Troy Mercy - Let The Night Begin

Bitrate:320K/s
Year:2026
Time:37:44 
Size:86,4 MB 
Label:Gitcha Records 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Cheap Machine - 3:58
 2. Better & Better - 3:07
 3. Compromised Blues (A Spy Goodbye) - 3:56
 4. Silver Bird - 2:25
 5. Love Is A Hurt - 5:48
 6. Let The Night Begin - 3:12
 7. Traveling Light - 3:48
 8. A Place Of Our Own - 4:31
 9. Trembling Shadow - 2:30
10. Who's Laughing Now? - 4:23

The difficulty most artists have creating a buzz on debut albums, especially in the blues genre, is partially alleviated on guitarist/singer/songwriter Troy Mercy’s initial foray. That’s due to his extensive history working with some of the most recognizable names in the business. Fans of the Fabulous Thunderbirds might recognize Mercy as that band’s guitarist for a number of years in the early 00s (replacing Kid Ramos), although under the last name Gonyea (there were some self-released earlier albums under this moniker too). He has also toured and/or recorded with roots music legends like Booker T. Jones, Jerry Portnoy, and Howlin’ Wolf’s guitarist/right-hand man Hubert Sumlin. But now, taking the Mercy name brings a harder edge to his bluesy rocking. Live, the lineup is stripped down to the power-duo drums and guitar only concept popularized by the White Stripes/Black Keys. That’s an indication of the tough, unvarnished, somewhat retro sound he delivers here. Although veteran bassist Marty Ballou appears on five selections to bolster the vibe, his contributions are minimal yet helpful for a studio recording.On his webpage, Mercy calls his music “brave new blues” describing himself as “I breathe the blues. I have a rock and roll heart.” His influences include Otis Redding, Richard Thompson, Captain Beefheart and Black Sabbath, showing his intent on pushing all sorts of sonic boundaries. That’s clear on these 10 originals. While the minimal instrumentation stays raw and focused, Mercy writes sharp songs with changes and hooks that slither around bluesy and indie rock, but stay tethered to his rootsy inclinations. Mercy also boasts a strong, soulful voice, bringing further fearlessness to music that connects on first listen.You’ll immediately respond to his Jack White/Jimmy Page-styled six-string work on “Compromised Blues (A Spy Goodbye)” that bumps and grinds with nasty garage-heavy, reverb-soaked intensity. He sings with force and energy, matching the tracks’ electrified sparks as drummer Harrison Foti infuses a combination of New Orleans funk and Bonham’s frantic qualities.Producer/drummer Tim Carman (Parlor Greens, ex-GA-20) keeps the audio uncluttered (he also plays on half the tunes), focusing on Mercy’s vocals. His voice is particularly compelling on “Silver Bird”’s Bo Diddley beats where Mercy drops guitar, displaying his similarly impressive harmonica skills. Heading down to the swamps for “Who’s Laughing Now,” Troy pushes his vocals into falsetto for haunting effect, with chunky guitar chords and Foti pushing it forward playing offbeat, slightly militarist snare patterns, adding to the already evocative mood. We shift to Cream territory for the opening of “Let the Night Begin,” which mimics that classic trio’s version of “Cat’s Squirrel.” Mercy howls out wordless vocals until shouting the song’s title, as the rhythm shifts from funky to blistering. He goes full soulman on the swinging “Love is a Hurt,” a song begging to be picked up by Tedeschi-Trucks band with its horns and backing singers as the guitarist kicks into a solo that’s steeped in Southern Duane Allman gravy. And “Traveling Light” (not the JJ Cale tune), brings it together with a rollicking tempo, sizzling, thick notes and enthusiasm bursting from the speakers. Troy Mercy uses his extensive knowledge, experience and talents to create a stylistic synthesis on “Let the Night Begin.” It finds him staking out distinctive, invigoratingly fresh territory in his crowded blues rocking genre ~ By Hal Horowitz.

Let The Night Begin

Vince Converse - Vince Converse and Friends

Bitrate:320K/s
Year:2026
Time:69:00 
Size:158,5 MB 
Label:New Shoes Records/Alley Studios 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. Want a Piece of Me - 4:28
 2. Waiting for the Train - 4:10
 3. Rather Be Dead - 6:34
 4. Whiskey River - 5:22
 5. Blue Shadow - 2:57
 6. Long Hard Highway - 4:38
 7. Do Right By You - 6:34
 8. Who Am I Telling You - 5:28
 9. Blue Destiny - 4:32
10. Wishing Well - 3:04
11. It Ain't Cool - 4:25
12. So Alone - 6:39
13. Jesse Mae, Pt. 1 - 9:18
14. Jesse Mae, Pt. 2 - 0:45

Vince Converse is a true blues man. Having signed professionally out of high school, Vince toured internationally with Sunset Heights, and later, independently, as he played with some of the world’s greatest musicians. After a decade-or-so hiatus, Vince is charging back on the scene in a true comeback attack, armed with a small fleet of axes and a sober lifestyle. Stronger and more inspired than ever, he is finally putting together the music he “has always wanted to create” with his band, Vince Converse and Big Brother. His style is funky and gritty, with both classic and new-blues appeal. Vince’s stunning guitar solos, hypnotic slide sections, and electrifying arrangements create a truly one-of-a-kind blues experience. 
Vince Converse and Big Brother deliver a dose of gritty, guitar-driven blues, served with a twist of funk. Channeling legends like: BB King, Albert King, Freddie King, and Albert Collins, Converse (originally a Texas Bluesman), captivates and seduces with bold guitar licks, intoxicating slide, and timeless, searing solos. This band’s chemistry is infused with rock, jazz and soul, drizzled with a hint of southern country, and spritzed with latin sound. Blending world-class talent, traditional standards, and modern inspiration, these Denver, Colorado gents serve up delicious, big-mountain blues.

