section flexes some big guns here, too, switching from swing to drive on a dime and locking the pocket down like a deadbolt. It’s a wonderful, upbeat party anthem that instantly shows the band at its best. “Guilty Of A Good Time” keeps the fun moving forward with a dramatic vocal-and-guitar intro that leads into a heavy, mid-speed beat with a bit of classic rock DNA in it. It’s another song about the late-night lifestyle and the world of after-parties, hand-rolled cigars, and rhythm and blues. The band rubs the pocket just right and gives Taylor all the space he needs to tell his story. “Full Moon Half Crazy” is a tough blues/rock cut with a fearless vibe and some fine guitar slinging by Jeff Schroedl. He and Taylor come across larger-than-life and you’ll believe every second of what they put down. The entire group goes hard on this one, giving listeners an inkling of what Altered Five sounds like live. They play with a sense of rhythmic unity that makes any song they touch into a fire-starter. Every great band has it and it changes everything for the better. “All Suit No Soul” is a funky piece of blues heaven that will activate your hips and fill you with joy as this group of sharpshooters works their way through it. Taylor calls out a game less, hollow, playboy type of no substance and it’s clear that he represents the polar opposite. It’s a wide-open jam that will pack any dance floor with happy souls shaking their bones. Other can’t-miss cuts on Holler If You Hear Me include the soulful “Leave Before I Let You Down” and the hard funk of “Fifteen Minutes Of Blame.” Altered Five Blues Band is as great as blues music gets and towers over most acts on the current scene. Put this record on and leave it up loud.

Grayson Hauser - The Blues of a Distant Earth

Bitrate: 320K/s
Year: 2019
Time: 39:57 
Size: 91,8 MB 
Label: 1184776 Records DK
Styles: Blues/Blues Rock/Indie Rock
Art: Front 

Tracks Listing:
 1. Free My Soul - 3:36
 2. I Don't Care Today - 2:14
 3. Heal Without You - 3:56
 4. This American Lie - 3:52
 5. Drifting Through Time - 2:25
 6. Still Your Man - 4:42
 7. Straight Ahead - 3:34
 8. Off the Shoulder of Orion - 6:48
 9. Lonesome Road Blues - 4:23
10. New Day Comin' - 4:23

Grayson is an electric guitarist and singer who plays an expansive brand of soulful music. From gentle, thoughtful explorations of pastoral ambient sounds, unabashed beer-hoisting groove rock, Grayson is committed to exploring all the possibilities the guitar has to offer. Grayson’s musical philosophy is fairly simple: no trends or hype, just honest, soulful music that anyone can connect to/

Eric Gales - Crown

Bitrate: 320K/s
Year: 2022
Time: 64:43 
Size: 149,0 MB 
Label: Mascot Label Group/Provogue
Styles: Blues/Blues Rock
Art: Front 

Tracks Listing:
 1. Death Of Me - 4:35
 2. The Storm - 6:16
 3. Had To Dip - 0:30
 4. I Want My Crown (feat. Joe Bonamassa) - 4:19
 5. Stand Up - 4:51
 6. Survivor - 5:38
 7. You Don't Know The Blues - 4:34
 8. Rattlin' Change - 1:03
 9. Too Close To The Fire - 7:07
10. Put That Back - 3:47
11. Take Me Just As I Am (feat. LaDonna Gales) - 3:03
12. Cupcakin' - 0:45
13. Let Me Start With This - 2:49
14. I Found Her - 6:44
15. My Own Best Friend - 4:59
16. I Gotta Go - 3:36

Eric Gales is back, and he stakes his claim as he rightfully takes his place among the greatest guitarists on the planet! His new album Crown will be released via Provogue on January 28, 2022. The songs are delivered with clarity and feature Eric’s personal experiences and hope for positive change. In addition, the 16-track collection boasts his finest singing, songwriting, and his signature guitar playing that burns throughout. Produced by Joe Bonamassa and Josh Smith, this is Eric at his most boldly vulnerable, uncompromisingly political, and unflinchingly confident. 


Louise Cappi - Melange

Bitrate: 320K/s
Year: 2017
Time: 42:27 
Size: 97,7 MB 
Label: Self Released
Styles: Blues/ Soul/Rhythm & Blues/Jazzy Blues
Art: Front 

Tracks Listing:
 1. Talk to Me - 3:57
 2. Guilty - 4:56
 3. Feel Like Makin' Love - 4:28
 4. Bella Nola - 4:15
 5. Chain of Fools / Unchain My Heart - 7:40
 6. It Is What It Is - 3:49
 7. Summertime - 4:41
 8. Lets Make Love - 3:38
 9. Song for You - 5:01

Louise Cappi is a Soul vocal stylist, bandleader, song writer, recording & video artist. She was born and raised in New York, and is the daughter of the late great Jazz guitarist and pioneer of the seven string guitar, Al Cappi. Mr. Cappi was voted one of the top ten guitarist in the country by a Down Beat Magazine Pole. He was Louise's teacher and mentor as well. New Orleans has been Louise's home for more then seventeen years and she credits the city as a teacher and muse. Ms. Cappi has a devoted following not only here, but all over the world. She has performed with Grammy winner, Irvin Mayfield, and with members of the First Family of Jazz, Jason & Delfeayo Marsalis. Louise is a gifted improvisational vocal stylist. Renowned jazz guitarist, Todd Duke, when once asked about her style of music said, "Louise is her own genre of music". PRESS: "Cappi has great range and a richly textured coloratura style" Off Beat Mag. " Congrats to Louise Cappi on the new video release of her song, "Talk to Me" ... Great, smooth song for Jazz lovers. 

Bluesguy Schwartz & The New Jack Hippies - Blueswriter v.6.0

Bitrate: 320K/s
Year: 2012
Time: 49:42 
Size: 115,3 MB 
Label: Self Released
Styles: Blues/Modern Electric Blues
Art: Front 

Tracks Listing:
 1. I Hate to Leave New Orleans - 3:51
 2. Close to You - 3:23
 3. The Girl Decided to Do It Again - 5:21
 4. (She Thinks I'm) Superman - 4:49
 5. 4517 Miles - 2:47
 6. Hard to Live With - 6:32
 7. Xmas On the Hiway - 5:20
 8. I'm Blue (When I'm Far Away from You) - 3:01
 9. Nothin' but the Blues - 4:19
10. Baby Don't Love Me Anymore - 2:30
11. 21 Songs Ago - 3:15
12. Mean One Blues - 4:28

Guy Schwartz (born February 17, 1952) is an American musician, bandleader, songwriter, videographer, music journalist, media activist, and 2016 presidential candidate, mostly known for his collaborative involvement with other Texas musicians, a couple of regional minor-hit records in the 1970s and 1980s, his three local Houston, Texas cable access TV series featuring local and regional original music, and live performances featuring set pieces plus spontaneous music and lyrics (more info: https://en.wikipedia.org/wiki/Guy_Schwartz)

Jon Amor - Colour In The Sky


Bitrate: 320K/s
Year: 2018
Time: 44:29 
Size: 103,0 MB 
Label: Thirtybee Records 
Styles: Blues
Art: Full 

