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воскресенье, 20 сентября 2026 г.

The Black Cats - The Black Cats

Bitrate:320K/s
Year:2008
Time:57:10 
Size:132,1 MB 
Label:NoveYet 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. Hideaway - 3:23
 2. I Don't Know - 3:31
 3. What's the Reason - 3:53
 4. Creepy John - 5:37
 5. It's All Right - 4:18
 6. Baby's Leavin' Town - 5:07
 7. Going to That Place - 5:20
 8. Steppin' Out - 2:45
 9. Too Tired - 3:11
10. Lonely Avenue - 4:10
11. Gangster of Love - 3:40
12. Nine Below Zero - 5:16
13. How Long Baby - 6:53

I have no information about the band and the musicians.


Mulens Portland Combo - Tired of the Blues

Bitrate:320K/s
Year:1995
Time:37:12 
Size:86,4 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Headin`n Down - 4:04     
 2. Tired of the Blues - 3:14
 3. Busting Our Asses - 2:42
 4. Angel Blue - 3:48
 5. Why Get Up? - 3:46
 6. Try Again Later - 3:46
 7. Another Kind of Lonliness - 4:17
 8. Chasing Rainbows - 3:27
 9. Maybe Baby - 3:37
10. If You`re Doing It Right - 1:41     
11. Get out of My Life, Woman - 8:31

Mulens Portland Combo is a loosely composed blues and soul band with drummer and leads Rolf «Mulen» Karlsen from Slemmestad as the only regular member. The band was formed in 1981], as a local band in the environment around the cement factory at Karlsen's home in Slemmestad. Over the years, around 90 musicians, many of the country's elite musicians, have been in the crew [1]. The band has five recordings. Famous musicians who have played in the group are Freddy Dahl, Sigurd Køhn, Tom Mathisen, Ole Henrik Giørtz and Vidar Busk ~ Google translation.

Blind Dog Taylor & The Healers - Heavy Sugar

Bitrate:320K/s
Year:1997
Time:47:06 
Size:109,4 MB 
Label:Self-Released 
Styles:Aussie Blues 
Art:Front 

Tracks Listing:
 1. I Want To Know - 2:57
 2. Too Hard - 3:21
 3. Can't Use Your Love - 4:30
 4. Tomorrow? - 3:10
 5. Heavy Sugar - 3:23
 6. Blues By The Exit Light - 4:44
 7. Love In The First Degree - 3:35
 8. Only Time (Felt So Good) - 3:02
 9. Spend My Money - 3:43
10. That's Your Stop Buster! - 4:02
11. Hard Headed Woman - 3:36
12. Qualified To Satisfy - 3:51
13. Uh-Huh! - 3:06

Seasoned bass player 'Jumpin' John Carlini had decided that with the extraordinary guitar talents of 'Sweet Baby' James Meston and the intoxicating rhythms of drummer Harry Milochis, the line-up of dynamic Adelaide based band could not possibly get any better. John isn't often wrong (just ask him!) but when Travis 'Blind Dog' Taylor did a guest spot with the band on vocals, harmonica and guitar the unmistakable chemistry lead to Travis becoming the fourth dimension of an act which is leaving audiences in awe of their 'cool funky aura', as described by one young lady. The unique fusion is embodied in this generous serving of Heavy Sugar. Turn up the volume, the dogs have landed ~  Marty Jones.

Brickyard - Hey you !


Bitrate:320K/s
Year:2018
Time:39:24 
Size:90,9 MB 
Label:Marista Music Company 
Styles:Rock/Blues Rock 
Art:Front 

Tracks Listing:
 1. All alone - 5:19
 2. Brick in your face - 2:55
 3. Missing man formation - 4:02
 4. Now you `re gone - 3:57
 5. Ballad of the sea - 4:05
 6. Girls blues - 3:52
 7. Deadly war - 4:10
 8. Blue mood - 3:30
 9. Hey you - 3:32
10. Echo of my soul - 4:02