Vince Converse and Friends

MF

Y

Gina Coleman - Uncrowned: A Tribute To Ida Cox

Bitrate:320K/s
Year:2026
Time:42:29 
Size:97,9 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Graveyard Dream Blues - 4:30
 2. Mail Man Blues - 3:50
 3. One Hour Mama - 2:43
 4. Worries Mama Blues - 3:52
 5. Wild Women Don't Have The Blues - 3:02
 6. Bama Bound Blues - 4:23
 7. You Got To Swing And Sway - 2:11
 8. Four Day Creep - 3:26
 9. Hard Times Blues - 4:03
10. Lawdy Lawdy Blues - 3:47
11. Blues Ain't Nothin' Else But - 6:37

Musicians:
Gina Coleman - Vocals;
Seth Fleischmann - Guitar;
Diego Mongue - Bass;
Rob Tatten -Drums;
Aaron Dean - Clarinet;
Ronan Chris Murphy - Percussion;
Jeff Dudziak - Banjo.

Ida Cox, the "Uncrowned Queen of the Blues," was a 1920s powerhouse who defied the era’s norms. A prolific composer and savvy businesswoman, she wrote her own hits and recorded over 78 titles for Paramount Records, cementing her legacy as a foundational architect of the genre. Nearly a century later, Gina Coleman—founder and leader of the band Misty Blues—discovered a mirror of her own life in Ida’s story. With over 100 original songs and 27 years of band management under her belt, Gina felt a profound connection to Ida’s independent spirit while researching her Queens of the Blues podcast.
"Uncrowned: A Tribute to Ida Cox" is the first full-length album dedicated entirely to Ida's catalog. It is a soulful bridge across generations, pairing Ida’s pioneering lyrical artistry with Gina’s modern, unique musical interpretations. More than a tribute, "Uncrowned" is a masterclass in the enduring power of the female blues songwriter. Ida Cox, the "Uncrowned Queen of the Blues," was a 1920s powerhouse who defied the era’s norms. A prolific composer and savvy businesswoman, she wrote her own hits and recorded 78 titles for Paramount Records, cementing her legacy as a foundational architect of the genre. Nearly a century later, Gina Coleman—founder and leader of the band Misty Blues—discovered a mirror of her own life in Ida’s story. With over 100 original songs and 27 years of band management under her belt, Gina felt a profound connection to Ida’s independent spirit while researching her Queens of the Blues podcast.

Uncrowned: A Tribute To Ida Cox
 

John "Rabbit" Bundrick - Mr. Big Boss Man

Bitrate:320K/s
Year:2026
Time:43:17 
Size:100,0 MB 
Label:Suburban Music Group 
Styles:Blues/Rock/Mix 
Art:Front 

Tracks Listing:
 1. What The Man Has To Say - 3:50
 2. Nkosi B - 3:24
 3. Asylum - 5:13
 4. Mr. Big Boss Man - 3:30
 5. Grownups - 2:23
 6. Living On A Level - 4:38
 7. Africa '25 - 3:55
 8. Hole In My Head - 3:39
 9. Funky James - 2:58
10. Salty Popcorn - 5:01
11. Send Your Love - 4:41

Best known as the touring keyboardist for the Who since the late '70s, John "Rabbit" Bundrick has also issued countless solo releases, in addition to session work for other artists. Born on November 21, 1948, in Houston, TX, Bundrick came from a very musical family (his mother played piano, his father the bass, and his brothers various other instruments), leading to the youngster learning the piano at the age of seven. Four years later, Bundrick joined his father in a local country band, and at the age of 15, was an in-demand session musician at local Houston recording studios. After a college career failed to pan out (Bundrick flunked all his subjects except for music), the young keyboardist relocated to Los Angeles, during which time he picked up the nickname "Rabbit" due to his buck teeth. Bundrick eventually returned back to Houston, where he picked up steady session work once more, during which time he befriended pop-reggae singer Johnny Nash. After living in Sweden for a period of time, Bundrick united with Nash in London, where he wrote several songs for and played on Nash's hit 1972 album I Can See Clearly Now, which spawned a massive hit single with its carefree title track. Through Nash, Bundrick met Bob Marley, and lent his synthesizer/keyboard talents to Marley's 1973 release Catch a Fire. Around the same time, Bundrick was asked to join an offshoot project of the British blues-rock outfit Free called Kossoff, Kirke, Tetsu & Rabbit, who spawned a lone self-titled release before splitting up. But it was through these projects that the floodgates for further session work seemed to open for Bundrick, as he played on recordings by Sandy Denny, Andy Fairweather-Low, Jim Capaldi, Eric Burdon, Donovan, John Martyn, Silverhead, and Free (the latter of which briefly reunited after the dissolution of Kossoff, Kirke, Tetsu & Rabbit). The early '70s also saw Bundrick issue his first few solo releases, 1973's Broken Arrows and 1974's Dark Saloon, but session work was his main focus, as he developed a friendship with Who guitarist/songwriter Pete Townshend while playing on his 1977 collaboration with Ronnie Lane, Rough Mix. Bundrick then accepted an invite to join British hard rockers Crawler, but besides a pair of albums (1977's Crawler and 1978's Snake Rattle & Roll), Bundrick's stint with the group proved unfruitful. It didn't take long for Bundrick to latch onto his next project as the Who were looking to add a keyboardist to their touring lineup for their comeback 1979 world tour. Bundrick got the gig (with his first rehearsals with the group documented on the Who's fine home video/DVD Thirty Years of Maximum R&B Live), and has remained as the group's touring keyboardist ever since, in addition to playing on subsequent solo releases by Who members Townshend (1980's Empty Glass, 1985's White City: A Novel, 1989's Iron Man: A Musical) and Roger Daltrey (1980's McVicar, 1994's Celebration: The Music of the Who). Bundrick has also found time to issue countless further solo releases on his own, including such titles as Abendstimmung: Evening Bliss, Dreamcatcher: Global Journey, Dream Jungle, Echoes of Africa, The Fairy Garden, Moccasin Warrior, Moccasin Warrior II, Run for Cover, Same Old Story, Spirit of the Wolf, Tour Guide, Welcome to America, and With the Dolphins. Additionally, Bundrick has kept up his steady session work schedule, guesting on latter-day releases by such artists as Mick Jagger, Roger Waters, Mick Taylor, Richard & Linda Thompson, and Trevor Rabin, among others ~ © Greg Prato /TiVo