Tracks Listing:
 1. Faith Reborn - 3:32
 2. Elephant - 3:40
 3. Illuminous Girl - 3:38
 4. San Bernardino - 4:02
 5. Stranger For Me - 3:29
 6. Happiest All-Time Low - 2:49
 7. Drunk On Your Love - 4:29
 8. When The Weather Turns cold - 3:58
 9. February Tree - 4:17
10. Red Telephone - 3:04
11. Scandinavia - 3:46
12. Sentinels - 3:38

Having made his name as a guitar player with legendary UK blues band The Hoax, Jon Amor has established himself as a fine singer/songwriter in his own right, releasing a string of highly acclaimed solo albums. Nominated numerous times for ‘Guitarist Of The Year’ awards, Jon has recorded with the likes of Robert Plant and Clive Deamer (Portishead, Radiohead), and has played guitar alongside Buddy Guy, Van Morrison, Billy Bragg and more. 2018 saw the release of a new studio album – ‘Colour In The Sky’. It features guest performances from Ian Siegal, Paddy Milner, Bob Fridzema, Joel Fisk, among others, and showcases Jon’s wide-ranging – and never predictable – songwriting talents. Having toured the album with a highly-acclaimed live show in 2019, Jon plays #ColneBlues2020 with an all-star band, to perform the new songs, as well as some select choices from his extensive back catalogue. ”Amor has always been good, but with ‘Colour In The Sky’, he’s great. Definitely a career best” Hi-Fi News (Album of the Month)

Paul Reddick - Ride The One

Bitrate: 320K/s
Year: 2016
Time: 45:07 
Size: 103,9 MB 
Label: Stony Plain Records
Styles: Rhythm & Blues/Harmonica Blues/Modern Electric Blues/Roots Rock
Art: Front 

Tracks Listing:
 1. Shadows - 4:57
 2. Celebrate - 4:12
 3. Mourning Dove - 4:56
 4. Gotta Find A... - 3:17
 5. It Goes With You - 4:19
 6. Watersmooth - 3:54
 7. Diamonds - 4:23
 8. Living In Another World - 3:57
 9. I Tried To Tell You - 4:13
10. Love And Never Know - 4:47
11. Moon And Star - 2:06

Paul Reddick is one of the pillars of the Canadian blues community, and he is working to ensure that the genre continues to grow in his country, going so far as to create the Cobalt Prize to honor songwriters who further this art form. He is also an accomplished poet, songwriter, vocalist and harpman, and he has been leading the charge for Canadian blues since 1990 when he formed the Sidemen. He recently released his first album for Stony Plain Records, and Ride the One is a wonderful effort that is a departure from what he has done before. Reddick wrote all eleven of the tracks for Ride the One, which was recorded at Union Sound Company in Toronto, Ontario. Paul provided the vocals and harmonica parts, and he was joined by Anna Ruddick on bass, Greg Cockerill and Colin Cripps on guitar, and jack-of-all-trades Derek Downham on drums, piano, and the talkbox. Special guest Steve Marriner from Monkeyjunk helped out with guitar and Fender Rhodes; this is a form a payback as Monkeyjunk is one of the bands that benefited from the groundwork that Reddick helped to lay down.
If you are familiar with Reddick’s previous albums, Ride the One will not be what you expect as it has many more layers of sound and a decidedly intense feel. This is modern blues with an edge to it, and it takes a few listens to get the whole picture of what Paul is trying to accomplish, but he definitely succeeds. The opening track, “Shadows,” is a perfect example of this as it hits the listener solidly with Downham and Ruddick laying down a fervent beat. Over this there is a thunderous chorus of guitars and Paul carrying the melody with his howling vocals and growly harp, both of which are served up with a bit of distortion. There is a lot going on here. The intensity does not let up for the next song, “Celebrate,” but it does have a more melodic feel with cool stereo guitar effects and a melodic bass line from Anna Ruddick. Then the listener gets a breather with “Mourning Dove,” which has a heavy swamp rock beat, sparser instrumentation, and a plethora of killer guitar tones. This is one the standout tracks on the album, as it does such a fabulous job of setting the mood. There are also some more accessible tunes on Ride the One, and “Gotta Find A…” delivers more conventional vocals that are accompanied by organic-sounding instrumentation. The backing vocals and harmonies are a welcome addition to this track, moving it into an almost radio-friendly format. Another catchy tune is “Watersmooth” which has lyrics that are delivered in short phrases over a slick blues-rock beat. Downham adds a little piano into the choruses as a counterpoint to the guitar solo, which is a nice contrast to the inherent weight of this track. From there, the listener will encounter modern electric blues (“Diamonds”), Midwestern rock and roll (“Living in Another World”), and moody rhythm and blues (“Love and Never Know”). Before you know it, things come to a close with “Moon and Star” which is a poem that is presented with muffled vocals (and a touch of echo) alongside Reddick’s harmonica. This bare-bones formula works, and it is a cool acoustic coda to an otherwise heavy and complicated album. Ride the One is a strong effort from Paul Reddick, and it is a satisfying 45-minute set of hard-hitting blues-rock that is played by a very tight crew. It has been four years since Paul last released an album, but he took his time to get everything right, and he certainly has not lost a step. Check it out for yourself to hear some awesome modern blues out of Canada, and head over to Reddick’s website to see if he is gigging anywhere near you – it will definitely be worth your time!

Amor - Amor

Bitrate: 320K/s
Year: 2001
Time: 44:22 
Size: 102,2 MB 
Label: DixieFrog Records
Styles: Rock/Blues Rock
Art: Front+Back 

Tracks Listing:
 1. 24 Hours - 4:35
 2. Plain as Day - 3:12
 3. Lover Down - 4:57
 4. Jump and Shout - 3:31
 5. Can't Keep Living Like This - 5:20
 6. Hit So Hard - 6:06
 7. Changed - 4:21
 8. Take Me Home - 3:55
 9. Man of Steel - 4:06
10. In the Cold - 4:16

\Musicians:
Jon Amor - guitar, vocal;
Matt Beable - bass;
Wayne Proctor - drums.

Eponymous debut album from the trio who incorporated modern loops and samples into their blues-rock sound. This album for me meant a break from the almost stale Blues scene of the time, it was a bold adventurous step forward. If only it could have been exposed to a wider audience I'm sure it would have received more success.  20 years later it still sounds fresh. 