Brickyard is a band from the Netherlands.'Girl's Blues' is fortunately one of those blues tracks—fairly simple and straightforward—that, in my opinion, has a lot more substance than the rest of the songs. One option might be to bring in a second guitarist with a distinct style of their own, alternating between lead and rhythm to spice things up a bit. What I really miss on this album are a few carefully chosen covers of classics; that would elevate the album as a whole, because Brickyard can undoubtedly play well, though there is still plenty of room for improvement regarding songwriting and arrangement. The tracks were written by the band itself, but they aren't particularly strong 'rock' songs. The album doesn't strike me as the work of a blues band, but rather a rock band adding a bluesy touch here and there (mainly thanks to the harmonica player). Vocalist Monique Cillessen gives it her all on every track and occasionally sounds a bit like Sass Jordan, though I get the impression she has a bit less breath support than Jordan. It is striking that—despite Monique's efforts—I don't hear any backing vocals anywhere; it is quite difficult to sing a track to a real climax without them. Another factor that hinders the build-up of tension in the songs is that guitarist Ruud Maalderink plays almost all the rhythm parts the same way, introducing little to no variation during the verses (such as dropping the rhythm briefly to play a sexy guitar lick). A second part is only recorded during the guitar solos to keep the rhythm going, but unfortunately, the guitar tone used for the solo is virtually identical to the rhythm tone, making it feel like the solo gets in the way of the rhythm a bit. It does demonstrate (at least, I assume so) that Brickyard aims for a live sound; however, I know from experience that playing as the sole guitarist in a blues-rock band is technically demanding and places a heavy burden on the guitarist. One area where I find Maalderink particularly strong is his ability to balance right on the edge of feedback—a matter of having the right gear and knowing how to handle it. The drums don't really lend a bluesy feel to the songs. It’s not that I want to hear shuffles all the time, but the overall drumming reminds me a bit of the style of a rock band like Def Leppard—unfortunately, lacking in variety. I hear the keyboardist playing more of an accompaniment role than taking solos, and I also feel the Hammond organ is generally mixed a bit too far back. I mention this because I feel there is a lack of variety in the band members' playing.Fortunately, ‘Girl’s Blues’ is one of those blues tracks—fairly simple and straightforward, yet in my opinion, it has a lot more substance than the rest of the songs. One option might be to bring in a second guitarist with a distinct (different) style, allowing them to alternate between lead and rhythm parts to spice things up. What I really miss on this album is a few carefully chosen covers of classics; that would elevate the album as a whole, because Brickyard can undoubtedly play well, though there is still plenty of room for improvement in terms of songwriting and arranging ~ Patrick Engelen.

Bruce Conte - Bullet Proof

Bitrate:320K/s
Year:2002
Time:55:25 
Size:127,5 MB 
Label:Severn Records 
Styles:Blues/Funk/Soul 
Art:Full 

Tracks Listing:
 1. Too Much Cool - 3:44
 2. Nowhere To Go - 5:19
 3. I Met A Girl - 4:08
 4. Chasin' The Blues - 7:23
 5. Mojo Mambo - 4:06
 6. Just Won't Act Right - 3:44
 7. Too Sad To Sing The Blues - 3:35
 8. It's Always Darkest Before The Dawn - 5:39
 9. Bullet Proof - 4:59
10. Feel So Bad - 5:08
11. There's Room At The Top - 3:57
12. Snatch It Back And Hold It - 3:36

Bullet Proof is the first solo release from former Tower of Power guitarist Bruce Conte. These 12 tracks combine smooth blues, jazz, and soul featuring other T.O.P. alumni Lenny Williams, Windy Barnes, and former member of Rufus Gavin Christopher. Former vocalist for T.O.P. Bobby Kimball provides vocals on "Chasin' the Blues." Fans of radio-friendly soul-blues will enjoy this 2002 release on the Severn label.

