Glenn Marais & The Mojo Train - Red, Hot And Blue

Bitrate:320K/s
Year:2024
Time:40:14 
Size:92,9 MB 
Label:Self-Released 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. That's Where My Mojo's At - 3:09
 2. Superfunk - 4:03
 3. Love Denied - 3:57
 4. Red, Hot And Blue - 4:23
 5. It All Went Down - 3:04
 6. Love, Sweet Love - 4:05
 7. The Song Of Love - 3:44
 8. Hold Me High - 3:32
 9. Pink Lemonade - 3:42
10. Can't You See - 3:12
11. Professor Day - 3:20

Glenn Marais and the Mojo Train are a blues rock band known for their powerful and dynamic sound that seamlessly blends grace and beauty/Their music takes listeners on a journey through the Mississippi Delta, with stops at Detroit, Motown, and the funky sounds of Philadelphia. With their unique styles deeply rooted in the blues, the band’s original compositions are a testament to their exceptional musical talents. Every performance is a high-energy experience that leaves the audience feeling like they’re at a sold-out stadium show. The band includes Juno-nominated songwriter Glenn Marais on lead guitar and vocals, drummer Jeff Saulnier, bassist Manny DeGrandis (band leader of the Maple Blues Awards backing band The Maples), and keyboardist Jesse Karwat (touring member of I Mother Earth). Known for their love of playing and jamming, Glenn Marais and the Mojo Train have a knack for taking songs in new and exciting directions.“Catch A Ride” is the Mojo Train’s musical mantra – whether on stage or in the studio. Guided by rhythm, the Train brings waves of intensity, taking ourselves and our audience to new limits. “This record is a testament to our love for music and the joy we have in performing. It is a celebration shared with those who’ve stood by us on this incredible journey”, says DeGrandis.Glenn Marais and The Mojo Train are not only dedicated musicians but also passionate community builders. Their impactful initiative MusicCan, a non-profit charity, exemplifies their commitment to fostering musical passion by providing instruments to youth and community members who face financial barriers, creating a harmonious bridge between music and social impact. As of late the band is proud of the waves left in Memphis, where they made semi-finals in the International Blues Challenge 2024. Their new album Red, Hot & Blue (March 8th, 2024) features 11 original songs highlighting the individual talents of the band and their collective powerful and dynamic sound.

Red, Hot And Blue
Red, Hot And Blue

The Johnny O. Band - Time For The Turnaround

Bitrate:320K/s
Year:2004
Time:59:47 
Size:137,8 MB 
Label:Self-Released 
Styles:Rock/Blues/Modern Electric Blues/Mix 
Art:Front 

Tracks Listing:
 1. When The Mountain Comes Down - 5:42
 2. Justice - 5:55
 3. Back On The Road Again - 5:12
 4. Time For The Turnaround - 6:23
 5. Movin' Down The Line - 4:55
 6. Stoney - 5:04
 7. Standing In The Garden - 5:22
 8. Open Your Eyes - 4:51
 9. Keep The Faith (Keep The Freedom) - 3:22
10. Rocky Stream - 3:25
11. River Rolls - 4:41
12. Winter Blues - 4:51

The Johnny O. Band is pleased to release of it's third CD "Time For The Turnaround".This twelve-song collection demonstrates the band's ability to craft fresh, original tunes that continue to push the boundaries of the Blues, Funk and Soul. By blending powerful lyrics with sweet vocal harmonies and combining diverse influences such as jazz and New Orleans-style street rhythms, Time For The Turnaround presents a unique and compelling sound that grabs hold of the listener and never let's go. John Ohnmacht: Guitar and Vocals John Ohnmacht was born in Aspen and has been entertaining Colorado fans for the last 20 years. The Johnny O. Band released it's first self-titled CD in the fall of 1997. It featured the band's most popular music and included five Johnny O. Band originals. The CD was well-received and sold well over two thousand copies, most of which were sold at the band's live performances. John wrote, arranged and produced the band's second CD, River In the Sky, which was released in the fall of 2000. This release is now in it's third printing. John also wrote, arranged and produced the band's latest CD, Time For The Turnaround. Marion Edwards: Drums and Vocals Marion Edwards started his drumming and singing career back in 1965. At that time he recorded for RCA and toured as Little Marion and the Heartbeats. From 1977 to 1987 Marion lived in New Orleans, Louisiana. During this period he polished his skills on the drums and backed up some of the great artists in the New Orleans music scene including Gatemouth Brown, Irma Thomas, Harry Connick Jr and Johnny Adams. During this time he also did some studio work with Allen Toussaint, one of New Orleans' most prolific songwriters. 'I feel extremely fortunate to be working with John and Marion. They play really well together. It's great to play with guys who have so much on stage experience.' J.O.

