Bitrate:320K/s
Year:2016
Time:44:06
Size:101,4 MB
Label:Self-Released
Styles:Blues
Art:Front
Year:2016
Time:44:06
Size:101,4 MB
Label:Self-Released
Styles:Blues
Art:Front
Tracks Listing:
1. Painting the Town (feat. Tony Fazio & Charlie Sayles) - 3:55
2. I'm Gonna Getchu (feat. Tony Fazio & Charlie Sayles) - 2:40
3. Tennessee (feat. Tony Fazio) - 4:48
4. Fussin' 'n' Cussin' (feat. Tony Fazio) - 3:09
5. Sweet Daddy Brown (feat. Tony Fazio & Charlie Sayles) - 3:56
6. Good and Plenty (feat. Tony Fazio) - 3:36
7. Bad Company (feat. Tony Fazio & Charlie Sayles) - 3:49
8. Alabama Babe (feat. Tony Fazio & Charlie Sayles) - 3:16
9. Give Me Shelter (feat. Tony Fazio) - 6:14
10. Earthquake (feat. Tony Fazio) - 3:46
11. I Wasn't in My Right Mind (feat. Tony Fazio) - 4:50
1. Painting the Town (feat. Tony Fazio & Charlie Sayles) - 3:55
2. I'm Gonna Getchu (feat. Tony Fazio & Charlie Sayles) - 2:40
3. Tennessee (feat. Tony Fazio) - 4:48
4. Fussin' 'n' Cussin' (feat. Tony Fazio) - 3:09
5. Sweet Daddy Brown (feat. Tony Fazio & Charlie Sayles) - 3:56
6. Good and Plenty (feat. Tony Fazio) - 3:36
7. Bad Company (feat. Tony Fazio & Charlie Sayles) - 3:49
8. Alabama Babe (feat. Tony Fazio & Charlie Sayles) - 3:16
9. Give Me Shelter (feat. Tony Fazio) - 6:14
10. Earthquake (feat. Tony Fazio) - 3:46
11. I Wasn't in My Right Mind (feat. Tony Fazio) - 4:50
Every now and then you get to hear, or more accurately, you get to feel the blues through an artist. On his release, Blues Kitchen, Scott Taylor not only shares the feeling, but serves it up like a steaming bowl of blues stew. Tasty as hell. Scott Taylor is based out of DC, but the blues he pours out has its roots in traditional deep southern melancholy. Blues Kitchen is his first release through Fetal Records, and its first single, “Tennessee” drips of loneliness and need. Crying guitar work over a sparse arrangement leaves plenty of room for Taylor’s song of aching desire. “Going back to Tennessee, got a woman waiting on me, and I just can’t do her wrong.” Yeah, the road can be a long and empty place for a man missing his woman, and through the guitar and vocal, Taylor’s anguish is convincing.

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