Smoky Greenwell - Blues For Democracy

Bitrate:320K/s
Year:2023
Time:43:45 
Size:100,9 MB 
Label:Greenwell Records 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. Get out and Vote - 4:04
 2. Filibuster Blues - 3:33
 3. Liars, Cheaters, And Losers - 4:11
 4. Lets Work Together - 4:41
 5. Slow Moving Coup - 5:46
 6. Common Ground - 8:43
 7. 99% Blues - 4:08
 8. Between Iraq And A Hard Place - 3:46
 9. Homeless Christmas - 4:50

In its early days, the blues served as a medium for African Americans to express their hardships, the injustices they endured, their bad luck, their grief, their misfortunes, and their sorrow. Those songs reflected—sometimes subtly, other times in a raw and direct manner—the full extent of their life's miseries. Throughout his career, singer and harmonica player Smoky Greenwell has delved deeply into these facets of the blues. For over a decade, his music has focused on recapturing the spirit of the past. Now, however, he presents a much more contemporary album that addresses the problems plaguing the United States in the 21st century; in doing so, he calls out the flaws in American society while always offering a way forward and a path to hope. The album features nine songs—eight penned by Smoky himself, plus a cover of Wilbert Harrison’s "Let’s Work Together," a track famously popularized by Canned Heat in the early 1970s. As the title suggests, every song on the album focuses specifically on current political and social issues. Smoky Greenwell has surrounded himself with a talented roster of musicians who contribute their expertise throughout the record, infusing each track with the necessary feeling, intensity, and electric energy to make this CD a compelling and enjoyable listen.

Brothers Of The Southland - Brothers Of The Southland

Bitrate:320K/s
Year:2009
Time:59:48 
Size:138,0 MB 
Label:Zoho Music L.L.C. 
Styles:Southern Rock 
Art:Front 

Tracks Listing:
 1. Rock And Roll Survivor - 3:52
 2. Can't You See - 7:30
 3. Brothers Of The Southland - 6:56
 4. Travelin' Light These Days - 3:45
 5. Dreams - 5:37
 6. Blue Sunrise - 3:41
 7. Love Don't Care - 2:54
 8. Dixie Highway - 4:28
 9. Pray For Me - 3:34
10. Back In The Day - 3:53
11. Change A Comin' - 3:39
12. Long Goodbye - 5:56
13. Can't You See (Radio Edit) - 3:57

So many musicians are involved in Brothers of the Southland that it seems more like a project than a band. Going by the back cover, at any rate, there seem to be eight core members, including musicians who've done time with the Outlaws, Wet Willie, and the Black Crowes, as well as -- and it's not a misprint -- Bo Bice, the 2005 American Idol runner-up. Over half of the tracks were written or co-written by bandmembers and/or associates, though there's a smattering of outside contributions, as well as a nod to their influences with a cover of the Allman Brothers' "Dreams." Given their pedigrees, it's no surprise that Brothers of the Southland play classic-style Southern rock, enough so that at times they sound like a Southern rock tribute band that happens to play mostly original material. In addition to the fusion of blues-rock and hard rock so typical of the form, there are touches of soul (and occasional horns), gospel, and heavy metal braggadocio. If that brings to mind strutting boogies with overlong solos, yeah, there are a few such things here. Those are balanced out, however, by a good number of more reflective, at times sadness-tinged slower tunes; very occasionally, it even sounds a bit, though just a bit, like early-'70s Van Morrison ~ Richie Unterberger.

суббота, 19 сентября 2026 г.

Billy Barnett Band - Dysfunctional Family

Bitrate:320K/s
Year:2003
Time:58:20 
Size:134,9 MB 
Label:Self-Released 
Styles:St. Louis Blues 
Art:Front 

Tracks Listing:
 1. Watcha Know - 5:13
 2. What Kinda Man - 3:44
 3. 2nd Kind of Man - 4:22
 4. Yambo Mi Curio - 3:17
 5. Right By My Side - 3:14
 6. Dysfunctrional Family - 4:42
 7. Beck Meets Wes - 4:31
 8. Same Ol'moon - 3:40
 9. Steirnfield - 7:26
10. Fight For Freedom - 3:16
11. Poltergeist - 0:34
12. The Castle - 4:36
13. Selfesh - 2:49
14. To Say - 3:15
15. Drinki'n Song - 3:35

The name Billy Barnett is synonymous with great St. Louis guitar. Having had opened for and shared the stage with names like Roy Orbison, The Neville Brothers, REO Speedwagon, and Jean Luc Ponty, the Billy Barnett Band is one of St. Louis most spirited Blues bands. Billy even spent a year playing with Country fiddler Shoji Tabuchi in Branson, Mo. Tours have taken them through Puerto Rico, Panama, Cuba, and as far north as Greenland. "Feel is what we specialize in", as Billy describes the band. With Mississippi Mud and now thier newest CD Brand New Boogie out, 


The Booze Brothers - The Booze Brothers Live...With the Wolf Island Horns!