Mr. Big Boss Man

John F. Klaver - Organic & Sustainable Sessions, Vol. 3

Bitrate:320K/s
Year:2026
Time:42:38 
Size:97,9 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Ld's Shuffle - 2:24
 2. We Were Gonna Last - 3:50
 3. By Your Side - 5:26
 4. Hit the Ground - 2:45
 5. In Her World - 6:53
 6. Devil Woman - 2:21
 7. Wrong Over Right - 3:50
 8. Dust - 4:15
 9. Peace of Mind - 4:36
10. Politician - 3:41
11. Turn It Past Eleven - 2:32

Musicians:
John F. Klaver - Guitar;
Iris Sightermans  - Bass Guitar;
Bob Fridzema - Hammond/Keys;
Robert-Jan Van Schoonacker - Drums.

Blues that stands the test of time and produces an honest sound. That was the ultimate goal of Dutch guitarist John F. Klaver from Boxmeer. Several award-winning albums later, and an award as best blues guitarist in 2015, a trilogy preceded it.
In our loader is ‘Organic & Sustainable Sessions Vol. 3’. Which naturally also refers to the two previous albums, showcasing organic blues and venturing into jazz and funk. This final volume starts with five studio recordings in which Bob Fridzema’s Hammond plays a leading role. Blues songs from the full band without surprises. However, what holds the (well-deserved) attraction is the second part of the album, featuring a number of acoustic solo tracks performed live at The International Blues Challenge 2025 in Memphis. With this ‘Memphis’ set, John F. Klaver managed to reach the final. A fantastic result in itself. So let the fingerpicking blues sink in. You might argue it's Old School, yet precisely for that reason, it fits perfectly into the challenge of the conservative South. John also studied music theory in the States, which introduced him to American roots. It starts with ‘Devil Woman,’ in which John musically returns to the pre-war years. ‘Wrong Over Right’ can be called a more modern version, sung with a strong accentless tone. Very skillful, with a flamenco intro plucked over his strings, before conjuring a steady rhythm in the 4-minute ‘Dust.’ John also shows his sensitivity in the moving ‘Peace Of Mind.’ A completely different rhythm and key, however, in ‘Politician,’ delivered in a declamatory and convincing manner. It reminds one somewhat of the late acoustic Kevin Coyne in his satirical protest songs.
Closing the album is ‘Turn It Past Eleven,’ it rocks, as if you should quickly forget his acoustic work. Bizarre, isn't it? A solid seventies rocker nonetheless, in which John lets loose electrically and proves he is a man of many talents. However, not really fitting on this album, not even as a bonus track. This third volume therefore seems more like a hodgepodge. Which, however, does not detract from the quality, but any coherence was clearly not an issue.
To hear this top musician at work live, you will have to travel to the Netherlands or Germany for the time being, according to his website.

Organic & Sustainable Sessions, Vol. 3

Stefan Hillesheim - When I'm Gone

Bitrate:320K/s
Year:2023
Time:52:06 
Size:119,8 MB 
Label:Self-Released 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Done Somebody Wrong - 2:45
 2. Dust My Broom - 3:01
 3. When I'm Gone - 4:50
 4. My Poor Heart - 4:02
 5. The Love I Had for You - 4:37
 6. Better Man - 6:16
 7. Always Get to Hear from You - 3:23
 8. Worries, Worries - 4:48
 9. To Be Loved by You - 2:27
10. The Sky Is Crying - 4:46
11. On Down the Highway - 4:01
12. Sick of Your Love - 3:40
13. It Hurts Me Too - 3:22

Musicians: 
Stefan Hillesheim - Guitar / Vocals; 
Darryl Wright - Bass;
Dionte McMusick - Drums​.
Special Guest: 
Sumito "Ariyo" Ariyoshi - Piano. 