Jay Jesse Johnson - Man On A Mission

Bitrate: 320K/s
Year: 2021
Time: 47:11 
Size: 108,2 MB 
Label: Grooveyard Records
Styles: Blues Rock
Art: Full

Tracks Listing:
 1. Got To Burn - 5:32
 2. Livin' On Rock N' Roll - 3:46
 3. Man On A Mission - 3:59
 4. Good As Gone - 4:00
 5. No Disguise - 7:09
 6. Whatever You Want - 4:57
 7. One Day At Time - 3:46
 8. Tearin' Down The Walls - 5:04
 9. Rock The Blues - 4:46
10. Beyond The Horizon - 4:10

JJJ’s seventh studio album features 10 tracks of amped up Blues Rock. “Man On A Mission” shines a light on the vast talents of this six string, Blues Rockin’ riff master.(more info: http://www.grooveyardrecords.com/jayjessejohnsonmanonamission.html)


Jay Jesse Johnson - I've Got An Ax To Grind

Bitrate: 320K/s
Year: 2007
Time: 62:48 
Size: 143,8 MB 
Label: Self Released
Styles: Blues/Blues Rock
Art: Full 

Tracks Listing:
 1. Cradle To The grave - 4:55
 2. It Aint Easy - 4:30
 3. Big Bad Rhythm - 5:25
 4. Sittin By The River - 6:35
 5. Demons - 6:38
 6. Matter Of Time - 5:27
 7. What Goes Around - 4:16
 8. I've Got An Ax To Grind - 4:45
 9. Spell Of Winter - 5:51
10. Restless Soul - 4:20
11. Snake In The Grass - 3:57
12. Cold World - 6:06

Jay Jesse Johnson is an American blues-rock artist with more than 40 years in the music industry and has recorded on 26 albums, including 7 solo albums. Performing at shows across America and Europe, Johnson is a musical force in the Blues Rock world.


Jeff Jones - Dirty Job

Bitrate: 320K/s
Year: 2011
Time: 49:55 
Size: 115,8 MB 
Label: Self Released
Styles: Hard Rock/Heavy Blues Rock
Art: Front 

Tracks Listing:
 1. All Over Town - 3:55
 2. Can't Get Enuff - 4:00
 3. Lovin' Me (Is a Dirty Job) - 4:17
 4. Wreck Me - 3:48
 5. Devil Woman - 4:21
 6. Pure H.O.G. - 3:56
 7. Dead and Gone - 4:06
 8. Cyanide Kiss - 3:52
 9. Can't Always Want (What You Get) - 4:03
10. Pretty Poison - 2:36
11. Take Me Home - 3:55
12. Shot Me Down - 3:32
13. Down - 3:34

Guitarist Jeff Jones returns with “Dirty Job”, his first album of new material since :Ride” It’s loaded with mega catchy guitar riffs a-la Cult , AC/DC and Circus of Power. Jones was a member of St. Elmos Fire, Vamp Le Stat, Keester and several other bands during the 80’s and 90’s.

вторник, 25 января 2022 г.

Bluesguy Schwartz & The New Jack Hippies - Blue Motel

Bitrate: 320K/s
Year: 2004
Time: 53:24 
Size: 122,5 MB 
Label: Self Released
Styles: Rock/Modern Electric Blues/Blues Rock
Art: Front 

Tracks Listing:
 1. Let The Rain Fall Down - 4:39
 2. I Know What's Going On - 2:50
 3. Enough Of The Blues - 3:41
 4. The Girl's So Fine - 3:59
 5. St. James Hall - 3:07
 6. I Get Excited (When I See My Baby) - 4:04
 7. Save Me - 4:07
 8. Roger Needs His Money - 6:43
 9. What You Give - 3:56
10. Where We Gonna Party Tonight? - 3:32
11. In God We Trust - 1:17
12. A Penny For Your Thoughts - 3:39
13. Spider Hole - 2:00
14. Understanding - 5:43

Guy Schwartz (born February 17, 1952) is an American musician, bandleader, songwriter, videographer, music journalist, media activist, and 2016 presidential candidate, mostly known for his collaborative involvement with other Texas musicians, a couple of regional minor-hit records in the 1970s and 1980s, his three local Houston, Texas cable access TV series featuring local and regional original music, and live performances featuring set pieces plus spontaneous music and lyrics.Schwartz began taking piano lessons and doing voice work on radio commercials at age five. The crew assembled to record spots for his father's furniture store in Newark, New Jersey, included the voice of Pat Conell, a local DJ on a 'race-music' station (who later became the first black network announcer), and two teenagers who wrote (Don Kirshner) and sang (Bobby Darin) the jingles. Schwartz credits the witnessing of Darin's rise on the music charts as his primary inspiration for a lifetime in music. At ten, after his family moved to Houston, Texas in 1962, he switched to drums, then bass at 15. He attended Houston's Memorial High School and was classmates with Vince Bell, and Bill Browder. In 1966, as a fourteen-year-old, Schwartz met vocalist Ray Salazar and began gigging at Old Market Square in downtown Houston, at all-night clubs and dancehalls in Texas and southern Louisiana, and on the east Texas soul circuit. Schwartz did some of his early basswork behind Sam "Lightnin'" Hopkins, John Lee Hooker, BW Stephenson and Blaze Foley. While a featured vocalist with Pete Samson & Roadmap in 1973, Schwartz met recording studio manager Roger Tausz and began his recording career and a lifelong association with Tausz. Using Roadmap as a studio band, Schwartz recorded four songs, including 'Ride That Train', which broke onto local, the regional radio, and 'I Found God At A Truckstop', which was recorded by many, including Pete Samson & Kinky Friedman, but only released by Samson & Schwartz. These small successes gave Schwartz the credibility and momentum on which he built his regional music career. In 1976, Schwartz co-founded the band RELAYER, who only released one (RELAYER – 1977) of the three albums they recorded, but, found an underground prog-rock audience in the US and parts of Europe (partially thanks to the guitar work of Michael Knust from the Texas band Fever Tree, and the similarity of the band's name with that of an album by British prog-rockers, Yes). In 1978, Schwartz released his first solo album, featuring collaborations with two dozen Texas musicians with whom he performed live (on guitar for the first time) in a loosely knit group called Guy Schwartz & The Zap Rhythm Band, including Knust, Tausz, Tony Braunagel and Billy Block, each of whom found careers in music. In 1980, Schwartz teamed with Randy Soffar and formed Z-ROCKS, a new-wave power-pop band that had 3 minor regional hits fueled by touring with the likes of Duran Duran, Todd Rundgren and Huey Lewis and The News. After their first album was added to over 200 radio stations across the US,it was reviewed as 'too derivative'.Z-ROCKS never released its second album and disbanded in 1986. From 1987 to 1997, Schwartz recorded and toured as a sideman, and went back to school (University of Houston) to study video production and digital media to keep up with the new digital music business. In 1997, Tausz & Schwartz reunited to update and remix that first solo album, and went on to record another two dozen albums together, forming a band, THE NEW JACK HIPPIES,which toured the US and western Europe from 1999 until 2004, and still performs regionally in Texas. Schwartz tours as a solo, and performs on tour with other bands in their locales. Schwartz' repertoire includes rock songs, blues, funk and americana, with a bit of humor and songs about weed thrown in for good measure.
Since 2001, Schwartz has settled into a 2-year cycle which includes and annual free local original music festival and TV shoot (SOUTH BY DUE EAST – now in its 14th year), production of the TV series, new films and an album of new songs every year or two, and 3–6 months of touring. He's also looked to the past and engineered reunion shows and recordings with The Zap Rhythm Band (new songs – released August 2014) and Z-ROCKS (new recordings of old songs – unreleased). In 2012, Schwartz formed a band full of Austin players (Guy Schwartz & The Affordables) to perform locally in Austin, Texas. 