Time For The Turnaround
Time For The Turnaround

Big Man James Trio - Another

Bitrate:320K/s
Year:2018
Time:30:17 
Size:69,8 MB 
Label:Self-Released
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Love Is Not All - 3:49
 2. Moonlight - 2:43
 3. Another - 5:03
 4. Satisfaction - 3:46
 5. Funky Trip - 3:29
 6. Without You - 4:58
 7. My Clouds - 3:03
 8. Little Curly - 3:22

In this article we discuss the recording debut of the Big Man James Trio from Lodi. Giacomo Cassoni (vocals, harmonica and guitar), Federica Rossi (drums) and Michele Zanoni (bass) started playing together just under a year ago and, found immediately the right feeling, they have already given birth to their first album: ANOTHER.The album opens with LOVE IS NOT ALL, a song with a lithe rhythm with a guitar that looks towards the sounds of the Marcus King - John Scofield duo and the rhythm section that sweeps away the blues with confidence. Reckless and enthusiastic, the guitar runs with arms wide open towards that last opportunity and seizes it by pirouetting happily under the moonlight of the second piece.MOONLIGHT is a furious knight who gallops at full rein with his six-stringed lance pointed towards lands of groove & freedom. The result is a scalped rock'n'shuffle that excitedly flaunts all the beauty of playing, having fun and enjoying life. A wild piece that slides along the lines of an incendiary Doorsian-style Roadhouse Blues and that sprints once again in the direction of love, not only towards that for a person, but also and above all towards that for the most faithful music.ANOTHER, the piece that gives the album its title, lowers the pace a little and dyes the melodies blue with an elegiac harmonica at the opening. A catchy and insinuating chorus and refrain that get stuck in your head and swirl along with the amusing jumble of events, objects and feelings mentioned in the lyrics. Another song, another stage, another story and the circle closes and the circle of life begins again and again.SATISFACTION is a song with serene and jovial tones in which satisfaction walks alongside the protagonist in the devil style of Johnsonian memory. However, at a certain point the satisfaction moves away and goes for a walk about his business, but luckily there is always another possibility: the important thing is to always smile so the happiness lasts all day. A festive and prankster piece who takes everything as it happens, strictly with a smile on his face.
Satisfaction guaranteed!It continues with percussion and a circular and fiery bass line for a FUNKY TRIP of pure funk'n'groove. The bass reigns supreme and the guitar unrolls a red carpet of full-bodied and succulent notes under it. A full-blown trip in the colors of George Clinton with the addition of a chorus and a guitar turn that immediately makes 80s dancefloor pop.And after this trip to Funkytown, we move towards the end of the album with the piece entitled WITHOUT YOU. The song has a short guitar riff that recalls Social Distortion's edgier Bakersfield, but seasoned in Hendrix's atmospheric sauce. A sweet text here clashes with a sharp and vibrant guitar, giving life to a piece that takes flight in the central part until it finally levitates with the solo. Cassoni's intense vocality emerges forcefully and here ranges from an almost whispered sweetness to a heartbreaking and shouted desperation. A song that immediately captivates the listener and gains depth listen after listen.Then it's MY CLOUDS which gave the title to Giacomo Cassoni's first solo work. A piece that here rides a country folk pace with harmonious choruses, tasty bass steps and carefree drum trots.The last song we come across in Another is LITTLE CURLY. A song that starts off straight away, with Zanoni and Rossi rhythmically playing soft but square at the same time under a guitar lick with lounge pop contours. So far it appears perhaps as the least consistent piece of the entire work, but this impression reigns only until the sprint of the distorted six strings is triggered which gives the final incisive scratch.BIG MAN JAMES TRIO's debut album is undoubtedly a quality work that flies over the barren prairies of blues, flirts with the lush forests of funk'n'groove and relaxes on the concrete highways of rock. Eight songs born from massive listening to sacred monsters such as Derek Trucks and Jimi Hendrix, sprouted from the touch of the very young Marcus King and moved to the rhythms of John Scofield and Jon Cleary.
Cassoni, Rossi and Zanoni have discovered the perfect formula to create a groove prism with sparkling rock, pop, funk and blues facets.

Another

Another
​

Little Phil - Beyond The Shadows - Then & Now

Bitrate:320K/s
Year:2010
Time:39:21 
Size:90,7 MB 
Label:Hottrax Records 
Styles:Rock/Blues 
Art: Front 

Tracks Listing:
 1. Don't Take It Out On Me - 3:29
 2. East Coast Ways - 3:41
 3. The Damage Is Done - 4:50
 4. It's The Same Old Thing - 3:57
 5. I Should've Listened To My Heart - 3:06
 6. Long Hot Summer - 3:47
 7. Rockit And Rollit - 2:48
 8. Gonna Have A Good Time - 3:28
 9. I'm Kicking the Habit - 2:50
10. Give It All You Got (Psychedelic Version) - 7:20

As lead singer of the Night Shadows, Little Phil had a hit tune in his early teens that spawned an international fan club. If his label had not switched back to Country music at the behest of their corporate parent, his single "So Much" would certainly have gone national since it had reached top twenty radio status in several states. Nevertheless, this tune and others he released on indie labels have made Little Phil and his old band cult favorites among garage rock aficionados and devotees. ... This CD features ten tunes that Little Phil recorded since the demise of his legendary band. They may not sound like the garage psych-rock of the Night Shadows, but each track still remains true to Little Phil's unique soul-rock style of singing.