Bitrate:320K/s
Year:2004
Time:54:45 
Size:127,3 MB 
Label:Liphone Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. J: S Blues - 3:42
 2. It Ain`t Me - 4:10     
 3. Love That Woman - 4:14
 4. Rollin`Man - 3:51    
 5. Evil Harted Woman - 4:45
 6. I`m Tore Down - 4:57     
 7. Too Much Woman - 7:04
 8. Blues for Baby - 4:48
 9. Brand New Lover - 8:16
10. Talk to Your Daughter - 4:44
11. When It Comes to Love - 5:37
12. Down Town Tales - 3:44
13. Southbound - 4:15
14. Devil by the Tail - 3:31

The Booze Brothers formed sometime in 1985. Then, the line-up consisted of Jan-Erik Eriksson on lead vocals and guitar, Dr. Sumlin on bass guitar, Bosse Sandersson on drums and the now only remaining original member Kenneth Svensson on guitar. The musical compass, however, has, since Day One, more or less consistently pointed towards classic Electric Blues and good time Rock’N’ Roll. Heavily influenced by Blues Giants like Freddie King, B B King, Eric Clapton, Johnny Winter, Elmore James and Stevie Ray Vaughan, this band is still more than capable of producing a driving, sweaty rock beat in the vein of ZZ Top, Rolling Stones, Dr. Feelgood or Status Quo. Things started seriously coming together in 1995, when Jan-Erik Eriksson chose to quit and was replaced by Patric Karlsson.
The band’s first CD, ”Evil Morning Blues”, was released in October 1998. It contained thirteen tracks, out of which ten were original compositions. The follow-up, “On the Rocks”, with all original material, was released in September 2000. It was, in turn, followed in 2004 by their critically acclaimed live-album ”Live: With The Wolf Island Horns!”.

Brickyard - Blues In Pajala

Bitrate:320K/s
Year:1996/2019
Time:54:28 
Size:124,7 MB 
Label:1405685 Records DK (2019) 
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. Dance for Me Baby - 4:51
 2. Say Goodbye - 3:07
 3. Workin' So Hard - 3:12
 4. Mean Old Place - 3:49
 5. House Full of Blues - 5:29
 6. Boogie Woogie Boy - 3:14
 7. Payback Time - 4:26
 8. Pleading - 2:54
 9. Bound to Come Down - 5:05
10. Leave Your Blues Behind - 5:47
11. Waiting Business - 2:58
12. Twisted Sister - 2:57
13. Bad Bells - 3:19
14. Be Gone - 3:14

Hailing from Pajala, Sweden, a small town located 50 miles above the Arctic Circle and a full days drive north of the capitol Stockholm, Brickyard has played clubs and blues festivals throughout the northern end of Sweden, Finland and Norway for the last 11 years. 


Forrest McDonald & 3D Blues Band - What's It Gonna Take?

Bitrate:320K/s
Year:2000
Time:55:46 
Size:129,6 MB 
Label:World Talent Records
Styles:Blues/Modern Electric Blues 
Art:Front 

Tracks Listing:
 1. Work Work - 2:56
 2. Early in the Morning - 3:12
 3. Times Getting Tougher - 3:22
 4. Slippin' Out - 2:45
 5. Southern Exposure - 3:50
 6. Call My Baby - 2:15
 7. Bad Day - 4:35
 8. Two Bones and a Pick - 2:56
 9. Mean Old World - 4:46
10. California Baby - 2:06
11. Roll on Katy - 4:02
12. Red Sunglasses - 3:53
13. Skid Row Blues - 4:06
14. Alligator - 5:43
15. Rolling Down the River - 5:11