From a small town in Germany to Los Angeles, from California to Chicago, from the American Midwest to wherever music takes him… Stefan Hillesheim’s musical journey is truly extraordinary, spanning more than two continents and a multitude of musical genres; at the heart of this journey lies an unwavering passion for music, a passion that cannot be stopped.
Born in Koblenz and raised on his father’s record collection, Hillesheim discovered his passion for blues, rock, and soul at a very young age. After studying classical guitar in Germany, he moved to Los Angeles where he studied at the Musicians Institute (GIT) and quickly became a highly sought-after studio guitarist. His work has led him to collaborate with artists such as Bobby Kimball (Toto), Ellis Hall (Tower of Power), Emerson Cardenas (Santana), and Brent Carter (Average White Band). In 2022, Hillesheim moved to Chicago, the city that shaped the blues like no other. There, he further developed his unique style: a blend of traditional Chicago blues, Delta slide technique, modern soul, and the emotional intensity of rock. Stefan formed a band around him, comprised of Chicago Blues Hall of Fame members and renowned musicians, who helped refine his sound. Since arriving in Chicago in 2022, they have released three albums. The band has found great success on the Chicago blues scene, performing regularly in the city's major venues and at the 2025 Chicago Blues Festival in Millennium Park. Hillesheim has established himself as an authentic and modern blues artist, respectful of tradition while forging his own path. Whether on stage or in the studio, Stefan Hillesheim embodies sincere music, virtuoso guitar playing, and blues that truly resonates.

When I'm Gone

The Charcoal Sunset - Souvenirs

Bitrate:320K/s
Year:2026
Time:42:21 
Size:98,0 MB 
Label:Bear Family Records 
Styles:Americana/Roots Rock/Blues 
Art:Front 

Tracks Listing:
 1. If Jesus Was American - 6:14
 2. Souvenirs - 4:15
 3. Basement Blues - 4:20
 4. Monkey Tonk - 2:20
 5. For the Turnstiles (Cover Version) - 3:10
 6. Statue of Liberty - 5:39
 7. Rolling Like a Wave - 3:54
 8. Sweet Harsh Winds - 3:30
 9. The Kind of Man I Am - 3:56
10. Lullaby - 5:01

Some stories cannot be told in fast-forward. They need the dust of the road, the glow of late-night lights, and the patience of passing years. The Berlin-based Americana outfit The Charcoal Sunset, led by singer, songwriter and frontman Juri Member, is writing exactly that kind of story. Since forming in 2007, the band has built a reputation as one of the most authentic hidden gems of the German roots scene. Their gift for atmospheric storytelling, handcrafted arrangements and emotional honesty did not go unnoticed: Rolling Stone honored them with “Demo of the Month,” and their early recordings drew enthusiastic praise from regional and national music critics alike. On stage, they proved their class supporting international acts such as The Avett Brothers and Seth Lakeman, demonstrating that Americana from Berlin can sound just as rooted, raw and compelling as anything coming out of Nashville or Austin.With “Souvenirs,” released on April 10, 2026, The Charcoal Sunset present their debut album on Bear Family Records®. A statement. A new beginning. And at the same time the distilled essence of years marked by departures, detours and artistic growth.Musically, the band confidently moves between Americana, folk, blues and roots rock - with an intensity and narrative depth that need not shy away from comparisons to artists like Ryan Bingham, Lucinda Williams or The Avett Brothers. Warm guitars, organic arrangements and a production that breathes the spirit of analogue days create a sound that feels timeless yet firmly grounded in the present.Nine of the album’s ten tracks are original compositions written by Juri Member. His songs speak of departure and loss, of memories that linger and roads that only reveal their meaning in hindsight. Each track carries his unmistakable signature - poetic, direct and free of affectation.

Souvenirs

Stevie B Band - Deepest Heart

Bitrate:320K/s
Year:2026
Time:43:49 
Size:100,9 MB 
Label:12658832 Records DK2 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Self-Inflicted Blues - 4:19
 2. Treat Me Right - 3:25
 3. Don't Start Me Talkin' - 3:30
 4. Deepest Heart - 4:34
 5. I Never Knew - 3:38
 6. Stevie B Boogie - 2:14
 7. Busted - 3:50
 8. Since You Been Gone - 4:15
 9. Two Bags - 3:30
10. You'll Lose A Good Thing - 5:01
11. Don't Ever - 5:27

Deepest Heart is a soulful journey through blues, funk, and eleven tracks of raw harmonica storytelling, recorded live and in the studio. Every note carries the spirit of the Bay Area and the deep roots of American blues tradition.Stevie B is a harmonica virtuoso, performer, and band leader rooted in the vibrant musical traditions of the San Jose/San Francisco Bay Area. For more than two decades, he has captivated audiences with a deep passionate sound of traditional Blues and soulful Americana grooves.
In addition to his solo work, Stevie B is the founder of the Muddy Suns, a Bay Area band formed in 1999. Under his leadership, the band has had many lineups. Jake Mackey, a raw-cutting edge soulful vocalist and guitarist, and Stevie B’s hard-hitting harmonica notes have made them a local favorite, for their soulful blend of Blues and funk. Stevie’s harmonica and Jake Mackey’s ripping guitar gives the Muddy Suns a distinctive sound , energizing every performance and creating memorable nights for audiences across the region. “You don’t learn the Blues. You feel the Blues.”