Beyond The Shadows - Then & Now
Beyond The Shadows - Then & Now

Felix Cabrera Band(with Jimmy Vivino) - Live At The Turning Point

Bitrate:320K/s

Year:2009
Time:66:26 
Size:152,8 MB 
Label:Suitcase Sound Recordings 
Styles:Blues/Harmonica Blues/Modern Electric Blues 
Art: Front 

Tracks Listing:
 1. I Didn't Know -  6:39
 2. Animalism -  6:12
 3. Lovin' Cup -  6:26
 4. Kid At Heart -  4:19
 5. Too Young To Die -  5:19
 6. Listen Here - 10:07
 7. Birds Nest On The Ground -  8:46
 8. Self Argument In D Minor -  5:44
 9. Maggie's Farm -  7:27
10. Goin' Down Slow -  5:21

New Yorkers have been musically spoiled in that having the likes of Felix Cabrera and Jimmy Vivino gigging around in various band configurations was like Blues manna from heaven. But several months ago all of that changed when Conan O'Brien moved west taking not one but two Vivinos (Jimmy & Jerry) plus the extraordinary bassist Mike Merritt away from our scene. I've seen the core version of this band many times over the years, and even though there was a studio recording (The Black Italians), none of those great nights was ever (legally) captured and released. Until now, and while the New York City Blues scene has tapered down (no more Manny's Car Wash, Chicago Blues, and countless others), thank goodness for the tiny and wonderful Turning Point CafŽ in nearby Piermont, NY, which is where this wonderful recording was captured. First and foremost, no egos here, as Cabera and Vivino alternate leadership with ease; the opening "I Didn't Know" vocals are by Vivino, and from the opening notes you know its going to be a great night as the band is coagulated and firing smoothly. Cabrera's immediately on fire and, like a sly cat, Vivino lays low, but not for long as this tune simmers to a sumptuous boil with great guitar riffs, excellent B-3 from Eddy Bishal's Hammond, all held done smartly by bassist Phil Butler and Bill Shroeder's drumming. Next up its Cabrera's turn with his wild "Animalism." Check out Vivino's churning guitar work and Felix's over-the-top vocal chops. Cabrera continues in the spotlight with Paul Butterfield's "Lovin' Cup" slickly rearranged with a dynamite B-3 groove, Vivino's non-stop Bloomfield impersonations that similarly explode into a marvelous blending of his own signature guitar, and Cabrera's intuitive harp.There's more pedal to metal on "Kid at Heart" which is a driving shuffle where bassist Butler struts his stuff, and Cabrera ignites the entire enchilada. The open chords of Rice Miller's (Sonny Boy Williamson II) "Scared of That Child" sounded familiar, and while Vivino says, "It ain't 'Courageous Cat,'" it's similar," no matter. This is one hip tune, Vivino's vocal is dead on, the band is tighter than Paris Hilton's jeans, Cabrera is in the harp pocket, and Jimmy's solo is just so tasty.Eddie Harris' instrumental gem "Listen Here" is killer and a workout for the entire band that stylishly weighs in at a little more than ten minutes, yet no one plays on excessively. First up is Bishal's B-3 that burns. Felix then with cat like instincts jumps in, and it's apparent this tune's going to roar, and roar it does as Vivino tries to join the fray gently. But that doesn't last, and off to the races they go!From Vivino's recording Do What, Now? "Birds Nest On The Ground" is a funky delight with another powerful guitar workout for Jimmy. Note Vivino calling out to the band to "pick it up" as this tune finishes in a high-speed flurry. From Felix's For Green recording, comes "Self Argument in D Minor" where, other than Cabrera's spirited harp attack, comparatively things calm down. Dylan's "Maggie's Farm" allows Cabrera and Vivino to somewhat share vocal duties that lumber along for more than seven minutes (sometimes in Spanish, by Cabrera of course) and eventually segues into Ray Charles and James Burke Oden's "Going Down Slow" vocalized by Vivino. This excellent disc closes on this classic Blues tune that starts slowly but soon is propelled by a searing guitar solo. The boys say goodnight to the crowd, and you know a great time was had by all.I was fortunate to have seen this exact same band twice this year, both times at the Turning Point, and look forward to more Cabrera/Vivino performances, but with Jimmy's new west coast digs, it won't happen as often. But I just checked www.FelixCabrera.com, and Felix is doing a gig with Vivino in California, so I guess it's just a matter of time as to when Jimmy visits the east coast and returns the favor. In summary, these guys belong together, their chemistry is magical, and their musical respect is obvious and mutual. Let's just hope that the next time(s) they unite they bring along the recorder so that we can have more of this very contagious and spontaneous music. Until that time, enjoy Live At the Turning Point. It's really a special capture of two consummate Blues pros leading an excellent band.
(Bob Putignano: www.SoundsofBlue.com)