Forrest McDonald stands as a musical storyteller, bridging hearts with songs that echo the soul. Known for his roots in blues and blues-rock, Forrest’s evolution into a singer-songwriter showcases a personal, introspective artistry that invites listeners into his world. Transitioning from the "Forrest McDonald Band" to a solo focus, he crafts songs that explore love, hope, hard times, and faith. Rooted in blues and blues-rock, with hints of Americana and folk, Forrest’s music connects heart to heart, reflecting the pulse of everyday life. With Songs from My Soul, he delivers a timeless sound that’s both deeply personal and universally relatable. The McDonald home was in close proximity to the location of the Newport Jazz and Folk Festivals, where the musical talent on display consumed Forrest—he saw Ray Charles and Leadbelly perform and caught Bob Dylan’s controversial switch from acoustic guitar to electric. Backstage at Newport in 1969, Forrest played Jimmy Page’s Les Paul, trading licks with Page and Jeff Beck” it was incredible,” McDonald recalls.
Forrest McDonald’s remarkable six-decade journey in music began in Austin, Texas, where he was born in 1950. His career took root at age 15 in Rhode Island. He drew inspiration from blues icons like Josh White, Jimmy Witherspoon, and T-Bone Walker through his family’s record collection. Forrest played his first gig on New Year’s Eve 1964 with Seagram’s Seven. His early exposure to the Newport Jazz and Folk Festivals shaped his musical direction. He saw performances by Ray Charles, Leadbelly, and Count Basie there. He also witnessed Bob Dylan’s shift to electric guitar. These experiences ignited a lifelong passion for music. Now based in Richmond, VA, Forrest has evolved into a masterful blues-folk-Americana singer-songwriter and storyteller. He is celebrated for his authentic narratives and soul-stirring performances. Forrest’s career gained momentum in New England with his first band, The Ox Bow Incidents. In 1969, he joined The Boston Rock Symphony. There, he met blues harmonica great James Montgomery, who also played in the ensemble. They blended rock and classical music for eager audiences. At 20, Forrest toured with Wadsworth Mansion. The band opened for acts like Alice Cooper and Edgar Winter, performing their hit “Sweet Mary, I’m Coming Home.” In 1973, he moved to Los Angeles and reformed the band as Slingshot. They played iconic venues like The Whisky and The Starwood. During this time, he performed with Bonnie Bramlett, Kathi McDonald, Doris Troy, Marie Franklin, Silver Platinum and Gold, and Jimmy Reed Jr. He served as band leader for the Kathi McDonald Band, touring the West Coast extensively. While in LA, he studied at the Guitar Institute of Technology. He also attended Dick Grove Music Workshops. These experiences sharpened his skills. Additionally, he joined a band called Bookends with keyboardist Raymond Victor and Drummer Rob Robertie. They toured all over Asia and had a ball.
A pivotal trip to Muscle Shoals, Alabama, changed his path. Forrest joined the legendary Muscle Shoals Rhythm Section. He recorded the guitar solo for Bob Seger’s “Old Time Rock & Roll.” It became Seger’s biggest hit. The song appeared on three platinum albums: Stranger in Town, Greatest Hits, and Ultimate Hits. These records sold over 15 million copies. He also backed Bobby Womack on “The Roads of Life.” He has traded licks with blues giants like Duane Allman, Jeff Beck, and Jimmy Page. These collaborations solidified his reputation as a journeyman guitarist.
Later, he moved to Atlanta, GA. There, he founded World Talent Records, his own independent record label. His debut CD, I Need You (1995), featured Tony Carey (Rainbow) and Steve Perry (Journey). His discography now spans dozens of recordings. His 16th release, Songs from My Soul (2025, World Talent Records), marks a shift to a solo singer-songwriter focus. It explores personal, universal stories of love, hope, hard times, and faith.
Acclaim has followed Forrest globally. He has performed for over 200,000 fans as a headliner, he has entertained fans across 13 countries. Real Blues Magazine named his band “Best Southern Blues Band” from 1999 to 2001. They also dubbed him “Best Modern Southern Guitarist” in 2002. Just Plain Folks awarded him Best Blues Album for Spirit of the Blues in 2000. He won Best Blues Song for “Work, Work” in 2001. In 2006, “Going Back to Memphis” earned the same Best Blues Song honor. Forrest is an inductee of the Boston R&R Hall of Fame. His 15 CD’s have reached over 20 million listeners. It blends vintage Chicago and Texas blues with country soul, R&B, roots, and Americana. With Songs from My Soul, Forrest McDonald remains a timeless voice. He connects emotionally with fans through every heartfelt note.