Deepest Heart

Jennifer Lyn & The Groove Revival - Electric Eden

Bitrate:320K/s
Year:2026
Time:34:55 
Size:81,0 MB 
Label:J & R Collective 
Styles:Blues/Blues Rock/Rock
Art:Full 

Tracks Listing:
 1. Breaking Chains - 3:01
 2. Light The Fire - 6:15
 3. White Rabbit - 2:41
 4. Lay Your Memory Down - 3:37
 5. Sucker for the Pain - 3:05
 6. Nothing Holding Me Down - 5:12
 7. Baggage - 4:16
 8. '59 Cadillac - 2:57
 9. Refuge - 3:46

Jennifer Lyn & The Groove Revival return with Electric Eden, a live album released on May 8, 2026 through J&R Collective. Built around nine live performances — eight originals and one carefully chosen cover — the record captures the band in the element where their music makes the most sense: on stage, in front of an engaged audience, with the room feeding the fire back to the players.
The album is not trying to be a nostalgic throwback. Instead, it brings back the feeling of a live show as an event: guitars biting and soaring, vocals cutting through the room, and a rhythm section driving the whole thing forward with purpose. At the center of the band is Jennifer Lyn, whose powerful vocals and commanding stage presence give the record its emotional force. Alongside her, Richard Torrance brings searing lead guitar work, with Jim Anderson on drums, Barb Jiskra on keys, and Nolyn Falcon on bass completing a tight, seasoned lineup. Together, they create a sound that bridges contemporary blues-rock with deep roots in classic blues tradition. The band’s rise has been steady and impressive. Since their 2021 EP Nothing Holding Me Down, Jennifer Lyn & The Groove Revival have built a strong reputation on the modern blues scene, reaching #4 on the Billboard Blues chart and earning multiple award nominations, including seven Independent Blues Music Award nominations and an International Songwriting Award nomination. A regional report from Fargo Underground also covered the band’s Billboard Blues chart success, confirming their growing profile beyond the independent blues circuit. The track listing gives the album a compact but punchy structure. Highlights include “Breaking Chains,” “Light The Fire / When The Levee Breaks,” “Lay Your Memory Down,” “Sucker For The Pain,” “Nothing Holding Me Down,” “’59 Cadillac,” and “Refuge.” The radio focus tracks listed in the press sheet are “Light The Fire,” “Lay Your Memory Down,” and “Sucker For The Pain,” all strong choices for airplay because they show the band’s balance of grit, melody and live intensity. The album’s second track, “Light The Fire / When The Levee Breaks,” is especially notable. Americana Highways described the album as a nine-track live LP and highlighted that performance as one of the places where the band’s creativity really starts to spill from the speakers, combining blues-rock authority with a clever nod to the history of heavy blues tradition.
What makes Electric Eden work is its immediacy. The record does not feel over-polished or artificially staged. It feels like a band locking into the audience, taking the energy in the room and pushing it back harder. That is exactly what a live blues-rock album should do: put the listener in the seat, close to the stage, where the sound is physical and the performance can only happen once. There is a clear classic-rock spirit running through the album, but the band’s identity is firmly contemporary. Jennifer Lyn & The Groove Revival are not simply recreating old sounds; they are using blues, rock and soul vocabulary to make something direct, muscular and current. Their strength lies in that balance — familiar enough to feel timeless, sharp enough to feel alive now.For BluesWave Radio, Electric Eden is a strong fit: modern blues-rock with stage heat, strong vocals, guitar fire and a band that understands dynamics. It is the sound of musicians who know that live music is not only about playing the songs correctly, but about making the room believe them. If Electric Eden has one message, it is that live music still matters. The room matters. The audience matters. The electricity between the stage and the seats matters. Jennifer Lyn & The Groove Revival capture that moment here — focused, loud, soulful and fully alive.

Electric Eden

Emanuel Casablanca - It's Getting Strange

Bitrate:320K/s
Year:2026
Time:108:09 
Size:248,6 MB 
Label:Bad Boy of Blues, Inc. 
Styles:Blues/Rock
Art:Front 

Tracks Listing:
 1. It's Getting Strange - 4:36
 2. I Can See It In Your Eyes - 2:54
 3. Woman Made of Gold - 4:42
 4. Signs of Love - 4:40
 5. Give Me Peace - 3:21
 6. Did I Just Start A War - 3:22
 7. I Got What You Want - 3:11
 8. Just To Feel Whole - 3:29
 9. Mine Alone - 2:50
10. Postcoital - 4:10
11. Slaughterhouse - 3:08
12. Touch Me - 2:55
13. My Sug - 2:36
14. The Woman I Love - 2:32
15. I Told Jesus - 4:54
16. It's Getting Strange  (Remix) - 3:50
17. I Can See It In Your Eyes  (Remix) - 2:56
18. I Know Her - 2:41
19. Secret - 3:50
20. Give Me Peace  (Remix) - 3:34
21. Signs of Love  (Remix) - 5:13
22. And It's Love - 3:33
23. A Little Bit of Faith Can Move A Rock - 3:34
24. Listening To Melody Gardot - 2:56
25. Slaughterhouse II  (Remix) - 3:05
26. Get Like Them - 3:27
27. Brooklyn Groove - 2:46
28. Sugar - 4:01
29. Con-Woman - 3:21
30. One Knee - 2:40
31. Starlight - 3:06