Guy Schwartz - Under The Influence (New Original Classic Rock From Houston)

Bitrate: 320K/s
Year: 2020
Time: 48:27 
Size: 111,5 MB 
Label: Self Released
Styles: Rock/Southern Rock/Blues
Art: Front

Tracks Listing:
 1. Waltz Across Texas - 3:54
 2. This Is The One - 3:29
 3. Bad Storm Coming - 3:56
 4. Mac Said (Have A Good Time) - 2:39
 5. Lost In Time - 4:12
 6. Lonely For You - 3:47
 7. Stepping Stone - 3:47
 8. Two Sides Of A Mountain - 3:25
 9. Out Of Control - 5:55
10. Far Away From Here - 3:16
11. Lonely One - 3:08
12. Blues Rumble - 3:54
13. Gotta Keep The Music Alive - 2:58

On what is apparently his 60th (!) album to date, Houston-based singer/songwriter Guy Schwartz channels some storied influences, holding true to the new album’s subtitle “New Original Classic Rock from Houston.” The references are all unmistakable —Dr. John on “Mac Said,” Jim Morrison on “Lost In Time,” Jimi Hendrix with “Far Away From Here,” more than a hint of the blues on “Stepping Stone” and “Blues Rumble,” sweeping southern rock on “Two Sides of the Mountain, and so on.  It all seems to come naturally, not surprising given the fact that he’s been plying his trade for the better part of 50 years, and that in that time, he’s dabbled in nearly every genre under the sun — from psych to soul, rock to retro, prog to punk and practically everything in-between. Indeed, Under the Influence allows him to indulge his fancies in a variety of ways without paying full heed to any one preference in particular. Despite the distraction of trying to guess who’s he’s attempting to emulate at any given time, the songs all stand on their own, a credit to Schwartz’s songwriting and his crack backing band. Some subjects come into sharp focus immediately —  the imprint made by early encounters as described on “Waltz Across Texas” (“He saw Ernest Tubb play at the Saint Bernard Hotel…”), the abuse of power flaunted by the current administration on “Out of Control” and the desire to keep the songs coming, courtesy of closing track “Gotta Keep the Music Alive.”  Verve and vitality are key quotients when it comes to any genre of music, of course, and that’s the prime reason why the new album succeeds the way it does. Schwartz is indeed a survivor, but he’s also far more than that. He’s an archivist in the strictest sense, an artist who values today’s musical legacy while determined to sustain those traditions as well. With Under the Influence, he succeeds and then some.

Reverend Nathon - Volume 1

Bitrate: 320K/s
Year: 2022
Time: 47:28 
Size: 109,2 MB 
Label: Self Released
Styles: Blues/Electric Blues/Texas Blues
Art: Front 

Tracks Listing:
 1. Darker Shade of Blues - 4:23
 2. I Find Hope Again - 3:55
 3. Bi Polar Blues - 2:39
 4. A Love Like Yours - 3:57
 5. A Better Day - 4:36
 6. Goin Fishin - 3:16
 7. Autumn Breeze - 4:16
 8. The Way It Could Have Been - 4:55
 9. Walking On - 3:17
10. Millennial Blues - 4:01
11. Deep - 3:40
12. Golden Key - 4:29

Reverend Nathon is a Texas blues-rock band fronted by Nathon Dees and based out of Marble Falls, TX. Dees is very much the main man here, contributing vocals and background vocals, lead and rhythm guitar, bass, slide guitar, recording and engineering, production and songwriting, whilst receiving able support from Gary Delz on drums and Aaron Dees on bass.As one might hope from a three-piece from Texas, the album kicks off with the ZZ Top-esque gallop of “Darker Shade Of Blues”. It is immediately apparent that Reverend Nathon is on the rockier side of blues rock, with a healthy slice of Southern Rock thrown into the mix as well. The snake-like single-note riff that underpins “Bi Polar Blues” reminds one of early Johnny Winter whilst the slide-driven boogie of “Walking On” sounds like something George Thorogood wishes he had written. As the album progresses, however, there is more than a hint of the rock-funk of the Red Hot Chili Peppers in “I Find Hope Again” while both “The Way It Could Have Been” and “Golden Key” have a gloriously early-80’s Southern Rock feel to them – the former even has an echo of “Highway Song” to it.Dees is a fine guitar playing, capable of both raucous lead guitar such as the wah-wah’ed solo on “I Find Hope Again” and the closing solo on “A Better Day” as well as gentle finger-picked acoustic on the power ballad, “Autumn Breeze”. His slide playing, on tracks like “Goin’ Fishin’” is top drawer. He sings in a warm, weather-beaten voice that is particularly effective on “Golden Key”. He also displays a wry sense of humor in the heavy shuffle of “Millennial Blues”, which opens with the classic line: “Hey man. I’m offended by everything. I think I may have the Millennial Blues”, while “Bi Polar Blues” actually addresses a very serious issue of mental health.Reverend Nathon are the type of band one is delighted to find playing in a smoky bar on a Saturday night. Vol 1 is a lot of fun to listen to but it is not a blues album. It’s a Southern Rock album with a discernible blues influence. So don’t expect the Texas blues of the likes of Albert Collins, Lou Ann Barton, Johnny Copeland or Anson Funderburgh. If however your tastes run to the guitar-focused, blues-influenced Southern Rock of the likes of Blackfoot or even .38 Special, you will find a lot to enjoy in Reverend Nathon (https://www.bluesblastmagazine.com/reverend-nathon-vol-1-album-review/).

понедельник, 24 января 2022 г.

Pat Travers - The Best of Pat Travers

Bitrate: 320K/s
Year: 1991
Time: 69:10 
Size: 162,5 MB 
Label: Polydor 
Styles: Rock/Blues Rock
Art: Front + Back 

Tracks Listing:
 1. Stop and Smile - 3:53
 2. Rock 'N' Roll Susie - 3:39
 3. Stevie - 7:13
 4. Life in London - 4:21
 5. Dedication - 7:56
 6. Heat in the Street - 4:29
 7. Boom Boom (Out Go the Lights) - 5:04
 8. Crash and Burn - 5:20
 9. Snortin' Whiskey - 3:26
10. New Age Music - 5:07
11. I La La La Love You - 3:36
12. I'd Rather See You Dead - 4:06
13. Amgwanna Kick Booty - 3:26
14. Killer - 4:01
15. Women on the Edge of Love - 3:27

Musicians:
Pat Travers - vocals, guitar, keyboards 
Pat Thrall - guitar, background vocals
Bert Hermiston - saxophone
Don Harriss - keyboards
Roy Dyke, Nicko McBrain - drums, percussion
Don Brewer, John Thorpe, Sandy Gennaro, Tommy Aldridge - drums
Michael Schrieve - percussion

This best-of collection gives a fine overview of Pat Travers' most successful years, from his 1976 debut to the waning days of his popularity in the mid-'80s. Although the early tracks are pretty tame -- mid-'70s rock/boogie that sounds like a cross between Montrose and ZZ Top -- and the later material suffers from overly commercial songwriting and production, the stuff in between is killer. Indeed, for a few years in the late '70s and early '80s, Travers led one of the deadliest bands around; this peak lineup of the Pat Travers Band -- featuring the underrated Travers on guitar and vocals, Pat Thrall on second lead guitar, Peter Mars Cowling on bass, and Tommy Aldridge on drums -- could play circles around most of the competition (for a definitive sampling of that band's talents, see Live! Go for What You Know). Highlights include "Heat in the Street," the live "Boom Boom (Out Go the Lights)," and one of the most devastating blues/rock guitar workouts ever, the absolutely essential "Snortin' Whiskey." ~ Andy Hinds, All Music Guide


воскресенье, 23 января 2022 г.