Mississippi Slim - You Can't Lose The Blues

Bitrate:320K/s
Year:2008
Time:71:10 
Size:164,3 MB 
Label:Self-Released 
Styles:Blues/Soul/R&B 
Art:Front 

Tracks Listing:
 1. You Can't Lose the Blues - 5:37
 2. Mississippi Boy - 3:15
 3. Take Your Finger Out of It - 4:29
 4. I've Got to Leave You Alone - 5:34
 5. They Call Me Mississippi Slim - 5:13
 6. Thank You Baby - 2:38
 7. I Was Checking Out - 5:00
 8. Groove Me Baby - 3:59
 9. Sitting Here - 5:06
10. Haven't I Been Good to You - 4:44
11. Cotton Candy - 5:00
12. Player Haters - 5:38
13. If It Don't Fit - 5:07
14. I Miss You - 5:20
15. Dirty Bird - 4:23

Mississippi Slim, 66, was born as Walter Horn Jr. in Shelby, Mississippi and grew up in the town of Greenville where he looked forward to pursuing a career as a tractor driver, a job he started in the early 1960s.  But a job like that can give a young man the blues. And when a young man gets the blues a young man sings the blues. And if you’re a skinny young man from Mississippi singing the blues, someone is bound to call you Mississippi Slim.
In 1968, Mississippi Slim moved to Chicago to pursue his singing career, where he became known for his multicolored hair and mismatched clothing. He toured with Junior Wells and other blues singers and in 1974 had a minor hit with the song “Crying In The Arms of Another Love”, released by Sunflower Records.He returned to live in Mississippi in 1994 to take care of his aging mother and got involved in the local music scene there, becoming a headliner in local clubs and at festivals, and becoming active in Mississippi’s “Blues In Schools” Project which brings the history of the American Blues to local school kids.
He recorded the album, Miracles, in 1999 featuring a rocking cut called “Mississippi Boy” and was finishing up another CD at the time of his death after suffering a massive heart attack.Right now you can get “You Can’t Lose The Blues” featuring “Cotton Candy” and “Take Your Finger Out Of It” – a great compilation of recent recordings on iTunes. Don’t mistake this slim with a HipHop artist by the same name. He might be good too, but that Slim is still breathing.  This Mississippi is Resting in Peace.

The Booze Brothers - Evil Morning Blues

Bitrate:320K/s
Year:1998
Time:40:18 
Size:93,3 MB 
Label:Liphone Records 
Styles:Electric Blues/Blues Rock/Rockin`Blues 
Art:Front 

Tracks Listing:
 1. J: S Blues - 3:16
 2. It Ain`t Me - 3:50     
 3. Southbound - 3:05
 4. Evil Morning Blues - 3:36
 5. Blues for Baby - 3:27
 6. If You Got to Love Somebody - 3:34
 7. You Think You Fooled Me - 3:26
 8. Love That Woman - 3:56
 9. Bad Luck Blues - 4:09
10. Mrs Jones - 3:04
11. It Hurts Me Too - 4:10
12. You`re Humbuggin - 3:14     
13. Too Much Woman - 4:30

Musicians:
Patric Carlzohn - vocals, guitar;
Kenneth Svensson - lead guitar;
Dr Sumlin - vintage bass;
Kenneth Johansson - keyboards, piano;
Bo Sandersson - drums, backing vocals.