Here, on May 13, two days before the official release date of the album It’s Getting Strange, Emanuel Casablanca releases a self-arranged edition that shows how the whole story has developed over the years. The fact is that Emanuel did not immediately click with the blues. From a young age, he worked and trained hard – not the guitar, not the blues, but the basketball. Basketball was the center of his life from the age of 10 until the beginning of college. And then he said “enough” and turned his story towards music and the guitar. Since Brooklyn, New York, has long been associated with indie, punk and jazz, while the blues was neglected, Emanuel Casablanca, a native of Brooklyn, decided to change that situation and make the blues a primary part of his mission. Since then, the guitar and his turn to the blues have become stronger and more pronounced, and that was really all Emanuel wanted to do. With his dedicated work in the world of the blues, Emanuel Casablanca has forged a completely new path and continues to develop it. Known as the “Bad Boy of Blues,” Emanuel offers a raw, modern blues sound that is equally bold, emotional, and wicked – and this album is his boldest presentation yet.
Since I received the complete materials on February 24th, there was plenty of time to prepare, listen to, and come to a final opinion on this album. All thanks go to Phil Solenberg for all of this. What can I say when you are suddenly offered 31 tracks, which are literally bursting with variety and literally surprising with their impressive content? I must mention the impressive singer Kelli Baker, who is racing towards the true peaks that are there – and are just waiting for someone to manage to climb them. And of course, ahead of all is Emanuel Casablanca – a multifaceted artist, multi-instrumentalist, painter, and actor, as well as a striking singer, who continues to go further with this album.
Emanuel continues to drive his urban blues, which in the past included elements of hip-hop, but this album is exclusively based on blues and blues-rock and is specifically focused on that area. However, this album will definitely leave you speechless, both in terms of the number of songs and the variety. Of course, there is always room for further progress – and that is exactly how it should be, because this story will literally win you over.
As the songs come, I fell more and more into this musical story and simply wondered how to stop listening to the album. The pile of material on my desk only grows, and I am completely immersed in the album and can't move on. It is difficult to separate ourselves from what reminds us of our youth, of the days when we spent time listening to music that delighted us and made us proud to be a part of it.
Recommendation
From the first second to the end of the album It's Getting Strange, which is behind Emanuel Casablanca, you will not stop. You will constantly tap your feet, shake your head – but not so hard that you don't get dizzy. As soon as the album ends, your finger goes to the “repeat” button and so on in a circle. Time passes, and you’re still listening to this album. That tells you something – this is a good, crazy, cutting, powerful and incredibly effective, modern blues read. I’ll correct myself – a rock ’n’ blues read with an emphasis on both rock and blues. Where can you find better combinations? Because get your copy of this album as soon as possible! I believe you’ll be very surprised.

It's Getting Strange

Zac Harmon & The Drive - Live

Bitrate:320K/s
Year:2026
Time:66:48 
Size:153,1 MB 
Label:Self-Released 
Styles:Blues/Soul/R&B
Art:Front 

Tracks Listing:
 1. Ntro (Live) -  2:13
 2. Hump in Your Back (Live) -  4:58
 3. Blue Pill Thrill (Live) -  5:09
 4. Feet Back on the Ground (Live) -  7:55
 5. 40 Days (Live) -  5:29
 6. Don't Let the Devil Ride (Live) -  6:39
 7. Boogie Down (Live) - 10:16
 8. Little Blue Bird (Live) -  9:51
 9. Mississippi Bar B Q (Live) -  6:13
10. Slide (Live) -  8:00

Zac Harmon is a professional musician  who began his career playing with Sam Myers and ZZ Hill. He later moved to Los Angeles, where he established himself as a studio sideman, working on commercials and TV shows while also developing his talents as a songwriter and composer, even writing songs for the reggae group Black Uhuru. But above all else, Zac is a bluesman. His first album, "Live at Babe & Ricky’s Inn" (2003), revealed the true blues artist within him. His Delta roots and extraordinary ability to explore a wide stylistic range earned Zac national recognition. With his second album, Long As I Got My Guitar (2005), he won his first Blues Music Award (BMA) for Best New Artist. He received his second BMA in 2022 for Best Soul Blues Album for "Long As I Got My Guitar" (2021). Once unanimously regarded as one of the bluesmen with the brightest future in the genre, Zac Harmon today embodies the raw and vibrant present of the blues, carrying forward the legacy of Southern soul legends who influenced him, such as Bobby Bland and Little Milton. This latest album, his third recorded live, is a smooth journey between blues and soul, featuring Harmon singing and playing guitar with electrifying savoir-faire and the conviction of an artist fully engaged with his times.