Live At The Turning Point
Live At The Turning Point

Rated Blue - Cranked Remastered

Bitrate:320K/s
Year:2024
Time:35:58 
Size:89,1 MB 
Label:Self-Released 
Styles:Blues/Blues Rock/Rock 
Art:Front 

Tracks Listing:
 1. Four Months On Tuesday - 4:48
 2. In Dogs We Trust - 3:55
 3. Three Walls Down - 3:35
 4. Understanding (Just A Little) - 3:13
 5. Waiting (Alternate Acoustic Take) - 4:37
 6. You - 3:22
 7. Turnabout - 4:10
 8. When You Got A Name - 4:06
 9. Man On A Wire - 4:09

"Cranked Remastered" collects early material from Rated Blue's first two albums "Three Walls Down" and "Turnabout" in freshly enhanced and remastered versions. These tracks literally thunder with intense attack and raw power and make no secret of the bands love of heavy roots and blues in a power-trio context. Though the band may tip their hats to a music form strongly associated with a bygone era the songs themselves have lost none of their political bite and even after almost 10 years they are still as topical as today's headlines. Seeing a need to cast these early recordings in a more polished context guest keyboardist Dave "Benny" Williams was enlisted to bring his tasteful shades of color to sweeten and balance the sonic gut-punch that is Rated Blue's hallmark. This set collects the strongest songs from both albums and presents a new version of "Waiting" stripped down to a revealing acoustic solo performance. The MacArthurs (junior and senior) with stellar bassist Peter Cox pay profound respect to their root inspirations while managing to revitalize the form with fresh musical ideas. If you missed these songs the first time around you will be rewarded with a second chance and an optimized listening experience in this new collection.

Cranked Remastered
Cranked Remastered

Ben Poole - Live In Montreux

Bitrate:320K/s

Year:2024
Time:70:01 
Size:160,7 MB 
Label:Self-Released
Styles:Blues-Rock 
Art:Front 

Tracks Listing:
 1. Intro (Live) -  0:45
 2. Start the Car (Live) -  6:36
 3. Dirty Laundry (Live) -  7:24
 4. Win You over (Live) -  5:20
 5. Take It No More (Live) -  5:54
 6. Piano Interlude (Live) -  1:04
 7. Don't Cry for Me (Live) - 10:58
 8. Further on Down the Line (Live) -  4:56
 9. Anytime You Need Me (Live) - 13:24
10. Time Might Never Come (Live) - 13:37

Musicians:
Ben Poole – Guitar & Vocals;
Matthew Gest – Keyboards;
Steve Amadeo – Bass;
Chris Hardwick – Drums.

Ben Poole is an internationally applauded, award-winning blues, rock and soul guitarist, singer and songwriter hailing from the United Kingdom. Nominated as one of the “Best Blues Guitarists in the world” just prior to the 2-year pandemic hiatus alongside names such as Eric Clapton, John Mayer, Buddy Guy, Robert Cray, Joe Bonamassa & many more by the USA’s ‘Guitar World Magazine’, Ben Poole is very much at the forefront of the talent rich blues/rock scene on a worldwide scale.Set in the beautifully stunning and musically prestigious city of Montreux, Switzerland, this show was certainly one of the biggest highlights (of which there were many!) from a very busy 2022. The year saw us performing at some amazing venues and festivals, across 17 countries in various formats, and on both sides of the Atlantic. But as we move towards the summer of 2023 I have to say that on reflecting over the past 12 months this night in particular really stands out in my mind. Not only did I feel like the period of time around the MIGS show really marked a turning point in live music returning after the 2 year “hiatus”, but everything about this night in particular was simply magical! The energy from the audience was palpable, and only led to the energy already emanating from the boys on stage increasing ten fold! One of the only shows where we added keys to the otherwise usual trio line-up; Matthew Gest added some wonderful textures and glorious harmonies to proceedings. The band, featuring Steve Amadeo on bass guitar and Chris Hardwick on drums, really stepped up on that evening and I am so proud of the result. Add to this the wonderful people, the gorgeous venue and the great sound, it is no wonder we have all been so excited to share some of this night with you all!”.

Live In Montreux
Live In Montreux

John Earl Walker - Come Over Here!

Bitrate:320K/s
Year:2008
Time:48:47 
Size:112,1 MB 
Label:Walkright Music 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Tess's Shuffle - 2:59
 2. The Showdown - 5:45
 3. Come Over Here - 3:35
 4. My Last Goodbye - 5:09
 5. Airport Blues - 6:54
 6. Backdoor Romance - 4:22
 7. Please Pretty Baby - 5:01
 8. The World's A Prison - 4:18
 9. Poor Boy Blues - 6:36
10. Nightwalker - 4:04

