Bitrate:320K/s
Year:2024
Time:38:37
Size:89,4 MB
Label:Hop Records
Styles:Rock/Blues/Country/Jam/Americana/Funk/Southern Rock
Art:Front
Year:2024
Time:38:37
Size:89,4 MB
Label:Hop Records
Styles:Rock/Blues/Country/Jam/Americana/Funk/Southern Rock
Art:Front
Tracks Listing:
1. Gone - 5:10
2. Hello Heartache - 4:05
3. Movin' On - 3:14
4. Fool's Game - 4:59
5. This Way - 4:02
6. Voodoo Leg Bone - 3:56
7. She Belongs to Me - 3:45
8. Emgab - 5:43
9. Phetamine & Pearls - 3:39
1. Gone - 5:10
2. Hello Heartache - 4:05
3. Movin' On - 3:14
4. Fool's Game - 4:59
5. This Way - 4:02
6. Voodoo Leg Bone - 3:56
7. She Belongs to Me - 3:45
8. Emgab - 5:43
9. Phetamine & Pearls - 3:39
With bluesy swagger and plenty of twang, Heart of Pine’s distinct “Southedelic” roots rock sound bridges the comforting familiarity and inherent strangeness of the region. The band’s style is an amalgamation of wide-ranging influences—the classic rock, blues, country, jam, Americana and funk genres—all battered and deep-fried in psychedelia. Southern Soul Revival, Heart of Pine’s sophomore full-length album slated for release on Friday, Aug. 2, represents the culmination of three years of work and a point at which the band has truly grown into its own sound with confidence. Heart of Pine was formed in 2015 by Steven Bagwell and Travis Richardson, who grew up in the same small hometown of Thomaston, just west of Macon, before both eventually made their way to Athens. Following their debut Highly Flammable in 2019, the band released its 2020 EP Southedelic, coining the term for its signature blend of Southern and psychedelic rock. The band’s current lineup is Bagwell (electric guitar, vocals) and Richardson (acoustic guitar) alongside Jesse Fountain (piano, organ), Boone Hood (bass) and Todd Headley (drums, percussion).
“As a rowdy kid growing up in the South, I spent my late teen summers rummaging through the cow pastures of my neighbors in search of strange times,” says Bagwell. “This led to a love of all things the counterculture of the ‘60s and ‘70s had to offer. As you can imagine, my music tastes were significantly impacted by this period of my life.”
“As a rowdy kid growing up in the South, I spent my late teen summers rummaging through the cow pastures of my neighbors in search of strange times,” says Bagwell. “This led to a love of all things the counterculture of the ‘60s and ‘70s had to offer. As you can imagine, my music tastes were significantly impacted by this period of my life.”
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