Live

King of the World - The Raw Project

Bitrate:320K/s
Year:2026
Time:37:19 
Size:94,1 MB 
Label:KOTW Productions 
Styles:Blues/Blues Rock/Roots Blues/Old School Blues 
Art:Front 

Tracks Listing:
 1. The New King - 3:23
 2. Rip It Up - 3:00
 3. I'm Getting Used To It - 3:12
 4. Mama's Little Baby - 2:59
 5. Love Me Or Leave Me - 4:13
 6. It's Gonna Take a Lifetime - 8:09
 7. Hot Wire - 2:38
 8. Blood on Your Hands - 3:13
 9. Cheap Ass Bottle of Wine - 3:09
10. The Devil's Mind - 3:19

King of the World Sheds Polished Blues with ‘The RAW Project’
The official release show takes place at Bibelot Dordrecht on Friday, May 29.
On May 29, 2026, King of the World presents their ninth album: "The RAW Project". While the multiple Dutch Blues Award winners were previously known for their flawless productions, the band has now opted for a distinct change of course. The result is an album that trades the drive for perfection for spontaneity and unfiltered emotion—a soundtrack for the raw times of today.
The Essence: Less Production, More Emotion.
During the writing process for "The RAW Project", a fundamental need arose to do things differently. The band abandoned polished studio standards and returned to the roots of "old-school" blues. In a time of social unrest, King of the World translates the zeitgeist into music born of pain and loss, yet equally of resilience and hope.
“We let go of the drive for perfection in favor of pure expression,” says the band. “This project is confrontational and unadorned, yet delivered with absolute conviction.”
An Established Name in a New Light
Since their formation in 2012, King of the World has left an indelible mark on the Benelux blues and rock scene. With performances at the North Sea Jazz Festival and Paradiso, and a cabinet full of Dutch Blues Awards (including Best Band and individual honors for every musician), the group arguably has little left to prove.
Nevertheless, "The RAW Project" compels the listener—and the critic—to get reacquainted. With guitar phenomenon Stef Delbaere (ranked among the absolute elite by *Gitarist Magazine*) and the indestructible lineup of Govert van der Kolm (keyboards), Marlon Pichel (drums/vocals), and Ruud Weber (bass/vocals), the band reveals a side of itself that is more intimate and urgent than ever before.
Moreover, on this album, Marlon shares lead vocal duties with Ruud—a move that lends this new musical direction an extra raw dimension. With this project, King of the World proves that they are unafraid to lay their souls completely bare. ~ Website: https://www.kingoftheworld.eu/?lang=en

The Raw Project

Stevie Hawkins - Soul and Blues

Bitrate:320K/s
Year:2026
Time:62:58 
Size:145,4 MB 
Label:Emphasis Records 
Styles:Blues 
Art:Front 

Tracks Listing:
 1. Jack of All Trades - 4:02
 2. High Time - 4:10
 3. Lonely No More - 5:08
 4. That Ain't Right - 2:48
 5. Moondog The Mojo Man - 3:30
 6. Mule To Ride - 3:45
 7. Crack Me A Cold One - 3:18
 8. Keep Me From Crying - 4:58
 9. To Keep Your Woman - 3:45
10. Life Support - 4:12
11. Umm Sha Ooh - 2:08
12. You Do It So Well - 2:50
13. Different Strokes - 3:30
14. Get Back Together - 5:47
15. Take Me Back To Memphis - 5:34
16. Even Drummers Get The Blues - 3:26

Stevie Hawkins, a dynamic legendary blues and soul singer, drummer, and songwriter, has made a name for himself in the music world with his exceptional talent and captivating performances. With a rich and powerful voice that effortlessly resonates with his audience, Hawkins is a revered figure in the music industry.
Hawkins' musical journey began at a very young age in Knoxville, Tennessee, where he spent countless hours studying music and honing his skills as a drummer and vocalist while immersing himself in the rich sounds of blues, soul, rock, jazz, Latin, and country music. This dedication to his craft ultimately led him to the forefront of the music scene.
As Hawkins honed his skills, he was called upon in his teenage years to tour playing drums for some of the biggest names in blues, soul, funk, and rock music. Legends including Albert King, John Lee Hooker, Percy Sledge, Chuck Berry, Leon Russell, Rufus Thomas, and James Cotton. Stevie didn't just listen to their music—he learned directly from them and played alongside them, which helped him develop his own style. Ironically, 50 years later, Hawkins himself has joined their ranks by being inducted into the International Blues Hall of Fame as a Legendary Blues Artist in 2024. His contributions to the genre have earned him a reputation as an icon of blues music. 
Over the course of his career, Hawkins has also been called upon to tour and play drums for several major Nashville country music artists, such as Glen Campbell, Charlie Rich, Johnny Rodriguez, Daryle Singletary, Jim Ed Brown, Razzy Bailey, Doug Stone, Ed Bruce, and Jeff Carson.
With a Grammy® Award under his belt for his participation in The Rolling Stones Grammy-Winning album, "Blue & Lonesome," Stevie Hawkins is recognized as a top artist in blues, funk, and soul music. He has received multiple awards and accolades. Thus far, he has won a combined forty-eight music related awards, with twenty of those being blues music awards received in recent years.
Hawkins is not only known for his singing but also for his drumming skills. He has been praised for his rudimental technique, drumming style, and prowess by famous artists including Buddy Rich, James Brown, Bob Burns (the original drummer for Lynyrd Skynyrd), and Albert King. His ability to play melodically with vocalists has left audiences and recording artists alike stunned and impressed.
In a constantly changing music industry, Stevie Hawkins has solidified his place as an award-winning recording artist. His passion for creating exceptional music and his enduring talent have inspired generations of musicians. The blues world chose Hawkins, and he continues to honor that legacy with his outstanding contributions to the genre.