Guitarist, lyricist, and vocalist John Earl Walker became enamored with the blues at age 13, after being exposed to records by legendary guitarists of the genre such as Albert King, Magic Sam, T-Bone Walker, and Freddie King. By his 16th birthday, Walker had already begun playing guitar at local events and in clubs whenever possible. In 1967 he formed the blues-rock band the Plastic People, which included bassist Pete Harris and guitarist Joey Tremelo. Three years later the Plastic People changed their name to Plum Nelly, recorded several albums for Capitol Records in the mid-'70s, and gained national exposure opening shows for B.B. King, Muddy Waters, Alice Cooper, and Iggy Pop, to name just a few. Following the breakup of Plum Nelly in 1976, Walker formed the first of several incarnations of the John Earl Walker Band. The most stable lineup was initiated in 1990 when former Housepainters drummer Bobby Infante was added, joining Harris, Tremelo, and Walker. They released their debut CD, I'm Leaving You, in 2002, followed by Little Miss Perfect and People Are Talkin' two years later.  “Come Over Here” is the fourth album from John Earl Walker and in my opinion the best. John and the band have served up ten scorchin’ original tunes.  The styles range from hard hitting rockers to slow blues, classic rock and funk. I definitely recommend this album!

Come Over Here!
Come Over Here!

Little Phil - Out Of The Shadows

Bitrate:320K/s
Year:2005
Time:40:04 
Size:92,2 MB 
Label:Brithom Music Co. 
Styles:Blues 
Art: Front 

Tracks Listing:
 1. Get Over Yourself - 3:40
 2. I Found A Love - 4:33
 3. Blues Party - 4:39
 4. White Boy - 3:28
 5. She's My Baby - 4:01
 6. Don't Fight It (Feel It) - 3:09
 7. When Something Is Wrong With My Baby - 5:01
 8. Too Much - 4:06
 9. Take The Bitter With The Sweet - 4:04
10. Tore Up - 3:19

Little Phil's debut album "Out Of The Shadows" featured Georgia and Alabama Music Hall of Fame members Jack and Jimmy Hall of Wet Willie, award winning blues man Theodis Ealey, and acclaimed young guitarist Mike Lowry. It was a critical success with Blues Critic Magazine naming it one of the 10 "Best Blues Albums of 2006". Performing in any venue, large or small, this first-class entertainer is a guaranteed crowd pleaser and experienced professional. Audiences are captivated by his magnetic stage presence as his band of accomplished musicians crank out an amazing fusion of blues, soul, and rock. All this makes "The Little Phil Show" an event that you won't soon forget!  

Out Of The Shadows
Out Of The Shadows

Walter Trout - Broken

Bitrate:320K/s
Year:2024
Time:53:41 
Size:124,1 MB 
Label:Provogue
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Broken - 4:50
 2. Turn And Walk Away - 4:33
 3. Courage In The Dark - 5:36
 4. Bleed - 4:09
 5. Talkin' To Myself - 4:16
 6. No Magic (on the street) - 3:21
 7. I've Had Enough - 3:47
 8. Love Of My Life - 5:31
 9. Breathe - 4:13
10. Heaven Or Hell - 4:43
11. I Wanna Stay - 4:36
12. Falls Apart - 4:02

Blues rock’s perpetual survivor, Walter Trout, maybe Broken in places, but not even the fractured modern world and personal hardships he’s endured have rendered him beyond repair. After taking us on a spellbinding Ride in 2022 (a record that placed highly in Blues Rock Review’s Top 20 albums of the same year), it’s apparent there’s plenty of gasoline left in the tank (even at 72 years young).Trout reels in a dozen original tracks (three co-writes with his wife Marie) and a bunch of first-time collaborators that include the electric-shock-through-your-veins pipes of Beth Hart. Through bruising guitar and a wry pour of gallows humor, the album starts with the title track, “Broken,” and finishes with one called “Falls Apart.” In between, it’s a mash of wrath and serenity, as the genre’s resilient icon “always holds on to hope” amidst the stain of dystopia.The opening anthemic duet with Hart is a match made in blues-rock heaven. Both artists share an unwanted parallel, which has seen them battle with inner demons that would have conquered other mere mortals. This extra resonance, combined with the grace and power of Trout’s guitar and Hart’s signature rasp and fragility, makes this a timely reminder about the healing power of top-drawer music.Trout never disappoints when it comes to down ‘n’ dirty blues, as he recruits the extraordinarily accomplished and inventive harmonica player Will Wilde for his thrilling first single, “Bleed.” They lock horns for a fabulous harp-driven boogie, with Wildes’s hard-edged harmonica almost upstaging Trout’s screaming solo. Once again, it’s a terrific example of two outstanding musicians delivering a cut greater than the sum of its parts.The theme of hope is apparent on the laid-back shuffle of “Courage In The Dark,” with Trout digging deep for the best solo on the album, bar none. While there’s room for a couple more ballads and even a country lane diversion on “Breathe,” the hard-edged moments served by Trout’s ferocious and passionate DNA remain untouchable and (ironically) unbroken.“Heaven Or Hell,” with its apocalyptic lyrical theme (“We get what we deserve”) and unexpectedly heavy chugging riffs, are underpinned by more melodic yet all-guns-blazing fretwork.The final collaboration on this album might be a surprise, but what follows is anything but. Starring Twisted Sister frontman and metal titan Dee Snider, Trout wants to rock, and Snider is more than happy to oblige with his powerful gruff on the adrenaline-fueled “I’ve Had Enough.” More glorious guitar work strikes in the immediate aftermath on the majestic instrumental “Love Of My Life.” It’s an effective counterpoint to the LP’s rock quota, resplendent with pedal harp, a string arrangement, and blues phrasing that touches every sinew.Arguably saving the best till last, Trout balances despondency and delight in the epic closer “Falls Apart,” — written and arranged by Michael Edward Brændgård Trout. Rich harmonies, soaring guitar work that goes beyond the clouds, and the revelation of the choral finale hold everything together.The terms “journeyman” and “stalwart” have been tossed at Trout over the years, but the man is simply a legend of the genre. Irrespective of the traumas he’s had to overcome, he’s a bloody brilliant guitarist in his own right, so let him fling some mud of his own back at the bitter schisms of modern life.This is his “escape from everything that is broken in the world, ” resulting in some of the most raw and black-and-blue songs of his career.Thankfully, this “elder statesman” of the blues-rock world refuses to succumb to the angst, instead throwing his heart, soul, and the proverbial kitchen sink into everything like he always has. And if it ain’t broke, why fix it?