Preston Shannon - Be With Me Tonight

Bitrate: 320K/s
Year: 2006
Time: 48:34 
Size: 111,2 MB 
Label: Title Tunnes Records 
Styles: Blues/MEB
Art: Full 

Tracks Listing:
 1. I Might Be Your Husband - 4:56
 2. The Fools Way Out - 2:45
 3. Be With Me Tonight - 4:15
 4. The Way That I Love You - 3:25
 5. Not Tonight, Cause Honey I Got The Blues - 4:22
 6. G-Man - 2:46
 7. Luck Ain't No Lady - 5:05
 8. If Ten Is Gonna Kill Me - 3:17
 9. Love's Gonna Get You - 3:42
10. It's My Life - 3:52
11. Goin' Back To Memphis - 5:11
12. No More War - 4:53

Memphis-based guitarist, singer, and songwriter Preston Shannon delivers soul-filled vocals atop his burning, venom-tipped guitar chords. His voice is deep and guttural, and he's a veteran of hundreds of live club shows and recording sessions as a sideman. Shannon's specialty is a blend of Southern-fried soul and blues, and his albums and live shows -- always with a horn section -- are an eclectic mix of danceable, grooving tunes and slow, soulful ballads. Born in Olive Branch, MS, Shannon's family moved to Memphis when he was eight. Although his Pentecostal parents didn't initially accept his fascination with blues music, they eventually did when they saw how serious he was about pursuing the music for his livelihood. Shannon served as a member of a popular '70s bar band Amnesty and played in a succession of other Memphis-area bands while working by day for a hardware company. Finally, he decided to play music full-time when he landed a spot in soul-blues belter Shirley Brown's band. It wasn't until 1991 that he put together his own band and began playing the clubs on Beale Street and other places. In the early '90s, he was discovered playing in a Beale Street blues club by producer/keyboardist Ron Levy, who brought Shannon's talents to the attention of executives at Rounder Records. Shortly afterwards, in 1994, his first widely distributed recording was issued on the label. Break the Ice
Shannon has recorded three albums for the Rounder Bullseye Blues subsidiary, Break the Ice (1994) Midnight in Memphis (1996), and All in Time (1999). All three albums more than adequately showcase his talents as a singer who can alternate between uptempo, gospel-inspired numbers and slower, soulful love songs and ballads. Shannon's guitar playing contains echoes of the Kings, Albert and B.B., T-Bone Walker, and some of the rhythmic sensibilities of Little Milton Campbell. For many years a homebody who couldn't be heard much outside the Memphis city limits, Shannon has done some road work in recent years, traveling to blues festivals around the U.S.

Karen Lovely - Prohibition Blues

Bitrate: 320K/s
Year: 2014
Time: 41:25 
Size: 95,3 MB 
Label: Independent Music Publishing
Styles: Female blues vocals
Art: Front 

Tracks Listing:
 1. Any Kinda Man - 4:01
 2. Fifteen Cents - 2:50
 3. Gimme a Pigfoot - 3:31
 4. Yellow Dog Blues - 3:22
 5. Gin House Blues - 4:31
 6. Last Kind Words - 3:24
 7. Pick Poor Robin - 1:50
 8. Everybody Loves My Baby - 3:17
 9. Prove It On Me - 2:41
10. If I Can't Sell It - 2:39
11. Nobody Knows You - 4:57
12. Pennies From Heaven - 4:17

Musicians:
VOCALS: Karen Lovely
PIANO - Dave Fleschner
BASS - Tyler Smith
DRUMS - Carlton Jackson
GUITAR - Alan Hager
TRUMPET- Joe McCarthy
CLARINET/SAXOPHONE - Doug Bundy
CLARINET/SAXOPHONE - Brad Ulrich

Known for her passionate, driven performances, this powerhouse vocalist delivers a blistering mix of contemporary & old school blues. Her sophomore release,STILL THE RAIN, was nominated for 3 Blues Music Awards including "Best Contemporary Blues Album", "Best Song" and "Best Contemporary Blues Female Artist" and topped the national blues and roots charts. Recorded live at Jimmy Mak's, Portland, OR - classic blues songs from the 1920s and 30s, Prohibition era tunes by Bessie Smith, Ma Rainey, Victoria Spivey, Ethel Waters, and others.


B.B. King - Take It Home

Bitrate: 320K/s
Year: 1979
Time: 31:42 
Size: 76,2 MB 
Label: UMG Recordings,Inc.
Styles: Blues/Electric Blues
Art: Front 

Tracks Listing:
 1. Better Not Look Down - 3:22
 2. Same Old Story (Same Old Song) - 4:32
 3. Happy Birthday Blues - 3:15
 4. I've Always Been Lonely - 5:27
 5. Second Hand Woman - 3:20
 6. Tonight I'm Gonna Make You A Star - 3:26
 7. The Beginning Of The End - 2:21
 8. A Story Everybody Knows - 2:47
 9. Take It Home - 3:08

This 1979 effort finds B.B. interpreting a number of pop-blues tunes, many of them co-written by Will Jennings and co-producer Joe Sample, with King co-writing two of the songs aboard. Even with a large, contemporary backdrop (including a seven-piece horn section and female backup singers), there's still plenty of room for B.B.'s stinging guitar and stentorian vocals in the mix. Highlights include the gospel-tinged "Better Not Look Down," "Same Old Story (Same Old Song)," "Happy Birthday Blues," "The Beginning of the End" and the title track. As one of B.B.'s more pop-oriented offerings, this succeeds admirably.


James Armstrong - Dark Night

Bitrate: 320K/s
Year: 1998
Time: 45:12 
Size: 104,0 MB 
Label: Hightone Records – HCD 8096
Styles: Blues/Modern Electric Blues
Art: Front 

Tracks Listing:
 1. Dark Night - 3:00
 2. Too Many Misses For Me - 3:33
 3. Slender Man Blues - 4:14
 4. Trouble On The Home Front - 3:18
 5. Lil' James - 4:23
 6. Can't Get Off Your Love (Heaven Help Me) - 3:17
 7. Bank Of Love - 4:18
 8. What I Would Do (For Your Love) - 3:55
 9. Witchin' Moon - 3:38
10. Here For The Music - 3:51
11. Standing In Your Way - 4:02
12. Just In Case - 3:38

After miraculously coming out alive from being attacked and nearly stabbed to death, Armstrong came back strong with this wonderful collection of tunes featuring solid performances on every one. Armstrong turns over the lion's share of lead guitar duties to Michael Ross here, and his silky leads blend with Armstrong's still very potent singing voice quite sympathetically. Highlights include the soulful "Too Many Misses for Me," "Trouble On the Homefront," the Texas shuffle of "The Bank of Love," the proud daddy rock of "Lil' James" and the title track. Guest lead guitar turns from Doug MacLeod and Joe Louis Walker on two tracks apiece make for some nice guitar fireworks as well to spice things up. There are inspired sessions, and there are inspired sessions; these come from a place where a man says no to death, yes to life and stands tall to tell about it and fight another day.