Soul and Blues

Danny Garwood & Company - 50 Fifty

Bitrate:320K/s
Year:2026
Time:20:27 
Size:47,2 MB 
Label:DGarwood Music 
Styles:Blues/Blues Rock 
Art:Front 

Tracks Listing:
 1. 50 Fifty - 2:28
 2. 387 Delta - 4:17
 3. As The Years Go Passing By - 6:24
 4. Up Your Sleeve - 3:22
 5. Them Changes - 3:53

At just 16 years old, Danny Garwood is already making waves in the music world with his undeniable passion for the blues. Inspired by legends like Kenny Wayne Shepherd, Eric Gales, and Stevie Ray Vaughan, Danny’s mission is clear: to keep the blues alive and inspire the next generation of musicians. Hailing from the vibrant music scene of Nashville, TN, Danny leads the dynamic band Danny Garwood & Company (DG&CO), an electrifying mix of blues, rock, and southern rock. Despite his young age, Danny has already shared the stage with iconic artists such as Ally Venable, Christone Kingfish, and the legendary Buddy Guy at the historic Ryman Auditorium.
Danny Garwood & Company deliver high-energy performances that leave audiences buzzing for days. Expect to hear people asking, “What does a 16-year-old kid know about the blues?” and marveling at “How he plays with so much feeling at such a young age!” Join Danny on his journey to keep the spirit of the!

50 Fifty

Reckoners - Where The Hell Am I?

Bitrate:320K/s
Year:2026
Time:41:02 
Size:95,3 MB 
Label:Gitcha Records 
Styles:Rock 
Art:Front 

Tracks Listing:
 1. Second Skin - 4:37
 2. Look Out Below - 4:09
 3. We Saw It All - 4:14
 4. Where The Hell Am I? - 4:20
 5. Silver Stallion - 4:20
 6. Running Wild - 4:37
 7. Don't Look Down - 3:17
 8. It Will Be Mine - 4:43
 9. Consuelo - 3:49
10. Not To Worry - 2:53

Reckoners sophomore album, Where the Hell Am I?, 
They’ve been releasing a steady stream of singles over the last couple months, but for my money, some of the best tracks are still in store for blues rock listeners when the record hits. Simply put, this record is damn near perfect. There are a couple moments where a track or two don’t quite measure up to the overall extreme quality of the others, but I didn’t give a single song less than an eight out of 10.
Reckoners are a Boston-based five-piece soul and roots rock outfit with a lot of classic rock in their DNA. This is their first record with an organized label and they’ve been coming up the blues rock circuit touring with bands like the Tedeschi Trucks Band, The Wallflowers, and Bonnie Raitt. The band is made up of: Tim Gearan on vocals and guitar, Johnny Trama on guitar, Thomas Arey on drums, Darby Wolf on keys, and Marc Hickox on bass. Also credited for guest support on Where the Hell Am I? are Sonya Rae Taylor on vocals and guitar, Ryan Taylor on guitar, and Kevin Barry on guitar and lap steel.
Where the Hell Am I? is a musically and thematically interesting record. There are times where the songs delve into contemplative or even existential lyrical material, but for the most part both the musical structure and the lyrical themes are upbeat, hopeful,  romantic, and inspiring. It’s a feel-good record that is genuinely touching and entertaining. Reckoners’ sound on Where the Hell Am I? is best characterized as lighthearted, optimistic guitar-driven hard rock riffs and solos with interesting drum choices and excellent, epic feeling organ work on keys. There’s a bit of soul and southern rock in there as well. The production and mixing are first rate and the band sounds excellent; I was continuously impressed with the musicianship on display in every song.
The record is divided up into 10 total tracks, all of which are fun and high quality. The real standout tracks are “We Saw It All,” “Don’t Look Down,” “Consuelo,” and ‘Not to Worry.” Please note that out of 10 tracks I gave four of them (almost half) a perfect 10/10 score. “We Saw It All” has a nice crunchy church organ sound with a fun bassline under it that builds out a bouncy and fun romantic tune that describes a day in the life with a lover and how love itself can make the world seem more interesting and delightful. 
“Don’t Look Down” is a more country feeling tune (the spirit of ZZ Top is present) that is fast and rambling with upbeat lyrics about falling in love, and features a very nice drum break about halfway through, followed by a big keys and guitar part that feels bluesy and rocking, creating a very profound moment just over 2/3 through the record. 
“Consuelo” is a significantly slower and bluesier number than the previous two I mentioned, with a light piano part that manages to balance a tale of heartbreak with a hopefulness for future love. The final(and best) track on the album is “Not to Worry.” It’s big and funky at times almost feels like Parliament-Funkadelic with a big soul chorus, rocking funky breaks in between, and the best guitar solo on the album.
There are only really two tracks on the record that didn’t feel nearly perfect to me: the first track, “Second Skin” which feels a little bit unoriginal, even if it does achieve its goals, and the fifth track, “Silver Stallion,” which at times can feel torn somewhere between a James Taylor song and a ’90s indie song. There’s nothing wrong with either of these tracks, but they don’t achieve the perfection or near perfection of the other three quarters of the record.
So there it is! Where the Hell Am I? is a nearly perfect record from a newer blues rock band that is making their first foray into publishing with an organized label. If there’s any justice in the world, and with a little bit of luck, the quality of this record, along with their touring work will help Reckoners become staples of our genre. If this is the quality of music we can expect from up-and-coming blues rock bands for the rest of the year and looking forward, then the genre is very well positioned indeed. I can’t wait to hear more from them ~ Lee Clark. 

Where The Hell Am I?