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суббота, 5 апреля 2025 г.

Big Shanty - Ride With the Wind

Bitrate:320K/s
Year:2007
Time:40:43 
Size:93,8 MB 
Label:King Mojo Records 
Styles:Enigmatic Blues Rock 
Art:Front 

Tracks Listing:
 1. Born Up in Trouble - 3:09
 2. Killing Fields - 5:02
 3. New Messiah - 3:51
 4. She Got a Hold On Me - 4:16
 5. Gone Downtown - 4:10
 6. Ride With the Wind - 3:27
 7. Whisky Woman - 3:50
 8. Know What I'm Sayin' - 4:27
 9. King Bee - 3:35
10. Living On the Edge of Time - 4:52

Enigmatic blues-rock singer/guitarist Big Shanty garnered national attention in 2007 when his album RIDE WITH THE WIND became an online sensation, thanks largely to his scathing anti-war song, “Killing Fields.” Mixing fierce guitar lines with techno beats, Shanty (purportedly the alias of A&R legend Dick Wooley) evokes the propulsive sound of 1980s ZZ Top, while making occasional forays into Southern rock. Shanty also keeps good company–guests on Shanty’s albums include blues-guitar virtuoso Liz Melendez and jam-band icon Col. Bruce Hampton.
His “Killing Fields” is a powerful condemnation of old lies and self-serving propaganda, delivered with raw emotion and a driving beat.
Big Shanty has a large cult following in The South and thanks to Internet Radio (which The Government is trying to muzzle…) “Killing Fields” is getting played relentlessly. (Now that commercial Radio is following the American Government’s Don’t-Play-Ban on all the 1960s/1970s Anti-War and Peace/Love tunes, “Killing Fields” would undoubtedly be added to that list along with “Give Peace A Chance” and “Sky Pilot”). “Ride With The Wind” is Not typical Blues but it is Blues Rock at its’ very best and drenched with Truths, Honesty and great playing. There’s no doubt that “Ride With The Wind” would be a Hit Commercial album if it were allowed to be and we can always hope that the collective Power of The People forces this fine CD into the mainstream. D. Wooley a.k.a. Big Shanty plays wicked guitar and on 5 of the 10 tunes whips-out his slide. There are some killer-diller ‘commercial potential’ songs on here and Shanty’s original “King Bee” is a Hit or my name ain’t Fred. While the use of synths may put-off the old fogey blues lovers, anyone who Loves great Rock Blues will not give it much thought as the music is too damn fine.
There’s a big bunch of Georgia-area talent on here: Scott Robertson – drums/percussion, Ed Sanchez – guitar, Liz Melendez – guitar/vocals, Eddie Jett – guitar, Dustin Sargeant (bass), Bill Stewart (drums), Jack Hall (bass), Col. Bruce Hampton (pedal steel), Matt Smart (harp), Ron Heath (keyboards & bass), Diane Durrett (vocals) and Chris Blackwell (drums & synth) and the sum total is some of the finest hard-rockin’ Blues/Rock you’ll hear on the scene today. “Born Up In Trouble” sounds like Rob Zombie in Mississippi Hill Country and I say that in a totally complimentary sense. What a tune to open with! It grabs you by the ears and it don’t let go. “Killing Fields” is permeated with anger, disgust and contempt for the White House maggots. A more powerful anti-War tune does not exist! And, the music is as powerful as the uncompromising lyrics. “New Messiah” continues in this vein with a scathing put-down of the TV Christians who really are no different than Politicians as Bullshit Peddlers. “…the Law doesn’t touch him as he’s crossed their palm…” I can visualize this powerful imagery and these incredible songs need video representation. Saying that, it occurs to me that Big Shanty paints visual pictures with his songs and he’s almost without competition in that sense. “Gone Downtown” is a powerful tune about someone who went for the downward spiral of Heroin. Beau Hill’s guitar solo is incredible. “Ride With The Wind” is an ode to Motorcycle peace-of-mind while “Whiskey Woman” is an excellent Pure Blues rocker, showing that Big Shanty can get down and basic if he wants to. “Know What I’m Saying” is Southern-Fried Boogie that should slay the whole Allmans/Gov’t Mule/Lynyrd Skynyrd audience. “King Bee”, as mentioned earlier, is a Mega-hit waiting to happen and let’s hope it does happen as it’ll score major points for Real Rock/Blues and have all those poseurs running for cover. “Living On The Edge” is a Masterpiece tune closing out a Masterpiece album. It deals with the Moral Cesspool we’ve sunk into and the manipulation of Truth and Reality.
6 Bottles of Truth Serum for the biggest dose of Truth Rock you’ll ever hear. Let’s see if the Bad Guys can keep this album suppressed…not bloody likely! Big Shanty has arrived. (A. Grigg)

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