Broken

Broken

Dan Patlansky - Movin' On

Bitrate:320K/s
Year:2024
Time:56:02 
Size:129,2 MB 
Label:Self-Released 
Styles:Blues/Blues Rock 
Art: Front 

Tracks Listing:
 1. Red Velvet Suit - 4:28
 2. Who I Am - 5:10
 3. Humbled - 4:55
 4. Movin’ On - 6:29
 5. On My Way - 5:25
 6. One With Fire - 6:49
 7. Baby’s Packin’ Heat - 8:18
 8. Welcome In - 6:12
 9. Free Wheelin’ - 3:58
10. Lift Off - 4:13

Over the past decade-plus, South African guitarist Dan Patlansky has been one of the most consistent performers in blues rock. His 2014 album, Dear Silence Thieves, was voted Blues Rock Review’s #1 album of 2014. 2016’s Introvertigo also landed Patlansky the top spot on Blues Rock Review’s annual list. Most recently, Patlansky released Shelter of Bones in 2022, which finished #2 in Blues Rock Review’s Top 20 Albums of 2022.Patlansky is an elite guitarist but one of the things that separates Dan from many other blues rock artists is his songwriting ability. When world class guitar playing meets strong songwriting you have a winning combination which Patlansky delivers. Now Patlansky is back with 2024’s Movin’ On which Dan co-produced with Andy Maritz. Greg Van Kerkhof also assisted with songwriting.Patlansky has made it no secret that Stevie Ray Vaughan has been a massive influence on him. Dan opens the album with “Red Velvet Suit,” an upbeat Texas styled rocker. Next up is one of the album’s top moments, “Who I Am” which is quintessential Dan Patlansky. The song is the perfect example of world class guitar playing meeting top-tier songwriting. Patlansky describes the song as “Rediscovering who I am as an artist and human being.” “Humbled” features more scorching guitar and is about the life of a touring musician.The album changes pace with the reflective title track about pushing through tough times. Another album highlight. Dan turns up the energy with the blues shuffle of “On My Way.” “One With Fire” continues Movin On’s theme of turning the page. “Baby’s Packin Heat” is a blues number that Patlansky wrote tongue in cheek about winning a woman over.“Welcome In” sees Patlansky head into a more mellow Americana direction with a bit of country flavor which he does very well. The groovy “Free Wheelin” is next and Movin’ On concludes with the fiery instrumental “Lift Off.” On Movin’ On, Dan Patlansky continues to demonstrate his prowess as both a guitarist and a songwriter. With each track, Patlansky’s influences and personal experiences shine through. Few artists in blues rock bring the total package like Patlansky.

Movin' On
Movin' On

Bex Marshall - Fortuna

Bitrate:320K/s
Year:2024
Time:41:04 
Size:94,5 MB 
Label:Dixiefrog /Rock'n'Hal 
Styles:Blues/Blues Rock 

Art: Front 
 1. Preaching To The Choir - 3:40
 2. Dirty Water - 5:27
 3. I Can't Look You In The Eye - 3:21
 4. 5 AM - 4:27
 5. Jungle - 3:25
 6. Table For One - 4:53
 7. Fortuna - 3:08
 8. Lay Down And Die - 3:53
 9. Scrapyard Dog - 4:45
10. When It's Gone - 4:00