Whitey Somers - Happy Guy

Bitrate: 320K/s
Year: 2015
Time: 41:28 
Size: 95,8 MB 
Label: Self Released
Styles: Blues/Modern Electric Blues
Art: Front 

Tracks Listing:
 1. Get The Lead Out - 4:45
 2. Danger Bay - 4:20
 3. Johnny Law - 3:19
 4. Happy Guy - 3:07
 5. Long Long Ride - 4:55
 6. In Your Garden - 4:10
 7. Longer Shadows - 3:22
 8. Don't Fall Apart - 5:17
 9. Since You Let Me Down - 4:47
10. Entwined - 3:22

Whitey Somers performs internationally at festivals, concerts and clubs, on the bill with many talented musicians. there's been a lot of shows over the last 40 years. Whitey's song "The Call Of The Blues" recently made the the semi-finals of the Unsigned Only International Music Competition. The album is charting well and is getting worldwide airplay and recognition. Whitey Somers -Vocals, Electric and AcousticGuitars, Bass, Keys, Koto,Glockenspeil, Background Vocals. Craig Smith - Electric guitar, Egg, Keys,Dobro, Backround Vocals. Lee Chomiak - Drums. Scary Harry Somers - Bass (2,4,8,9). Kolston Gogan -Trumpet (4)/

Mick Pini - Backtrack

Bitrate: 320K/s
Year: 2021
Time: 62:21 
Size: 143,0 MB 
Label: Self Released
Styles: Blues/British Blues
Art: Front 

Tracks Listing:
 1. Jumping Blues (Audio54 Remix) - 3:47
 2. Blues For Peter Green - 7:00
 3. Shadows - 4:24
 4. Blues Is Cheap (Audio54 Remix) - 5:21
 5. You Know I Can (Audio54 Remix) - 3:52
 6. Into The Distance (Audio54 Remix) - 4:46
 7. Standing In The Rain (Audio54 Remix) - 4:33
 8. Slow Hands - 7:42
 9. Got It Bad (Audio54 Remix) - 6:45
10. Snowy Wood (Audio54 Remix) - 3:30
11. One Glass Of Water (Audio54 Remix) - 6:07
12. Wasteland - 4:28

Produced by fellow Leicester musician Craig Marshall, aka Audio 54, “Backtrack” (released July 1st 2021 and available now) is a career defining compilation that celebrates 55 years in the music business for British slide-guitarist, blues harp player, and vocalist MICK PINI.
Over the years, Pini has earned a huge following, especially in Europe. Eric Clapton once described him as: “The legitimate successor to Peter Green”. Pini (who now resides in Germany) has been on tour with B.B. King and has supported Buddy Guy, Freddie King and Jimmy Rogers. He started his career in Leicester with the Ned Ludd band which evolved from the Hydro Elastic Blues Band (and he worked with drummer Romeo Challenger, later of Showaddywaddy fame.)
In 1998 the MICK PINI  BAND won the prestigious ‘Blues Band of the Month’ award at ‘Talkin Blues’ in Cologne, Germany. The band recorded their authoritative Mike Vernon-produced album “Blues Gonna Be My Way” in 1989.You’ll also perhaps know the “Wildman” British blues veteran from his group “B.E.P.” (Black, Estrada, Pini) an ensemble whose personnel included the (now rakeshame) Little Feat bassist Roy Estrada, the Mothers of Invention drummer Jimmy Carl Black, Peter Bruder on rhythm guitar (with whom Pini worked on his album “Come On Into My Kitchen” 1999) and Gregor“ Squibb ”Wittner on keyboards. The new album, Backtrack originates from a concept by renowned D.J. blues promoter and writer Pete Feenstra and is a collection of Pini’s favorite tracks from an extensive catalog. All tracks were written by Pini except “Shadows” and “Slow Hands” which were both co-written with producer Craig Marshall. “Blues is Cheap” was written with guitarist Al Sansome.
Just as the title suggests, the album somersaults into life with “Jumping Blues” which is a tasty slice of heritage-pie, a push-chugging blues rocker. And, of course, it’s a jump-blues number! The track incorporates feckless keys, rough-motion rhythms and strong distinctive vocals. It’s a bristle brush roller that will make everyone get up and dance, and it has super lemony guitar to spice it all up! Fizzy!
Pini is inspired by the openness & lightness of Peter Green, the sweetness, the string bending, and the vibrato, so “Blues for Peter Green” is purity and insight. The articulation of his instrument communicates a smooth perspective and wise contemplation. This is a thing of such graceful beauty! “Shadows” has a wonderful long-legged bass-line and lots of glittery jingles from the ivory. This is a candlelit sound with soft vibrations and dreamy voices. A purr of jazz ‘n’ blues, with dreamlike expression. Comforting! “Blues is Cheap” has a raffish slide riff and a scruffy (but oaky) voice. Here Pini’s guitar-work is dark, then vixenish, like a deceptive fox caught snagging away a bird in the night. “Slow Hands” is a refinement of quality blues licking… a timelessly smooth piece of sophistication with guitar-work that is always clear & expressive… plus, the atmosphere is super-sultry! Wonderful!

суббота, 22 января 2022 г.

Paul Wood - All The Best

Bitrate: 320K/s
Year: 2006
Time: 53:12 
Size: 122,3 MB 
Label: Self Released
Styles: Blues/Modern Electric Blues/Blues Rock/Southern Rock
Art: Front 

Tracks Listing:
 1. Bridgeburner - 3:10
 2. Oakland To Memphis - 4:00
 3. Cryin' Won't Help Ya - 4:44
 4. Another Day - 6:07
 5. Everything Dies But The Blues - 3:26
 6. Don't Call Me - 6:05
 7. The Mojo Man - 4:31
 8. Blue World - 3:28
 9. Good Day 4 Bad Whiskey - 4:45
10. Black Dog - 4:35
11. Sleepin' With The TV On - 3:59
12. Nickel Pie - 4:20

1952, Oakland, California, USA. The son of beat poet Paul Tulley, Wood took up the guitar at the age of 11, soon turning to the blues. At 20 he was with John Lee Hooker as a member of the leading bluesman’s Coast To Coast Blues Band, touring with him for two years. In this band, Wood’s fellow sidemen included Elvin Bishop, Don ‘Sugarcane’ Harris, Van Morrison, Charlie Musselwhite and L.C. Robinson. Among recordings with Hooker was 1972’s Never Get Out Of These Blues Alive. After the Hooker tours Wood settled back in the Bay Area where he developed a strong local following for his band, the Bridgeburners, regularly playing and singing at the Monterey Blues Festival and also playing with rock-orientated bands. He toured Europe in the mid-90s from a base in Amsterdam, the Netherlands, and towards the end of the decade, back now in the USA, he relocated to Memphis, Tennessee. Woods began recording under his own name in the late 90s, and during the next few years greatly expanded his fanbase. During this period, he also began writing his own material, which echoed his deep interest in and knowledge of traditional blues. Sidemen in Wood’s own bands have included Al Gamble (keyboards), Jack Holder and Dave Smith (guitar), Lyn Jones (blues harp) and Richie Hayward and Steve Potts (drums). In 2004/5 Wood won first place in the JBL Blues Icon Contest.

