Bitrate: 320K/s
Year: 1996
Time: 40:06
Size: 92,2 MB
Label: Pointblank/Virgin
Styles: Rock/Blues Rock
Art: Front
Year: 1996
Time: 40:06
Size: 92,2 MB
Label: Pointblank/Virgin
Styles: Rock/Blues Rock
Art: Front
Tracks Listing:
1. Chant Of Faith - 0:40
2. Hopeful Sinner - 3:17
3. Home - 3:39
4. Convince Myself - 2:38
5. Hollywood Drag - 2:21
6. Pour Our Souls - 3:14
7. Georgia O'keeffe - 5:22
8. Black And White Blues - 3:16
9. Whitley Flats - 3:20
10. Shotgun - 2:39
11. Needle's Kiss - 3:55
12. Beautiful Side Of Madness - 5:39
1. Chant Of Faith - 0:40
2. Hopeful Sinner - 3:17
3. Home - 3:39
4. Convince Myself - 2:38
5. Hollywood Drag - 2:21
6. Pour Our Souls - 3:14
7. Georgia O'keeffe - 5:22
8. Black And White Blues - 3:16
9. Whitley Flats - 3:20
10. Shotgun - 2:39
11. Needle's Kiss - 3:55
12. Beautiful Side Of Madness - 5:39
Musicians:
Drums, Percussion – Jim Doyle
Electric Bass, Double Bass – J Swanson
Rhythm Guitar, Lead Guitar, Slide Guitar – Rich Meyer
Vocals, Electric Guitar, Acoustic Guitar – Charlie Terrell
Drums, Percussion – Jim Doyle
Electric Bass, Double Bass – J Swanson
Rhythm Guitar, Lead Guitar, Slide Guitar – Rich Meyer
Vocals, Electric Guitar, Acoustic Guitar – Charlie Terrell
oots rock with lyrics that tend to be smarter than you might expect from this genre. Heck, he mentions Faulkner, Jesus, and Buddha, going so far as to even title a song for "Georgia O'Keeffe." But it's the way Terrell plays with words and twists phrases that makes his music compelling, as long as you don't mind the occasional profanity that is part and parcel to the dark themes of which he often writes, including portraits of drugs, alcohol, and prostitution. Jim Doyle, Rich Meyer, and J. Swanson form the band, which brings a certain backstreet energy and gritty sound refined during a long stint of touring in support of Angry Southern Gentleman. On one of those tours, Terrell opened for Joan Osborne who, in turn, contributes vocals to the title track, which is the quietest and one of the finest moments of the offering. Overall, the second half of the record hits a nice stride somewhere around "Black and White Blues," and is an easier set to listen to than the first handful of tunes.
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