Bex Marshall’s long-awaited studio album, “Fortuna,” is a testament to her unparalleled talent as a vocalist, guitarist, and songwriter. With ten tracks that traverse the vast landscape of blues, funk, rock, and Americana, Marshall delivers a sonic experience that is both raw and refined, gritty yet graceful.The album kicks off with the anthemic “Preaching to the Choir,” a no-nonsense guitar-driven track that sets the pace for the journey ahead. Marshall’s drawling vocals cut through the driving funk groove, accompanied by lofty gospel harmonies from Shola Adegoroye. It’s a politically charged anthem that demands attention and introspection.“Dirty Water,” a cover originally penned by Buddy and Julie Miller, receives a gritty reinterpretation from Marshall. The track begins with an acapella vocal before building into a tribal hambone, culminating in a crescendo of pain and promise. Marshall’s impassioned delivery breathes new life into this classic song, infusing it with raw emotion and undeniable energy. “I Can’t Look You In The Eye” showcases Marshall’s prowess on slide guitar, accompanied by Scott Coopwood’s soulful solo on a custom Les Paul. This four-to-the-floor blues number explores themes of lust and temptation, while Barry Barnes’ driving rhythm section lays the foundation for Marshall’s electrifying performance. The standout track, “5 AM,” captivates with its melancholic atmosphere and haunting guitar melodies. Toby Baker’s Rhodes playing adds depth to Marshall’s introspective lyrics, as she navigates the aftermath of a late-night confrontation. The song’s dramatic crescendo mirrors the emotional turmoil of the early hours, culminating in a poignant reflection on regret and resignation.“Jungle” brings a playful energy to the album, with slide guitar reminiscent of a kid skidding across a polished floor. Marshall’s humorous lyrics paint a vivid picture of a world where everyone is an animal or insect, inviting listeners to join in the toe-tapping fun of this rockabilly-inspired romp.“Fortuna,” the title track of the album, explodes with energy from the outset, setting the stage for a sonic adventure. Richie Stevens’ driving drums and Red Bass’ sensational bass harmonies propel the track forward, while Marshall’s resonator guitar dominates with its heavy funk groove. It’s a high-octane thrill ride that captures the essence of Marshall’s musical vision.As the album draws to a close, “When It’s Gone” offers a reflective moment of introspection. BJ Cole’s guest Dobro playing adds a haunting quality to Marshall’s acoustic guitar, as she delivers a poignant reminder of life’s transient nature. It’s a bittersweet conclusion to an album that balances raw emotion with unbridled energy.Overall, “Fortuna” is a tour de force from Bex Marshall, showcasing her growth as a musician and a storyteller. With its addictive hooks, soulful vocals, and blistering guitar solos, the album is a testament to Marshall’s enduring talent and tenacity. It’s a must-listen for anyone craving authentic blues-rock with a modern twist.

Fortuna
Fortuna

Rich Fabec - Talking to Shadows

Bitrate:320K/s
Year:2005
Time:45:37 
Size:105,0 MB 
Label:Mercy Seat Records 
Styles:Blues/Blues Rock/Modern Electric Blues 
Art:Front 

Tracks Listing:
 1. Not Done Yet - 3:21
 2. Nobody - 4:04
 3. Love Thing - 3:47
 4. The Other 99 - 8:00
 5. Listen to What the Blues Say - 5:02
 6. Freekathang - 3:00
 7. Talking to Shadows - 3:39
 8. Haunted Moon - 2:59
 9. House up the Raod - 4:41
10. Place in My Heart - 3:54
11. Delta Blue - 3:04

Rich Fabec fronts this scorching blues jam band from Illinois. A three piece outfit the band explores a history of the blues in it's shows covering explorations of blues roots from the Delta, Chicago, Kansas, New Orleans and Texas styles.A night with the Rich Fabec band is an experience that leaves blues fans talking.  Rich Fabec is the future of the blues. Rich's Blues are a unique blend of traditional Chicago and Texas Blues like B.B. King, Buddy Guy, Albert King and Albert Collins; and more contemporary sounds like, Stevie Ray Vaughn, and Robben Ford and Jimi Hendrix. Rich is fashioning the new sound of the Blues on his debut CD TALKING TO SHADOWS. "The Blues is the great tradition of American music. It has been the common ancestor to all forms of Western music for the past 130 years. Rock, Jazz, Country, Bluegrass, Soul, even Rap and Hip-Hop owe their musical beginnings to the Blues. But the Blues, to survive a musical form, needs to keep evolving. That is what Muddy Waters and others did when they came from the Delta and plugged in electric guitars." Rich's music is a melting pot of Jazz, Funk and Rock all served on the plate of the Blues. The Blues are the foundation of his music. With the CD project TALKING TO SHADOWS, Rich has now returned to playing the music that captured his heart many years ago: The Blues. "This new project is like a new start. The Blues needs to move in a new direction, and the music on this CD is a step in that direction. It is Blues for the 21st century. To me it feels like coming home, comfortable like your favorite jeans or your favorite shoes."