Kal David & Lauri Bono – Paragon

Bitrate: 320K/s
Year: 2018
Time: 77:43 
Size: 179,1 MB 
Label: Take That Task Records
Styles: Blues/Modern Electric Blues
Art: Front 

Tracks Listing:
 1. Same Old Story - 6:13
 2. Lonely Feeling - 4:57
 3. Are You Lonely for Me Baby - 4:28
 4. Riding with the King - 4:26
 5. The Thrill Is Gone - 6:05
 6. If I Could Build My Whole World Around You - 4:16
 7. Let's Straighten It Out - 7:12
 8. Voice of the Blues - 3:30
 9. Broken Wings - 7:44
10. If I Ever Lose This Heaven - 6:35
11. If I Can't Have You - 5:04
12. Same Love - 7:14
13. When Something is Wrong with My Baby - 5:23
14. Next in Line - 4:31

Any Kal David with Lauri Bono album that you will buy, you will love forever...they are magical. He is a supreme guitar player and singer with great soul and great skill...they are an American treasure. If you can catch them performing live anywhere, run, do not walk!!! It is a treat. They are in complete harmony. To say that Kal David is just a great Blues guitarist would be a shame, although he is that, indeed. Other Blues guitarists don’t come close to his wide range of styles, the colors on his palette. Kal David is a fine and experienced guitarist who can bring you to your knees with his soulfulness, but don’t miss his depth. Kal David is a singer. A true vocalist, a professional with way above vocal chops. His gritty, yet polished vocals take you on an emotion filled ride. The world is about to wake up to a true living legend of music. Miss Lauri Bono, music partner of Kal David for many years, is a fully featured member of the band. She is an amazing and dynamic female vocalist. With Lauri, less is always more. Miss Bono sings in a way that she can sound like soft velvet or turn on the gravel and guts and then pull you right back into another soft passage. It’s a gift that she has chosen to share with Kal David as they travel the globe making records, playing concerts and major VIP events. There is something so special about the chemistry between these two artists. Although each can stand alone, they are a team. They work synergistically for the greater good of the performance or the complete record. There is no comparing who is better than the other, they exist because of and for each other……Perfect Harmony!! ~ Bruce Maier/


Paul Wood - Bridgeburner

Bitrate: 320K/s
Year: 2000
Time: 43:57 
Size: 101,0 MB 
Label: Orchard Records
Styles: Blues/Modern Electric Blues
Art: Front 

Tracks Listing:
 1. Boom Boom - 3:57
 2. Stop Breakin' Down - 3:10
 3. Hootchie Cootchie Man - 5:32
 4. Dixie Chicken-Dimples - 5:33
 5. Politician - 4:16
 6. I Loved Another Woman - 3:45
 7. Treat Her Right - 3:08
 8. Loan Me A Dime - 7:18
 9. Bridgeburner - 3:13
10. Oakland to Memphis - 4:01

1952, Oakland, California, USA. The son of beat poet Paul Tulley, Wood took up the guitar at the age of 11, soon turning to the blues. At 20 he was with John Lee Hooker as a member of the leading bluesman’s Coast To Coast Blues Band, touring with him for two years. In this band, Wood’s fellow sidemen included Elvin Bishop, Don ‘Sugarcane’ Harris, Van Morrison, Charlie Musselwhite and L.C. Robinson. Among recordings with Hooker was 1972’s Never Get Out Of These Blues Alive. After the Hooker tours Wood settled back in the Bay Area where he developed a strong local following for his band, the Bridgeburners, regularly playing and singing at the Monterey Blues Festival and also playing with rock-orientated bands. He toured Europe in the mid-90s from a base in Amsterdam, the Netherlands, and towards the end of the decade, back now in the USA, he relocated to Memphis, Tennessee. Woods began recording under his own name in the late 90s, and during the next few years greatly expanded his fanbase. During this period, he also began writing his own material, which echoed his deep interest in and knowledge of traditional blues. Sidemen in Wood’s own bands have included Al Gamble (keyboards), Jack Holder and Dave Smith (guitar), Lyn Jones (blues harp) and Richie Hayward and Steve Potts (drums). In 2004/5 Wood won first place in the JBL Blues Icon Contest.


Chris Fitz Band - Chris Fitz Band

Bitrate: 320K/s
Year: 2007
Time: 70:37 
Size: 162,5 MB 
Label: CFB Records
Styles: Blues/Blues Rock
Art: Front 

Tracks Listing:
 1. Freedom - 4:28
 2. It's Gonna Be Alright - 4:19
 3. If I Go Down Dyin' - 7:29
 4. Long Way Home - 6:21
 5. Gotta Make Things Right - 3:29
 6. Last Train Out - 4:02
 7. Dirty Wide River - 4:33
 8. If You See Me Tomorrow...tell About Last Night - 5:39
 9. Welcome to the Rhythm Room - 4:49
10. I've Been Alone Too Long - 3:34
11. East...west Love Affair - 4:06
12. 21st Century Blues - 3:32
13. If You See Her - 5:34
14. Long Winded Mama - 5:16
15. Hasta La vista (Strolling with Mr. Cockburn) - 3:20

Musicians:
Chris Fitz - guitar, vocals, tambourine & wooden board
Greg Silva - bass guitar
Ken Clark - Hammond B3 organ
Chuck Schuler - drums

Chris Fitz broke into the Boston music scene back in 1994 after a 5 year stint in the San Francisco area. Chris honed his blues guitar chops by floating around all the blues clubs in the Bay Area and finding inspiration in the local and national blues artists who frequented them. He would then spend countless hours holed up in his apartment, guitar in hand and record player by his side, tirelessly teaching himself to sound like the great players he loved to watch live.  Upon moving back to Boston, his hometown, he wasted no time hitting the various blues jams around the city with a guarded confidence that he could play well enough to find his way into a working band. The singing and songwriting would come a little later but the blistering guitar work soon began to make an impact!  Over twenty years and thousands of gigs later, the Chris Fitz Band, with Chris as band leader / singer / songwriter / guitar player, Mike Aiello on Drums and "Fretless Dave Kendarian" on bass remains one of the premier "original" blues and roots acts in all of New England.  Since 2002, The Chris Fitz Band has received more than a dozen music awards including a 2002 Boston Music Award, 2005 Boston Blues Challenge Winners Award, as well as numerous songwriting and best guitar player awards.  The band has toured around New England for the last 25 years and has also spread its wings as far as Europe, Memphis and California. It's a thunderous band with grooves that pay homage to all areas of American Roots Music. Chris' songs can be heard on 4 all original award winning studio CD's and a 5th "double live" CD "Live at Dodge Street Bar & Grill" which has been hailed as the bands best. At of the beginning of 2017 Chris released a brand new Solo album; his first, called "Basement Musings" recorded and mixed entirely by Chris in his home studio...Central Street Studios.  The new Album is a bit of a departure from the "in your face" guitar bombast of his previous work and focuses more on rootsy J.J. Cale inspired songwriting although still a guitar record. The most enduring thing about the Chris Fitz Band is the ability to appeal to a giant cross section of music fans. You can't pigeon hole Chris' music. It resonates with Woodstock era Baby Boomers all the way down to 20 something’s who have never listened to a blues record in their life. Most importantly his energy and enthusiasm for his craft and profession shines through in every performance be it to 20 people in a small cafe to thousands at a festival. This fact and the music is what keep CFB always on the radar!