The Booze Brothers were formed back in 1985 and are celebrating their 41st anniversary this year. Their debut CD, *Evil Morning Blues*, was released in 1998, and they have since released a total of three albums.
Much has happened over the years, but from the very beginning, their musical compass has pointed steadily toward a blend of classic electric blues and steaming rock 'n' roll. Influenced by blues giants such as Freddie King, B.B. King, Eric Clapton, Johnny Winter, Elmore James, and Stevie Ray Vaughan, they are also no strangers to a driving, sweaty rock beat worthy of ZZ Top, the Rolling Stones, Dr. Feelgood, or Status Quo.
In addition to performing in southern and central Sweden, The Booze Brothers have successfully toured Norway, Denmark, and Finland. They have also undertaken several tours in Germany, the Netherlands, and Spain. The band has appeared at numerous prominent festivals throughout the 2000s. Notable examples include the Aalborg Jazz & Blues Festival in Denmark (2001), the Romerike Blues & Roots Festival in Norway (2002), the Notodden Blues Festival (2003), and the Dalane Blues Festival in Norway (2004, 2008, and 2011). Other highlights include the Bliuzo Naktys festival in Lithuania, performing before an audience of 50,000; the Bluesfest Eutin in Germany (May 2011, 3,500 attendees); the Blues Express festival in Poland (same year, 5,000 visitors); and performances at Blues at the Beach/Blues at the Farm in Närpes, Finland, in 2010, 2012 (alongside Sky High), 2014, and 2015.

Gary Rex Tanner & Mississippi Slim - Classy Women (feat.The Kansas City Ripper)

Bitrate:320K/s
Year:2012
Time:53:19 
Size:123,6 MB 
Label:Little Frog Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Along Comes a Woman - 3:46
 2. Up All Night - 3:45
 3. Classy Women - 4:16
 4. Long Night - 3:30
 5. El Dorado - 4:37
 6. When the Rooster Crows - 3:43
 7. Throwin' a Party - 4:02
 8. Louisiana Blues - 2:53
 9. If You're Lookin' for a Saint - 3:58
10. Small Talk - 3:27
11. Hey Marguerita - 4:39
12. Call It Love - 5:21
13. Sidewalk Reunion - 5:16

Gary Rex Tanner has been swimming upstream against the conventional trends of the music business for many years. Indifferent to and unconcerned with the commercial aspects of the "business," he reaches back, without restrictions, to the original innovators of America's musical heritage for his inspiration and influence. From Fats Waller to Louis Jordan, from Dinah Washington to Ray Charles and from Johnny Mercer to Bob Dylan, he incorporates powerful musical influences to reach and captivate his audience without subscribing to the inflexibilities and restrictive limitations of the commercial music business's dictates and demands. This uncompromising attitude has allowed a unique and unspoiled expression of one man's creativity, good humor and sensitivity that can only be experienced by hearing his songs. Gary Rex is an impressive singer who exudes swing and artistry throughout this release. The songs—all of which he composed himself—are excellent choices, and Mississippi Slim’s guitar arrangements could not be more fitting to round out an outstanding record.Enjoy

J.T. Red - Smokn' Cat Blues

Bitrate:320K/s
Year:1996
Time:43:38 
Size:100,9 MB 
Label:Gem Tam Music 
Styles:Pop/Soul Blues/Rock 
Art:Front 

Tracks Listing:
 1. Too Broke to Pay Attention - 3:35
 2. You've Lost My Love - 3:36
 3. Cry'in Shame - 3:58
 4. Party Down Tonite - 4:55
 5. Prelude to River's Flow - 0:44
 6. River's Flow - 5:47
 7. I'll Always Love You - 5:56
 8. Let It Roll - 6:28
 9. I Want Your Lovin - 5:38
10. Like It Used to Be - 2:58

Pop soul/blues/rock from what appears to be a teenage band with good instincts is better than I would have been ready to admit. They're definitely green, but their naivete works in their favor most of the time, especially the faux soul of "Cryan' Shame," the earnest acoustic Delta-style introduction to "River's Flow" and their decidedly blue-collar lyrics ("Too Broke to Pay Attention"). (Gem Tam)