Talking to Shadows
Talking to Shadows

Bobby Jones and Friends - Arizona Princess

Bitrate:320K/s
Year:2008
Time:49:25 
Size:114,1 MB 
Label:Self-Released
Styles:Blues/Electric Blues 
Art:Front 

Tracks Listing:
 1. Extra Sauce - 4:46
 2. Statesboro Blues - 5:45
 3. A Change Is Gonna Come - 5:16
 4. Checkin' Up On My Baby - 5:07
 5. TC Shuffle - 4:17
 6. Bobby's Blues - 6:09
 7. Need Some Lovin' Tonight - 4:00
 8. Before You Accuse Me - 3:51
 9. Juzsumfunk - 4:59
10. Arizona Princess - 5:10

There comes a time in the life of any amateur musician who has picked with a band or two over the years, cooked up some original jams on his own, and gotten to know all of the musicians in his neighborhood, that he’s accumulated enough material to put together his own CD. Such is the case with Glen Arbor’s own Bobby Jones. His release Arizona Princess shows that when Bobby’s not riding his Harley, he’s probably wailing on a Telecaster with the fuzz tone knob turned up to 10!By combining mostly original material with a few classics from some warhorses of the blues (Will McTell, Sonny Boy Williamson, Ellas McDaniel, even Sam Cooke), Mr. Jones manages to display his own finger craft and vocal virtuosity while featuring an all star cast of local luminaries including John Knight, Newt Cole, Tim Wire, Roger Tarczon, John Kumjian, and hornmen Pete Asch and John Lindenau, among others.There are some tracks recorded in 1989 and 1990, including a live cut from the Black Pearl Reunion show in Aspen, Colorado, as well as some newer stuff from the past few years. The CD gets right after it immediately with the high energy original Extra Sauce, featuring Bobby’s fuzzy guitar and a filthy wail from Newt Cole’s saxophone to get the stratospheric arc of these blues tunes off the ground. Many tracks feature Bobby Jones on guitar, bass, and vocals, and you can tell right away that you’re in the hands of an experienced blues man.His originals TC Shuffle, Bobby’s Blues, Need Some Lovin’ Tonight, Juzsumfunk, and the title track Arizona Princess also feature some outstanding piano from Tim Wire and the confident rhythm slants of Roger Tarczon. Jones has worked with the best local sound engineers to produce his CD, including Scott Zylstra of Frontier Studios in Copemish, John Knight of Full Circle Studios in Traverse City, and Patrick Niemisto of Holy Wah! Studio near Maple City.
Singer, teacher, author, actor, producer, and television host Bobby Jones was born September 18, 1939 in Henry, Tennessee. Always aiming for a career in music, Jones was an excellent student, graduating from high school at the age of 15, earning a bachelor's degree in elementary education from Tennessee State University by the time he was 19, and proceeding through his master's at the same university before taking his doctorate at Vanderbilt University in Nashville. Although he has taught elementary school, he is chiefly known for his work as a producer and host at the BET television network, where he began in 1980, hosting the popular Bobby Jones Gospel show. His many albums and musical collections include Sooner or Later (1978), There's Hope for this World (1979), Caught Up (1980), Soul Set Free (1982), Come Together (1984), Tin Gladje (1985), I'll Never Forget (1989), Another Time (1990), Bring It to Jesus (1995), Just Churchin' (1998), A Gospel Experience: Live in Italy (2004), Faith Unscripted (2007), The Ambassador (2007), and Rejoice with Me! (2014). He has also written and published two books, 1999's Touched by God and 2000's Make a Joyful Noise. ~ Steve Leggett

Arizona Princess
Arizona Princess

Mighty Sam McClain&Knut Reiersrud - One Drop is Plenty

Bitrate:320K/s
Year:2011
Time:53:16 
Size:122,5 MB 
Label:Kirkelig Kulturverksted 
Styles:Soul Blues/Gospel 
Art:Front 

Tracks Listing:
 1. Life - 4:08
 2. Can You Stand the Test of Love - 4:35
 3. One Drop is Plenty - 4:58
 4. You Don't Know Nothing About Love - 5:59
 5. Sweet Soft Kisses in the Rain - 3:57
 6. Learn How to Love You Again - 5:30
 7. Long Time Running - 4:43
 8. I Don't Feel Noways Tired - 5:57
 9. Love One Another - 4:26
10. Proceed - 5:31
11. Open up Heavens Door - 3:28

Mighty Sam McClain has been recording for many years and has an impressive back catalogue across a number of labels. In 2010 he recorded with Iranian singer Mahsa Vahdat and that is where he met Norwegian guitarist Knut Reiersrud. Knut has recorded in a very wide variety of contexts, including the blues and the two obviously hit it off, deciding to record an old-style soul album together. The recording was made in Oslo with an all Norwegian cast of musicians. The CD contains a mix of covers and original material written by Sam, Knut and his regular lyricist Jeffrey Wasserman.Most of the songs are gentle ballads.For example Jerry Ragavoy’s “You Don’t Know Nothing About Love” has some strong, pleading vocals from Sam but plods along for almost 6 minutes. “Learn How To Love You Again” has a touch of country ballad about it and some resemblance in the chorus to Kenny Rogers’ “Lucille” – personally I would have preferred BB King’s Lucille. The Reverend James Cleveland’s “I Don’t Feel Noways Tired” also has a country feel, even down to the spoken intro, though once the song proper starts it is clearly a gospel piece, emphasized by the churchy organ which also is a feature of the closing track “Open Up Heaven’s Door”. The most upbeat track here is “Love One Another” which has a far more active drum beat behind it but a dull and repetitive lyric.

One Drop is Plenty
One Drop is Plenty