пятница, 21 января 2022 г.

Hans van Lier - Grey Wolf

Bitrate: 320K/s
Year: 2022
Time: 58:55 
Size: 134,9 MB 
Label: Self Released
Styles: Blues/Blues Rock
Art: Front 

Tracks Listing:
 1. Don't Know What I'd Do - 5:21
 2. Going Down Slow (feat.Hugo Wolf) - 4:45
 3. Rumble Rumba - 3:14
 4. Reconsider Baby - 3:53
 5. Crying Shame - 4:11
 6. Hit the Ground - 3:26
 7. Grey Wolf - 4:29
 8. Benn E's Theme - 2:51
 9. T Bone Shuffle - 3:22
10. Tupelo Honey - 5:14
11. Darlin' - 4:39
12. So Lonesome - 6:30
13. Dust My Broom - 4:04
14. Walk Along the Deep - 2:47

Hans van Lier is a blues guitarist with Groningen roots. He is a guitar teacher and organizes many session evenings in Groningen.More info: https://www.last.fm/music/Hans+van+Lier/+wiki

Peter Veteska & Blues Train - So Far So Good

Bitrate: 320K/s
Year: 2022
Time: 54:07 
Size: 124,8 MB 
Label: Blue Heart
Styles: Blues/Modern Electric Blues
Art: Front 

Tracks Listing:
 1. Done with Bad Luck - 4:28
 2. I've Got the Blues This Morning - 4:24
 3. I Miss You So - 5:16
 4. My One and Only Muse - 4:17
 5. Young Bold Women - 4:46
 6. Lovin' Oven - 4:26
 7. You Gave Me Nothing But the Blues - 4:31
 8. Low Down Dirty Blues - 3:53
 9. Baby Please - 3:46
10. East Coast Blues - 5:01
11. So Far So Good - 4:41
12. Can't We All Get Along - 4:31

Musicians:
Peter Veteska - guitar and vocals; 
Coo Moe Jhee - bass
Jeff Levine - keyboards; 
Alex D’Agnese - drums. 

Peter Veteska's sixth release, So Far So Good, showcases the fresh yet refined new Blues Train sound. The twelve tracks, including eight originals, transport the listener to Chicago, Mississippi, New Orleans and Texas before the Train returns to the East Coast. Enriched by a cadre of guest musicians from the tri-state area, So Far So Good is a monumental modern blues CD that captivates the mind and touches the soul.

Robert Ward - Black Bottom

Bitrate: 320K/s
Year: 1995
Time: 57:40 
Size: 133,2 MB 
Label: Black Top
Styles: Modern Electric Blues
Art: Full 

Tracks Listing:
 1. Lonely Man - 3:38
 2. Toehold - 3:43
 3. Soul Stroll - 4:55
 4. Silver And Gold - 5:59
 5. Beyond This Planet - 3:33
 6. Black Bottom - 6:55
 7. Yonder Goes My Baby - 3:09
 8. You Ought To Stop It - 5:28
 9. Help The Needy - 4:35
10. Meat Off The Bone - 3:56
11. Two Steps from the Blues - 3:05
12. Titty Britches - 3:48
13. Something Good Drivin' the Devil Nuts - 4:50

Now this is more like it. Ward is back in top form for his third Black Top outing, with better songs (most of them originals), skin-tight support from the Black Top house band, and plenty of that singularly gurgly guitar that inspired Lonnie Mack to follow Ward's lead and buy a Magnatone amp when he was starting out.

Grayson Hauser - Lost Futures

Bitrate: 320K/s
Year: 2021
Time: 30:46 
Size: 70,7 MB 
Label: 1184776 Records DK
Styles: Blues/Modern Electric Blues

Art: Front 
 1. Mirage - 1:47
 2. Journey Inside Your Mind - 3:53
 3. No Escape - 4:13
 4. Fall Into Line - 3:17
 5. Lessons Learned - 4:22
 6. Golden State - 3:55
 7. Lost Futures - 4:49
 8. Rich Man's Blues - 4:27

Grayson is an electric guitarist and singer who plays an expansive brand of soulful music. From gentle, thoughtful explorations of pastoral ambient sounds, unabashed beer-hoisting groove rock, Grayson is committed to exploring all the possibilities the guitar has to offer. Grayson’s musical philosophy is fairly simple: no trends or hype, just honest, soulful music that anyone can connect to. 

James Grant - Detour

Bitrate: 320K/s
Year: 2016
Time: 54:06 
Size: 124,1 MB 
Label: Self Released
Styles: Blues/Modern Electric Blues
Art: Front 

Tracks Listing:
 1. The Coming Rain - 6:22
 2. You Moved Me to My Soul (feat. Dennis Newman) - 3:58
 3. Spend My Time with You - 4:51
 4. Ain't No Thang (feat. Dennis Newman) - 4:20
 5. I've Got Something on My Mind (feat. Dennis Newman) - 4:46
 6. Hard Act to Follow - 5:07
 7. New Babylon - 4:19
 8. Somewhere Down the Line (feat. Dennis Newman) - 5:05
 9. Stratified - 4:19
10. Don't Let This Moment Pass Us By (feat. Dennis Newman) - 5:15
11. Indigo - 5:40

James Grant is a well respected guitarist and composer who has worked with and is thought highly of by some of the best in West Coast music. He is dedicated and has devoted his life to composing and playing. As well as being a world-class guitarist, James is also an exceptional songwriter, and engineer as well. 

Keb' Mo' - Good To Be...

Bitrate: 320K/s
Year: 2022
Time: 47:57 
Size: 110,6 MB 
Label: Rounder Records
Styles: Blues/R&B/Singer-Songwriter
Art: Front 

Tracks Listing:
 1. Good to Be (Home Again) - 3:30
 2. So Easy - 3:08
 3. Sunny and Warm - 3:26
 4. Good Strong Woman (featuring Darius Rucker) - 3:18
 5. The Medicine Man (featuring  Old Crow Medicine Show) - 3:37
 6. Marvelous to Me - 3:34
 7. Lean on Me - 3:53
 8. Like Love - 3:40
 9. All Dressed Up - 4:13
10. ’62 Chevy - 3:28
11. Louder - 4:23
12. So Good to Me - 3:46
13. Quiet Moments (featuring Kristin Chenoweth) - 3:54

Written partially in Nashville and partially in the Compton house Keb' grew up in, Good To Be.weaves together past and present into a heartwarming tapestry spanning more than 40 years of sonic evolution. Joined by a variety of collaborators, including Vince Gill, producer Tom Hambridge, Darius Rucker, and Kristin Chenoweth, Good To Be.is a deeply cohesive and optimistic collection of music about appreciating what you've got, where you come from, and who you get to share it with.